1 2 HOUSE AUDIO SYSTEM USES AMX CONTROL MODULE AS WELL AS Biamp digital signal processors

3 HOUSE AUDIO SYSTEM USES AMX CONTROL MODULE AS WELL AS Biamp digital signal processors

4 DISADVANTAGE OF HAVING AUDIO ON MAIN NETWORK WHEN SOUND CLERK ACTIVATES A MIC, THE MEMBERS PICTURE WILL LIGHT UP IN YELLOW. THAT’S HOW WE KNOW WHICH MEMBER TO GO TO. REPSPONSE TIME IS 2-3 SECONDS DEPENDING ON WHERE MEMBER IS SITTING. WITH THIS FLOOR LAYOUT, WE HAVE OVER 100 PRESETS, BUT THE SYSTEM CAN HANDLE UP TO 5000 PRESETS LAYOUT OF ENTIRE HOUSE FLOOR 5 CAMERAS THROUGHOUT CHAMBER

5 WE USE SONY BRZ-Z700 CAMERAS IN CHAMBER. FIVE PLACED THROUGHOUT.. CAMERAS ARE CONTROLLED THROUGH TOUCHPANEL SCREEN.

6 TOUCH PANEL DOES HAVE JOYSTICK CONTROL THAT WILL MOVE CAMERAS. CONTROL RUNS THROUGH AMX PANEL. NETWORK CONNECTION FROM TOUCH PANEL OVER TO AMX CONTROLER. ONLY PROBLEM IS CAMERAS CAN BE SLOW TO RESPOND.

7 AMX PANEL CONNECTS TO SWITCHER VIA NETWORK CABLE AND ACTUAL SWITCHING TAKES PLACE ON SWITCHER. WE HAVE THE OPTION OF EITHER USING TOUCH PANEL TO CUT OR FADE BETWEEN SHOTS OR USING SWITCHER. PROS AND CONS TO BOTH. SWITCHER IS Panasonic AG-HS450N

8 MONITOR BRIDGE IS FED FROM PANASONIC SWITCHER. USING A DESKTOP APP, WE CAN CUSTOMIZE LAYOUT OF BRIDGE

9 IF CAMERA IS USING A PRESET SHOT, THEN LOWER THIRD SUPER AUTOMATICALLY COMES UP WHEN MEMBER IS AT HIS/HER SEAT USING A PROGRAM THAT COME ON THE COMPIX MACHINE CALLED AUTOCAST. THIS DATA IS FED IN THROUGH AN EXCEL SPREADSHEET WHERE EACH MEMMBERS NAME AND DISTRICT THEY REPRESENT ARE INSERTED CORRESPONDING WITH THEIR SEAT NUMBER. THE LAYOUT PROGRAM WAS PART WRITTEN BY JAY STANLEY BUILT ON EXISTING CODING FROM AMX

10 IF MEMBER IS IN WELL OF THE HOUSE, THEN WE MANUALLY CALL UP THEIR SUPER. GRAPHICS COME OUT OF COMPIX GRAPHICS MACHINE.

11 WE RECORD FULL UNCOMPRESSED HD AVC INTRA 100 CODEC USING A PANASONIC P2 RECORDER. FOOTAGE IS THEN FTP’D OFF THE P2 CARDS OVER TO OUR NAS STORAGE SERVER WHERE P2 FILES ARE THEN BURNED TO BLU RAY. DOWNSIDE IS COST OF BLU RAY DISCS. UPSIDE IS ARCHIVES WILL MOST LIKELY NEVER GO OUT OF DATE

12 WE RECORD FULL UNCOMPRESSED HD AVC INTRA 100 CODEC USING A PANASONIC P2 RECORDER. FOOTAGE IS THEN FTP’D OFF THE P2 CARDS OVER TO OUR NAS STORAGE SERVER WHERE P2 FILES ARE THEN BURNED TO BLU RAY. DOWNSIDE IS COST OF BLU RAY DISCS. UPSIDE IS ARCHIVES WILL MOST LIKELY NEVER GO OUT OF DATE. COMPATABLE WITH MOST SOFTWARE NAS STORAGE HAS 8 TERABYTES OF STORAGE BUT IS EXPANDABLE UP TO 24 TB

13 14 TRANSMISSION RACK CONTAINS ALL OUR TRANSMISSION HARDWARE

15 VIDEO ENCODER THAT IS CONNECTED TO A DEDICATED NETWORK LINE THAT FEEDS VIDEO 15 MBPS TO DECODER LOCATED IN AETN CONTROL ROOM. IS CAPABLE OF BROADCASTING HD

16 SIMPLE RF MODULATOR

17 GRANICUS ENCODERS. 5 ENCODERS. FOUR COMMITTEE ROOMS AND 1 HOUSE FLOOR. WEB IS BY FAR THE MOST VIEWED. DURING MOST RECENT SESSION, ON DAY OF PRIVATE OPTION FUNDING VOTE WE HAD AROUND 4000 HITS TO OUR VIDEO STREAMING PAGE THAT DAY

18 GRANICUS ENCODERS ARE GIVEN A DEDICATED LINE THAT COMES INTO CONTROL ROOM VIA FIBER. CURRENT SETUP HAS ENCODERS ON PUBLIC IP’S BUT THAT WILL BE CHANGING WITH THE UPGRADE

19 4 COMMITTEE ROOMS WIRED. HOUSE COMMITTEE ROOMS ONLY. USE SONY ANYCAST STATION FOR SWITCHING AND LOWER THIRDS. CAMERAS ARE SONY SD CAMERAS THAT ARE CONTROLED USING CONTROL PANEL

20 4 COMMITTEE ROOMS WIRED. HOUSE COMMITTEE ROOMS ONLY. USE SONY ANYCAST STATION FOR SWITCHING AND LOWER THIRDS. CAMERAS ARE SONY SD CAMERAS THAT ARE CONTROLED USING CONTROL PANEL

21 4 COMMITTEE ROOMS WIRED. HOUSE COMMITTEE ROOMS ONLY. USE SONY ANYCAST STATION FOR SWITCHING AND LOWER THIRDS. CAMERAS ARE SONY SD CAMERAS THAT ARE CONTROLED USING CONTROL PANEL

22 VIDEO AND AUDIO GET BACK TO CONTROL ROOM VIA FIBER. TWO DUAL PAIR FIBERS FOR EACH ROOM. ONE PAIR SENDS VIDEO ONLY, SECOND PAIR SENDS ONE AUDIO CHANNEL AS WELL AS AN AUX VIDEO SOURCE.

23 COMMITTEE MEETINGS ARE STREAMED LIVE TO THE WEB ONLY. ON OCCASION SOMEONE WILL ASK TO PICK ONE UP. ALL CONTENT IS ARCHIVED ON THE WEBSITE. CAN BE PATCHED TO ANY OUTPUT.

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