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Index

9/11, 104, 138–9, 189, 196, 198 Edward II. See Robertson, Toby and Richard Marquand: Edward II abjection, 69, 70, 72, 83, 85, 101–3 Beesley, Max, 94 Afzal, Nazir, 198 Belsey, Catherine, 85, 86 Ahmed, Shawn, 167 Bene, Carmelo AHRC (Arts and Humanities Research Council), Capricci, 15–17, 74 174, 180 Bennett, Susan, 4, 5, 43, 103 AIDS, 21, 36, 37, 38, 41, 60, 62, 163 Beristain, Gabriel, 27, 32 anachronic viewing, 7, 161–5 Berkoff, Stephen, 133 anon. 12 Bernard, Chris Arden of Faversham, 12, 15–17 Letter to Brezhnev, 113 antithesis, 50, 52–3 Birkett, Jack, 23, 25 Archibald, Dawn, 32 Blair, Tony, 106, 122–3, 126, 138, 200 archive, 9–10, 11, 142, 143–4, 145, 152, 155, 159, 166, Bohringer, Richard, 73 172, 179, 182, 185–6 Bollywood, 189, 197, 198–9, 200, 201 Armesto, Sebastian, 222 Bolter, David Jay, 144, 148, 157 Artaud, Antonin, 12, 13, 16, 18, 19, 22, 52, 133, 223 Booth, Antony, 126 Arthur, Paul, 89 Bordwell, David, 97 Ashcroft, Peggy, 159 Borg, Philip and Kyle McDonald Assmann, Aleida, 9, 62, 143–4, 152, 185, 223 Revenge for the Duchess of Malfi, 166–9 Atkins, Eileen, 156, 159 Bourdieu, Pierre, 154 Auslander, Philip, 145, 146, 153, 181 Boyd, Don Derek Jarman, The Tempest, 25, 115 Baker, Kele, 148 My Kingdom, 105, 115, 119, 120, 129, 223 Bakhtin, Mikhail, 10, 72 Bradbrook, Muriel, 50 Barker, Roberta, 4, 54, 57, 58, 148, 213 Brah, Avtar, 197 Barnes, Tom, 180 Branagh, Kenneth, 103, 134, 136, 196, 218, 220 Barratt, Mark, 161 Hamlet, 1, 5, 8, 106, 116, 133–6 Barrett, Felix, 154, 155 Henry V, 1, 5, 47, 218, 219, 221 The Duchess of Malfi, 153–6 Much Ado About Nothing, 5 Barritt, Ian, 110 Bray, Dan, 166 Barthes, Roland, 16, 17, 74 Brecht, Bertolt, 12–13, 16, 21, 54, 105, 133, 148 Bartolovich, Crystal, 73 British Asian, 187, 197, 204, 215 Barton, John, 163 and association with terrorism, 198, 203, 204, Bataille, Georges, 72 206, 211 BBC (British Broadcasting Corporation), 142, and immigration, 197, 203, 204, 206 147, 156–65, 181, 183, 200 British Asian film, 189, 197–202, 206 BBC/Time-Life Shakespeare, 140, 141, 156, 179 and arranged marriage scenario, 197–200, 202, Doctor Faustus. See Eyre, Ronald: Doctor Faustus 203, 205 Duchess of Malfi. See MacTaggart James: and generation clash, 197, 198, 203 The Duchess of Malfi and Shakespeare, 196, 197, 200–2, 213, 215, 224 267

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02493-9 - Screening Early Modern Drama: Beyond Shakespeare Pascale Aebischer Index More information

