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I ABBREVIATIONS
SPECIAL SUMMER TRAVEL ISSUE • I ftr«*; '-^iisI I 'i N •' A / t? \ **4 '"'•mawmmiw :LLY FREAS -^ Even this much can cause plenty trouble Mainly for us! If you think carbon makes Gulp is all we can say when we think trouble for You, just wait till you see of how profits will shrink. Because just how much trouble this tiny little bit of this much will run your car for a year! fissionable material will make for Us! GULP SAYS THE OIL CORPORATIONS Gasoline Companies Against Nuclear Fuels NUMBER 65 SEPTEMBER 1961 VITAL FEATURES REALISTIC CHILDREN'S BOOKS 4 Our satire of those basic definitions in children's books (i.e. "A hole is to dig!") will convince you "A MAD is to throw out!" "Some people are like blisters, they show up right after the work is done!" —Alfred E. Neuman TV FOR LATE, LATE AUDIENCES 14 PUBLISHER: William M. Gaines EDITOR: Albert B. Feldstein The best TV can be seen from 2 to 6 A.M., mainly ART DIRECTOR: John Putnam PRODUCTION: Leonard Brenner because there's nothing EDITORIAL ASSOCIATES: Jerry De Fuccio, Nick Meglin on! However, here's what LAWSUITS: Martin J. Scheiman PROPAGANDA MINISTER: Larry Gore can be done to fix that! SUBSCRIPTIONS: Gloria Orlando, Celia Morelli, Anthony Giordano CONTRIBUTING ARTISTS AND WRITERS: The Usual Gang of Idiots A MAD LOOK AT THE BEACH 18 You won't starve on the beach because of "sand- DEPARTMENTS which-is" there, but you BRAND X MARKS THE SPOT DEPARTMENT can die laughing because TV Commercials With Suspense 28 of clods which are there. -
283552808.Pdf
No. OUR PRICE 242 $1.00 Oct. CHEAP '83 UNMASKS'THE RETURN OF THE JEDI"AND"THE A-TEAM" M ;£?• *&£ •v^r-* VV* 0> <r > " 75 M CROSS SECTION OF MR TS AND AS MOHAWK HAIRCUT TODAY . A BABY 1 0 70989"33230' flt ar Newsstan d Near Vau OUR PRICE $2.00 SUPER CHEAP I i / A 100-PAGs E LOOK AT HOLLYWOOD FROM PAST ISSUES KJ s? • — - ro PAIII AND RICH LITTLE MARLON AS THIS MAD BRANDO s& « — ~ "* MAGAZINE IS RATED ECCH fit BQLIT PQP CORN! NUMBER 242 OCTOBER 1983 "The trouble with doing nothing is you can t quit and rest! —Alfred E. Neuman WILLIAM M. GAINES publisher ALBERT B. FELDSTEIN editor LEONARD BRENNER art director TOM NOZKOWSKI production NICK MEGLIN senior editor JOHN FICARRA associate editor GLORIA ORLANDO, CELIA MORELLI, M. C. GAINES subscriptions JACK ALBERT lawsuits ANNE GRIFFITHS logistics CONTRIBUTING ARTISTS AND WRITERS the usual gang of idiots DEPARTMENTS AD NAUSEA DEPARTMENT An Advertiser Would Have Us Believe 36 BERG'S-EYE VIEW DEPARTMENT The Lighter Side Of 24 DON MARTIN DEPARTMENT One Fine Medieval Morning At Home 21 One Afternoon On A Remote Jungle Island 35 One Fine Evening During Prime Time 48 DOUBTS ALL, FOLKS! DEPARTMENT You're Never Really 100% Sure 14 JOKE AND DAGGER DEPARTMENT Spy Vs. Spy 29 KNOCK VERSE DEPARTMENT Poetic Tributes To People Who Wouldn't Ordinarily Get Them 32 LETTERS DEPARTMENT Random Samplings Of Reader Mail 2 MARGINAL THINKING DEPARTMENT "Drawn-Out Dramas" By Aragones ** QUEASY DOES IT DEPARTMENT The MAD Gross-Out Diet 40 STRIP TEASE DEPARTMENT MAD's Do-lt-Yourself "Peanuts" Comic Strip 30 "T" and *A* DEPARTMENT "The *A* Team" (A MAD TV Show Satire) 42 THE FARCE BE WITH YOU DEPARTMENT "Star Bores-Re-Hash Of The Jeti" (A MAD Movie Satire) 4 TRYING TO SLIP BIAS DEPARTMENT How Different Publications Slant The News 22 TWO-BIT OPERATOR DEPARTMENT MAD's Video Game Arcade Owner Of The Year 17 WHOOPEE! CAUTION DEPARTMENT Warning Labels We Desperately Need 12 **Various Places Around The Magazine MAD (ISSN 0024 9219) is published monthly except February. -
Many Years Ago Al Jaffee Came in with a Piece That Used
