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Copyright by Joseph Paul Moser 2008
Copyright by Joseph Paul Moser 2008 The Dissertation Committee for Joseph Paul Moser certifies that this is the approved version of the following dissertation: Patriarchs, Pugilists, and Peacemakers: Interrogating Masculinity in Irish Film Committee: ____________________________ Elizabeth Butler Cullingford, Co-Supervisor ____________________________ Neville Hoad, Co-Supervisor ____________________________ Alan W. Friedman ____________________________ James N. Loehlin ____________________________ Charles Ramírez Berg Patriarchs, Pugilists, and Peacemakers: Interrogating Masculinity in Irish Film by Joseph Paul Moser, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 For my wife, Jennifer, who has given me love, support, and the freedom to be myself Acknowledgments I owe many people a huge debt for helping me complete this dissertation. Neville Hoad gave me a crash course in critical theory on gender; James Loehlin offered great feedback on the overall structure of the study; and Alan Friedman’s meticulous editing improved my writing immeasurably. I am lucky to have had the opportunity to study with Charles Ramírez Berg, who is as great a teacher and person as he is a scholar. He played a crucial role in shaping the chapters on John Ford and my overall understanding of film narrative, representation, and genre. By the same token, I am fortunate to have worked with Elizabeth Cullingford, who has been a great mentor. Her humility, wit, and generosity, as well as her brilliance and tenacity, have been a continual source of inspiration. -
WB Yeats, the Abbey Theatre, and The
Edinburgh Research Explorer W. B. Yeats, the Abbey Theatre, and the cinema, 1909-1939 Citation for published version: Girdwood, M 2018, 'W. B. Yeats, the Abbey Theatre, and the cinema, 1909-1939', Irish Studies Review, vol. 26, no. 4, pp. 455-471. https://doi.org/10.1080/09670882.2018.1515878 Digital Object Identifier (DOI): 10.1080/09670882.2018.1515878 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Irish Studies Review Publisher Rights Statement: This is a post-peer-review, pre-copy edited version of an article published in Irish Studies Review The definitive publisher-authenticated version Megan Girdwood (2018) W. B. Yeats, the Abbey Theatre, and the Cinema, 1909–1939, Irish Studies Review, 26:4, 455-471, DOI: 10.1080/09670882.2018.1515878 is available online at: https://www.tandfonline.com/action/showCitFormats?doi=10.1080%2F09670882.2018.1515878 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 W. B. Yeats, the Abbey Theatre, and the Cinema: 1909-1939 “We may have to close down and, Ezra Pound suggests, put in a cinematograph,” wrote W. -
Ancient Order of Hibernians
St Brendan The Navigator Feast Day May 16th Ancient Order of Hibernians St Brendan the Navigator Division Mecklenburg County Division # 2 ISSUE # 3 MONTHLY NEWSLETTER VOLUME# 7 March 2015 Our next business meeting is on Tuesday, March 10th at 7:30 PM Holy Spirit Parish Center Denver 2015 Officers Chaplain Father Paul McNulty President Dick Seymour Vice President Lee Madden Secretary Tom Dowd Treasurer Chris O’Keefe Fin. Secretary Ray FitzGerald Standing Committee Joe Dougherty Marshall Sean Ragan Sentinel Ron Haley Past President Ray FitzGereld www.aohmeck2.org "Níor bhris focal maith fiacail riamh." Translation: "A good word never broke a tooth." President’s Message St. Brendan the Navigator Pray for Us St. Patrick Pray for Us Erin go Baugh Brothers, Here we are, the month of St. Patrick, a busy month for our Division. It’s time to proudly display our heritage. If you haven’t been able to participate in or volunteer to help at our events or activities in the past, this is the perfect time to make that extra effort. Keep alert to our e-mails, website and information in this Newsletter to see how you can help. As we approach St. Patrick’s Day, be alert to stores, kiosks, vendors promoting or selling merchandise that defames or disparages the Irish heritage. Typical are t-shirts depicting the Irish as drunkards and the like. Don’t hesitate to complain either in person or in writing to the vendor or the establishment’s management that you find this offensive and politely ask them to discontinue displaying or selling the items. -