268 Index

British Film Council, 118, 139, 140, 142 ‘Scousers’, 105 British film industry, 6, 21, 23–5, 29–30, 41, 66–7, Sid and Nancy, 105 83–4, 91–3, 96, 102, 113, 115, 117–18, 138, ‘The Spanish Tragedy’, 140, 141–2 139–40, 142, 143 ‘The White Devil’, 140 British national identity, 5, 23, 198, 199, 200, 201, Three Businessmen, 113–14 203, 204, 222 ‘Too Real’ (The Levellers), 113 Buñuel, Luis, 72, 113, 117 Walker, 105, 128 Burbage, Richard, 131 Crowl, Samuel, 5 Burnett, Mark Thornton, 191 Curnew, Beatrice, 183 Burns, Bonnie, 93 Curry, Tim, 157 Burrows, Saffron, 78–9, 94 Curtis, Tony, 211 Bush, George W., 138 Butler, Ken, 30, 49, 51 da Vinci, Leonardo, 22, 31, 32 Dahl, Sophie, 126 Callow, Simon, 49 Davies, Steven Paul, 105, 106 camp, 60, 110, 111, 164, 165 Davies, Tod, 113, 140 cannibalism, 66, 68, 79–7, 83, 93, 94, 97, 101, 102 ‘Doctor Faustus’, 140 canon, 9–10, 11, 62, 143–4, 147, 152, 159, 172, ‘The Spanish Tragedy’, 140, 141–2 185–6, 223 Davy, Gary, 111, 141 Carlson, Marvin, 6, 131 de Groot, Jerome, 112 Cartelli, Thomas, 5, 11, 49, 53 Degli-Esposti, Cristina, 10 Ceroli, Mario, 14 Dekker, Thomas, 217 Cervi, Valentina, 79, 97 Demme, Jonathan Chadha, Gurinder, 206 The Silence of the Lambs, 68, 75, 76 Bend it Like Beckham, 188, 196, 199–200, 201, Dench, Judi, 88, 159, 177 205, 206 Diana, Princess of Wales, 126 Channel 4, 29, 142, 187, 200 Dibb, Saul Chaucer, William The Duchess, 160 The Seaman’s Tale, 200 digital humanities, 147, 172–9 Cheek by Jowl, 184 digital media, 3, 10, 11, 77, 85–7, 102, 127, 134, 135, ’Tis Pity She’s a Whore, 147–53, 179, 183 141, 142, 143–86, 217–24. See also internet Chopra, Adytia distribution, 142, 143, 147, 166, 167, 169–72, 185 Dilwale Dulhania Le Jayenge, 199 Dogme 66, 80 Chumbawamba, 123–4 Dollimore, Jonathan, 30, 110 Clarke, Margi, 113 Donnellan, Declan class. See social class ’Tis Pity She’s a Whore, 147–53, 179 cognitive performance. See interactivity Douglas, Mary, 111 Collins, Keith, 44, 47, 52, 63, 216 Doyle, Patrick, 221 contemporary Jacobean, 4–6, 8, 9, 10, 11, 12, 19, Duffin, Ross W., 174 20, 21, 43, 66, 67, 73, 83–4, 85, 89, 103, DVD. See digital media 104, 106, 136, 187, 189, 192, 196, 211, 215, Dyer, Danny, 201 216, 218 Cordner, Michael, 12 Eccleston, Christopher, 111, 112, 116, 130, 132, 136 Cottrell Boyce, Frank, 118, 119, 132, 136, 137 Eddison, Robert, 162 Cowey, Chris, 182 Edward’s Boys, 12 Cox, Alex, 11, 25, 104–42, 189, 217, 220 Eisenstein, Sergei, 22 Death and the Compass, 112, 113, 116 Emmerich, Roland, 220 ‘Doctor Faustus’, 140 2012, 223 El Patrullero, 112 Anonymous, 217–24 Exterminating Angel Production, 113, 118, 122 Godzilla, 223 Jacobeans.net, 140–2 Independence Day, 223 on Derek Jarman, 20, 63, 105, 108 The Day After Tomorrow, 223 Repo Man, 105 ENO with Punchdrunk Revengers Tragedy, 3, 104–5, 114, 116–39, 196, The Duchess of Malfi, 145, 153–6 218, 220, 223 ER (television series), 187, 196, 211

