DOCSLIB.ORG

Museum Starter Kit

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Museum Starter Kit RS MUSEUM STARTER KIT: E Open With Care ARTEXPLOR Entérate: The idea for this artwork came from a dream. Encuentra: Have you ever been Maya Zemi I and Maya inspired by a dream? Zemi II by Raphael Montañez Ortiz in Las Galerias. Mira: Walk around the artwork and Raphael Montañez Ortiz, Maya Zemi 1 and Maya Zemi II look at it carefully. • What surprises you about this artwork? • What materials do you see? • What shapes can you find? • Have you ever seen something similar before? 1230 Fifth Avenue at 104th St. New York, NY 10029 www.elmuseo.org @elmuseo ARTEXPLOR Entérate: Before Christopher Columbus’ arrival in 1492, there were many people Palabras: already living and working in the Americas. These native peoples are Taíno: one of the native known as Pre-Columbian cultures, each of which had their own language, Arawak-speaking peoples of E the Caribbean. In Arawak, Taíno RS belief system, and way of life. means “good or noble people.” The Taínos were skilled farmers The artist was inspired by the cultures of two of these groups: the Taínos in and navigators, and they the Caribbean and the Mayans in the Yucatán Peninsula. were the first people to come into contact with the Spanish Mississippi River explorers. Many Taíno words are New Orleans Mississippi River USA New Orleans part of the English and Spanish USA THE THE Grand Bahama languages today, like barbecue. [Bah.] Grand Bahama Great Abaco [Bah.] [Bah.] Great Abaco [Bah.] Freeport Freeport N N Miami THE BAHAMAS Miami THE BAHAMAS GULF OF MEXICO W E GULF OF MEXICO Nassau W E Nassau Dry Tortuga [U.S.] Key West [U.S.] S Maya: a civilization in the Dry Tortuga [U.S.] S Key West [U.S.] Andros [Bah.] Havana CUBA TURKS & CAICOS ATLANTIC OCEAN Andros [Bah.] Yucatán Peninsula. Millions of Havana Cockburn Town CUBA TURKS & CAICOS Great Inagua [Bah.] ATLANTIC OCEAN Yucatán Peninsula Isla de la Juventud [Cub.] Cockburn Town DOMINICAN Tortuga [Ha.] REPUBLIC people speak Mayan languages Mérida BRITISH Great Inagua [Bah.] VIRGIN ISLANDS Isla Cozumel [Mex.] ANGUILLA Guantánamo Bay PUERTO RICO Yucatán Peninsula Campeche Georgetown Culebra Isla de la Juventud [Cub.] DOMINICAN Santo Domingo ST. KITTS ST. MARTIN San Juan [P.R.] & NEVIS SINT MAARTEN Vieques CAYMAN ISLANDSTortuga [Ha.] REPUBLIC Port-au-Prince today. They were known for [P.R.] St John’s BRITISHIsla Saona [D.R.] Mérida Veracruz U.S. VIRGIN ISLANDS ANTIGUA & BARBUDA Mexico City VIRGIN ISLANDS Chetumal HAITI GUADELOUPE [France] Isla Cozumel [Mex.] Isla Beata [D.R.] ANGUILLA MONTSERRAT Guantánamo Bay PUERTO RICO St. Croix [U.S.V.I.] Campeche Georgetown Culebra Basse-Terre KingstonSanto Domingo ST. KITTS ST. MARTIN Marie-Galante [Gua.] Belize City their achievements in written JAMAICA San Juan [P.R.] & NEVIS SINT MAARTEN MEXICO Swan Islands [Hon.] Port-au-Prince Vieques DOMINICA Roseau CAYMAN ISLANDS BELIZE [P.R.] St John’s Isla Saona [D.R.] Fort-de-France MARTINIQUE [France] Veracruz U.S. VIRGIN ISLANDS ANTIGUA & BARBUDA Mexico City Castries Chetumal HAITI GUADELOUPE [France]ST. LUCIA language, math, art, architecture, CARIBBEANIsla Beata [D.R.] SEA MONTSERRAT BARBADOS GUATEMALA St. Croix [U.S.V.I.] Bridgetown ST. VINCENT & Kingstown HONDURAS Basse-Terre Marie-Galante [Gua.] Kingston THE GRENADINES Belize City Guatemala JAMAICA Tegucigalpa Cayos Miskitos [Nic.] MEXICO Swan Islands [Hon.] DOMINICA Roseau GRENADA and astronomy, the study of the ARUBA St. George’s BELIZE CURAÇAO Fort-de-France San Salvador Isla de la Providencia [Col.] BONAIRE MARTINIQUE [France] NICARAGUA Port of EL SALVADOR Miskito Coast Los