Jennifer Ulrich

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JENNIFER ULRICH CINEMA REGIA 2019 - Women Stories - Unspoken Maria Sole Tognazzi 2017 - Drive me Home Simone Catania 2014 - Meet me in Montenegro Alex Holdridge 2011 – Diaz Daniele Vicari 2010 – 205 – Room of Fear Rainer Matsutani 2009 – We are the Night Dennis Gansel 2008 – Albert Schweitzer Gavin Millar 2008 - Ein Teil von mir Christoph Röhl 2007 – The Wave (ital. L‘Onda) Dennis Gansel 2005 – The Cloud Gregor Schnitzler 2005 - Lauf der Dinge Rolf Wolkenstein 2005 – Elementary Particles (ital. Le particelle elementari) Oskar Roehler 2004 - Sieben Tage Sonntag Niels Laupert 2002 - Liberated Zone Norbert Baumgarten 2001 – Big Girls don’t Cry (ital. La vita comincia oggi) Maria Von Heland TELEVISIONE REGIA 2020 - The Mopes Christian Zübert 2019 - Dignity Julio Jorquera 2018 - Extraklasse Matthias Tiefenbacher 2018 - Es bleibt in der Familie Florian Knittel 2017 - Familie Wöhler auf Mallorca David Gruschka 2016 - Leg dich nicht mit Klara an Mia Spengler 2016 - Schuld 2 - Familie Hannu Salonen 2016 - Kommissar Dupin - Bretonischer Stolz Michael Roth 2016 - Die Chefin Michael Schneider 2015 - Taunuskrimi - Böser Wolf Marcus O. Rosenmüller 2015 - Fanny und die geheimen Väter Mark Monheim 2015 - Fanny und die gestohlene Frau Mark Monheim 2014 – Hangover in High Heels Sven Bohse 2014 – Katie Fforde – Zurück ans Meer John Delbridge 2014 – Toleranz Marc-Andreas Bochert 2013 – Morden im Norden Torsten Wacker 2013 – Open Desert Robert Krause 2012 - Herztöne Sven Bohse 2011 - Polizeiruf 110 – Die Gurkenkönigin Ed Herzog 2010 - Die Kinder von Blankenese Raymond Ley 2009 - Der gestiefelte Kater Christian Theede 2009 - Soko Leipzig – Das Geisterhaus Jörg Mielich 2009 - Alarm für Cobra 11 (ital. Squadra Speciale Cobra 11) Sascha Thiel 2008 - Stolberg – Die falsche Frau Ulrich Zrenner 2007 - Tatort – Familienaufstellung Mark Schlichter 2007 - H3-Halloween Horror Hostel Michael Karen 2007 - Soko Köln – Man liebt nur einmal Torsten Wacker 2006 - Polizeiruf 110 – Verstossen Marco Serafini 2006 - GSG9 – Auge um Auge Florian Kern 2006 - Ein Fall für Zwei (ital. Un caso per due) Michael Kreindl 2006 - Soko Wismar – Seitenwechsel Peter Lichtefeld 2006 - Abschnitt 40 Florian Kern 2006 - Einsatz in Hamburg Walter Weber 2005 - Soko Leipzig - Reinen Herzens Christoph Eichhorn 2005 - Zwei zum Fressen gern Simon Rost 2004 - Entscheidung am Fluss Oliver Dommenget 2004 - Klassenfahrt Lars Montag 2003 - Untreu Rainer Matsutani PREMI 2011 – Fantasy Horror Festival in Orvieto, Premio Miglior Attrice Non Protagonista “Best Interpretation New Talent” (We are the Night) 2008 – Deutscher Filmpreis/ Film Award tedesco, Nomination Miglior Attrice Non Protagonista (L’Onda) .