Index 269

ethics, 189, 190, 194–5, 196, 197, 206, 210–11 Haber, Judith, 96, 207 European avant-garde, 12–19, 20, 22 Harding, Sarah, 195, 202, 211, 216 expanded film, 7, 60–5, 68, 86–7 Compulsion, 3, 8, 170, 187–97, expanded work, 7, 152, 179 202–16, 224 Eyre, Richard Lewis, 216 Othello (NT), 212–13 Poirot, 189 Eyre, Ronald Queer as Folk, 189 Doctor Faustus, 12, 183 Harnick, Tom, 124 Harris, Ed, 108 Fearon, Ray, 141 Harris, George, 213 feminism, 31, 49, 56–60, 63, 101 Harris, Richard, 115 Figgis, Mike, 11, 25, 76–69, 189, 217 Harris, Thomas, 75 Hotel, 3, 76–69, 78, 104, 106, 136, 141, 182, 192, Harrison, Susan, 211 222, 223 Hassell, Alex, 221 Leaving Las Vegas, 77 Hayek, Salma, 88 Miss Julie, 31, 78, 86 Haynes, Sally, 187 Stormy Monday, 77 Hebdige, Dick, 23 The People Show, 77, 78 Heine, Heinrich, 98–9 Timecode, 77–8 Henry, Carla, 129, 141 Fincher, David Henry, Guy, 141 Girl with the Dragon Tattoo, 148 heritage, 2, 5, 8, 22, 25, 29, 45, 67, 69, 77, 78, Fisher-Turner, Simon, 37, 44 79, 83, 88, 94, 103, 118, 139, 142, 220, Fletcher, Diane, 164 222, 223 Ford, John, 140 dissident heritage, 6, 8, 9, 45, 88–9, Love’s Sacrifice, 176 103, 222 ’Tis Pity She’saWhore, 13–15, 72, 73, 147–53, 176 Herlich, Wendy, 170 Foucault, Michel, 30, 49 heterosexuality, 15, 29, 31, 47–9, 54, 84, 94, 96, Freestone, Elizabeth 101, 164 Doctor Faustus, 181–2, 183 Higgott, Gordon, 178 The Duchess of Malfi, 181–2 Higson, Andrew, 5, 201 Volpone, 181–2 Hilderbrand, Lucas, 159 French New Wave, 17–19 Hobbs, Christopher, 27, 28, 36, 37, 45, 46 Friedman, Michael D., 163 Hodgdon, Barbara, 16 Hodges, Mike, 140 Galt, Rosalind, 45, 105 Hollywood, 2, 5, 32, 55, 66–7, 77, 78, 83–4, 91–3, Gambon, Michael, 73 96, 102, 104, 105, 106, 108, 110, 112, 113, Gaultier, Jean-Paul, 72 134, 140, 171, 185, 203, 217 gender homosexuality, 15, 29, 30–1, 32, 37, 38, 40, 47–9, construction of, 21, 31–5, 54–60, 111 54, 84, 94, 161–5. See also lesbianism Genet, Jean, 22, 45, 72 honour killings, 198 Gentileschi, Artemisia, 97–8 Hopkins, Anthony, 68, 75 Gibson, Mel, 134 Horsley, Owen, 150 Goldberg, Jonathan, 46, 84 Howard, Alan, 73 Graber, Jody, 53 Huby, Peter Grant Ferguson, Ailsa, 11 Quietus, 166, 170–1 Gray, Jason, 168 Huljak, Irena, 167 Greenaway, Peter, 2–3, 11, 71–5, 82, 84 hybridity, 189, 190, 196, 197, 199, 200, 201–2, 203, Prospero’s Books, 72 205, 206, 211 The Cook, the Thief, His Wife and Her Lover, 2, hypallage, 189, 190–6, 197, 202, 203, 205, 206, 5, 66, 68, 71, 77, 78, 84, 85 209, 210, 213 Greenhalgh, Susanne, 157, 200, 213 hypermediality, 146, 148, 149, 152 grotesque, 14, 23, 26, 31, 45, 72 Grusin, Richard, 144, 148, 157 Ifans, Rhys, 88, 94, 222 Gunpowder plot, 139 Ignition Films, 175 Gurr, Andrew, 178 immersive theatre, 153–4

