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Mai À Novembre 2020 S OCIÉ T É LE MÉJAN, PLACE NINA-BERBEROVA BP 90038, 13633 ARLES CÉDEX ART S TÉL. 04 90 49 86 91 - FAX. 04 90 96 95 25 & 60-62, AVENUE DE SAXE, 75015 PARIS NUREAT TÉL. 01 55 42 63 00 - FAX. 01 55 42 63 01 ACTES SUD E T MAI À NOVEMBRE 2020 S OCIÉ T É ARTS 20. Le Temps n’existe pas, Réjean Dorval. Texte d’Emmanuel Druon et Réjean Dorval Photographie 21. L’Œil nu, Que la nature soit peinture. René Moreu 3. À toi appartient le regard, Et (…) la liaison 22. Cahiers de résidence Hermès n° 9, infinie entre les choses. Sous la direction de Guillaume Dénervaud, Guillaume Poulain et Yushin U Christine Barthe Chang. Gaël Charbau 4. Paradisiaque !. Sous la direction d’Estelle 23. Monographie Jean-Pierre Formica. Textes Rouquette et Agnès Barruol d’Aymeric Mantoux et d’Olivier Kaepplin 5. Corée du Nord. Photographies de Stéphan 24. Les Livres de Vincent, Les écrivains qui ont Gladieu. Conversation entre Stéphan Gladieu inspiré Van Gogh. Mariella Guzzoni et Sam Stourdzé 6. Américaines Solitudes. Photographies de Nature Jean-Luc Bertini. Textes de Gilles Mora et Jean-Luc 25. Marc Nucera, Sculptures. Textes d’Élisabeth Bertini. Préface de Richard Ford Couturier et de Françoise Bertaux. Préface de 7. Ici mieux qu’en face. Laurence Aëgerter. Sous la Chantal Colleu-Dumond direction de Fannie Escoulen Cinéma Photo Poche 26. Les Lumières de Lhomme. Luc Béraud 8. Gustave Le Gray. Introduction de 27. Michel Audiard - Georges Simenon. Sous la Catherine Riboud direction de Benoît Denis 9. Femmes photographes. Préambule, 28. Positif. Revue mensuelle de cinéma introductions et biographies de Clara Bouveresse. Sélection iconographique de Sarah Moon Musique 10. Leon Levinstein. Introduction de 29. Orient sonore, Musique oubliée, musique Bob Shamis vivante. Sous la direction de Fadi El Abdallah 11. Robert Capa [Nouvelle édition]. Introduction 30. Le Groupe des six, Une histoire des Années folles. de Jean Lacouture Pierre Brévignon 12. Bill Brandt (1904-1983) [Réimpression]. 31. Mel Bonis (1858-1937), Parcours d’une Introduction de Ian Jeffrey compositrice de la Belle Époque. Sous la direction 13. Martine Franck [Réimpression]. Texte d’Étienne Jardin d’Annick Cojean 32. Correspondance de Paul Dukas, Volume 2 : 14. Ernst Haas [Réimpression]. Texte de Virginie 1915-1920. Présentée par Simon-Pierre Perret Chardin 15. Saul Leiter [Réimpression]. Introduction de Arts du spectacle Max Kozloff 33. Machines de ville. François Delaroziere. Avec la collaboration de Philippe Dossal. Préface de Arts David Mangin 16. Robert Ryman, Cahier de la Collection Lambert 34. Scènes. Yannis Kokkos, Catherine Treilhou- no 2. Préface et texte de Stéphane Ibars. Entretien Balaudé avec Yvon Lambert 17. Nan Goldin, Cahier de la Collection Lambert Imprimerie nationale no 3. Préface et texte de Stéphane Ibars. Entretien 35. Augustin Rebetez, Le coeur entre les dents avec Yvon Lambert (Manifeste primitif ). Textes de Michela Alessandrini 18. La Vie Alaïa. Donatien Grau et Antoine Volodine 19. Sur un nuage de terre ferme, José Tomas à 36. Une histoire de la phrase française, Des Grenade le 22 juin 2019. Ernest Pignon-Ernest et Serments de Strasbourg aux écritures numériques. Sous André Velter la direction de Gilles Siouffi Argus_octobre-novembre_2020 COVID.indd 1 02/06/2020 14:14 NATURE 54. Qui nourrit réellement l’humanité ? Vandana Shiva 37. Maraîchage biologique, La méthode d’Eliot 55. Le Pouvoir du lien. Quand l’hippothérapie et Coleman. Techniques et outils de culture. Préface de les neurosciences cheminent ensemble. Hélène Viruega Charles Hervé-Gruyer Bogros et Manuel Gaviria 38. Des arbres dans la ville, L’urbanisme végétal 56. Imaginer le monde de demain, Le rôle positif [Nouvelle édition]. Caroline Mollie. Préface de des médias. Gilles Vanderpooten. Avec Reporters Pierre Lieutaghi d’espoirs 39. Alternatives au gazon [Nouvelle édition]. 