R-Ta-Inme-R T- --PAGE7 Movie Review This Is the Zodiac Speaking Gender Zodia C Uses the Facts to Create a Pleasing Crime Thriller
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Cold Cases-Int.Indd 2 5/7/20 2:29 PM a True Crime Collection
Cold Cases-int.indd 2 5/7/20 2:29 PM A True Crime Collection Unidentified Serial Killers, Unsolved Kidnappings, and Mysterious Murders CHEYNA ROTH Cold Cases-int.indd 1 5/7/20 2:29 PM Text copyright © 2020 Cheyna Roth. Design and concept copyright © 2020 Ulysses Press and its licensors. All rights reserved. Any unauthorized duplication in whole or in part or dissemination of this edition by any means (including but not limited to photocopying, electronic devices, digital versions, and the internet) will be prosecuted to the fullest extent of the law. Published in the United States by: Ulysses Press P.O. Box 3440 Berkeley, CA 94703 www.ulyssespress.com ISBN: 978-1-64604-034-6 Library of Congress Control Number: 2020931859 Printed in Canada by Marquis Book Printing 10 9 8 7 6 5 4 3 2 1 Acquisitions editor: Claire Sielaff Managing editor: Claire Chun Editor: Scott Calamar Proofreader: Renee Rutledge Front cover design: David Hastings Artwork: Black Dahlia mugshot on cover from the Santa Barbara police, September 23, 1943; texture graphic © Here/shutterstock.com IMPORTANT NOTE TO READERS: Although the author and publisher have made every effort to ensure that the information in this book was correct at press time, the author and publisher do not assume and hereby disclaim any liability to any party for any loss, damage, or disruption caused by errors or omissions, whether such errors or omissions result from negligence, accident, or any other cause. Cold Cases-int.indd 2 5/7/20 2:29 PM For Jonathan and Dad, the best men I know. -
This Is an Excerpt from a New Memoir by Don Lattin, the Longtime Religion Reporter at the San Francisco Chronicle, Titled "
This is an excerpt from a new memoir by Don Lattin, the longtime religion reporter at the San Francisco Chronicle, titled "Distilled Spirits -- Getting High, Then Sober, with a Famous Writer, Forgotten Philosopher, and Hopeless Drunk." The print edition is scheduled for an October 2012 release by University of California Press. The e-book was published by Lattin and is available now on the Kindle platform. For more information, visit donlattin.com. By Don Lattin For as long as anyone can remember, the offices of San Francisco’s premiere newspapers have been conveniently located just one block from Skid Row. Today, the Chronicle is at Fifth and Mission streets, just a block from Sixth Street, the current boulevard of bad luck. Back in the old days, long before I hit town, the Examiner and Chronicle offices were near the corner of Market and Third streets, just a block from the old dive bars and flop houses of “Three Street.” One of the last of the really seedy dives to close down on Three Street was called “Jerry and Johnny’s.” It was an old newspaper tavern. By the time I started working at the Examiner in the 1970s, the newspaper had moved to Fifth Street, but Jerry and Johnny’s was still open over on Third. The wall behind the bar was covered with ancient black and white photos of all the old guys I was just getting to know – back in the day before they were old, bald, fat, and/or almost dead from drink. Most of the buildings around the bar had been abandoned, awaiting a redevelopment project that would eventually turn the neighborhood into a glitzy convention center with luxury hotels and expensive restaurants, but Jerry and Johnny’s hung on until the last wrecking ball swung its way. -
Dangerous Desire
Dangerous Desire CONNOR ZICKGRAF We see Robert Graysmith sitting at the kitchen table; his black note- book—full of leads on the mysterious Zodiac killer—is sprawled open on the wooden surface. A handwriting clue from a movie poster has brought Graysmith to a Mr. Vaughn’s doorstep. With a keenness, an earnestness that matches the ominous rainy night outside, Graysmith starts questioning Vaughn, hoping to gain new insight into the troubling murders. But in an instant, Vaughn’s words wipe the eager anticipation off Graysmith’s rain- soaked face: “Rick didn’t draw any movie posters, Mr. Graysmith. I do the posters myself. That’s my handwriting.” A sudden dread fills the