November 15, 1996 Eastern Illinois University
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The Cord Weekly (February 1, 1995)
Production Posse's Funky Word of the Week An exclamation used to scare away hens, birds, etc. "The Hethethat binds since 1926" Volume XXXVCord • Issue Twenty • Wednesday, February 1,1995 • WLU StudentPublications THIS ISSUE Oh so sassy! Why do I think Sass Jordan just might not appreciate being called Sassy. Great picture, sassy! though. We would have liked to have run a great -»x«y strike picture on the cover, but guess what? There was no strike here. Anything that refers to a strike see page IS does not go over well at Lauiier. I wonder why. We play biz games instead. news Well, it was a great idea in theory. Student-run course evaluations have raised some controversy with their methods and results. So $7000 for "human error"? I low will VP McCormick deal with this in these pre-election days? Check out the story on page 3. Guess what? The govern- ment lied to us. I'm shocked. Check page 3. opinion Our pleas for letters really paid off. We were flooded with letters this week. It's great! But please remem- ber, we need a signed hard copy of the letter, even if it is sent via e-mail. How else do we know you sent it? Excellent editorial by Mark Heasley, the happy-go-lucky guy. He actually burned his S.I.N, card. Thanks for the fumes. feature Take a walk to the other side in this week's feature . about a few "alternatives" in Waterloo. A "random" selec- tion of places are reviewed. I love the Orange Monkey guy! Great pics Marion. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
SGA Assembles Task Force Tunes at Noon Based on Erroneous Data by Doug Harrison Colasso Said
University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 10-7-1996 Current, October 07, 1996 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, October 07, 1996" (1996). Current (1990s). 215. http://irl.umsl.edu/current1990s/215 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. The Student Voice INSIDE: Riverwoman improve their 30th Anniversary ofUM~St. Louis recora to 10-4. See story on page 7. 1966-1996 • • • • • • ssue 866 UNIVERS1TY OF MISSOURI- ST. LOUIS October 7, 1996 SGA assembles task force Tunes at noon based on erroneous data by Doug Harrison Colasso said. MacLean said that each direc managing editor However, according to Lowe tor must justify an increase more "Sandy" MacLean, vice chancellor than the inflation rate, although Citing a letter to the editor in oc' Student Affairs, the fee to which they generally do not request that last week's edition of The C;urrent Loflin referred, the student facility large of an increase. that said students pay $l62.60 per and student activity fee, generates The student activities and stu semester for the use of the Mark revenue for not only fitness center dents services fees are largely de Twain Fitness Center, the Student but also for other buildings and ser cided by the students, MacLean Government Association formed a vices. -
Grand Onstage 2019-2020 Season Brochure
19/20 LES BALLETS JAZZ DE MONTRÉAL Dance Music by Me Leonard Cohen + Burton Cummings The New Orleans Jazz Orchestra Sesame Street Live! Shaun Majumder & much more SUBSCRIPTIONS ON SALE JUNE 12 MARIACHI HEREncIA DE MÉXICO | NOV 8 p.14 BRUCE COCKBURN | OCT 22 p.17 | 2 THE LITTLE MERMAID MAR 15 AY p.41 M | YA TAGAQ TAGAQ YA N TA p.51 CRASH TEST DUMMIES | JAN 24 p.29 Grand Theatre Box Office CALL. 613.530.2050 CLICK. KingstonGrand.ca VISIT. 218 Princess St. Kingston Graphic Design By: 1dea Design + Media Inc. Table of Contents season 12 2 019/ 20 Grand OnStage Welcomes You 2 Message from the Cultural Director & the Mayor of Kingston 3 Subscription Benefits 4 Subscription Pricing 6 Subscription Season Pricing 7 2019/20 Season Calendar 8 Our Foundation 52 Our Sponsors 54 Regular Ticket Discounts 55 Our Policies 56 Seating Chart 57 Subscriptions: On sale June 12, 2019 Regular Tickets: On sale July 29, 2019 MEGHAN PATRICK | FEB 7 p.31 2019-20 2 SEASON Welcome It’s year 12 of the Grand OnStage program, and we have a line-up designed just for you. In the mood for some music? Cirque? Theatre? We have it. How about some family entertainment or comedy? Definitely. And dance? Absolutely! Regardless of what you’re looking for, you’ll find shows ready to inspire, engage and entertain all season long. Our commitment to presenting unique Indigenous work continues in 2019-2020, and I encourage you to join us for Cliff Cardinal’s theatre production Huff, Jessie Lloyd’s Mission Songs Project and Tanya Tagaq’s Split Tooth reading and musical performance. -
2001 Fall/Winter Issue