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1 Regia Di Dennis Gansel Con Jason Statham Jessica Alba Tommy
Regia di Dennis Gansel Con Jason Statham Jessica Alba Tommy Lee Jones Michelle Yeoh Durata 98 min. Data di uscita 3 novembre Distribuito da Ufficio stampa film Lucrezia Viti mail [email protected] / cell +39 348 2565827 Livia Delle Fratte mail [email protected] / cell +39 349 2233828 Gabriele Carunchio mail [email protected] / cell +39 338 3440873 1 SINOSSI Arthur Bishop (Jason Statham) è tra i sicari più richiesti al mondo: meticoloso, non sbaglia un colpo ed è specializzato nel far sembrare gli assassinii dei normali incidenti. Anche se uscito dal “business” Arthur sarà costretto a tornarci per un’ultima missione: completare una serie di omicidi, uccidendo gli uomini più pericolosi al mondo, senza che l’FBI si accorga che i colpi portano la sua inconfondibile “firma”. NOTE DI PRODUZIONE UNA NUOVA MISSIONE Nel remake del 2011 del classico di genere The Mechanic (Professione Assassino), il pubblico si è trovato nuovamente di fronte questo consumato assassino, in un momento in cui malvolentieri è costretto a insegnare il mestiere a una giovane testa calda e al tempo stesso cerca di scoprire i colpevoli della morte del suo più grande amico e mentore. Anche se il film era pieno di azione, aveva un carattere più intimo e incentrato sul personaggio, una vetrina sia per Charles Bronson nella versione di 40 anni prima, sia per Jason Statham, che ha messo molto di suo nell’interpretazione del sicario Arthur Bishop. Il risultato, in ambedue i casi, è stato un successo assoluto. Per la nuova avventura di Bishop, Mechanic: Resurrection, si è deciso di ampliare il campo di applicazione della serie, portando questo duro ma etico sicario a un altro livello, come suggerisce lo sceneggiatore Phillip Shelby.
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A Coffee in Berlin a Film by Jan Ole Gerster
presents A COFFEE IN BERLIN A FILM BY JAN OLE GERSTER Official Selection - AFI Film Festival 2013 Winner of six 2013 German Film Academy Awards, including Outstanding Feature Film, Best Director, Best Actor and Best Screenplay 88 min., Germany, 2012 Official site: http://www.musicboxfilms.com/acoffeeinberlin Press Materials: http://www.musicboxfilms.com/acoffeeinberlin-press NY Publicity: LA Publicity: Brigade Marketing Landmark Theatres Adam Kersh Steve Indig [email protected] [email protected] Caitlin Hughes 415-352-0832, ext 2 [email protected] (917) 551-5829 Music Box Films Marketing & Publicity Distribution Contact: Brian Andreotti: [email protected] Andrew Carlin Rebecca Gordon: [email protected] [email protected] 312-508-5361/ 312-508-5362 312-508-5360 Online Publicity: MPRM Rene Ridinger: [email protected] 323-933-3339 x 4271 Shelby Kimlick: [email protected] 323-933-3399 x4248 SUMMARY Jan Ole Gerster's wry and vibrant feature debut A COFFEE IN BERLIN (originally titled OH BOY), which swept the 2013 German Oscar Awards, paints a day in the life of Niko, a twenty-something college dropout going nowhere fast. Niko lives for the moment as he drifts through the streets of Berlin, curiously observing everyone around him and oblivious to his growing status as an outsider. Then on one fateful day, through a series of absurdly amusing encounters, everything changes: his girlfriend dumps him, his father cuts off his allowance, and a strange psychiatrist dubiously confirms his 'emotional imbalance'. Meanwhile, a former classmate insists she bears no hard feelings toward him for his grade-school taunts when she was “Roly Poly Julia,” but it becomes increasingly apparent that she has unfinished business with him.