March 2019 Irish Questions Presentation
Dia Dhuit 1. This movie actor became a courier for Sinn Féin leader Michael Collins. a) George Brent b) Victor McLaglen c) Barry Fitzgerald d) Tyrone Power a) George Brent 2. This actor was an Irish nationalist, fought in the Easter Rising of 1916, was captured and held for six months in the Frongoch internment camp in Frongoch, Wales. He was decorated by the Republic of Éire. When he was cremated he given full military honors in Deans Grange Cemetery. a) Frank Morgan b) Thomas Mitchell c) Arthur Shields d) Pat O’Brien c) Arthur Shields 3. This actor’s name originally Lt. John Lowe was on leave from the army and visiting his parents when the Rising broke out. His father, General William Lowe, was commander of the British forces in Dublin, and the suddenness of the Rising saw his father co-opt him as a temporary aide-de-camp. He subsequently made movies in Hollywood. What is this actors stage name? b) John Loder 4. This actor was very proud being related to the Irish patriot Thomas Ashe, who died on a Hunger Strike in 1917 while being force fed. a) John Huston b) Maureen O’Hara c) Walter Brennan d) Gregory Peck d) Gregory Peck 5. George M. Cohan, born in Providence, Rhode Island, was an avid baseball fan of which team? a) Brooklyn Dodgers b) New York Giants c) New York Yankees d) Boston Red Sox b) New York Giants 6. Irish writer, Liam O’Flaherty, was cousin to this famous movie person. a) Pat O’Brien b) Maureen O’Hara c) John Ford d) Tyrone Power c) John Ford 7. -
Maureen O'hara
Maureen O’Hara MAUREEN O’HARA ~ THE BIOGRAPHY AUBREY MALONE Copyright © 2013 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 17 16 15 14 13 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Dillon-Malone, A. (Aubrey) Maureen O’Hara : the biography / Aubrey Malone. pages cm Includes bibliographical references and index. ISBN 978-0-8131-4238-8 (hardcover : alk. paper) — ISBN 978-0-8131-4239-5 (epub) — ISBN 978-0-8131-4240-1 (pdf) 1. O’Hara, Maureen, 1920- 2. Motion picture actors and actresses— United States—Biography. I. Title. PN2287.O33M35 2013 791.4302’8092—dc23 [B] 2013022751 This book is printed on acid-free paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses Contents Introduction 1 1. Young Girl in a Hurry 7 2. Maiden Voyage 21 3. The Old Son of a Bitch 29 4. Saluting Uncle Sam 45 5. Civvy Street 71 6. Sojourn in Cong 95 7. Back to Bread and Butter 111 8. Keeping Things Confidential 135 9. -
Remembering 1916
A HATFUL OF STORIES REMEMBERING 1916 Remembering 1916 Writing Group, Ringsend Adult Education Service Edited by Rachel McNicholl City of Dublin Education and Training Board, 2016 ISBN 978-0-9547938-5-2 Facsimile of the Proclamation rolling off the press at the National Print Museum, Beggars Bush Photo: Aileen Hunt A Hatful of Stories: Remembering 1916 Remembering 1916 Writing Group Ringsend Adult Education Service Edited by Rachel McNicholl First published in Ireland in 2016 by City of Dublin Education and Training Board ISBN 978-0-9547938-5-2 All rights reserved. Every effort has been made to contact the copyright holders of images. Front cover image: Hat (with bullet hole) worn by Jack Plunkett in GPO. Honor O Brolchain collection. Photo: Aileen Hunt Back cover image: Easter bonnets made by Sewing group. Photo: Rachel McNicholl All other images as credited in captions. This publication has been part-funded by the European Social Fund Contents Acknowledgements 2 Introduction 3 Landmarks and Legacy of the Rising 4 Carole Flanagan, Mary O’Neill, Frances Parnell, Louise Whelan, Rachel McNicholl People involved in the Rising James Mallon, the Frongoch Barber 9 Pat O’Byrne Volunteer Patrick Murtagh and the 1916 Rising 10 Laura Butterly James Purfield, Boland’s Mills Garrison 12 Carole Flanagan The Emerald Rebel and the Hollywood Hills 13 Louise Whelan Clarissa Palmer, a Woman of Her Time? 16 Frances Parnell People involved in the War of Independence Peter Flood and Family, Staunch Republicans 18 Gerry Stewart Margaret Keogh of Stella Gardens -
The Abbey Theatre Interviews and Recollections in the Same Series