Roques [Ven.] Isla Margarita [Ven.] Willemstad Castries Spain TRINIDAD & TOBAGO Isla de San Andrés [Col.] ST. LUCIA Managua Isla La Tortuga [Ven.] stars and planets. Lake Managua Islas del Maiz [Nic.] BARBADOS CARIBBEAN SEA Barranquilla GUATEMALA Caracas Bridgetown Maracaibo Kingstown Lake Nicaragua ST. VINCENT & HONDURAS Cartagena THE GRENADINES Orinoco River Guatemala Maracaibo Tegucigalpa Cayos Miskitos [Nic.] COSTA RICA Lake San José PANAMA VENEZUELAGRENADA St. George’s Limón Panama Canal ARUBA CURAÇAO San Salvador PACIFIC OCEANIsla de la Providencia [Col.] Portobello BONAIRE Georgetown Colón Magdalena For Taínos, zemís (also NICARAGUA Miskito Coast Panama River Port of Zemi: Los Roques [Ven.] Isla Margarita [Ven.] EL SALVADOR City Willemstad Spain TRINIDAD GUYANA & TOBAGO Isla de San Andrés [Col.] Managua Isla La Tortuga [Ven.] Paramaribo Lake Managua Islas del Maiz [Nic.] spelled cemís) can be sacred Barranquilla Caracas SURINAME Maracaibo Cayenne Lake Nicaragua COLOMBIA Orinoco River FRENCH Cartagena GUYANA Maracaibo [France] ancestral spirits, animals, or COSTA RICA Lake San José PANAMA VENEZUELA Limón Panama Canal PACIFIC OCEAN Portobello Georgetown forces of nature with unique Colón Magdalena Map © El Museo del Barrio, New York. Created for the publication Caribbean: Art at the Crossroads of the World Panama River (New York: El Museo del Barrio in association with Yale UniversityCity Press, 2012), eds. Deborah Cullen and Elvis Fuentes, GUYANA published on the occasion of the exhibition, Caribbean: Crossroads of the World which opened in June 2012 at El Museo del Barrio, the Queens Museum of Art, and The Studio Museum in Harlem. powers. Zemís are also the Paramaribo SURINAME Cayenne objects that were thought to COLOMBIA FRENCH GUYANA Hazlo: [France] possess these special powers Raphael Montañez Ortiz was inspired to make this artwork by Taíno zemis and believed to protect the and the Mayan god Kukulcán. people who carried them. They often have three points, which Look carefully at these two images. Compare them to the artwork. reminded the Taínos of the three How are they similar? How are they different? different parts of their world: the ocean, the land, and the sky. Kukulcán: a Mayan god whose name means “feathered snake.” He is the god of earth, wind, water, and fire. Sigue Explorando: Raphael Montañez Ortiz was inspired by his cultural traditions to make this artwork. How does your culture inspire you? With your grown-up, think of some of your family’s favorite holidays, traditions, food and songs. Using the materials you have at home, create an artwork inspired by your own cultural traditions! El Museo del Barrio’s Education & Public Programs are made possible by the Carmen Ana and Joseph Unanue Foundation, Rockefeller Brothers Fund, Altman Foundation, Target Corporation, Unhate Foundation, Shelley & Donald Rubin Foundation, ConEdison, New York Yankees, Mount Sinai Medical Center, White Rose, EmblemHealth, and the Milton & Sally Avery Arts Foundation, Inc. With the support of public funds from the New York State Council on the Arts, the New York City Department of Cultural Affairs in partnership with the New York City Council: Speaker 1230 Fifth Avenue at 104th St. New York, NY 10029 212 831 7272 www.elmuseo.org Christine Quinn, Council Members Gale Brewer, Daniel Dromm, Inez Dickens, Daniel Garodnick, Robert Jackson, Melissa Mark-Viverito, and Annabel Palma; The Hon. Domenic Recchia, Jr., Chair of the New York City Council Finance Committee; the New York City Council’s Manhattan Delegation; Manhattan Borough President, Scott Stringer; and the New York City Department of Parks & Recreation..