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Cover 3 04-Titel
German Films Quarterly 3 · 2004 GERMAN FILMS AT THE SUMMER FESTIVALS GERMAN FILM AWARD ... and the winners are... FOCUS ON German Private Media Funds german films quarterly 3/2004 focus on 4 GERMAN PRIVATE MEDIA FUNDS directors’ portraits 16 EXPLORING NEW TERRITORIES A portrait of Dani Levy 18 BEYOND WORDS A portrait of Maria Speth producer’s portrait 20 STORIES FOR A WIDER AUDIENCE A portrait of Relevant Film actor’s portrait 22 NO COLD FEET A portrait of Birol Uenel 24 news in production 28 ANTIKOERPER Christian Alvart 28 DER BAUM DER WUENSCHE Rolf Schuebel 29 GALATASARAY – DEPOR Hannes Stoehr 30 GENERATION Mait Laas, Cristian Mungiu, Nadejda Koseva, Jasmila Zbanic, Kornel Mundruczo, Stefan Arsenijevic 30 GESPENSTER Christian Petzold 31 GRENZVERKEHR Stefan Betz 32 ICH LEBE Dagmar Knoepfel 32 LAND’S END Alex Ross 33 NIMM DIR DEIN LEBEN Sabine Michel 34 OFSAYT Buket Alakus 34 SOPHIE SCHOLL – DIE LETZTEN TAGE Marc Rothemund 35 ZEPPELIN! Gordian Maugg new german films 40 AGNES UND SEINE BRUEDER AGNES AND HIS BROTHERS Oskar Roehler 41 DIE BLUTRITTER RIDERS OF THE SACRED BLOOD Douglas Wolfsperger 42 DIRTY SKY Claude-Oliver Rudolph 43 EN GARDE Ayse Polat 44 HEIMAT 3 – CHRONIK EINER ZEITENWENDE HEIMAT 3 – A CHRONICLE OF ENDINGS AND BEGINNINGS Edgar Reitz 45 IN DIE HAND GESCHRIEBEN GRAVEN UPON THY PALM Rouven Blankenfeld 46 DAS JAHR DER ERSTEN KUESSE FIRST KISS Kai Wessel 47 KAMMERFLIMMERN OFF BEAT Hendrik Hoelzemann 48 LAND OF PLENTY Wim Wenders 49 NACHBARINNEN WANTED! Franziska Meletzky 50 NAPOLA Dennis Gansel 51 DER NEUNTE TAG THE NINTH DAY
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Award of the City of Hof and German Cinema New Talent Award 2019
22 – 27 October 2019 Press release 9 Award of the City of Hof 2019 goes to actor Max Riemelt Hof, 24 October 2019 – This year's Award of the City of Hof 2019 goes to the actor Max Riemelt. By awarding the prize to Max Riemelt this year, the City of Hof and the Hof International Film Festival are honoring an outstanding actor who fills his roles with wisdom, intensity and subtle emotion. Many of his films premiered at the Hof International Film Festival and became great successes: Riemelt was in Hof for the first time in 2004 with NAPOLA by Dennis Gansel, followed by 13 SEMESTERS by Frieder Wittich in 2009, PLAYOFF by Eran Riklis in 2011, MY GERMAN FRIEND by Jeannine Meerapfel in 2012, and TO LIFE! by Uwe Janson in 2014. In 2018 Max Riemelt came to the festival on the occasion of the retrospective of the French director Barbet Schroeder and presented the film AMNESIA, in which he played the leading role alongside Marthe Keller. The unendowed Award of the City of Hof is regarded as one of the special awards in the German film industry. Since 1986, the Award of the City of Hof has been awarded to a personality who is an important driving force in the German film industry and is closely associated with the film festival in the Saalestadt. This is particularly true of Max Riemelt: Max Riemelt, born 1984 in Berlin, has been working as an actor since 1997. He celebrated his breakthrough with the leading role in the series ZWEI ALLEIN (1998).