270 Index

imperialism, 104, 106, 107, 138 Kapur, Shekhar anti-imperialism, 104–10, 138–9 Elizabeth, 218 interactivity, 77, 86, 136, 143, 145, 146, 151, 152, 153, Elizabeth: The Golden Age, 218, 222 154, 155, 175, 179, 183, 195, 209 Karim-Cooper, Farah, 177, 178 intermediality, 146, 148–9, 152, 183 Kernan, Lisa, 150 internet, 7, 10, 11, 143, 145, 147, 153, 155, 170, 171, Kher, Anupam, 199 183, 185, 190, 200 Klinger, Barbara, 161 intertextuality, 10, 20, 60–3, 65, 68, 86, 153, Knightley, Keira, 199 173, 189 Kozintsev, Grigori, 22 ITV (Independent Television), 8, 187, 200, Kristeva, Julia, 10, 68, 69, 72 214–15, 224 Kurosawa, Akira, 112, 117, 134 Ivory, James, 94, 96, 118 Ran, 109 A Room with a View, 79 Throne of Blood, 136 Izzard, Eddie, 111, 120, 134 Kyd, Thomas, 140, 142 The Spanish Tragedy, 140 Jackson, Peter The Lord of the Rings, 160 Lancaster, Burt, 211 Jacobean, 2, 4. See contemporary Jacobean Lange, Jessica, 136 Jacobi, Derek, 133–4, 137, 141, 218–20, 223 Lanier, Douglas, 77 James, Orlando, 147 Latin American cinema, 106. See also Third Jarman, Derek, 1, 11, 13, 20–65, 72, 135, 161, 167, Cinema 169, 189, 216 Laurenson, James, 162, 164 ‘28’, 21, 38–40, 46, 52–3, 61–2, 64, 68 Lecter, Hannibal, 75–6, 79, 80, 82 and Marlowe, 21, 41, 42–3, 45, 47 Lehman, Ernest, 212 and Shakespeare, 21, 22, 38, 41, 42–3, 45, 47 Lehmann, Courtney, 12, 115, 118, 126 autobiography, 21, 29, 62 Leigh, Spencer, 37 Caravaggio, 3, 4, 20, 21, 36, 37, 40, 45, 46, 54, Lennix, Harry 56, 60, 97 Henry IV, 224 Dungeness, 1, 3, 63, 215–16 Lennox, Annie, 60–3, 65, 68, 136 Edward II, 1, 5, 14, 20, 21, 31, 35, 44–64, 68, 84, lesbianism, 66, 93–6, 101 86, 106, 111, 136, 160–1, 168, 194, 216 Levinson, Nick Shooting Script, 1, 44, 51, 58, 64, 216 Women Beware Women, 173 home videos, 37, 38, 61, 62 Levring, Kristian Jubilee, 20, 23, 26, 36, 39, 40, 67, 105, 111, 216 The King Is Alive, 223 legacy, 2–4, 20, 63, 67–8, 84, 104–5, 108, 110 liveness, 7, 145–6, 147, 151, 152, 153, 179, ‘Pansy’, 21, 38, 64–5, 163 181–5 ‘Sod ’Em’, 21, 38, 40–2, 46, 51, 52–3, 61–2, 64, 68 living, 146, 147, 152, 153, 155, 184–5 The Angelic Conversation, 20, 37, 68 Liverpool, 104, 105, 106, 113–27, 138, 139, 140 The Last of England, 21, 31, 35, 38, 39, 40, 54, 56, deprivation, 115–16, 118–19, 122, 124 59, 61, 68, 111 dockers’ strike, 123–4 ‘The Smile on the Mona Lisa’, 32 football, 115, 119–20 The Tempest, 20, 26, 31–2, 36, 45, 67, 89, imperialism, 105, 120–2, 125 141, 216 regeneration, 105, 115, 116, 124 War Requiem, 47 Roman Catholicism, 118, 119 Wittgenstein, 31 slave trade, 120–2, 125, 137 Jeanneret, Michel, 70, 71 Lockhart, Clare Jones, Inigo, 174 The Making of the Duchess of Malﬁ, 154–5 Oberon, 173–4, 175 Loncraine, Richard Jonson, Ben, 140, 217, 218–19, 220, 222, 223 Richard III, 160, 163 Every Man in His Humour, 217 Luhrmann, Baz Oberon, 173–4, 175 Romeo + Juliet, 103 Volpone, 12, 22, 173 Lutyens, Edwin, 121, 127 Jordan, Neil Interview with the Vampire, 31 MacCabe, Colin, 29, 51, 57 The Crying Game, 31 Mackay, James, 37

