Why Arbaaz and Malaika Divorced
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Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
DOCTORAL DISSERTATIO Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the ‘Muslim’ Courtesan (tawaif) in Hindustani cinema Farhad Khoyratty Supervised by Dr. Felicity Hand Departament de Filologia Anglesa i Germanística Universitat Autònoma de Barcelona 2015 Table of Contents Acknowledgements iv 1. Introduction 1 2. Methodology & Literature Review 5 2.1 Methodology 5 2.2 Towards Defining Hindustani Cinema and Bollywood 9 2.3 Gender 23 2.3.1 Feminism: the Three Waves 23 2.4 Feminist Film Theory and Laura Mulvey 30 2.5 Queer Theory and Judith Butler 41 2.6 Discursive Models for the Tawaif 46 2.7 Conclusion 55 3. The Becoming of the Tawaif 59 3.1 The Argument 59 3.2 The Red Dupatta 59 3.3 The Historical Tawaif – the Past’s Present and the Present’s Past 72 3.4 Geisha and Tawaif 91 4. The Courtesan in the Popular Hindustani cinema: Mapping the Ethico-Ideological and Mythopoeic Space She Occupies 103 4.1 The Argument 103 4.2 Mythopoeic Functions of the Tawaif 103 4.3 The ‘Muslim’ Courtesan 120 4.4 Agency of the Tawaif 133 ii 4.5 Conclusion 147 5. Hindustani cinema Herself: the Protean Body of Hindustani cinema 151 5.1 The Argument 151 5.2 Binary Narratives 151 5.3 The Politics of Kissing in Hindustani Cinema 187 5.4 Hindustani Cinema, the Tawaif Who Seeks Respectability 197 Conclusion 209 Bibliography 223 Filmography 249 Webography 257 Photography 261 iii Dedicated to My Late Father Sulliman For his unwavering faith in all my endeavours It is customary to thank one’s supervisor and sadly this has become such an automatic tradition that I am lost for words fit enough to thank Dr. -
Brochure Print New.Indd
“excellence is the fabric of our work, spun with the yarn of knowledge and expertise, built on the foundation of transparent dealing”. 91 ABOUT US ................................................................................................................................................... 04 EVENT MANAGEMENT ................................................................................................................................................... 06 EVENT HIGHLIGHTS ................................................................................................................................................... 10 INTERNATIONAL SHOWS ................................................................................................................................................... 12 CHARITY EVENTS ................................................................................................................................................... 14 AWARD NIGHTS ................................................................................................................................................... 20 MOTION PICTURES ................................................................................................................................................... 26 WEDDING PLANNERS ................................................................................................................................................... 32 THEME SHOWS .................................................................................................................................................. -
Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS -
Annual Report and Audited Consolidated Financial Statements for the Period from 4 April 2007 to 31 March 2008
Annual Report and Audited Consolidated Financial Statements For the period from 4 April 2007 to 31 March 2008 Managed by Film Investment Managers (Mauritius) Limited Investment Objective The investment objective of The Indian Film Company Limited (the “Company”) and its Subsidiaries; The Indian Film Company (Cyprus) Limited (formerly Braxfield Investment Limited and IFC Distribution Private Limited (collectively the Group) is to achieve total return for Shareholders through investment in a diverse portfolio of Indian films and films primarily targeted at the Indian audience across different genres, languages and budgets. The Group intends to build a film library of Intellectual Property Rights (“IPR”) in various formats, including satellite, home video and mobile technology. The Directors and Film Investment Managers (Mauritius) Limited (the “Investment Manager”) (formerly known as BK Enterprises Limited) believe that the Group is well placed to take advantage of film investment opportunities and to capitalise on the growth that the Indian film industry is experiencing. Operational Strategy The Investment Manager, on behalf of the Group, captures opportunities in the entire value chain of film creation by; (i) sourcing and evaluating prospective film projects through a research-led investment process; and (ii) managing and structuring the production and distribution of such film projects. In sourcing prospective film projects the Investment Manager thoroughly evaluates film concepts, scripts, directors and cast in respect of current market data relating to current tastes and trends. The Investment Manager then assesses the feasibility of the project in relation to budget, timescales and the risks and rewards of each opportunity. Once a film project has been approved by the Board, the Group seeks to retain full ownership of all IPR relating to each film project, although in certain situations the Group may invest in a film project where it may not acquire all rights. -