poorly lit room as the implications of Robert Graysmith’s previous declaration resounds in our heads: “The handwriting is the closest we’ve ever come to a match [to the killer].” The heavy rain pound- ing against the kitchen windows echoes the nervous beats of our hearts and cuts chillingly through the silence. Robert, with stiff, cautious movements, attempts to slip out the door to the safety of his car, parked just outside. But just as he’s about to depart, the creepily calm Vaughn—emotionless and unre- vealing—softly suggests they take a look into the basement, where he prom- ises to dig up film records to aid the investigation. Now, on the edges of our seats and utterly terrified, we silently urge Robert not to heed this request, realizing the basement must be another link to the serial killer. Silent protest gets us nowhere, though, and so we witness Robert’s hesitant nod and creaky descent into the dusty, dank, dark basement. -
ZODIAC Final Prodnotes
1 PRODUCTION NOTES “… I shall no longer announce to anyone when I commit my murders, they shall look like routine robberies, killings of anger and a few fake accidents, etc…” Letter 7 - November 9, 1969 It is the ultimate cold case. The rampage of a madman who has never been caught; the elusive cipher slayer who gripped the nation in fear, America’s very own Jack the Ripper. He publicly claimed 13 victims, then more, two dozen more. Police pinned him with seven, five dead. The true body count may never be known. One thing is certain: That count includes the living. Based on the true story of a serial killer who terrified the San Francisco Bay Area and taunted authorities in four jurisdictions with his ciphers and letters for decades, “Zodiac” is a thriller from David Fincher, director of “Se7en” and “Fight Club.” Hunting down the hunter would become an obsession for four men, an obsession that would turn them into ghosts of their former selves, their lives built and destroyed by the killer’s endless trail of clues. Of the four, Robert Graysmith (Jake Gyllenhaal) was the wild card. A shy editorial cartoonist, Graysmith didn’t have the cache and expertise of his seasoned and cynical colleague Paul Avery (Robert Downey Jr.), the San Francisco Chronicle’s star crime reporter. He didn’t have Avery’s connections with San Francisco Police Department’s celebrated and ambitious Homicide 2 Inspector David Toschi (Mark Ruffalo) and his low-key, meticulous partner Inspector William Armstrong (Anthony Edwards). What he did have was a crucial insight no one anticipated. -
Failing to Move Forward: Journalism, Media, and Affect in David Fincher's Nicholas Orlando University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 Failing to Move Forward: Journalism, Media, and Affect in David Fincher's Nicholas Orlando University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Orlando, Nicholas, "Failing to Move Forward: Journalism, Media, and Affect in David Fincher's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7208 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Failing to Move Forward: Journalism, Media, and Affect in David Fincher’s Zodiac by Nicholas Orlando A thesis submitted in partial fulfillment of the requirements of the degrees of Master of Arts in Humanities Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Amy Rust, Ph.D. Scott Ferguson, Ph.D. Todd Jurgess, Ph.D. Dan Belgrad, Ph.D. Date of Approval: March 20. 2018 Keywords: Failure, Virtual, Indexicality, Mediation, Procedure, Mastery Copyright © 2018, Nicholas Orlando ACKNOWLEDGMENTS First, I would like to thank Amy, whose unwavering patience and confidence in my work helped me excel farther with this project than I thought I would. Without her, not only would this project not have come to life, but I also would not have ventured into graduate school in the first place. -
Zodiac Sec2:86 26/3/07 17:56:45 Zodiac Is the Story of How an Obsessed Cartoonist and a Dedicated Cop Sacrificed Everything to Hunt a Serial Killer