Index 271

Mackendrick, Alexander Middleton, Thomas and William Rowley Sweet Smell of Success, 211–12 The Changeling, 3, 169–70, 176, 187–97, 204 Mackie, Laura, 200 Mirren, Helen, 73 MacTaggart, James, 156, 157, 158 misogyny, 67, 68, 79, 81, 90, 91–101, 104, 128, The Duchess of Malﬁ, 147, 156–60, 170, 184 137, 190 Madden, John Montaigne, Michel de, 8, 68, 69–71, 77, 82, Shakespeare in Love, 88, 102, 103, 116, 177, 178 83, 102 Maestro, Mia, 88, 98 Montiel, Cecilia, 110, 111, 120 Magill, Tom Morse, Douglas, 171–2 Mickey B, 224 The Jew of Malta, 166, 171–2 mainstream, 4, 5, 7, 10, 11, 21, 36, 62, 67, 68, 77, The Merchant of Venice, 171 85, 104, 117, 125, 136, 147, 169, 186, 187, The Summoning of Everyman, 171 188, 189, 192, 214, 215, 216, 222, 224 Mullan, Paul, 78 Major, John, 119 Mullaney, Stephen, 130 Malcolmson, Cristina, 191 multiculturalism, 189, 190, 196, 200, 203, 211, 214 Malkovich, John, 79 integrationist multiculturalism, 189, 197, Mankiewicz, Joseph L. 200, 211 The Honey Pot, 12 Mulvey, Laura, 30, 33–4, 54, 59, 91, 92, 98 Manovich, Lev, 217 Murnau, F. W., 22 Marchi, Dudley, 70, 71 Faust, 12 Marcus, Leah, 159 Murphy, Gerard Marlowe, Christopher, 38, 142, 217 Edward II (RSC), 55 Doctor Faustus, 12, 21, 140, 160, 173, 183 Muti, Ornella, 88 Edward II, 1, 2, 21, 38, 44–64, 65, 160–5 The Jew of Malta, 21, 171–2 Nagra, Parminder, 188, 193, 196, 197, 199–200, Marquand, Richard and Toby Robertson 201–2, 211, 214 Edward II, 147, 160–5, 181 Nashe, Thomas, 217 Massinger, Philip National Theatre, 4, 179, 181, 212–13 The Guardian, 176 NT Live, 179 Mastroianni, Chiara, 88, 93 Nelson, Robin, 148 Matheson, Margaret, 118, 140 New Cinema Fund, 118, 134, 135 Bard Entertainments, 118 New Romantics, 105 Mathews, Steve, 212 Nicol, David, 213 McDonald, Kyle, 172 Nightingale, Colin, 154, 155 McDonald, Kyle and Philip Borg nostalgia, 5, 6, 23, 25, 38, 63, 67, 69, 116, 127, 128, Revenge for the Duchess of Malﬁ, 166–9, 172 150, 152, 159 McGann, Jerome, 152 McKay, John O’Donnell, Damien The Sea Captain’s Tale, 200 East Is East, 199 McKellen, Ian, 42, 64, 160–5 Olivier, Laurence McMullan, Gordon, 196 Henry V, 22, 44 Merchant, Ismail, 94, 96, 118 Open University Merlet, Agnès Women Beware Women, 173 Artemisia, 97–8, 99–100, 101 O’Pray, Michael, 48 Messina, Cedric, 156 Opus Arte, 179 Meyers, Jonathan Rhys, 199 Orgel, Stephen, 174 Michelangelo, 22 original practices, 144, 174–9, 220, 221 microcinema, 3, 11, 147, 166–72, 185, 217 Orloff, John, 219 Middleton, Peter, 216 Osborne, Laurie, 181, 182 Middleton, Thomas, 139, 140, 197, 220, 223 oxymoron, 106, 127, 131, 133, 137, 207 and Shakespeare, 131, 135, 195–6, 197, 202, 204, oxymoronic casting, 131–2, 133–4, 136, 220 213–14, 215 The Revenger’s Tragedy, 17–19, 73, 104–5, PARIP (Practice as Research in Performance), 175 110–33, 196 Parker, Alan, 139, 140 Women Beware Women, 173 Parker, Patricia, 84