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DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C Digital distortion is Blame game: THE TIMES OF INDIA picture imperfect Vivek Oberoi Tuesday, April 8, 2003 for Sarah Michelle fires Diya’s ire Page 7 Page 8 TO D AY S LUCKY 852 Pack of cards Bangla war 871 884 Juhi ms India Dimond jubilee 875 Your Dambola Ticket available in Delhi Times on 6th April, 2003 OF INDIA Numbers already announced : 10, 82, 7, 1, 19, 15, 33, 41 MANOJ KESHARWANI IT’S A WAR ON THE ENVIRONMENT TOO Environmentalists warn that both flora and fauna are defenceless against the bombs and missiles of the US-Iraq war Times News Network Back in 1991, Sad- Jurgen Brauer of tion; and the widespread murder of dam Hussein had the Augusta State animals, both domesticated and wild. he bird doesn’t appear like a bi- ordered his troops University: ‘‘It shou- Caught in the crossfire between bo- rd. Covered in oil from head to to set ablaze a num- ld be noted that the mbs and missiles, Iraq’s wildlife finds Ttoe, it stumbles along a black be- ber of Kuwaiti oil environmental — itself in an animated situation. Says a ach; black, because there is no sand vis- wells — with devast- let alone human — senior member of the Wildlife Trust of ible, only oil. In the background, an oil ating consequences impact of the war India, ‘‘The animals in Iraq are al- well spews smoke and soot, as if a hole for the flora and fau- on Iraq is possibly ready bearing the brunt of the bomb- has been opened to hell itself, and the na. -
Title ID Titlename Category Name Starring Starring D0872 15
Title ID TitleName Category Name Starring Starring D0872 15 MINUTES Action ROBERT DE NIRO EDWARD BURNS D2238 13 MOONS Adventure STEVE BUSCEMI PETER DINKLAGE D2323 13 GOING ON 30 Comedy JENNIFER GARNER MARK RUFFALO D2365 10.5 Action KIM DELANEY BEAU BRIDGES D7019 102 DALMATIANS Childrens GLENN CLOSE GERARD DEPARDIEU D7359 15 PARK AVENUE Family SHABANA AZMI KONKONA SENSHARMA D7589 16 BLOCKS Action BRUCE WILLIS MOS DEF D7615 18 FINGERS OF DEATH Comedy JAMES LEW PAT MORITA D7708 100 DAYS Drama DAVID MULWA DAVIS KWIZERA D7737 10.5 APOCALYPSE Action KIM DELANEY DEAN CAIN D7862 10TH & WOLF Action VAL KILMER DENNIS HOPPER D8276 1971 Family MANOJ BAJPAI RAVI KISHAN D8351 10 ITEMS OR LESS Comedy MORGAN FREEMAN PAZ VEGA D8370 15 MINUTES Action ROBERT DE NIRO EDWARD BURNS D8374 13 GOING ON 30 Comedy JENNIFER GARNER MARK RUFFALO D8473 THE 13TH WARRIOR Thriller / Suspense ANTONIO BANDERAS OMAR SHARIF D8771 1408 STEPHEN KING'S Horror SAMUEL L JACKSON JOHN CUSACK D8969 101 DALMATIANS II PATCHS LONDONAnimated ADV D9139 12 MONKEYS Action BRUCE WILLIS BRAD PITT D9266 1947 EARTH Drama AAMIR KHAN NANDITA DAS D9419 THE 11TH HOUR Documentary NARRATED - LEONARDO DICAPRIO D9642 10,000 B.C. Action STEVEN STRAIT CAMILLA BELLE D10008 1000 PLACES TO SEE BEFORE YOUDocumentary DIE COLLECTION 2 D10014 1920 Horror RAJNEESH DUGGAI ADAH SHARMA D10213 10 ITEMS OR LESS SEASON 1 N 2 Series / Season D10518 187 Action SAMUEL L JACKSON JOHN HEARD D10615 13 B Horror NEETU CHANDRA POONAM DHILLON D10835 12 ROUNDS Action JOHN CENA ASHLEY SCOTT D10920 12 (FOREIGN) Drama SERGEY MAKOVETSKY -
Pope Francis: Tant Role
to recover “black money” stashed away in tax havens abroad. Political finance accountability is another key issue. There are no limits to individual donations, and corporate donations are hardly ever questioned because elections expenses are Letter grossly underreported. The Election Commission has insti- tuted measures to create enhanced transparency and closer scrutiny of financing and election expenses. It is pushing the government for electoral reforms that help track sources of to political funding. When will India have a corruption be gov- ernment and bureaucracy? - Laxman Saxena Change the law and allow married The priests and women priests The Catholic Church need to open up to the new world. The problem is not with God, but with an all-male clerical cul- Editor ture that views women as lesser than men. Though I am not optimistic, I pray that the newly elected Pope Francis will re- think this antiquated and unholy doctrine and allow married clergy to serve and for women to be ordained priets of the Catholic Church. - Melissa Cruz Pope Benedict Resigns NARENDRA MODI, THE FUTURE Your cover story on Pope Benedict was very enlightening. PRIME MINISTER OF INDIA, IS AN As the sun set on Rome and on his turbulent eight-year pa- ICON OF RESURGENT INDIA pacy, Pope Benedict XVI, a shy theologian who never seemed After playing a hat trick in Gujarat elections, Narendra entirely at home in the limelight, retired to a life of prayer, Modi’s stock has considerably gone up and he has emerged study, walking in the garden and piano practice, he lefet in his as the most dominant, dynamic and charismatic national leader. -
