DOCSLIB.ORG

Yayoi Kusama Born 1929 in Matsumoto, Japan

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Yayoi Kusama Born 1929 in Matsumoto, Japan This document was updated February 25, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Yayoi Kusama Born 1929 in Matsumoto, Japan. Lives and works in Tokyo. EDUCATION 1948-1949 Kyoto Municipal School of Arts and Crafts, Kyoto, Japan SOLO EXHIBITIONS 2021 One With Eternity: Yayoi Kusama In The Hirshhorn Collection, Hirshhorn Museum and Sculpture Garden, Washington, DC [collection display] [forthcoming] Yayoi Kusama: Cosmic Nature, New York Botanical Garden, New York [forthcoming] [catalogue forthcoming] Yayoi Kusama, Gropius Bau, Berlin organized in collaboration with the Tel Aviv Museum of Art, Tel Aviv [forthcoming] [catalogue forthcoming] 2020 Yayoi Kusama: Open the Shape Called Love, Ackland Art Museum, The University of North Carolina at Chapel Hill Yayoi Kusama: THE VISION OF FANTASY THAT WE HAVE NEVER SEEN IS THIS SPLENDOR, Yayoi Kusama Museum, Tokyo 2019-2021 Yayoi Kusama: LOVE IS CALLING, Institute of Contemporary Art, Boston 2019 Infinitely Kusama, Indianapolis Museum of Art, Indianapolis Yayoi Kusama: All About Love Speaks Forever, Fosun Foundation, Shanghai Yayoi Kusama: All the Eternal Love I Have for the Pumpkins, Institute of Contemporary Art, Miami Yayoi Kusama: capturing the infinite of infinity, Galerie Von Vertes, Zurich [online presentation] Yayoi Kusama: EVERY DAY I PRAY FOR LOVE, David Zwirner, New York [catalogue] Yayoi Kusama: HERE, ANOTHER NIGHT COMES FROM TRILLIONS OF LIGHT YEARS AWAY: Eternal Infinity, Yayoi Kusama Museum, Tokyo [catalogue] Yayoi Kusama: Fireflies on the Water, Toledo Museum of Art, Toledo, Ohio Yayoi Kusama: My Heart is Dancing into the Universe, Crystal Bridges Museum of American Art, Bentonville, Arkansas [permanent installation] Yayoi Kusama: Prints, Ota Fine Arts, Shanghai Yayoi Kusama: SPIRITS OF AGGREGATION, Yayoi Kusama Museum, Tokyo [catalogue] Yayoi Kusama: Where the Lights in My Heart Go, Aspen Art Museum, Aspen Yayoi Kusama: You Who Are Getting Obliterated in the Dancing Swarm of Fireflies, Phoenix Art Museum, Arizona [collection display] Yayoi Kusama, Moco Museum, Amsterdam Yayoi Kusama, Museum Voorlinden, Wassenaar, The Netherlands [collection display] 2018 Rockaway! 2018: Narcissus Garden by Yayoi Kusama, Gateway National Recreation Area at Fort Tilden, New York [organized by MoMA PS1, Long Island City, New York] Yayoi Kusama: All About My Love, Matsumoto City Museum of Art, Matsumoto, Japan [catalogue] Yayoi Kusama: Here, Now, I have Reached the Grandest Start of My Life, Yayoi Kusama Museum, Tokyo [catalogue] Yayoi Kusama: I Want You to Look at My Prospects for the Future: Plants and I, Yayoi Kusama Museum, Tokyo Yayoi Kusama: INFINITY MIRRORED ROOM: LET’S SURVIVE TOGETHER, Wndr Museum, Chicago Yayoi Kusama: THE LONGING FOR MY LOVE ALL BEGAN FROM MY HEART, Ota Fine Arts, Shanghai Yayoi Kusama: LOVE IS CALLING, Tampa Museum of Art, Tampa, Florida Yayoi Kusama: THE MOVING MOMENT WHEN I WENT TO THE UNIVERSE, Victoria Miro, London Yayoi Kusama: With All My Love For The Tulips, I Pray Forever, Marciano Art Foundation, Los Angeles Yayoi Kusama, Des Moines Art Center, Iowa [collection display] 2017-2019 Yayoi Kusama: Infinity Mirrors, Hirshhorn Museum and Sculpture Garden, Washington, DC [itinerary: Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; High Museum of Art, Atlanta, Georgia] [catalogue] 2017 Traumata: Bourgeois / Kusama, S|2, Sotheby’s, London [two-person exhibition] [catalogue] Yayoi Kusama: Festival of Life and Infinity Nets, David Zwirner, New York [catalogue] Yayoi Kusama, 101 Spring Street, Judd Foundation, New York Yayoi Kusama: Creation is a Solitary Pursuit, Love is What Brings You Closer to Art, Yayoi Kusama Museum, Tokyo [exhibition publication] Yayoi Kusama: Life Is the Heart of a Rainbow, National Gallery of Singapore [itinerary: Queensland Art Gallery, Gallery of Modern Art, Brisbane; Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta] [catalogue] Yayoi Kusama: My Eternal Soul, The National Art Center, Tokyo [catalogue] 2016 Yayoi Kusama: At the End of the Universe, The Museum of Fine Arts, Houston Yayoi Kusama: Dots Obsessions, Sharjah Art Foundation, United Arab Emirates Yayoi Kusama: Dots Obsession - Alive, Seeking for Eternal Hope, The Glass House, New Canaan, Connecticut Yayoi Kusama: My Eternal Soul Paintings, Victoria Miro, London [catalogue] Yayoi Kusama: Narcissus Garden, The Glass House, New Canaan, Connecticut Yayoi Kusama: The obliteration room, Dunedin Public Art Gallery, New Zealand Yayoi Kusama: Sculptures, Paintings & Mirror Rooms, Victoria Miro, London [catalogue] 2015 Yayoi Kusama: Give Me Love, David Zwirner, New York [catalogue published in 2016] Yayoi Kusama: Infinity Theory, Garage Museum of Contemporary Art, Moscow Yayoi Kusama: The Place for My Soul, Matsumoto City Museum of Art, Matsumoto, Japan Yayoi Kusama: Prints: Part I, Ota Fine Arts, Tokyo Yayoi Kusama: Prints: Part II, Ota Fine Arts, Tokyo Yayoi Kusama, Les Abattoirs, Toulouse, France 2015-2017 Yayoi Kusama: In Infinity, Louisiana Museum of Modern Art, Humlebæk, Denmark [itinerary: Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; Helsinki Art Museum] [catalogue published in 2015] 2014 Yayoi Kusama: A Dream in Jeju, Bonte Museum, Seogwipo, South Korea Yayoi Kusama: The obliteration room, Children’s Art Centre, Queensland Art Gallery, Gallery of Modern Art, Brisbane Yayoi Kusama: Pumpkins, Victoria Miro, London [catalogue] Yayoi Kusama, Ota Fine Arts, Singapore 2013-2015 Yayoi Kusama: A Dream I Dreamed, Daegu Art Museum, Daegu, Korea [itinerary: Museum of Contemporary Art Shanghai; Seoul Arts Center; Kaohsiung Museum of Fine Arts, 2 Kaohsiung, Taiwan; National Taiwan Museum of Fine Arts, Taichung] [three venues published their own catalogues] Yayoi Kusama: Obsesión infinita/Infinite Obsession, Museo de Arte Latinoamericano de Buenos Aires (MALBA) - Fundación Costantini, Buenos Aires [itinerary: Centro Cultural Banco do Brasil, Rio de Janeiro; Centro Cultural Banco do Brasil, Brasília; Instituto Tomie Ohtake, São Paulo; Museo Tamayo Arte Contemporáneo, Mexico City; Fundación CorpArtes, Santiago] [three catalogues published in bilingual editions: Portuguese/English in 2013 and Spanish/English in 2013 and 2014; and exhibition publication] 2013 Yayoi Kusama: I Love Kusama, Ayala Museum, Philippines Yayoi Kusama: I Who Have Arrived In Heaven, David Zwirner, New York [catalogue published in 2014] Yayoi Kusama: New Paintings and Accumulations, Victoria Miro, London Yayoi Kusama: Obsessions, Japan Foundation Center for Cultural Exchange, Hanoi Yayoi Kusama: White Infinity Nets, Victoria Miro, London [catalogue] 2012-2014 Yayoi Kusama: Eternity of Eternal Eternity, The National Museum of Art, Osaka, Japan [itinerary: The Museum of Modern Art, Saitama, Japan; Matsumoto City Museum of Art, Matsumoto, Japan; Niigata City Art Museum, Niigata, Japan; Shizuoka Prefectural Museum of Art, Shizuoka, Japan; Oita Art Museum, Oita, Japan; The Museum of Art, Kochi, Japan; Contemporary Art Museum, Kumamoto, Japan; Akita Senshu Museum of Art, Akita, Japan; Matsuzakaya Museum, Nagoya, Japan] [catalogue] 2012 Yayoi Kusama: Drawings from the mid-50s, D’Amelio Gallery, New York Yayoi Kusama: Fireflies on the Water, Whitney Museum of American Art, New York Yayoi Kusama: Hong Kong Blooms in My Mind, Sotheby’s, Hong Kong [in collaboration with Ota Fine Arts] [catalogue] Yayoi Kusama: METALLIC, Ota Fine Arts, Singapore Yayoi Kusama: New Paintings, Ota Fine Arts, Tokyo Yayoi Kusama: New Paintings II, Ota Fine