57. Marseille, ville sauvage [Nouvelle édition]. Olivier Filippi Baptiste Lanaspeze. Photographies de Goeffroy 40. L’Espace et le temps en Camargue, Histoire Mathieu d’un delta face aux enjeux climatiques [Quatrième 58. Raviver les braises du vivant. Baptiste édition, revue et augmentée]. Bernard Picon Morizot 41. Jardins et Val de Loire. Rémi Deleplancque 59. Dessine-moi un avenir, Plaidoyer pour faire e et Bruno Marmiroli entrer le XXI siècle dans l’école. Rodrigo Arenas, 42. Les Carnets du paysage n° 37, Paysage de la Édouard Gaudot et Nathalie Laville. Préface de santé, santé du paysage. Revue dirigée par Jean-Marc Philippe Meirieu Besse et Gilles A. Tiberghien 60. Océan plastique, Enquête sur une pollution 43. La Surexplication du monde, Un aide-mémoire globale. Nelly Pons. Préface de François Sarano pour les Temps d’après. Pierre Lieutaghi 44. Savoir & faire : les textiles. Sous la direction Je passe à l’acte d’Hugues Jacquet 61. Montessori à la maison. 6-9 ans. Nathalie Petit. Illustrations de Pauline Amelin Cuisine 62. Redonner du pouvoir à son argent. Julien 45. Nadia Sammut, Construire un monde au goût Vidal. Illustrations de Le Cil Vert meilleur. Paule Masson. Photographies d’Anne-Claire 63. Engager son entreprise dans la Héraud transition. Édouard Sellier. Illustrations de Matthieu Marty Mondes sauvages 64. Mettre de l’éthique dans ses cosmétiques. 46. L’Europe réensauvagée. Vers un monde Claire Sejournet. Illustrations d’Emmanuelle Teyras nouveau. Gilbert Cochet et Béatrice Kremer-Cochet. Préface de Baptiste Morizot 47. Ovibos, le survivant de l’Arctique. Rémy COÉDITIONS Marion et Robert Gessain. Préface de Vincent Munier 48. Penser comme un iceberg. Olivier Remaud Picard 65. Art et mémoire, Sauvegarde, illustration et Arts équestres inspiration du passé. Jean-Pierre Caillet e e 49. De la légèreté avant toute chose. Propos 66. La Sculpture byzantine du ix au xv siècle. pertinents d’un homme de cheval impertinent. Jean- Catherine Vanderheyde Claude Racinet. Textes choisis et présentés par 67. Paris gothique. Dany Sandron, Philippe Jean-Louis Gouraud Plagnieux et Denis Hayot SOCIÉTÉ Errance 68. L’Antiquité retrouvée [Quatrième édition, 50. L’Affaire Seralini à la lumière des revue et augmentée]. Aquarelles de Jean-Claude Monsanto Papers. Gilles-Éric Seralini et Jérôme Golvin. Textes de Aude Gros de Beler, Gérard Douzelet Coulon et Frédéric Lontcho 51. La Démocratie en action. Michelangelo 69. Architecture et archéologie, Le rêve et la Pistoletto norme. Sous la direction de Philippe Fraisse 70. Regards sur le patrimoine multiple, Copies, Domaine du possible faux, séries… 52. Et si... on libérait notre imagination 71. Le Génie maritime romain. Textes de Gérard pour créer le futur que nous voulons ? Coulon. Aquarelles de Jean-Claude Golvin Rob Hopkins. Préface de Cyril Dion 53. ÉcoLOnomie 2 : la transformation créatrice. 