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Dossier De Presse
DOSSIER DE PRESSE 1 METROPOLITAN FILMEXPORT MILLENNIUM FILMS présentent une production DAVIS FILMS et MILLENNIUM FILMS un film de Dennis Gansel MECHANIC RESURRECTION Avec Jason Statham Jessica Alba Tommy Lee Jones et Michelle Yeoh D’après les personnages créés par Lewis John Carlino Histoire de Philip Shelby - Scenario Philip Shelby et Tony Mosher Un film produit par Samuel Hadida, Victor Hadida John Thompson, Robert Earl, David Winkler, William Chartoff Durée : 1 h 42 min Sortie nationale : 31 août 2016 Vous pouvez télécharger l’affiche et des photos du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT KINEMA FILM 29, rue Galilée - 75116 Paris François Frey Tél. 01 56 59 23 25 15, rue Jouffroy-d’Abbans - 75017 Paris Fax 01 53 57 84 02 Tél. 01 43 18 80 00 info@metropolitan -films.com Fax 01 43 18 80 09 Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 Relations presse internet : Jonathan Fischer WAY TO BLUE 13 rue Paul Lelong – 75002 Paris 2 L’HISTOIRE Arthur Bishop pense avoir définitivement tourné la page sur son passé de tueur à gages. Il coule maintenant des jours heureux dans l’anonymat avec sa compagne. Mais lorsque son plus redoutable ennemi enlève celle-ci, il est obligé de parcourir le monde pour accomplir une liste d’assassinats impossibles. Et comme toujours, il doit faire en sorte que ses exécutions ressemblent à des accidents. Une course contre la montre sans relâche s’engage. 3 NOTES DE PRODUCTION UNE NOUVELLE MISSION Dans LE FLINGUEUR de 2011 qui revisitait le classique éponyme des années 70 , le public a redécouvert ce tueur chevronné qui, bien malgré lui, doit former son protégé au caractère bien trempé, tout en essayant de trouver l'homme responsable de la mort de son mentor.
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Understanding the Cultural and Political Identities of Contemporary German Nationalism by Jasmine J
From Fringe to Mainstream: Understanding the Cultural and Political Identities of Contemporary German Nationalism By Jasmine Jackson-Irwin Honors Essay Department of Germanic and Slavic Languages and Literatures University of North Carolina 3 April 2014 ABSTRACT Although far-right politics remains a fringe movement in contemporary Germany, one can observe its continuing presence in society given the rise of the National Democratic Party (NPD) in the early 2000s, and the violent attacks led by the National Socialist Underground (NSU) from 2000-2006. A divided opinion amongst Germans arises regarding how best to address nationalism: should the state mandate an outright ban on all nationalist groups, or foster a system that allows for close observation and monitoring of said groups? Nonetheless, the nuanced elements of the far-right movement make it increasingly difficult to achieve a definitive solution. While encompassing less than 1% of the population, supporters of the far-right often possess distinctly cultural or political identities that compromise the overall efficacy and legitimacy of the movement. Given ambiguous rates of support due to these conflicting identities, as well as the isolation of right-wing groups and individuals in specific regions, how has the contemporary right-wing achieved such widespread publicity? More importantly, to what degree does this movement pose a threat to German democracy? In this thesis, I provide an interdisciplinary review of film (Dennis Gansel’s Die Welle), literature (Andres Veiel’s Der Kick and Timur Vermes’ Er ist wieder da), journalism, and government publications to identify the societal implications of the contemporary far-right in Germany. Specifically, I seek to address how, if at all, these cultural representations of far-right ideology mirror the actual movement, and to what extent this movement may subvert established German democracy.