THE JOURNAL A magazine for alumni and friends of the UNIVERSITY OF WINNIPEG F all/Winter 2001 Transformation Return to: The University of Winnipeg University Relations ??. 4W21-515 Portage Avenue THE JOURNAL Winnipeg, Manitoba R3B 2E9 Working together with purpose. ??. THE JOURNAL TM Trademarks owned by Investors Group Inc. and licensed to its affiliated corporations. features. OPENING DOORS | 4 Rosa Walker (Class of 1990) is bridging cultural differences and creating opportunities FROM CHAOS . HOPE | 6 In the midst of war and destruction, Jackie Hogue (Class of 1998) dreams of peace and solidarity A TEACHER OF DISTINCTION | 8 His unorthodox approach to science makes slinkies, ping pong balls, and Hot Wheels the tools of Richard Hechter’s trade FREEDOM TO MAKE A CHANGE | 10 Researcher Xiao Yuan Dong examines the fall-out of economic reforms in China THE OTHER SIDE OF THE CAMERA | 12 A surrealist filmmaker of prodigious intellectual appetites, Guy Maddin (Class of 1978) talks about art, collaboration, and behaviour modification COVER STORY: LIFE ON TOP! | 14 The quiet charm of David Topper, one of the contentUniversity’s all-time favourite profs . 6. 8. departments. EDITOR’S NOTE | 2 PRESIDENT’S MESSAGE | 3 UPDATE U | 7 12. 14. CLASS ACTS | 16 EVENT CALENDAR | 21 IN MEMORIAM | 22 ALUMNI AUTHORS | 23 ALUMNI LEGACIES | 24 Editorial Team: Lois Cherney ’84, Paula Denbow, Katherine Unruh, Janet Walker ’78 | Alumni Council Communications Team: THE JOURNAL Christopher Cottick ’86 (team leader), Thamilarasu Subramaniam ’96 (asst. team leader), Michael Bayer ’90 ’95, Garth Buchholz ’94, Jane Dick ’72, Barbara Kelly ’60 ’79 | Contributing Writers: Paula Denbow, Alison Gillmor ’85, James Ham, Christine Landry ’86, Neire Mercer ’98 | Class Acts: Betsy Van der Graaf | Graphic Design: Guppy | Photography: grajewski fotograph, Shaun Becker, Brad Martin | Printing: Printcrafters The Journal is published in November and March for the alumni, faculty, staff, and friends of the University of Winnipeg by the Cover Transformation University Relations Department. -
Con-Iemporary Radio's Music & News Resource March 25
CON-IEMPORARY RADIO'S MUSIC & NEWS RESOURCE MARCH 25, 1994 Spotlight On WSKS Wilkes-Barre Interview With Jerry Dean PPW Editorial www.americanradiohistory.com dill You Ever Save 1e. Already Over Already Playing: 150 BDS "This will be the record that breaks Lisette Melendez Detections wide open! An automatic for Sweet 98." KSOI, - Dan Kieley, PD, KQKQ PWR96 Audience Z90 Reach = 2 Million PWR PIG Listeners KGGI KTFM On 144 dim4 T M E KLLrC ;ii KQKQ uvc n vrsroN OOCON'tOt The new single and video KKRD from her album, "True To Life." KHTN KLY V BOSS97 Executive Producers: Andy "Panda' Tripoli and Sal Abbatiello Management: Eagle Eye Management and After Dark Management CHAOS sod Chaos design are trademarks of Sony Musk Entertainment Inc./® 1994 Rush Associated labels. www.americanradiohistory.com PLAYS PER WEEK TM RETAIL SALES 2W LW TW Aansi/SONc/LABa TOTAL PLAYS 2W LW 3 ARnsi/SONG Lua 1 1 0 ACE OF BASE. The Sign 9161 -1 0 SOUNDGARDEN.Superunknown A&M 2 2 0 MARIAN CAREY. Without You 8496 -2 0 NINE INCH NAILS. The Downward Spiral Nothing/TVT/Interscope/AG 3 3 0 JANET JACKSON. Because Of Love 7423 2 3 3 COUNTING CROWS. August And Everything After DGC 5 4 0 ALL -4 -ONE. So Much In Love 7037 1 4 4 R KELLY. 12 -Play Jive 10 9 0 COUNTING CROWS. Mr. Jones 6598 7 7 0 ACE OF BASE. The Sign Arista 4 5 6 RICHARD MARX. Now And Forever 6499 3 5 6 TONI BRAXTON. Toni Braxton LaFace/Arista 15 10 O BIG MOUNTAIN. -
November 1994
Contents Features JOHN ROBINSON Babs may have lured him out on the road for the "Show of the Century," but JR has hardly forgotten about his role as studio drumming kingpin. Hard facts from one of the hardest-working drummers in L.A. • William F. Miller 18 CHARLIE ADAMS Odd-meter ethnic jazz...new age...big band...symphonic rock.... You can spend your time thinking up labels, but Yanni's Charlie Adams simply has too much drumming to do to care. • Lauren Vogel Weiss 24 JOE PORCARO Back when "Toto" still meant Dorothy's fluffy sidekick, Jeff's dad was doing some serious time on all sorts of top sessions and gigs. In fact, he might be busier and more vital today than ever. • Robyn Flans 28 WEST END DRUMMERS London's Broadway is called the West End, and the drummers working there are some of the busiest and most highly challenged musicians around. Learn how the art of adapting your skills can lead to a successful drumming career. • Philip Hopkins 32 Volume 18, Number 11 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 58 Rock 'N' 8 UPDATE JAZZ CLINIC Alan White, David Byrne's The Nigerian Todd Turkisher, Michel Dance Groove: Part 1 Dorge of Crash Test BY DAVI D GARIBALD I Dummies, Duke Robillard's Jeff 80 STRICTLY McAllister, plus News TECHNIQUE 136 INDUSTRY Developing The Left Hand HAPPENINGS BY JOE MORELLO DEPARTMENTS 40 PRODUCT 82 CONCEPTS CLOSE-UP On Feel 4 EDITOR'S Impact Laser BY MIKE MARBLE OVERVIEW Custom Drumkit BY RICK VAN HORN 102 BASICS Variations On A 6 READERS' 42 Zildjian Z Custom Five-Piece Kit PLATFORM Cymbals