I Ma ha! wa anI thE SUI thl ilf "Many years ago Al Jaffee n C came in with a piece that h' used the word 'schmuck: and there was a big debate about whether the magazine should include that word. Today it would be nothing. rr 072 Desmond Devlin, who has contributed to Mad since 1984, agrees. "Culturally, Mad's impact has been immense, especially back when it was the foremost one-stop source of mockery and criticism;' he says."Mad synthesized the nagging doubts that millions of Americans had about their society, and it demonstrated that iconoclasm would sell to a mass audience. Readers had their suspicions confirmed, and were introduced to new suspicions. "It isn't as if presidents had never betrayed their oaths before, and it isn't as if advertising suddenly got amoral in 1955;' Devlin adds. "But the package Mad has put out, and the attitude it promoted, has long since become a norm:' Mad entered this world in 1952 as a comic book. conceived, written and edited by Harvey Kurtzman and published by ECComics. The first few issues of Mad satirized the era's most popular comic books and comic strips, then Kurtzman started expanding his focus to include other aspects of popular culture, such as supermarkets, restaurant dining, motion pictures and television. Kurtzman delighted in experimenting with style and design, especially on Mad's covers. The cover for issue 19, for example, looks just like a horse-racing form, while the cover of issue 20 is an exact replica of a black composition notebook. -
A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Pride and Prejudice In 1960, comics were unavoidable. Outside of snobby hold- outs like the New York Times, every newspaper worth its salt had a healthy representation of what parents liked to call “the funnies.” A handful of recent comic strips like Pogo, Peanuts, Dennis the Menace, and Marmaduke were even showing up in paperback collections on book racks. Kids magazines might feature a comics story at any time and Boy’s Life had maintained a clutch of recurring features like “Scouts In Action” and Dik Browne’s Tracy -
ALFRED E. NEUMAN GETS a GIFT FROM... Mvts
SPECIAL ISSUE: ALFRED E. NEUMAN GETS A GIFT FROM... mvts Yessiree, the morning after that drinking spree, when your head is clear, you'll agree Culvert D.T.'s are better. Because when you're soused with Culvert, you don't see just them ordinary green snakes Culvert and pink elephants! What you see is that great, big, horrible hand! RESERVE 1958 CULVERT DIST. CO., N. Y. C. • 65% GRAIN NEUTRAL SPIRITS • 35% SEWER SWI LL 'Above all others . better D. T.'« for you!' NUMBER 44 JANUARY 1959 VITAL FEATURES COMING ATTRACTIONS 4 MAD looks at some Coming Attractions, then sees the Kissing a girl because she lets you is like scratching a place pictures, and decides that that doesn't itch!—Alfred E. Neuman Coming Attractions don't always tell what's coming! PUBLISHER: William M. Gaines EDITOR: Albert B. Feldstein ART DIRECTOR: John Putnam IDEAS: Jerry De Fuccio PRODUCTION: Leonard Brenner CONTRIBUTING ARTISTS: Wallace Wood Bob Clarke Don Martin Frank Kelly Freas INTERNATIONAL ADVERTISING 8 George Woodbridge Mort Drucker Joe Orlando David Berg Alfred E. Neuman CONTRIBUTING WRITERS: Bob and Ray Frank Jacobs Tom Koch E. Nelson Bridwell An article which suggests Dee Caruso and Bill Levine Al Jaffee WAR CORRESPONDENT : Pvt. Nick Megliola that world tension might T-SHIRT PHOTO: Larry Maleman SUBSCRIPTIONS: Gloria Orlando, Celia Morelli be eased if nations tried HULA-HOOP ARTICLE REJECTOR: Melvin "Wiggles" Cowznofski selling each other rather DEPARTMENTS than shelling each other. BOB AND RAY DEPARTMENT JUNIOR EDITIONS 14 Electrical Report 41 CRASH PROGRAM DEPARTMENT Publishers of big adult The National Safety Council's Weekend Telethon ... -
American Radio Archives Tom Koch Collection