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German Films Quarterly 3 · 2008
cover_GFQ3.qxp 24.07.2008 12:42 Uhr Seite 1 German Films Quarterly 3 · 2008 AT LOCARNO BERLIN CALLING by Hannes Stoehr NORTH FACE by Philipp Stoelzl THE HEART OF JENIN by Leon Geller & Marcus Vetter AT MONTREAL THE RED SPOT by Marie Miyayama MY MOTHER’S TEARS by Alejandro Cardenas-Amelio AT VENICE TEZA by Haile Gerima AT TORONTO MY MOTHER, MY BRIDE AND I by Hans Steinbichler TEZA by Haile Gerima PORTRAITS Maren Ade, Dennis Gansel, NextFilm, Jessica Schwarz Inhaltsverz_GFQ3.qxp 24.07.2008 9:31 Uhr Seite 1 German Films Quarterly 3 · 2008 directors’ portraits 4 PRECISE OBSERVATION A portrait of Maren Ade 6 RIDING THE CREST OF THE WAVE A portrait of Dennis Gansel producer’s portrait 8 FINGER ON THE PULSE A portrait of NextFilm actress’ portrait 10 TOTALLY JESSICA A portrait of Jessica Schwarz 12 news in production 18 AI-MEI Monika Treut 19 DIE BIENEN Michael Karen 20 CHANDANI – DIE TOCHTER DES ELEFANTENFLUESTERERS Arne Birkenstock 21 ENDSTATION DER SEHNSUECHTE Sung-Hyung Cho 21 ES KOMMT DER TAG Susanne Schneider 22 THE LAST STATION Michael Hoffman 23 LAURA Ben Verbong 24 LILA, LILA Alain Gsponer 25 DER SEEWOLF Mike Barker 26 SUMMERTIME BLUES Marie Reich 27 DIE TUER Anno Saul 28 VORSTADTKROKODILE Christian Ditter 28 DIE WILDEN HUEHNER 3 Vivian Naefe 29 WUESTENBLUME Sherry Hormann 30 DIE ZWEI PFERDE DES DSCHINGIS KHAN Byambasuren Davaa Inhaltsverz_GFQ3.qxp 24.07.2008 9:31 Uhr Seite 2 8 new german films 32 7 MORE MINUTES Izabela Plucinska 33 10 SEKUNDEN 10 SECONDS Nicolai Rohde 34 ALTER UND SCHOENHEIT AGE AND BEAUTY Michael Klier 35 BERLIN CALLING
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Mina Tander, La Cl Writt a Aura De Boe Lemens Sch Presents Ten and Direc Alex Schmid Starring Er, Kathari Hick, Thom Cted by Dt
presents Writtten and directed by Alex Schmidt Starring Mina Tander, Laura de Boeer, Katharina Thalbach, Max Riemelt, Clemens Schick, Thomas Sarbacher Produced by Wüste Film Ost OHG in co-production with Wüste Film GmbH, Magnolia Filmproduktion GmbH and ZDF - Das kleine Fernsehspiel Supported by Mitteldeutschen Medienförderung, Filmförderung Hamburg Schleswig-Holstein, FFA, Deutschen Filmförderfonds, MEDIA, Medienboard Berlin-Brandenburg GmbH (script) German Release by Falcom Media, 1 Nov 2012 CAST Mina Tander Hanna Merten Laura de Boer Clarissa von Griebnit Lina Köhlert Lea Merten Mia Kasalo Maria Katharina Thalbach Gabriela Max Riemelt Marcus Greta Oceana Dethlefs Hanna (age 9) Alina Sophie Antoniadis Clarissa (age 9) Clemens Schick Johannes Merten Thomas Sarbacher Tim Crew Director Alex Schmidt Screenplay Alex Schmidt & Valentin Mereutza Cinematography Wedigo von Schultzendorff Set Design Jörg Möhring Costumes Maria Schicker Make-Up Nadine Tschöpe & Mandula Hilf Sound & Sound Design Benjamin Krbetschek Film Score Marian Lux For further information: 1 Beta Cinema GmbH, Press, Dorothee Stoewahse, Tel: + 49 89 67 34 69 15, Mobile: + 49 170 63 84 627 [email protected], www.betacinema.com. Pictures and filmclips available on ftp.betafilm.com, username: ftppress01, password: 8uV7xG3tB Editor Andreas Radke Assistant Director Isabel Paul Production Manager Björn Eggert Casting Deborah Congia & Karolina Matheis Co-Producers Babette Schröder & Nina Bohlmann ZDF Story Editors Katharina Dufner Producers Yildiz Özcan Stefan Schubert Ralph Schwingel TECHNICAL DATA Running Time: 102’ Format: 1:2,35 Cinemascope Sound: Dolby 5.1 CONTACT INTERNATIONAL PRESS Beta Cinema GmbH, Dorothee Stoewahse Tel: + 49 170 63 84 627 [email protected] CONTACT WORLD SALES Beta Cinema GmbH, Dirk Schuerhoff/Thorsten Ritter/Tassilo Hallbauer Tel: + 49 89 67 34 69 828 Fax: + 49 89 67 34 69 888 [email protected] LOGLINE During a vacation on an island, two childhood friends are haunted by the ghosts of their past.