Arts, Tokyo Yayoi Kusama: New Sculptures and Recent Paintings, Gagosian Gallery, Beverly Hills Yayoi Kusama: New Works, Victoria Miro, London [catalogue] Yayoi Kusama: A Total Vision, Seattle Art Museum [organized on the occasion of the concurrent exhibition elles: Women Artists from the Centre Georges Pompidou] 2011 Kusama’s Body Festival in the 60s, The Watari Museum of Contemporary Art, Tokyo [catalogue] Yayoi Kusama: Look Now, See Forever, Queensland Art Gallery, Gallery of Modern Art, Brisbane [online catalogue] Yayoi Kusama: New Paintings and Sculptures, Victoria Miro, London Yayoi Kusama, Gagosian Gallery, Rome Yayoi Kusama, Museo Nacional Centro de Arte Reina Sofía, Madrid [itinerary: Centre Georges Pompidou, Paris; Tate Modern, London; Whitney Museum of American Art, New York] [each venue published its own catalogue] 2010 Yayoi Kusama: Flowers That Bloom Tomorrow, Victoria Miro, London Yayoi Kusama: Singing in Towada, Towada Arts Center, Japan Yayoi Kusama in the ’80s, Ota Fine Arts, Tokyo 2009 Yayoi Kusama: Flowers That Bloom at Midnight, Gagosian Gallery, Beverly Hills Yayoi Kusama: I Want to Live Forever, Padiglione d’Arte Contemporanea (PAC), Milan [catalogue] Yayoi Kusama: Outdoor Sculptures, Victoria Miro, London Yayoi Kusama: The Place for My Soul, Matsumoto City Museum of Art, Japan Yayoi Kusama, Gagosian Gallery, New York [catalogue] Yayoi Kusama at Fairchild, Fairchild Tropical Botanic Garden, Miami 3 Yayoi Kusama Propagating Room, Six, Osaka, Japan 2008 Yayoi Kusama: Mirrored Years, Museum Boijmans Van Beuningen, Rotterdam [itinerary: Museum of Contemporary Art, Sydney; City Gallery Wellington, New Zealand] [catalogue published in 2009] Yayoi Kusama, Matsumoto City Museum of Art, Japan Yayoi Kusama, Ota Fine Arts, Tokyo Yayoi Kusama, Victoria Miro, London [catalogue] 2007 Yayoi Kusama: Dots Obsession - Dots Transformed into Love, Haus der Kunst, Munich [itinerary: Wiels Centre d’Art Contemporain, Brussels;
Load more

Recommended publications
  • Destabilizing the Sign: the Collage Work of Ellen Gallagher, Wangechi Mutu, and Mickalene Thomas”
    “Destabilizing the Sign: The Collage Work of Ellen Gallagher, Wangechi Mutu, and Mickalene Thomas” A Thesis submitted to the Art History Faculty of the College of Design, Architecture, Art, and Planning University of Cincinnati In candidacy for the degree of Masters of Arts in Art History Committee Members: Dr. Kimberly Paice (chair) Dr. Morgan Thomas Dr. Susan Aberth April 2013 by: Kara Swami B.A. May 2011, Bard College ABSTRACT This study focuses on the collage work of three living female artists of the African diaspora: Ellen Gallagher (b. 1965), Wangechi Mutu (b. 1972), and Mickalene Thomas (b. 1971). As artists dealing with themes of race and identity, the collage medium provides a site where Gallagher, Mutu, and Thomas communicate ideas about black visibility and representation in our postmodern society. Key in the study is theorizing the semiotic implications in their work, and how these artists employ cultural signs as indicators of identity that are mutable. Ellen Gallagher builds many of her collages on found magazine pages advertising wigs for black women in particular. She defaces the content of these pages by applying abstracted body parts, such as floating eyes and engorged lips, borrowed from black minstrel imagery. Through a process of abstraction and repetition, Gallagher exposes the arbitrariness of the sign—a theory posed by Ferdinand de Sausurre’s semiotic principles—and thereby destabilizes supposed fixity of racial imagery. Wangechi Mutu juxtaposes fragmented images from media sources to construct hybridized figures that are at once beautiful and grotesque. Mutu’s hybrid figures and juxtaposition of disparate images reveal the versatility of the sign and question essentialism.