Load more

Recommended publications
  • Rhum Cocktail
    RHUM COCKTAIL Delicate Fortifying ZEMIVARDIER THE RHUM JULEP Mount Gay XO, campari, Barbancourt 8, peach liqueur, sugar & sweet vermouth & bitters angostura bitters 18 18 RUM OLD FASHIONED RUM SOUR El Dorado 15, exotic syrup & bitters Angostura 1919, honey syrup, lemon juice, port wine 21 21 RUM MANHATTAN Plantation Grand Anejo, sweet vermouth, angostura & orange bitters 18 About Rum The origin of the word rum is unclear. The name may have derived from rumbullion, meaning “agreat tumult or uproar”. Some claim that the name is from the large drinking glasses used by Dutch seamen known as rummers. Other options include contractions of the words saccharum, latin for sugar, or arôme, French for aroma. In current usage, the name used for rum is often based on the rum’s place of origin. For rums from Spanish-speaking regions the word ron is used. A ron añejo indicates a rum that has been aged and is often used for premium products. Rhum is the term used for French-speaking regions, while rhum vieux is an aged French rum. Sugar cane, originally from Papua New Guinea, was taken to Asia, where it was cultivated and then carried to Africa, India and then Spain. European explorers were lured to the West Indies by legends of El Dorado, a city paved with gold. Ironically, the tall sweet grass that Columbus took to the Caribbean in 1493, and the sugar and rum made from that sugar cane, was ultimately worth more than all the lustrous metal taken from the Caribbean basin. According to some historians, the first molasses rum to be produced was from a Dutch emigrant named Pietr Blower in 1637.
    [Show full text]
  • Primitive and Archaic Aspect Is Strangely Reminiscent of Prehistoric and Rupestral Art
    P R I M I T I V E & A R C H A I C M A R T I N D O U S T A R Arts d’Afrique, d’Asie, d’Océanie et des Amériques Archaism in anthropology is defined as the absence of writing and the economy of subsistence. Although the word has a negative connotation in modern language, often associated with backward and obsolete concepts, it reveals a whole different meaning when it comes to aesthetic and arts. That is precisely what all this is about here... 1 RARE SABEAN BRONZE PROTOME Qataban Kingdom, Yemen, Arabic Peninsula, circa 700-100 BC Height : 18 cm Provenance : Private collection, New York Galerie David Ghezelbash, Paris (acquired in 1999) Private collection, Paris In the shape of the powerful forequarters of a bull, his massive head with round muzzle, grooved nostrils, and ribbed bulging brows, symbolic motifs and a crescent moon engraved on the fore- head, a lozenge-decorated diadem between the horns. This rare Sabean inscription is dedicated to the moon god and refers to the people of Qataban, the most prominent Yemeni kingdom in the second half of the 1st millenium before Christ. A written report by Prof. Walter W. Muller, from the Center for Near and Middle-Eastern studies of Philipps Univeristy of Marburg, describes in detail the context and the meaning of these different motifs. “The South Arabians before Islam were polytheists and revered a large number of deities. Most of these were astral in concept but the significance of only a few is known.
    [Show full text]
  • Antigua and Barbuda an Annotated Critical Bibliography
    Antigua and Barbuda an annotated critical bibliography by Riva Berleant-Schiller and Susan Lowes, with Milton Benjamin Volume 182 of the World Bibliographical Series 1995 Clio Press ABC Clio, Ltd. (Oxford, England; Santa Barbara, California; Denver, Colorado) Abstract: Antigua and Barbuda, two islands of Leeward Island group in the eastern Caribbean, together make up a single independent state. The union is an uneasy one, for their relationship has always been ambiguous and their differences in history and economy greater than their similarities. Barbuda was forced unwillingly into the union and it is fair to say that Barbudan fears of subordination and exploitation under an Antiguan central government have been realized. Barbuda is a flat, dry limestone island. Its economy was never dominated by plantation agriculture. Instead, its inhabitants raised food and livestock for their own use and for provisioning the Antigua plantations of the island's lessees, the Codrington family. After the end of slavery, Barbudans resisted attempts to introduce commercial agriculture and stock-rearing on the island. They maintained a subsistence and small cash economy based on shifting cultivation, fishing, livestock, and charcoal-making, and carried it out under a commons system that gave equal rights to land to all Barbudans. Antigua, by contrast, was dominated by a sugar plantation economy that persisted after slave emancipation into the twentieth century. Its economy and goals are now shaped by the kind of high-impact tourism development that includes gambling casinos and luxury hotels. The Antiguan government values Barbuda primarily for its sparsely populated lands and comparatively empty beaches. This bibliography is the only comprehensive reference book available for locating information about Antigua and Barbuda.