TFM128.feat_zodiac Sec2:86 26/3/07 17:56:45 Zodiac is the story of how an obsessed cartoonist and a dedicated cop sacrificed everything to hunt a serial killer. This is the story of how a committed director and the cast he drove crazy created the most compelling movie of 2007. Total Film follows David Fincher from script to set to edit suite for the making of a modern classic. WORDS NEV PIERCE “The guy gets two takes. If he doesn’t get it, cut his fucking arms off and leave him in the alley.” It’s January 6, 2006. Day 77 of the Zodiac shoot. David Fincher is a little tetchy. A monitor plays back the latest take of Robert Downey Jr and Jake Gyllenhaal trading information in a smoky Los Angeles-standing-in- THE for-San Francisco bar. “This guy…” says Fincher, showing an assistant director the extra offending his eye, “…staple his feet to the fl oor.” Across the fl oor, the actors wait for the next take. “He’s pissed,” Gyllenhaal mutters to Downey. “Can you hear him?” Fincher tosses his headphones onto a hook and turns to face Total Film. “Hopefully one day…” He sighs. “…this will all be worth it.” March 2, 2007. Zodiac opens in America. The poster declares “From the director of Se7en and DEVIL Panic Room”, but audiences shouldn’t expect head-in-a-box shocks or a whiplash thriller. The reality is an engrossing, ’70s-set account of how a naively tenacious cartoonist (Gyllenhaal), a drunken reporter (Downey) and two polyester- clad cops (Mark Ruffalo and Anthony Edwards) tried to fi nd a publicity-craving serial killer. -
Zodiac Halloween Card Possible Solution Reveals Name and More
Zodiac Halloween Card Possible Solution Reveals Name and More B.D. Holland1, BSc (Hons) Life Science. 1 www.zodiachalloweencard.com E-mail: [email protected] Abstract The Zodiac was a moniker self-given by the writer of numerous letters sent to various newspapers and persons connected to a serial killer case, claiming responsibility for multiple homicides that occurred in and around the Vallejo area and San Francisco, Calfornia in the late 1960s and possibly the early 1970s. One of those communications was sent to journalist Paul Avery of the San Francisco Chronicle dated October 27th, 1970 and contained a Halloween card that alleged to contain a non-cipher code that could clue the reader into the Zodiac’s name. The Halloween card includes illustrations of skeletons, some of which the Zodiac added himself, writing, numbers, drawings, and symbols as well as clues on the envelope and the stamp he used. One of the symbols similar to a cattle branding symbol was found frequently in Tim Holt comics (Jul 1948- May 1951). Four issues of these comics,#8, #14, #22 and #30 can be used with Zodiac’s Halloween Card code as keys to reveal what appears to be a first name and surname. Part of that name, what appears to be the first name, can be derived from a greeting card called the ‘Dragon Card’ sent to San Fransico Chronicle dated April 28th, 1970. There are also correlations to mailing dates. We speculate reasons why the Zodiac has given his real name. Overall this is a possible solution to the Zodiac Halloween Card and the Dragon Card and possibly his real name. -
Arts & Entertainment
20 March 6, 2007 THE RETRIEVER WEEKLY Arts & Entertainment Nothing puzzling here: Zodiac is killer Coming to Theaters This Week The fi lm begins with a shot of Graysmith the fi lm, the chemistry between Gyllenhaal and By Jeremy Hentschel GABY AREVALO taking his young son to school, and then entering Downey is endearing, with comical scenes in Retriever Weekly Staff Writer the newsroom. Graysmith is clearly an outcast which the sweetly innocent Graysmith does not 300 (R) Ð It appears, in a wise move, among the rest of the editorial staff, most of whom realize how drug-addled and corrupt Avery is. no other production companies decided Imagine a serial killer on a ten-month killing are stuffy older men who pay no attention to him. The movie also follows the many police to release their fi lms on the same day as spree through four counties with no visible Yet when the paper receives the fi rst letter from the offi cers involved in tracking down the killer. Mark 300. Hyped up to be a visual masterpiece, pattern. The only information the police can killer, Gyllenhaal’s character grabs the attention Ruffalo is brilliant in his sorrowful portrayal of this fi lm adaptation of Frank Miller’s obtain on him is what he divulges through letters of a senior newsman named Paul Avery (Robert Inspector David Toschi, a man whose career is classic graphic novel tells the story of King to the press. Unfortunately, this actually happened Downey, Jr.) when Graysmith cryptically states defi ned by the Zodiac killer. -