    [Show full text]
  • FIRST MAJOR US RETROSPECTIVE of the WORK of PAUL THEK to OPEN at the WHITNEY October 21, 2010-January 9, 2011
    FIRST MAJOR US RETROSPECTIVE OF THE WORK OF PAUL THEK TO OPEN AT THE WHITNEY October 21, 2010-January 9, 2011 Peter Hujar, Thek in the Palermo Catacombs , 1963 (reproduced from the original negative, 2010). © 1987 The Peter Hujar Archive LLC; courtesy Matthew Marks Gallery, New York NEW YORK, October 20, 2010 – An artist who defies classification, Paul Thek (1933-1988), the sculptor, painter, and creator of radical installations who was hailed for his work in the 1960s and early 70s, then nearly eclipsed within his own short lifetime, is the subject of an upcoming retrospective co-organized by the Whitney Museum of American Art and Carnegie Museum of Art. Paul Thek: Diver, A Retrospective , the first major exhibition in the United States to explore more… Paul Thek: Diver, A Retrospective , 2 the work of the legendary American artist, debuts in the Whitney’s fourth-floor Emily Fisher Landau Galleries, from October 21, 2010 to January 9, 2011; it travels to Carnegie Museum of Art, from February 5 to May 1, 2011, and then to the Hammer Museum, Los Angeles, from May 22 to September 4, 2011. Co-curators Elisabeth Sussman, curator and Sondra Gilman Curator of Photography at the Whitney, and Lynn Zelevansky, the Henry J. Heinz II Director of Carnegie Museum of Art, write in their catalogue introduction, “If today his art appears more relevant than ever, it may be because so many in the art world have hearkened to Thek’s tune and moved closer to the art he made: an art directly about the body; an art of moods, mysteries, and communal ideas; an art that was ephemeral, disrespectful of the conditions of museums, and that essentially ceased to exist once an exhibition closed.” The title of the exhibition, “Diver,” refers to paintings that Thek made in 1969-70 on the island of Ponza, off the coast of southern Italy, possibly inspired by the cover slab from the Tomb of the Diver , an ancient fresco unearthed in Paestum in 1968.
    [Show full text]
  • Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969
    City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2012 Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969 Midori Yamamura The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4328 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] YAYOI KUSAMA: BIOGRAPHY AND CULTURAL CONFRONTATION, 1945-1969 by MIDORI YAMAMURA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2012 ©2012 MIDORI YAMAMURA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Anna C. Chave Date Chair of Examining Committee Kevin Murphy Date Executive Officer Mona Hadler Claire Bishop Julie Nelson Davis Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract YAYOI KUSAMA: BIOGRAPHY AND CULTURAL CONFRONTATION, 1945-1969 by Midori Yamamura Adviser: Professor Anna C. Chave Yayoi Kusama (b.1929) was among the first Japanese artists to rise to international prominence after World War II. She emerged when wartime modern nation-state formations and national identity in the former Axis Alliance countries quickly lost ground to U.S.-led Allied control, enforcing a U.S.-centered model of democracy and capitalism.