Era of Expansionism Has Ended; It Is Time for Development
# 1 Indian American Weekly: Since 2006 VOL 14 ISSUE 27 ● NEW YORK / DALLAS ● JULY 03 - 09 , 2020 ● ENQUIRIES: 646-247-9458 www.theindianpanorama.news AMERICA ‘Era of expansionism has ended; it is time UNITED AGAINST for development’: Modi warns China COVID-19 Prime Minister Narendra Modi on Friday, July 3 paid a surprise KEEP SAFE visit to Ladakh to assess the border situation. ● Follow CDC guidelines I.S.SALUJA ● Observe Social Distancing ● Wash Hands Frequently LEH / NEW YORK (TIP): :Modi, who reached KEEP AMERICA SAFE Leh in the morning of July 3, had a major strategic session with the army commanders, where the 14 Corps Commander gave a detailed view of the situation since May, how the standoff started and also how it looks like as of today in terms of the estimated strength of the soldiers and their machinery on both the sides. The PM was greeted with slogans of 'Bharat Mata ki Jai' and 'Vande Mataram' by the soldiers, who also raised their arms. Modi was also briefed about the evolving situation since May at Galwan Valley, Pangong Tso, Demchok and Hot Springs in the eastern Ladakh by Lt Gen Harinder Singh, who had led the COVID-19 Prime Minister of India Narendra Modi arrived on a surprise visit in Leh on Friday, Worldwide Indian delegation in the three rounds of talks with July 3 to assess the situation on India's border with China. The eastern Ladakh has Update his Chinese counterpart Major General Liu Lin. become a theatre of a prolonged standoff between Chinese and Indian troops. -
Released Movies
Released Movies: 1) Apaharan Producer: Prakash Jha Director: Prakash Jha Cast: Ajay Devgan, Bipasha Basu, Mohan Agashe, Nana Patekar, Cleo Issacs, Yashpal Sharma, Ayub Khan, Anup Soni, Mukesh Tiwari, Daya Shankar Pandey, Murli Sharma, Brij Gopal, Akhilendra Mishra Synopsis Apaharan, is the story of a complex relationship between a father (Mohan Agashe) and son (Ajay Devgan) set against the backdrop of a thriving kidnapping industry in the Hindi heartland of Bihar, North India. Apaharan is not merely the story of the kidnapping of human beings for mercenary purpose. It is the story of the kidnapping of society itself. The kidnapping of the moral fiber that sustains a civilistion.The proliferation of crime, the precarious political balance of coalition politics, the so-called interests of minorities, fractured and purchased vote banks, a submissive and complaint bureaucracy, a corrupt police force…The blurring boundaries between politics and crime... The time of nexus is long gone. Now criminals are politicians and politicians are criminals... Politicians who operate from jails and criminals who operate from ministerial offices… As scared and fearful business communities, and the common taxpayer are extorted to finance this world, there is no right and no wrong. No fear of god, no morality and no principles…Everything can be is acceptable because the conscience of society has been kidnapped. And people of courage and conscience are a rarity, a disappearing anachronism. 2) Kalyug Producer : Mukesh Bhatt Director : Mohit Suri Cast : Kunal Khemu, Deepal Shaw, Smily Suri, Amrita Singh, Ashutosh Rana, Amir Faridi, Nisha Lalwani Synopsis Everything seemed very normal in Kunal's (Kunal Khemu) routine life. -
Film Dance, Female Stardom, and the Production of Gender in Popular Hindi Cinema
FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA by Usha Iyer B. A. in English Literature, St. Xavier’s College, Bombay, India, 1994 Masters in Communication Studies, University of Pune, India, 1996 M.A. in English Literature, Centre for English and Foreign Languages, Hyderabad, India, 2006 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Usha Iyer It was defended on August 18, 2014 and approved by Marcia Landy, Distinguished Professor, English and Film Studies Lucy Fischer, Distinguished Professor, English and Film Studies Ranjani Mazumdar, Associate Professor, School of Arts & Aesthetics, Jawaharlal Nehru University, India Dissertation Advisor: Neepa Majumdar, Associate Professor, English and Film Studies ii Copyright © by Usha Iyer 2014 iii FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA Usha Iyer, PhD University of Pittsburgh, 2014 This dissertation undertakes a historical and theoretical analysis of constructions of gender and sexuality through popular Hindi film dance. This hybrid dance form, primarily staged by female performers until recently, has featured a syncretic mix of Indian classical and folk dance traditions as well as transnational dance forms since the early 20th century. My study of this popular cultural form explores the interactions of Hindi cinema with indigenous and foreign dance forms, constructions of the performing body and of spaces of performance, differing narratives and histories of male and female stardom, and the mechanisms for the ideological constitution of the Indian spectator-subject.