100 entreprises s’engagent. Emmanuel Druon Argus_octobre-novembre_2020 COVID.indd 2 02/06/2020 14:14 Heba Y. Amin Katia Kameli Brook Andrew Lek Kiatsirikajorn À TOI APPARTIENT LE REGARD Alexander Apóstol Dinh Q. Lê Sam my Baloji Gosette Lubondo Shiraz Bayjoo Santu Mofokeng Mariana Castillo Deball Oscar Muñoz Che Onejoon Yoshua Okón Et (…) la liaison infinie entre les choses José Luis Cuevas Jo Ractliffe Daniela Edburg Rosângela Rennó Samuel Fosso José Alejandro Restrepo Carlos Garaicoa Dayanita Singh Mario García Torres Cinthya Soto Sous la direction de Christine Barthe Ho Rui An Guy Tillim “À toi appartient le regard et (…) la liaison infinie entre les choses” ouvons-nous percevoir le monde en relation. Elle nous rappelle que les signi- par les yeux des autres ? Jusqu’où les fications que nous pourrons tirer de la ren- “À toi appartient le regard et et regard le appartient toi “À (…) la liaison infinie entre les choses” les infinie entre liaison la (…) expériences visuelles proposées par contre avec ces œuvres dépendent aussi de Ples artistes peuvent-elles nous transporter ? l’attention que nous leur accorderons, et 42 euros TTC France Cet ouvrage et l’exposition qui l’accompagne comment nous les regarderons. www.actes-sud.fr 9:HSMDNA=VXXW]X:ISBN 978-2-330-13328-3 proposent une plongée dans plusieurs uni- Cette évocation littéraire permet un ana- vers sensibles, une mise en relation des pra- chronisme productif et nous incite à tra- tiques de vingt-six artistes issus de dix-huit verser ces œuvres contemporaines de façon 19,6 × 25,5 cm pays différents. Utilisant la photographie, libre et intuitive. Les travaux présentés 192 pages 150 illustrations en quadri l’image en mouvement, la vidéo, l’instal- nous amènent à considérer les questions ouvrage relié lation, ils recomposent des récits, inter- de mémoire en relation avec l’absence ou isbn : 978-2-330-13328-3 rogent notre rapport aux images, mènent la surabondance d’images. Ils évoquent nos coédition actes sud/musée du quai branly des enquêtes approfondies, questionnent rapports au monde naturel, la construction juillet 2020 les héritages historiques des photographies, visuelle et historique des territoires, les pho- prix provisoire : 42 € repensent les notions d’appropriation et de tographies et les films comme supports de réappropriation visuelle. projection de soi dans des modèles. Le titre de l’ouvrage est extrait de l’essai de Dans l’ouvrage, chaque artiste est introduit Roland Recht, La Lettre de Humboldt : du par l’intermédiaire d’une interview, centrée jardin paysager au daguerréotype (1989), sur sa formation, son parcours et son tra- qui cite ici l’écrivain Ludwig Hülsen décri- vail – présent et passé –, accompagnée de Les artistes présentés dans cet vant en 1800 son expérience de perception ses travaux photographiques présentés dans ouvrage sont : Heba Amin, Brook par la vision des chutes du Rhin, lors d’un le cadre de l’exposition. Andrew, Alexander Apóstol, Sammy Baloji, Shiraz Bayjoo, voyage en Suisse. La description de Hülsen Mariana Castillo Deball, Onejoon démontre la faculté “imageante” de l’œil, sa Che, José Luis Cuevas, Daniela liberté et sa capacité à recomposer une unité ÉVÉNEMENT Edburg, Samuel Fosso, Carlos dans un paysage étranger perçu jusque-là Garaicoak, Mario García Torres, par fragments. Transposée ici, cette citation Cet ouvrage accompagne une exposition au musée du quai Branly – Jacques Chirac, qui Katia Kameli, Lek Kiatsirikajorn, nous invite à se laisser porter et surprendre se déroulera de juillet à novembre 2020.
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