The Abbey Theatre Interviews and Recollections In the same series Morton N. Cohen LEWIS CARROLL: INTERVIEWS AND RECOLLECTIONS Philip Collins (editor) DICKENS: INTERVIEWS AND RECOLLECTIONS (2 volumes) THACKERAY: INTERVIEWS AND RECOLLECTIONS (2 volumes) J. R. Hammond (editor) H. G. WELLS: INTERVIEWS AND RECOLLECTIONS David McLellan (editor) KARL MARX: INTERVIEWS AND RECOLLECTIONS E. H. Mikhail (editor) BRENDAN BEHAN: INTERVIEWS AND RECOLLECTIONS (2 volumes) LADY GREGORY: INTERVIEWS AND RECOLLECTIONS OSCAR WILDE: INTERVIEWS AND RECOLLECTIONS (2 volumes) W. B. YEATS: INTERVIEWS AND RECOLLECTIONS (2 volumes) Harold Orel (editor) KIPLING: INTERVIEWS AND RECOLLECTIONS (2 volumes) Norman Page (editor) BYRON: INTERVIEWS AND RECOLLECTIONS HENRY JAMES: INTERVIEWS AND RECOLLECTIONS D. H. LAWRENCE: INTERVIEWS AND RECOLLECTIONS (2 volumes) TENNYSON: INTERVIEWS AND RECOLLECTIONS. DRJOHNSON: INTERVIEWS AND RECOLLECTIONS R. C. Terry (editor) TROLLOPE: INTERVIEWS AND RECOLLECTIONS Series Standina Order If you would like to receive future titles in this series as they are published, you can make use of our standing order facility. To place a standing order please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address and the name of the series. Please state with which title you wish to begin your standing order. (If you live outside the UK we may not have the rights for your area, in which case we will forward your order to the publisher concerned.) Standing Order Service, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire, RG212XS, England. THE ABBEY THEATRE Interviews and Recollections Edited by E. H. Mikhail Professor of English University of Lethbridge, Alberta M MACMILLAN PRESS Selection and editorial matter© E. -
Quiet Man by Scott Allen Nollen
The Quiet Man By Scott Allen Nollen During pre-production on his wartime tribute “They Were Expenda- ble” (1945), John Ford learned that Maureen O’Hara was starring in the swashbuckler “The Spanish Main” at RKO. O’Hara knew that Ford had re- turned from military service in Eu- rope to make a feature film, but had no idea why he wanted to see her at the studio. She soon learned that he wanted her to play the female lead in a film based on a Maurice Walsh sto- ry called “The Quiet Man,” to be shot on location in Ireland. Ford previously had dropped hints about making “a picture in Ireland,” but O’Hara had considered the re- Newlyweds Sean Thornton (John Wayne) and the former Mary Kate Danaher (Maureen O’Hara) in marks wishful thinking. Now she front of their cottage, White O' Mornin.’ Courtesy Library of Congress knew the property, and her agreement to star in the film was sealed with a handshake. porting characters were Father Peter Lonergan (Ward Bond), Reverend Cyril Playfair (Arthur Shields) and Ford eventually hired “How Green Was My Valley” author Michaeleen Og Flynn (Barry Fitzgerald). Ford and Nugent Richard Llewellyn to expand “The Quiet Man” to novella also added a crucial plot element: Sean’s refusal to fight length. Combined with the notes he had been compiling Will due to his guilt for having killed a fellow boxer in the for the past 15 years, Ford was sure he’d have plenty of ring, the impetus for abandoning America for the serenity material from which a screenplay could be adapted. -
Dooley Dispatch
The Dooley Dispatch April 2019 Celebrating 40 years of Friendship, Unity, and Christian Charity Editor – Pat Shea 804.516.9598 ([email protected]) Photographer – Patrick Shea ([email protected]) Webmaster – Patrick Shea ([email protected]) Webpage http://aohrichmond.org Check out the web page for better pictures, events, green pages, various reports Chaplain Next Meeting – Tuesday April 9, 2019 7:00 p.m. St. Michael’s Church Fr. George Zahn President’s Message: President Steve McGann 651-3960 Gosh and begorrah! What an incredible month of March! [email protected] The LAOH Mary Ryan Division started us off on the right path on th nd Vice President March 9 with their 2 Irish Gala at St. Michael’s. It was another Mike Canning 690-0338 sellout with great music and food, and of course the bar was staffed [email protected] by our very own Lord of the Bar, Jim Donahue, with assistance Recording Secretary from Mitch Irvine and John Costello. John Condon 980-5649 The following weekend saw multiple events. The Division staffed [email protected] th the Blarney Bash March 16 helping Rosie Connelly’ pour beer Financial Secretary and we had a good day selling raffle tickets. Later that day, many of us attended the St John Costello 920-0534 Mary’s Knights of Columbus Irish Night – more good food and entertainment. The [email protected] following day was, of course, St. Patrick’s Day with Mass at St. Patrick’s church followed Treasurer by the JP Carroll Memorial breakfast. Thanks to Mike Canning, Dan Caffrey and Mark Patrick Knightly 687-3868 [email protected] Collins for making all the arrangements, and to Father Michael Boehling for his words and prayers. -