    [Show full text]
  • Synaesthetic Dress: Episodes of Sensational Objects in Performance Art, 1955-1975
    SYNAESTHETIC DRESS: EPISODES OF SENSATIONAL OBJECTS IN PERFORMANCE ART, 1955-1975 By © 2019 Samantha Lyons Submitted to the graduate degree program in the Kress Foundation Department of Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. David Cateforis Dr. Maki Kaneko Dr. John Pultz Dr. Charles Eldredge May Tveit Date Defended: December 9, 2019 The dissertation committee for Samantha Lyons certifies that this is the approved version of the following dissertation: SYNAESTHETIC DRESS: EPISODES OF SENSATIONAL OBJECTS IN PERFORMANCE ART, 1955-1975 Chair: Dr. David Cateforis Date Approved: December 9, 2019 ii Abstract This study examines the significance of clothing-like sculptural forms in the performance practices of three international postwar and contemporary artists: Atsuko Tanaka (Japanese, 1932-2005), Hélio Oiticica (Brazilian, 1937-1980) and Robert Kushner (American, b. 1949). These three artists occupy a special position within the development of performance and body art during the postwar decades for their focus on the sensorial and interactive properties of clothing- like objects. I propose the new term of synaesthetic dress as an interpretive concept to characterize and study the wearable, multi-sensory, and participatory forms in their diverse practices and as a strategy for collaboration and social engagement. My research seeks an understanding of how Tanaka, Oiticica, and Kushner draw upon the language of clothing—a form that typically contains and defines the individual body—to create alternative material, social, and artistic sites for collective experience. Counter to traditional interpretations of clothing that tend to view it as a marker or relic of the artist’s body, or as a material that can construct, perform or contest various identities, this study proposes to see—or rather—sense clothing in a new light, through the thought-provoking performances of artists who foreground the multisensory experience of their audiences and participants.
    [Show full text]
  • Women's Caucus For
    WOMEN’S CAUCUS FOR ART HONOR AWARDS FOR LIFETIME ACHIEVEMENT IN THE VISUAL ARTS Eleanor Antin Marisol Escobar Elinor Gadon HONOR AWARDS 2006 HONOR AWARDS Yayoi Kusama 2006 National Lifetime Achievement Awards Tuesday, February 21st Sheraton, Downtown Boston Welcome and Introduction Susan King Obarski Chair, Honor Awards Committee Presentation of Honorees Eleanor Antin Introduced by Lucy Soutter Marisol Escobar Introduced by Eleanor Heartney Elinor Gadon Introduced by Mary-Ann Milford-Lutzker Yayoi Kusama Presented by Susan King Obarski President’s Award Maura Reilly Introduced by Dena Muller, National Board President Foreword and Acknowledgments In 2006, we celebrate the achievements of four highly In addition, we thank many volunteers for their behind- creative individuals: performance and conceptual artist the-scenes work to make the honor awards a reality. Eleanor Antin, sculptor and graphic artist Marisol Special thanks go to WCA President Dena Muller for Escobar, cultural historian Elinor Gadon, and multi-media her advice and assistance. We are grateful to Karin Luner, artist and novelist Yayoi Kusama. This year's honorees National WCA Administrator, for designing and laying have shaped perceptions of women's artistic roles both out the catalogue and taking care of many other details. on a local level and throughout the world community. We are also indebted to the members of the Boston Each in her own way continues to break new ground for Chapter who have organized the awards ceremony and feminist practice in the United States. We salute their sus- graciously hosted the WCA National Conference in tained engagement with the politics of contemporary culture Boston.
    [Show full text]
  • Mel Bochner's Thesaurus Paintings
    PETER FREEMAN, INC. 140 GRAND STREET NEW YORK, NEW YORK 10013 MEL BOCHNER BIOGRAPHY 1940 Born in Pittsburgh, Pennsylvania Lives and works in New York City 1962 BFA, Carnegie Institute of Technology, Pittsburgh SOLO EXHIBITIONS 2019 Philbrook Museum of Art, Oklahoma. Amazing! Mel Bochner Prints From The Collection of Jordan D. Schnitzer and His Family Foundation (14 October 2018 – 6 January 2019) 2018 ADDA: The Art Show, New York. Mel Bochner, Paintings 1981 – 1984 (28 February – 4 March) Columbus Museum of Art, Ohio, United States. A Measure of Humanity (22 June – 16 Septemeber) 2017 Michele Didier, Paris, France. Singer Notes. (8 September – 10 November) Gladstone Gallery, Brussels, Belgium. Language is Not Transparent. (7 September – 10 November) Peter Freeman, Inc., New York, NY. Voices. (19 April – 24 June) 2016 Ikeda Gallery, Berlin, Germany. Mel Bochner. (17 December 2016 – 18 March 2017) 2015 Mount Holyoke College Art Museum, South Hadley, MA. Illustrating Philosophy (21 July – 20 December) Galeria Hispanica, Mexico DF, Mexico. words, words, words… (26 May – 24 July) Marc Selwyn Fine Art, Los Angeles, CA. Mel Bochner. (18 April – 30 May) Craig F. Starr, New York, NY. Early Drawings. (3 April – 22 May) 2014 Simon Lee Gallery, London, England. Going Out of Business. (14 October – 14 November) Jewish Museum, New York, NY. Mel Bochner – Strong Language. (2 May – 21 September) 2013 Museu Serralves, Porto, Portugal. Mel Bochner: If the Colour Changes. (12 July – 27 October) Peter Freeman, Inc., New York, NY. Proposition and Process: A Theory of Sculpture (1968-1973). (10 May – 12 July) Haus der Kunst, Munich, Germany. Mel Bochner: Wenn sich die Farbe ändert.