272 Index

Pasolini, Pier Paolo, 22, 72 Richardson, Miranda, 213 Pasternak Slater, Ann, 190, 194–5 Rivette, Jacques patriarchy, 79, 81, 92, 96, 107, 111, 128, 190, 198, Noroît, 17–19 199, 202, 213 Robertson, Toby, 161 Patroni Griffi, Giuseppe Robertson, Toby and Richard Marquand Addio, fratello crudele, 14–15, 22, 160 Edward II, 147, 160–5, 181 Il Mare, 22 Rose Theatre Peake, Tony, 161 in Babelsberg, 221 period drama. See heritage virtual, 173 Pettit, Tom, 51 Rowe, Katherine, 5, 11 Phelan, Peggy, 145, 146, 154, 182, 185 Rowley, William, 189 political activism, 20, 21, 30, 31, 35, 38, 42–3, 62, Rowley, William and Thomas Middleton 104–10, 123–4, 125, 161–5 The Changeling, 3, 169–70, 176, 187–97, pornography, 66, 67, 207, 209 202–16 Porter, Cole, 60, 62 RSC (Royal Shakespeare Company), 34, 55, 88, postcolonialism, 203 106, 110–33, 141, 181 Potter, Sally Russell, Ken, 140 Orlando, 31 Rutter, Barrie Powell, Sandy, 21, 31, 33, 36, 37, 45, 54–5 Oberon, 173–4, 175 preposterous, 7, 8, 21, 46–7, 48, 54, 57, 68, 84–8, Rylance, Mark, 220–1, 223 89, 93, 94–6, 101, 108, 138, 167, 169, 189, Rylands, George, 163 191, 192, 215 The Duchess of Malfi, 159 Prescott, John, 123 Prévost, L’Abbé Sade, Marquis de, 72 Manon Lescaut, 16, 17 Sandoval, Miguel, 113, 114 Punchdrunk, 184 Sands, Julian, 79 Punchdrunk with ENO Sax, Geoffrey The Duchess of Malfi, 145, 153–6 Othello, 136, 223 punk, 2, 20, 22–5, 37, 40, 46, 67, 78, 104–5, 110, Schneider, Rebecca, 185 111, 123, 136, 196 Schofield, Andrew, 111, 141 Puttenham, George, 8, 84, 87, 101, 127, 132, 189, Schubert, Franz, 98–9 190–1, 192, 206–8, 209 Schwimmer, David, 83, 88 scopophilia, 33–4, 36, 68, 81, 91–3, 96, queer, 15, 20, 21, 30–1, 35, 36, 41, 43, 47–9, 51, 55, 99–101, 102 60–3, 67, 68, 72, 85, 101, 165 Scott, Ridley Quick, Diana, 136 Hannibal, 68, 75, 79 Sen, Jon race, 104, 115, 116, 117, 118, 120–2, 125, 128–30, 189, Second Generation, 196, 200, 201–2, 190, 198, 202, 204, 211, 213. See also 205, 206 British Asian film, hybridity, sexual oppression, 13, 14, 21, 36, 38–9, 40–1, 43, multiculturalism 47–8, 57, 67, 71, 85, 90, 91–101, 102, 103, Randall, Dale, 207 104, 115, 116, 120, 128–30, 137, 162, 190, rape, 97, 101, 119, 129, 137, 192, 194, 207, 209, 198, 201, 202, 203, 205, 216 210–11, 212, 215 sexual transgression, 13, 14, 15, 19, 20, 21, 22, 30, 35, Rasch, Torsten, 153 38, 43, 45, 46, 47–8, 54, 63, 72, 78, 79, 80, Reagan, Ronald, 108 84, 91–101, 102, 150, 192, 201, 205 Reason, Matthew, 152 Shakespeare, William, 22, 72, 74, 85, 108–9, 110, Rees, A. L., 2, 3 137, 141, 142, 167, 171, 186, 189, 195, 197, Rees, Phil, 180, 181, 182 200, 204, 213, 215 Reithermann, Myles, 165 A Midsummer Night’s Dream, 191, 195 remediation, 7, 144, 146, 147, 148, 152, 155, 156–60, and British national identity, 204 182, 184 and heritage industry, 4–5, 9, 67, 88–9, 91, 103, Reynolds, Burt, 87–8 106, 114, 115, 133–6, 177, 196, 218, 220, 221, Richard Brome Online, 174 223–4 Richardson, Joely, 223 BBC/Time-Life Shakespeare, 140, 141, 156, 179