CINEMATECA PORTUGUESA-MUSEU DO CINEMA E a VIDA CONTINUA 10 De Julho De 2020
CINEMATECA PORTUGUESA-MUSEU DO CINEMA E A VIDA CONTINUA 10 de julho de 2020 THE QUIET MAN / 1952 (O Homem Tranquilo) um filme de John Ford Realização: John Ford / Argumento: Frank S. Nugent, baseado no romance homónimo de Maurice Walsh / Fotografia: Winton C. Hoch e Archie Stout / Direcção Artística: Frank Hotaling / Décors: John McCarthy Jr e Charles Thompson / Música: Victor Young / Montagem: Jack Murray / Interpretação: John Wayne (Sean Thornton), Maureen O'Hara (Mary Kate Danaher), Barry Fitzgerald (Michaelleen O'Flynn), Victor McLaglen (Red Will Danaher), Ward Bond (Padre Lonergan), Mildred Natwick (Mrs. Tillene), Francis Ford (Dan Tobin), Eileen Crowe (Mrs. Playfair), Arthur Shields (Reverendo Cyril Playfair), Charles FitzSimmons (Forbes), Sean McClary (Owen Glynn), James Lilburn (Padre Paul), Jack McGowran (Ferney), Ken Curtis (Dermot Fahyt), Mae Marsh (a mãe do Padre Paul), Harry Tenbrook (o polícia), etc. Produção: John Ford e Merian C. Cooper para a Argosy Pictures / Distribuição: Republic / Cópia: DCP, cor, legendada em espanhol e eletronicamente em português, 129 minutos / Estreia Mundial: 14 de Setembro de 1952 / Estreia em Portugal: Cinema Condes, a 4 de Abril de 1953. _____________________________ "Si vous voulez, belle contesse / par vos heureux talents orner de tels récits / l'antique Gaule vous en presse / daignez donc mettre dans leurs jours / les contes ingénus, quoique remplis d'adresse / qu'ont inventé les troubadours / Le sens mystérieux que leur tour enveloppe / Égale bien celui d'Esope". Este texto é a moral dum conto de Pérrault ("L'Adroite Princesse") e, substituindo o vocativo e a antiga Gália pelos antigos Celtas, parece-me a mais adequada epígrafe ao tão bonito filme que vamos ver ou rever, sempre "enveloppés par son sens mystérieux". -
Those Fighting Irish and Their Good Natured Fights on Film by Steve Farrell
1 Those Fighting Irish and their good natured fights on film By Steve Farrell The Irish and the Irish-Americans have always have had a presence in Hollywood since the earliest talkie films like Public Enemy and The Roaring Twenties. The two main stereotypes of the Irish that were projected upon the silver screen were the gangster and the priest with James Cagney being the epitome of the former and Pat O'Brien representing the later. However, very early on during the Great Depression the Irish beat cop, along with the Irish prize fighter, were added to flesh out the representation of the Irish-American to their fellow Americans. With this paper, however, I shall not concern myself with the characterization of Irish-Americans as much as I will with a particular scene in every movie featuring Irish-Americans. I refer to this reoccurring theme as 'those fighting Irish and their good natured fights." These fight scenes often time involved siblings and friends fighting for the heck of it. One of the hall-mark of these good natured is that nobody was killed or even seriously hurt. All of the participants got ion their fair share of licks before the brawl ended. Oftentimes the musical score in the background indicated that the combat was all in good fun and that all of the combatants were thoroughly enjoying the feel of fist upon flesh and flesh upon fist. Dating back to the 'stage Irishman" of the British theatrical tradition as well as 'Paddy the sentimental mischief maker' in American vaudeville the Irish and the Irish-Americans had a colorful list of stereotypical traits that Hollywood could select to represent the Irish-American to the rest of the country. -
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