    [Show full text]
  • Critical Multiculturalism and Intersectionality in a Complex World
    Critical Multiculturalism and Intersectionality in a Complex World Critical Multiculturalism and Intersectionality in a Complex World SECOND EDITION Lacey M. Sloan Mildred C. Joyner Catherine J. Stakeman Cathryne L. Schmitz 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2018 First Edition published in 2008 Second Edition published in 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging- in- Publication Data Names: Sloan, Lacey M., author. Title: Critical multiculturalism and intersectionality in a complex world / Lacey M. Sloan [and three others]. Other titles: Critical multicultural social work. Description: Second edition. | New York, NY : Oxford University Press, [2018]| Earlier edition published in 2008 as: Critical multicultural social work.
    [Show full text]
  • Bitumen Residue on a Late Ceramic Age Three-Pointer from Marie-Galante, Guadeloupe: Chemical Characterization and Ligature Evide
    Bitumen residue on a Late Ceramic Age three-pointer from Marie-Galante, Guadeloupe: Chemical characterization and ligature evidence Nathalie Serrand, Sibilla Orsini, Erika Ribechini, Fabrice Casagrande To cite this version: Nathalie Serrand, Sibilla Orsini, Erika Ribechini, Fabrice Casagrande. Bitumen residue on a Late Ceramic Age three-pointer from Marie-Galante, Guadeloupe: Chemical characterization and ligature evidence. Journal of Archaeological Science: Reports, Elsevier, 2018, 10.1016/j.jasrep.2018.07.014. hal-02526943 HAL Id: hal-02526943 https://hal.archives-ouvertes.fr/hal-02526943 Submitted on 5 Apr 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Journal of Archaeological Science: Reports 21 (2018) 243–258 Contents lists available at ScienceDirect Journal of Archaeological Science: Reports journal homepage: www.elsevier.com/locate/jasrep Bitumen residue on a Late Ceramic Age three-pointer from Marie-Galante, Guadeloupe: Chemical characterization and ligature evidence T ⁎ Nathalie Serranda,b, , Sibilla Orsinic, Erika Ribechinic, Fabrice
    [Show full text]
  • Hutcheson, CD. Facing the Past: Lucayan Art, Zemis, and Their
    PROCEEDINGS OF THE FIFTEENTH SYMPOSIUM ON THE NATURAL HISTORY OF THE BAHAMAS Edited by Robert Erdman and Randall Morrison Conference Organizer Thomas Rothfus Gerace Research Centre San Salvador Bahamas 2016 Cover photograph - "Pederson Cleaning Shrimp" courtesy of Bob McNulty Press: A & A Printing © Copyright 2016 by Gerace Research Centre. All rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electric or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in written form. ISBN 978-0-935909-16-6 The 15th Symposium on the Natural History of the Bahamas FACING THE PAST: LUCAYAN ART, ZEMIS, AND THEIR PLACE IN THE WORLD Charlene Dixon Hutcheson Independent Researcher in Archaeology 2860 Jefferson St, SE Roanoke, VA 24014 ABSTRACT ter 2009). They created anthropomorphic, zoo- morphic and anthropozoomorphic iconography on The Taíno of the Greater Antilles used an- high status items such as duhos (Berman et. al. thropomorphic and zoomorphic representations in 2013). It has been previously unreported that ceramic adornos, ritual statuary, personal adorn- some Lucayans also made faces, some quite di- ment, and cave art. The Lucayans also put an- minutive, on selected ceramic items which are thropomorphic faces on their cave walls. It is similar to their rock art. heretofore unreported that some Lucayans made similar faces on their ceramics. While Taíno art is very public, the Lucayans seem to be more pri- vate. The faces on their pottery vessels are often diminutive, and thus far their known rock art is in caves. This paper will compare Lucayan “face art” between the ceramics and cave petroglyphs, and will then make an attempt to show similari- ties, but also differences, between those of the Bahamas and the Greater Antilles.