American Radio Archives Tom Koch Collection Introduction The Tom Koch Collection of the American Radio Archives consists of approximately 1.5 cubic feet of scripts written by radio and television writer Koch. The bulk of the collection consists of skits written for use on the Bob and Ray Show, starring Bob Elliott and Ray Goulding, ca. 1974-1976. The remainder of the collection includes scripts for television programs, including The Jonathan Winters Show (1968- 69), the Dinah Shore Chevrolet Show (1960), the 11th Annual Emmy Awards (1959), and pilots written for the Phil Silvers Show and All in the Family. Biography Tom Koch (1925-2015), began his radio career with CBS in 1947, shortly after completing a bachelor's degree in journalism and a master's degree in political science at Northwestern University. His assignment at CBS was to work as a staff writer handling news and sports assignments. In 1955, after being hired at NBC, he began writing comedy sketches to be used on the Bob and Ray Show, which at that time aired on the Weekend Monitor program. When Bob and Ray moved to the Mutual Network in 1956, Koch continued to work for them, and he also wrote most of the Fibber McGee and Molly spots that aired on Weekend Monitor from 1957-1959. In 1957, Koch also began contributing occasional articles for Mad magazine, and in the following years started writing for television as well (The Lucy Show (1962) and The Jonathan Winters Show (1967-69)). During this time, Koch continued to occasionally write for the Bob and Ray Show, including their stint on New York radio station WHN in 1963, and their final program on Mutual flagship station WOR in the mid-1970s. -
Planet Proctor 2015
PLANET PROCTOR | APRIL 10, 2015 Planet April Showers Where Am Us Anyway? f you’ve been wondering if I’m back, the answer is – almost. After our three-month adventure in Italy I returned to a lot of unfinished business, new commitments, and an immersion in the writing, Ifilming, production, promotion and posting of the weekly web series Boomers on a Bench with my comic cousin, Jamie Alcroft, not to mention the self-inflicted death of our housemate, Jessica Charity – but I said I wouldn’t mention that. Nonetheless, I am doing my best during the heavy dry rains this month, to full-Phil projects such as the editing of my memoir, Where’s my Fortune Cookie, co-authored by Brad Schreiber, and collaborating on a theatrical satire starring God with the prolific Samuel Warren Joseph. Meanwhile, Melinda and I are participating in an Antaeus’ New Playwrights Lab and I, in the staged reading of the play Secrets by William Coe Bigelow about blacklisting – all this prior to my scheduled second cataract operation on May 11. So enjoy this latest orbit, motivated by the spiraling chaos created by the irrational national and international yearnings to return to the archaic and outmoded delusions of worlds long gone. April fools reign. “If life gives you lemons, make lemonade. Then start looking for someone whose life has given them vodka.” ~ Sayings of Chairman Tom IN THE NEXT WORLD, “I spent half my money on gambling, alcohol and wild women. YOU’RE ON YOUR OWN The other half I wasted.” ~ W. C. Fields couple made a deal that whoever died first would NUTWORK Acome back and inform the other if there is life after THROUGHOUT death. -
Tom Koch Collection
Thousand Oaks Library American Radio Archives Tom Koch Collection Introduction The Tom Koch Collection of the American Radio Archives consists of approximately 1.5 cubic feet of scripts written by radio and television writer Koch. The bulk of the collection consists of skits written for use on the Bob and Ray Show, starring Bob Elliott and Ray Goulding, ca. 1974-1976. The remainder of the collection includes scripts for television programs, including The Jonathan Winters Show (1968-69), the Dinah Shore Chevrolet Show (1960), the 11th Annual Emmy Awards (1959), and pilots written for the Phil Silvers Show and All in the Family. Biography Tom Koch (1925-2015), began his radio career with CBS in 1947, shortly after completing a bachelor's degree in journalism and a master's degree in political science at Northwestern University. His assignment at CBS was to work as a staff writer handling news and sports assignments. In 1955, after being hired at NBC, he began writing comedy sketches to be used on the Bob and Ray Show, which at that time aired on the Weekend Monitor program. When Bob and Ray moved to the Mutual Network in 1956, Koch continued to work for them, and he also wrote most of the Fibber McGee and Molly spots that aired on Weekend Monitor from 1957-1959. In 1957, Koch also began contributing occasional articles for Mad magazine, and in the following years started writing for television as well (The Lucy Show (1962) and The Jonathan Winters Show (1967-69)). During this time, Koch continued to occasionally write for the Bob and Ray Show, including their stint on New York radio station WHN in 1963, and their final program on Mutual flagship station WOR in the mid-1970s. -