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Die Vierte Macht (The Fourth State)
DIE VIERTE MACHT (THE FOURTH STATE) A cinematic production by UFA Cinema in co-production with SevenPictures For ProSieben Starring Moritz Bleibtreu Kasia SmutniaK Max Riemelt Rade Serbedzija Stipe Erceg MarK Ivanir Producers Nina Maag Thomas Peter Friedl Nico HoFmann Written and directed by Dennis Gansel The production is funded by the Media Board Berlin-Brandenburg, the FilmFernsehFonds Bayern (Bavarian Film and TV Television Fund), the Filmförderungsanstalt (German Federal Film Board -FFA)and the German Federal Film Fund (DFFF) CONTENTS Page CREW AND CAST 3 TECHNICAL DETAILS 3 SHORT SYNOPSIS 4 PRESS RELEASE 4 LONG SYNOPSIS 5 INTERVIEWS Interview with Dennis Gansel 5 Interview with Moritz Bleibtreu 11 Interview with Kasia SmutniaK 12 Interview with Max Riemelt 13 Interview with Rade Serbedzija 14 Interview with MarK Ivanir 15 Interview with the producers 16 MEMBERS OF THE CAST Moritz Bleibtreu 19 Kasia SmutniaK 19 Max Riemelt 20 Rade Serbedzija 20 Stipe Erceg 21 MarK Ivanir 21 PRODUCTION EXECUTIVES Dennis Gansel 22 Nina Maag 23 Thomas Peter Friedl 23 Nico Hofmann 24 Press relations 25 2 CAST Paul Jensen Moritz Bleibtreu KatJa Kasia SmutniaK Dima Max Riemelt Onjegin Rade Serbedzija Vladimir Stipe Erceg Aslan MarK Ivanir CREW Writer and director Dennis Gansel Producers Nina Maag Thomas Peter Friedl Nico Hofmann Junior producer RiKe Radtke Line producer Sebastian Werninger Production manager Sascha Schwill Cinematography Daniel GottschalK Set design Matthias Müsse Costumes Natascha Curtius-Noss Editor Jochen Retter Sound PatricK Veigel Soundtrack HeiKo Maile Casting Nessie Nesslauer und Nina Haun Make-up Jeanette Latzelsberger TECHNICAL DETAILS Feature film PG-12 Format CS Length 3158 m Running time 115 minutes 3 SHORT SYNOPSIS Plunged into a crisis with his relationship and life in general, society Journalist Paul Jensen (Moritz Bleibtreu) flees Berlin for a change of scene, and to work on a Russian tabloid magazine in Moscow run by his mentor Alexei Onegin (Rade SerbedziJa).
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Study Guide for the Wave
THE WAVE A Study Guide compiled by Roberta McNair for the Mill Valley Film Festival Table of Contents Introduction 2 The Film 3 The Director 4 The Book 4 The Wave 4 The experiment: The Third Wave 6 Controversies 7 Other social psychology experiments 7 The Milgram Experiment 8 The Stanford prison experiment 8 Authoritarian Movements 10 Fascism 10 Nazism 11 The Wave 14 Questions for Discussion and Research 15 References and Bibliography 16 Appendix 16 The Third Wave 16 Remembering the 3rd Wave 25 Introduction The material in this guide is intended for educational use only, and reproduction for commercial purposes is forbidden. Objective This study guide aims to provide a framework for students to analyze and understand this film, its basis in actual events, and an historical context for the fascist direction The Wave group takes. Through research, analysis, and discussion, students will achieve an understanding not only of the subject of this drama but also the nature and psychology of the need to belong, empowerment, and authoritarianism. The Film The Wave (Die Welle), 2007 experiment that has now gone completely out of Director Dennis Gansel control. Writers Dennis Gansel, Peter Thorwarth, Todd Strasser (novel) Producer Nina Maag Cinematographer Torsten Breuer Editor Ueli Christen Cast Jürgen Vogel—Rainer Wenger Frederick Lau—Tim Max Riemelt—Marco Jennifer Ulrich—Karo Christiane Paul—Anke Wenger Elyas M’Barek—Sinan Cristina do Rego—Lisa Jacob Matschenz—Dennis Maximilian Vollmar—Bomber Frederick Lau addresses the audience as he holds his Maximilian Mauff—Kevin trophy at the German Film Prize “Lola” award ceremony in Berlin April 25, 2008.