    [Show full text]
  • LYNN ZELEVANSKY Biography
    /2. The Museum of Modern Art LYNN ZELEYANSKY Lynn Zelevansky, who organized the exhibition SENSE AND SENSIBILITY: WOMEN ARTISTS AND MINIMALISM IN THE NINETIES, has been a Curatorial Assistant in the Department of Painting and Sculpture since 1987. Ms. Zelevansky has organized PROJECTS exhibitions devoted to GABRIEL OROZCO (1993), SUZANNE LAFONT (1992), GUILLERMO KUITCA (1992), CILDO MEIRELES (1990), and HOUSTON CONWILL (1989). She has also assisted on several major exhibitions, including working with Robert Storr on ROBERT RYMAN (1993), for which she assembled the documentary chronology and cowrote the catalogue section of the publication; with William Rubin on THE WILLIAM S. PALEY COLLECTION (1992), AD REINHARDT (1991), and PICASSO AND BRAQUE: PIONEERING CUBISM (1989); and with Linda Shearer on VITO ACCONCI: PUBLIC PLACES (1988), for which she coauthored the catalogue essay. In 1993 she worked on the reinstallation of the Museum's collection of painting and sculpture with Kirk Varnedoe, Chief Curator, Department of Painting and Sculpture. She is currently assisting Mr. Rubin with PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION (1996). Ms. Zelevansky has published articles and essays for a variety of art journals and periodicals, mostly on contemporary art. For The Museum of Modern Art, she edited Picasso and Braque: A Symposium (1992). Ms. Zelevansky received her B.F.A. from Pratt Institute and her M.A. (1987) from the Institute of Fine Arts, New York University. Prior to joining the Museum, she was a freelance art critic and taught photography and art criticism at Pratt Institute and Cooper Union (1979-85). No. 29.3 June 1994 11 West 53 Street, New York, N.Y.
    [Show full text]
  • Hélio Oiticica in New York Pauline Bachmann, Susanne Neubauer, Andreas Valentin
    HÉLIO OITICICA IN NEW YORK Pauline Bachmann, Susanne Neubauer, Andreas Valentin 1 2 HÉLIO OITICICA IN NEW YORK Pauline Bachmann, Susanne Neubauer, Andreas Valentin “Lygia, I came back from New York on the 19th; I stayed one month, the exhibition was a great success and this time, I feel that I am truly respected by the entire art world; the Americans are more vital and they are more interested in everything…” 1 Oiticica’s entry into the New York art world was hallmarked by his successful participation in the group show Information at the Museum of Modern Art that stirred much attention in the summer of 1970. In addition, Oiticica was awarded the prestigious Guggenheim fellowship in 1971 allowing him to settle in New York for a longer period. The following essay highlights some key aspects of Oiticica’s artistic position within the New York art world of the 1970s, 2 and seeks to elaborate on his prior activities, which were strongly influenced by his immediate surroundings: collaboration, the inclusion of new media, collage techniques and filmic practices. 3 The first part of the text sheds light on the city’s disparate art scenes, the second part introduces Loft 4, the artist’s home/studio in the East Village and the projects developed there, and the third part looks into Oiticica’s cosmopolitan side and his idea of a “world- shelter” (“mundo-abrigo”), which can be found in the Babylonests and his New York writings, Newyorkaises/Conglomerado. 4 HÉLIO OITICICA IN New York– THE 1970s Kynaston McShine’s exhibition Information held between July 2nd and September 20th 1970 incorporated Oiticica’s and other Brazilian artists’ work 3 into the hottest debate about contemporary art.
    [Show full text]