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PSALMS AND MOTETS FOR REFLECTION Tavener • Stainer • Poulenc • Stanford • MacMillan Choir of St John’s, Elora Michael Bloss, Organ • Noel Edison PSALMS AND MOTETS FOR REFLECTION PSALMS AND MOTETS FOR REFLECTION Tavener • Stainer • Poulenc • Stanford • MacMillan Tavener • Stainer • Poulenc • Stanford • MacMillan The Psalms have for long formed an important element in professor at Oxford. He became the first principal of the 1 William CROTCH (1775–1847): 0 Francis POULENC: Jewish and Christian worship, from the chanting of Levites Royal Academy of Music in 1822, resigning ten years Psalm 47 * 2:53 4 Motets pour un temps de penitence, FP 97 3:02 in the Temple and the continuing rites of the synagogue to later, to enjoy retirement until his death in 1847. He did No. 1 Timor et Tremor (1939) the Divine Office of Catholic practice and the customs of much to bring about a revival in English church music, and 2 Johannes ECCARD (1553–1611): Protestant churches and chapels. In the Catholic Mass, his compositions include oratorios, anthems and psalm Maria wallt zum Heiligtum 3:51 ! Sir Ivor ATKINS: Psalm 96 * 3:46 the principal act of worship, fragments of the Psalms chants, many of which remain part of English cathedral (When to the Temple Mary went) appear as graduals and antiphons, while the Reformers of repertoire. the sixteenth century tended to revert to a wider use of Johannes Eccard, born in Mühlhausen in 1553, @ Sir Charles Villiers STANFORD (1852–1924): Psalms, following the apparent practice of early served in the court chapels of Weimar, Bavaria and 3 James MACMILLAN (b.
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