Index 273

brand identity, 4, 197 Stone, Sharon, 211 Cymbeline, 137 Street, Sarah, 6, 200 Hamlet, 34, 35, 54, 56, 59, 74, 130–5, 136–7 Strong, Mark, 78 Henry IV, 224 Supple, Tim in Anonymous, 217–24 Twelfth Night, 200, 201 in British Asian film, 196, 197, 200–2, 213, 215, Sweetman, Paul, 111 224 Swinton, Tilda, 2, 14, 21, 31, 32–5, 36, 37, 38, 44, Julius Caesar, 108–9 49–50, 54–60, 68, 148, 164, 165 King Lear, 105, 109, 115, 201–2, 223 Macbeth, 204, 213, 224 Tate, Nahum Much Ado About Nothing, 195 King Lear, 201 ‘New Wave’ Shakespeare, 11, 115, 224 Taylor, Gary Othello, 136, 150, 195, 212–13, 223 The Collected Works of Thomas Richard II, 160 Middleton, 3 Richard III, 160, 163 Taylor, Greg, 47 Romeo and Juliet, 194, 195, 200 Taymor, Julie Shakespeare studies, 6, 8, 144, 177 Titus, 68, 76, 136, 142 Timon of Athens, 22 television, 2, 8, 11, 24, 29, 135, 136, 141, 145, 150, Titus Andronicus, 73, 76, 89, 136, 137 154, 156–62, 170, 179, 180, 183–4, 186, Twelfth Night, 200 187–9, 196, 197, 208–6, 223. See also BBC Shakespeare’s Globe, 4, 112, 174, 175, 177, 179, (British Broadcasting Corporation), 181, 221 Channel 4, ITV (Independent Globe on Screen, 179 Television) Sharma, Sanjay, 189, 198 Terry, Nigel, 28, 37, 44 Sharman, Jim Thatcher, Margaret, 36, 38, 44, 71, The Rocky Horror Picture Show, 157 119 Shaughnessy, Robert, 200, 213 Third Cinema, 107, 112–14, 116 Sher, Antony, 88, 110 Thompson, Ayanna, 143 Silverstone, Catherine, 40, 148 Thompson, Kristin, 97 Simpson, Christopher, 201 Thompson, Marcus Sinfield, Alan, 30, 37 Middleton’s Changeling, 3 site-specific theatre, 153–4 Tiernan, Andrew, 45, 48, 164 Size 9 Productions, 212 Tiramani, Jenny, 177, 178 Sjöman, Vilgot Tompkins, Joanne Syskonbädd 1782, 13–14, 22, 46 Doctor Faustus (virtual), 173 social class, 13–14, 45, 104, 112, 115, 122, 124, 136, Tourneur, Cyril, 104, 140 138, 141, 164, 188, 189, 192, 194, 202, 203, The Revenger’s Tragedy. See Middleton, 204, 205, 208, 213, 218, 222 Thomas: The Revenger’s Tragedy Solga, Kim, 4, 148, 149 Traub, Valerie, 95 Sonnabend, Yolanda, 26 Trevis, Di Spaghetti Western, 109, 110, 116, 117, 128 The Revenger’s Tragedy (RSC), 110–33 Spall, Rafe, 217, 222 Tryon, Chuck, 87, 182 St Johnston, Joshua, 187, 190, 197, 203, 204, 208, 211, 212–13, 214 Verhoeven, Paul Stage on Screen, 12, 145–6, 179–84 Basic Instinct, 211 Doctor Faustus, 173, 183 video-sharing, 143, 167. See YouTube ‘Green Room’, 180 Vile Passéist Theatre, 166 The Duchess of Malfi, 173 Visconti, Luchino, 22, 28 Volpone, 173 ’Tis Pity She’s a Whore, 13, 22 Stam, Robert, 10 Stanislavski, Konstantin, 16 Wachowski, Lana and Andy Stern, Jay, 172 The Matrix, 151 The Changeling, 166, 169–70 Waddington, Steven, 47, 53, 164 Still, Melly Warner, Michael, 48 The Revenger’s Tragedy, 4 Warren, Marc, 111, 141

274 Index

Webster, John, 140, 142, 223 Wolfit, Donald The Duchess of Malfi, 66, 69, 80, 103, 133, 147, Volpone, 12 153–60, 166–9, 170–1, 176, 178, 211–12, 222 Wooding, Jeremy The White Devil, 140 Bollywood Queen, 200 Welch, Elisabeth, 26 World Trade Center attack. See 9/11 Whalley, Boff, 124 World Wide Web. See internet White, Martin Worthen, W. B., 175–6, 179 Chamber of Demonstrations, 173, 174–9 Wray, Ramona, 124, 128 Wiggs, Michael, 212 Wymer, Rowland, 6, 51, 66, 97, 171 Wilds, Nancy G., 127 Willcox, Toyah, 23, 25, 31–2 YouTube, 11, 141–2, 143–5, 147, 149–53, Williams, Clifford 155, 156–60, 169, 170, 172, 173, 177, 184, The Duchess of Malfi (RSC), 159 185, 187 Williams, Heathcote, 25, 67, 80, 82, 88, 90, 141 decontextualising effect, 144, 160–5 Wilson, Ian, 45 degradation of image, 158–9 Wilson, Lydia, 147, 148–9, 150–1 fragmentation, 147, 155, 156–8, 175 Winstone, Ray, 187, 189, 193, 203–4, 212, 214 interface, 144, 156, 160, 161, 165