Zodiac" and "Zodiac Unmasked"
CHRONICLES by Jamie Vanderbilt Based on the books "Zodiac" and "Zodiac Unmasked" by Robert Graysmith White shooting script 8/15/05 Full Blue script 9/9/05 Pink revisions 9/20/05 Yellow revisions 9/30/05 Green revisions 10/4/05 Goldenrod revisions 10/26/05 Buff revisions 10/31/05 Salmon revisions 11/29/05 Cherry revisions 1/25/06 Tan revisions 1/29/06 White 2 revisions 2/20/06 Blue 2 revisions 6/26/06 Pink 2 revisions 6/29/06 Yellow 2 revisions 7/5/06 FINAL SHOOTING SCRIPT FINAL SHOOTING SCRIPT 1. FADE IN: 1 INT. CORVAIR -- NIGHT 1 Our camera is MOUNTED to a CAR WINDOW. Driving through a small town at night. Passing white picket fences. Kids' discarded big wheels. American flags flutter. July 4th, 1969 - Summer of Love. Vallejo, California FIREWORKS streak into the sky. Cookouts winding down. The car slows. Stops in front of a house on Beechwood Avenue. The driver HONKS. MIKE MAGEAU races out. Skinny at 19. Runs up to the window. To the camera: MIKE Where have you been? I've been waiting since seven. At the wheel is DARLENE FERRIN, 22, clad in a WHITE AND BLUE JUMPSUIT. Fake eyelashes and braces make her look like 17. DARLENE (good natured) Get in, I'm starving. I haven't eaten in like twenty four hours. MIKE Let me drive, then. DARLENE No way, Jose. I have to pick up fireworks for the party tonight. Food first though. Mike doesn't move - he wants to drive. DARLENE (CONT'D) You coming or not? 2 EXT. -
Operation: Gemini Fbi Special Task Force
OPERATION: GEMINI FBI SPECIAL TASK FORCE TIMELINE OF EVENTS June 4, 1963 Santa Barbara, California- Lompoc High School students and engaged couple, Robert Domingos (18) & Linda Edwards (17) were sunbathing on a remote area of beach in Santa Barbara to celebrate their high school’s “Senior Ditch Day.” The killer approached them, bound them with rope, and then shot them when they attempted to flee. Circumstances suggest that the killer had some level of expertise with firearms. After being dragged to a nearby shack, the killer attempted to set the shack on fire, but failed to burn it down. The bodies were found the next day. October 30, 1966 (Suspected killing) Riverside, California Ramona High School graduate, 18-year-old Cheri — Jo Bates, was studying in a college library. She was beaten and stabbed multiple times with a short blade knife. There was no evidence of robbery or assault. Her car was found intentionally disabled about 100 yards away from the alley. There were no witnesses. Left behind was a watch and a size 8-10 shoe print. December 20, 1968 Two high school students, Betty Benicia, California— Lou Jensen (16) and David Faraday (17)set out on their first date. Their initial destination was the Hogan High School Christmas concert. Instead, the couple decided to grab a bite to eat and then head to Lovers Lane on Lake Herman Road. The couple arrived at about 10:15 p.m. and were found found dead by 11 p.m. Faraday was shot exiting the vehicle (one single shot to the head). -
Cold Cases: Famous Unsolved Mysteries, Crimes, and Disappearances in America
COLD CASES This page intentionally left blank COLD CASES Famous Unsolved Mysteries, Crimes, and Disappearances in America He´ le` na Katz Copyright 2010 by He´le`na Katz All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Katz, He´le`na, 1964– Cold cases : famous unsolved mysteries, crimes, and disappearances in America / He´le`na Katz. p. cm. Includes bibliographical references and index. ISBN 978-0-313-37692-4 (hard copy : alk. paper) — ISBN 978-0-313-37693-1 (ebook) 1. Crime—Case studies. 2. Cold cases (Criminal investigation)—Case studies. I. Title. HV6251.K384 2010 364.152030973—dc22 2010004507 ISBN: 978-0-313-37692-4 EISBN: 978-0-313-37693-1 14 13 12 11 10 1 2 3 4 5 This book is also available on the World Wide Web as an eBook. Visit www.abc-clio.com for details. Greenwood An Imprint of ABC-CLIO, LLC ABC-CLIO, LLC 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper Manufactured in the United States of America Contents Preface ix Timeline: Milestones in Forensics xi The Cigar Girl: The Death of Mary Rogers (1841) 1 Polar Poisoning: The Death of Charles Francis Hall (1871) 11 Bloody Murder: The Death of Abby and Andrew Borden (1892) 25 Help Wanted: The Murder of