L'ultima Odissea Di Franco Rossi
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Franco Rossi (Director) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Franco Rossi (director) 电影 串行 (大全) Only for You, Lucia https://zh.listvote.com/lists/film/movies/only-for-you%2C-lucia-19819537/actors Calypso https://zh.listvote.com/lists/film/movies/calypso-105741383/actors Le bambole https://zh.listvote.com/lists/film/movies/le-bambole-1123206/actors Everyone's in Love https://zh.listvote.com/lists/film/movies/everyone%27s-in-love-1168125/actors Love at First Sight https://zh.listvote.com/lists/film/movies/love-at-first-sight-19753070/actors Death of a Friend https://zh.listvote.com/lists/film/movies/death-of-a-friend-20814652/actors I complessi https://zh.listvote.com/lists/film/movies/i-complessi-2265676/actors Una rosa per tutti https://zh.listvote.com/lists/film/movies/una-rosa-per-tutti-3283879/actors High Infidelity https://zh.listvote.com/lists/film/movies/high-infidelity-3284159/actors Pure as a Lily https://zh.listvote.com/lists/film/movies/pure-as-a-lily-3414863/actors Smog https://zh.listvote.com/lists/film/movies/smog-3487021/actors Controsesso https://zh.listvote.com/lists/film/movies/controsesso-3689356/actors Eneide (TV serial) https://zh.listvote.com/lists/film/movies/eneide-%28tv-serial%29-3725208/actors I falsari https://zh.listvote.com/lists/film/movies/i-falsari-3790784/actors Il seduttore https://zh.listvote.com/lists/film/movies/il-seduttore-3795692/actors L'altra metà del cielo https://zh.listvote.com/lists/film/movies/l%27altra-met%C3%A0-del-cielo-3818353/actors Make Love, Not War https://zh.listvote.com/lists/film/movies/make-love%2C-not-war-3878048/actors Three -
Film Divertenti
Commedie e film comici Ciao Pussycat (regia di Clive Donner – USA, 1965) Simon Konianski (regia Micha Wald – Francia, 2009) Johnny English (regia di Peter Howitt – Regno Unito, 2003) Il favoloso mondo di Amélie (regia di Jean Pierre Jeunet – Francia, 2001) Airbag - tre uomini e un casino (regia di Juanma Bajo Ulloa – Spagna, 1997) Torrente - Il braccio idiota della legge (regia di Santiago Segura – Spagna, 1998) Il giorno della bestia (regia di Alex de la Iglesia – Spagna, 1995) La serie "The Durrells" (scritta da Simon Nye – Regno Unito, 2016-2018) Robin Hood un uomo in calzamaglia (regia di Mel Brooks – USA, 1993) Borat (regia di Larry Charles – USA, 2007) Bruno (regia di Larry Charles – USA, 2009) Tre uomini e una gamba (regia di Aldo Baglio, Giacomo Poretti, Giovanni Storti, Massimo Venier – Italia, 1997) La pazza gioia (regia di Paolo Virzì – Italia, 2016) I soliti ignoti (regia di Mario Monicelli – Italia, 1958) I mostri (regia di Dino Risi – Italia, 1963) L’armata Brancaleone (regia di Mario Monicelli – Italia, 1966) Brancaleone alle crociate (regia di Mario Monicelli – Italia, 1970) Il mio grosso grasso matrimonio greco (regia di Joel Zwick – Canada, USA, Grecia, 2002) Albeggia e non è poco (regia di José Luis Cuerda – Spagna, 1989) L'arbitro (regia di Paolo Zucca – Italia, 2013) L’uomo che comprò la luna (regia di Paolo Zucca – Italia, 2018) Non sposate le mie figlie (regia di Philippe de Chauveron – Francia, 2015) La felicità è un sistema complesso (regia di Gianni Zanasi – Italia 2015) Pecore in Erba, ovvero quando un documentario -
Gino Moliterno
HISTORICAL DICTIONARY OF ITALIAN Cinema GINO MOLITERNO Historical Dictionaries of Literature and the Arts Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keat- ing, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardi- son Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 25. Horror Cinema, by Peter Hutchings, 2008. 26. Westerns in Cinema, by Paul Varner, 2008. -
Introduction 1. a Note on Titles. on the First Mention of a Film, I Give The
Notes Introduction 1. A note on titles. On the first mention of a film, I give the original Italian title, followed by the English language title used for interna- tional release, or my translation where no such title exists. Subsequent mentions of film titles are in the original Italian; English titles are available in the Filmography. 2. For a full list of the corpus I consulted, see the Filmography. 3. Unless stated otherwise, all translations are my own. 1 Cinema, Space, Gender 1. In Gender, Space, Architecture: An Interdisciplinary Introduction (2000), editors Jane Rendell, Barbara Penner, and Iain Borden set out an overview of the issues linking gender and space in architec- tural studies. In film studies, although we have volumes which link space and cinema (e.g., Konstantarakos, 2000; Everett and Goodbody, 2005; Rhodes and Gorfinkel, 2011a), we currently lack a volume simi- lar to Rendell et al.’s which provides an account of the link between the three concepts space, gender, and cinema. 2. For an overview of the “spatial turn,” see Warf and Arias (2009). 3. For a useful discussion of De Certeau’s take on the terms space and place, see Rhodes and Gorfinkel (2011b: xi). Citing Margaret Kohn, the authors argue that “de Certeau’s terms and his definitions of them are actually ‘poorly chosen metaphors for a politics of domina- tion or nostalgia’” (Kohn, 2003: 21, cited in Rhodes and Gorfinkel, 2011b: xi). 4. On the national archive and the status of its documentation in the Italian filmmaking process, see Pauline Small’s useful overview (2009: 127–8). -
Presentazione E Schede Dei Film (Dal Catalogo Del
L’ITALIA IN CORTO. PRIMA PARTE (1952-1968) Short Italian Style. Part I (1952-1968) Programma a cura di / Programme curated by Goffredo Fofi e Paolo Mereghetti Note di / Notes by Goffredo Fofi, Paolo Mereghetti e Alice Autelitano 256 Sebbene non solo italiano, il film a episodi ha avuto in Italia Although they were not exclusively Italian, episode films had una diffusione superiore a tutte le altre cinematografie. Le greater success in Italy than elsewhere. The reasons for this ragioni di questa fioritura, che tra la metà degli anni Cin- flourishing, which produced over two hundred films between quanta e quella degli anni Settanta è letteralmente esplo- the mid-fifties and the mid-seventies, can partly be found in sa superando i duecento titoli, si può cercare da una parte the importance novellas and short stories had in Italian lit- nell’importanza che la novella o il racconto breve hanno erature, in particular over the last two centuries (which the avuto nella nostra letteratura, specie degli ultimi due secoli importance of Pietro Pancrazi’s 1939 anthology, Racconti e (e che l’eco dell’antologia fatta da Pietro Pancrazi nel 1939 novelle dell’Ottocento, published by Sansoni, bears witness – Racconti e novelle dell’Ottocento, pubblicata da Sansoni – è to). Reasons can also be found in the attention that a certain lì a testimoniare), e dall’altra nell’attenzione che una certa interpretation of Neorealism had for everyday things found in vulgata del neorealismo aveva innescato a favore della nota- newspapers, seen as the possible starting point for more general zione spicciola, dell’attenzione al piccolo fatto (di cronaca) reflection.