    [Show full text]
  • The Curse of the Alabaster Treasure #45 in a Series by Dana Carlisle
    This story is an entry for Jenni J’s Trix-e-tron Challenge, which happens to be Jixemitri Circle Writing Challenge #8. The Curse of the Alabaster Treasure #45 in a series by Dana Carlisle Chapter One: La Isla del Encanto Eighteen-year-old Trixie Belden sighed contentedly as she stepped onto the balcony and basked in the rays of the Puerto Rican sun. Just yesterday morning she had been enduring a cold and snowy March at her university in upstate New York—what a difference twenty-four hours could make! Bless Mr. Wheeler and Mr. Lynch and their defense contracts, Trixie thought as her sparkling blue eyes took in the vast turquoise of the Caribbean Sea stretching out below her for miles. When the Roosevelt Roads Naval Station in Puerto Rico had closed, the U.S. government had held onto the property while they decided what to do with it. Mr. Wheeler and Mr. Lynch had entered a proposal to turn the almost 9,000 acres of the former base into a resort. Puerto Rico was teeming with resorts, but Mr. Wheeler and Mr. Lynch had an idea to make their resort different. With the vast land that the base had occupied, it would be easy to develop the land into a three-in-one resort: one portion would be an upscale, super-luxury all-inclusive property, another portion would be a more moderate vacation getaway aimed at families with children, and the last portion would be an inexpensive, but still well-appointed, hotel aimed at a younger, more adventurous crowd.
    [Show full text]
  • Investigations at Cinnamon Bay-Accessible
    INVESTIGATIONS AT CINNAMON BAY ST. JOHN, U.S. VIRGIN ISLANDS AND SOCIAL IDEOLOGY IN THE VIRGIN ISLANDS AS REFLECTED IN PRECOLUMBIAN CERAMICS Ken S. Wild ABSTRACT The scope of Cinnamon Bay research is presented here, followed by an overview of investigations conducted in the prehistoric sector of the site. Material remains recovered confirm that the Northern Virgin Islands are associated with Classic Taino. The archaeological evidence indicates the area under investigation was used as a ceremonial site for over 400 years and that in the last phase of cultural development, before European contact, the area evolves into the chief’s “caney” or temple. Analysis of ceramic adornos from sequential yet separated subseries deposits provides information associated with temporal style, cognition, and links to the ancestor cult and indicates that this iconography is also reflective of temporal social change. PROJECT BACKGROUND Over the past forty years between 150 to 250 feet of coastal beachfront has been inundated along the north shore beach of Cinnamon Bay, St. John, U.S. Virgin Islands. The exceptional number of hurricanes over the last ten seasons has escalated this erosional process. Large portions of the historic cotton plantation and burial ground are now underwater. In 1998, the National Park Service archeologist assigned to the Caribbean observed that the prehistoric site was washing out as a result of a large storm in 1997, which eliminated what was left of the sterile buffer zone that protected the site. In 1998, the non-profit organization Friends of the Virgin Islands National Park obtained funding through a Erosion of the private grant given by Donald Cinnamon Bay Sussman for archeological work Beachfront at the endangered Cinnamon Bay Pre-Columbian Site (State # 12VAm-2-3 and CIS # VIIS0002) and the Cinnamon Bay Plantation Site (National Register of Historic Places, Nomination 78000269).
    [Show full text]
  • Investigations at Cinnamon Bay St. John, Us Virgin Islands and Social Ideology in the Virgin Islands As Reflected in Precolumbian Ceramics
    INVESTIGATIONS AT CINNAMON BAY ST. JOHN, U.S. VIRGIN ISLANDS AND SOCIAL IDEOLOGY IN THE VIRGIN ISLANDS AS REFLECTED IN PRECOLUMBIAN CERAMICS Ken S. Wild ABSTRACT The scope of Cinnamon Bay research is presented here, followed by an overview of investigations conducted in the prehistoric sector of the site. Material remains recovered confirm that the Northern Virgin Islands are associated with Classic Taino. The archaeological evidence indicates the area under investigation was used as a ceremonial site for over 400 years and that in the last phase of cultural development, before European contact, the area evolves into the chief’s “caney” or temple. Analysis of ceramic adornos from sequential yet separated subseries deposits provides information associated with temporal style, cognition, and links to the ancestor cult and indicates that this iconography is also reflective of temporal social change. PROJECT BACKGROUND Over the past forty years between 150 to 250 feet of coastal beachfront has been inundated along the north shore beach of Cinnamon Bay, St. John, U.S. Virgin Islands. The exceptional number of hurricanes over the last ten seasons has escalated this erosional process. Large portions of the historic cotton plantation and burial ground are now underwater. In 1998, the National Park Service archeologist assigned to the Caribbean observed that the prehistoric site was washing out as a result of a large storm in 1997, which eliminated what was left of the sterile buffer zone that protected the site. In 1998, the non-profit organization Friends of the Virgin Islands National Park obtained funding through a Erosion of the private grant given by Donald Cinnamon Bay Sussman for archeological work Beachfront at the endangered Cinnamon Bay Pre-Columbian Site (State # 12VAm-2-3 and CIS # VIIS0002) and the Cinnamon Bay Plantation Site (National Register of Historic Places, Nomination 78000269).