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Max Riemelt Received the German Television , for Which He Received the Bavarian Award Film for Best Actor
02 Presseheft | Der Deutsche freunD | synoPsis 03 ls ls t echnicAl DetAils i A t e D 35mm | 1:1,85 | Dolby Digital | 100 min | Spanish/German l A echnic A Malena Filmproduktion production, D | t in co-production with Ricardo Freixá, Geißendörfer Film- und Fernsehproduktion and WDR. FRIEN n Funded by Film und Medienstiftung NRW, HessenInvestFilm, Deutscher Filmförderfonds, BKM, FFA, Instituto Nacional de Cine y Arte (INCAA) M e G y M r A 4 Presseheft | Der Deutsche freunD | synoPsis 05 ts ts Cat s cre Dits i D Sulamit Celeste Cid Written and directed by Jeanine Meerapfel t & cre s Friedrich Max Riemelt Produced by Jeanine Meerapfel A Michael Benjamin Sadler Co-produced by Hans W. Geißendörfer D | c Ida Löwenstein Noemí Frenkel Co-producer Argentina Ricardo Freixá FRIEN Philipp Löwenstein Jean-Pierre Noher Executive producer Paul Müller n Frau Burg Katja Alemann Cinematography Víctor Kino González M e Herr Burg Carlos Kaspar Production Design Federico Mayol, Alexander Scherer G y Eduardo Daniel Fanego Costume Design Connie Balduzzi, Lucia Faust M r A Sulamit as a child Julieta Vetrano Make-up Waldemar Pokromski, Sabine Schumann Friedrich as a child Juan Franciso Rey Editing Andrea Wenzler Aunt Else Adriana Aizenberg Sound Victor Tendler, Michael Busch, Music Floros Floridis 06 Presseheft | Der Deutsche freunD | synoPsis 07 is is syno Psis s P no y In her latest feature film, Jeanine Meerapfel tells the story of a deep love in a s time of political upheaval and historical change. Sulamit, the daughter of Jewish D | emigrants from Germany, is growing up in Buenos Aires in the 1950s.
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The Portrayal of Queer Subjectivity in German Vampire Film
The Portrayal of Queer Subjectivity in German Vampire Film By Caitlyn Zimmer Thesis Advisor: Dr. Beverly Weber, Dept. of German and Slavic Languages and Literatures Committee Members: Dr. Deepti Misri, Dept. of Women and Gender Studies Dr. Vicki Grove, Dept. of German and Slavic Languages and Literatures A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Latin Honors in Women and Gender Studies Zimmer 2 Introduction: Vampire film has transformed throughout the ages, and each of these transformations offer a representation of historically specific anxieties during that time. Vampires are almost always portrayed as sexual deviants, and the film’s representation of this sexual deviance offers commentary on how certain sexualities are viewed during the time period that the film is made. My thesis will show how the change in the vampire narrative in German film responds to changing perspectives on queer and female sexuality over time. I will show how F.W. Murnau’s 1922 film Nosferatu presents queer desire as something that should inspire fear and could disrupt German national identity. Jess Franco’s 1971 film Vampyros Lesbos presents lesbian sexuality as narcissistic and something to be enjoyed by the male gaze. Finally, my thesis will argue that Dennis Gansel’s 2010 film Wir sind die Nacht [We are the Night] presents queers’ way of life as a way to escape patriarchal and heteronormative constraints but is ultimately destructive and undesirable. Much research exists on the cultural implications the explosion of vampire discourses during certain periods in American and British society.
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