Mad's M.V.T.B.A
DANNY KAYE • BOB & RAY OUR PRICE rT never carry more than $50 in cash/' says BRIGITTE BARDOT "In fact, I never carry any cash ... mainly because I don't need to!" "When I travel, I never need money because everything is paid for by American Expense Account Cheques. And I find these Americans with expense accounts anywhere in Europe, just eager to pad them by taking a girl like me out and paying for little things like my hotel, fur and jewelry hills!" AMERICAN EXPENSE ACCOUNT CH NEVER CARRY ANY CASH, GIRLS! WHAT CAN YOU LOSE? NUMBER 43 DECEMBER 1958 VITAL FEATURES MAD'S M.V.T.B.A. AWARDS 2 We present some awards to baseball players which PUBLISHER: William M. Gaines EDITOR: Albert B. Feldstein ART DIRECTOR: John Putnam PRODUCTION: Leonard Brenner IDEAS: Jerry De Fuccio ought to burn up the guys CONTRIBUTING ARTISTS: Wallace Wood Bob Clarke Don Martin Frank Kelly Freas who sit around the Hot George Woodbridge Mort Drucker Joe Orlando David Berg Stove League all winter. CONTRIBUTING WRITERS: Danny Kaye & Milton Schafer Bob and Ray Tom Koch Albert Meglin Frank Jacobs Alfred E. Neuman T-SHIRT PHOTO: Larry Maleman THE END OF COMICS 6 SUBSCRIPTIONS: Gloria Orlando Celia Morelli LAW SUITS: Martin Scheiman, Esq. WAR CORRESPONDENT: Pvt. Nick Megliola OFFICIAL STAFF REFRESHMENT: Moxie Here's MAD's version of what the final install DEPARTMENTS ments of famous comic strips would be. In some AND THEN I WROTE DEPARTMENT cases, they'd be welcome! Coming Musicals 34 BOB AND RAY DEPARTMENT Music Report 38 FUTURE MAGAZINE MERGERS 10 DANNY KAYE DEPARTMENT If periodical publishers The New Baby 32 follow this merger trend, The Bathtub Admiral 47 you'll have the Time of DON MARTIN DEPARTMENT your Life reading these The Electricians 14 new Mad-Look magazines. -
{PDF EPUB} Mad About the Fifties by MAD Magazine 12 Things You Might Not Know About MAD Magazine
Read Ebook {PDF EPUB} Mad About the Fifties by MAD Magazine 12 Things You Might Not Know About MAD Magazine. As fast as popular culture could erect wholesome depictions of American life in comics, television, or movies, MAD Magazine was there to tear them all down. A near-instant success for EC Comics upon its debut in 1952, the magazine has inspired generations of comedians for its pioneering satirical attitude and tasteful booger jokes. In 2018, DC Entertainment relaunched an "all new" MAD , skewering pop culture on a bimonthly basis and in full color. But now the company has announced that the iconic magazine will disappear from newsstands after nearly 70 years in print. To fill the gaps in your knowledge, take a look at these facts about the Usual Gang of Idiots. 1. No one knows who came up with Alfred E. Neuman. MAD creator Harvey Kurtzman was in the offices of a Ballantine Books editor discussing reprints for the fledgling publication when he noticed a grinning, gap-toothed imbecile staring back at him from a bulletin board. The unnamed figure was ubiquitous in the early 20th century, appearing in everything from dentistry ads to depictions of diseases. A charmed Kurtzman adopted him as MAD ’s mascot beginning in 1954. Neuman later become so recognizable that a letter was delivered from New Zealand to MAD ’s New York offices without an address: The envelope simply had a drawing of Alfred. 2. The magazine's editors had to start issuing apologies almost immediately. MAD was conceived during a particularly sensitive time for the comics industry, with parents and watchdog groups concerned over content.