    [Show full text]
  • We Saw Him First!: Early Peoples of the Caribbean Outreach Kit
    We Saw Him First!: Early Peoples of the Caribbean Outreach Kit Information for the Teacher This outreach kit can be presented as an exhibit as well as hands-on activity/lesson kit. A series of suggested activities for several grade levels and competencies are included. All activities are designed to encourage divergent thinking skills and/or appeal to multiple ways of learning. This binder includes more detailed information for the teacher. In addition, there is an edited version of Columbus’ diary and an article on the Encounter from the view of the native people. This last account is based on historic records and presents real native people. There is also a bibliography of sources used. Because of the coverage from the Columbus encounter commemoration activities in 1992, there should be many resource materials in the school as well as public libraries. Illustrations used are, as much as possible, from accounts of the early voyages and the island people. Most photographs of San Salvador Island were made by Museum of Anthropology Education staff over several seasons of study there. All the artifacts included in the kit are real except for the zemi reproductions from the Museum of Puerto Rico. The objects from San Salvador are the results of archeological research there by the Museum’s former director, Dr. Mary Jane Berman and Wake Forest University students. Objects from Antigua were donated to the Museum for educational use. We included ties to North Carolina wherever appropriate to inform the students of the relationships of the Caribbean’s history to their own state history.
    [Show full text]
  • The Early Americas: History and Culture
    Material Encounters and Indigenous Transformations in the Early Colonial Americas <UN> The Early Americas: History and Culture Series Editors Corinne L. Hofman (Leiden University) Maarten E.R.G.N. Jansen (Leiden University) Editorial Board Sonya Atalay (University of Massachusetts, Amherst) Benoit Bérard (Université des Antilles) Alexander Geurds (University of Oxford, Leiden University, and University of Colorado) Nikolai Grube (Rheinische Friedrich-Wilhelms Universität) Rosemary A. Joyce (University of California) Jason Laffoon (Leiden University) Leonardo López Luján (Instituto Nacional de Antropología e Historia, Mexico) Eduardo Neves (Universidade de São Paulo) Karoline Noack (Rheinische Friedrich-Wilhelms Universität) Stephen Rostain (cnrs - Université Paris 1 Panthéon-Sorbonne) Angel Iván Rivera Guzmán (Instituto Nacional de Antropología e Historia, Mexico) Roberto Valcárcel Rojas (Centro de Investigaciones, Servicios Ambientales y Tecnológicos (cisat), Cuba) volume 9 The titles published in this series are listed at brill.com/eahc <UN> Material Encounters and Indigenous Transformations in the Early Colonial Americas Archaeological Case Studies Edited by Corinne L. Hofman Floris W.M. Keehnen leiden | boston <UN> This is an open access title distributed under the terms of the cc-by-nc-nd 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Cover illustration: Precolonial and early colonial ceramics from the Cibao Valley, Hispaniola. Chicoid anthropozoomorphic adornos characterizing twelfth- to fifteenth-century indigenous ceramics and mixed Amerindian, African, and European ceramics typical of early colonial Spanish towns in the Americas (Photos by Marlieke Ernst and Menno L.P. Hoogland, image by Menno L.P.
    [Show full text]
  • University of California, Merced Cave Vodou in Haiti
    University of California, Merced Cave Vodou in Haiti: The Use of Caves as Sacred Space in Modern Haitian Ritual Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in World Cultures by Patrick Richard Wilkinson Committee in Charge Professor Linda-Anne Rebhun, Chair Professor Mark Aldenderfer Professor Marco García-Ojeda Professor Holley Moyes © Patrick Wilkinson, 2019 All rights reserved. This Dissertation of Patrick Wilkinson is approved; it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ Dr. Mark Aldenderfer ________________________________________________________________________ Dr. Marco García-Ojeda ________________________________________________________________________ Dr. Holley Moyes ________________________________________________________________________ Dr. Linda-Anne Rebhun Chair University of California, Merced 2018 iii DEDICATION To my wife Marieka, without whom none of this would have been possible, and to the people of Haiti, who welcomed a blan with open arms and hearts. iv TABLE OF CONTENTS LIST OF FIGURES ......................................................................................... VIII LIST OF TABLES ............................................................................................ XII ACKNOWLEDGEMENTS ................................................................................ XIII CURRICULUM VITA ....................................................................................
    [Show full text]