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Žarko Pai Žarko Paić ISSN 1331-7970 dvotjednik za kulturna i društvena zbivanja • zagreb, 8. siječnja 2,,9., godište XI, broj 247/8 cijena 12,00 kn; za BiH 2,5 km; za Sloveniju 320 sit Žarko Paić - Poredak lakrdije Erik Davis - Led Zeppelin Proza - Babić, Clément, Federman, McNeil Autorski strip cmyk 2 XI/247/8, 8. siječnja 2,,9. info/najave Gdje je što? Info i najave 2 Esej Zaručnici neba Predrag Vrabec 3 Intimni rječnik Claudea Lévi-Straussa Claude Lévi-Strauss 6-7 APOKALIPTIČKO IZVJEŠĆE No 1002. Akademije Planeta Konja o neobičnim događajima na Planetu Majmuna Ante Armanini 16-17 Upoznajte sisoseksualce Rachel Kramer Bussel 34 Satira Crkva za koju je Google bog? The Church of Google 4-5 U žarištu Premijera predstave Karusel - tamo gdje tu je Kultura i civilno društvo Biserka Cvjetičanin 7 Poredak lakrdije Žarko Paić 8-9 Peticija protiv slobode Saša Šimpraga 10 Premijera: 8. siječnja 2009. u 20 h, polukružna dvorana Teatra &TD Izvedbe: 9. i 10. siječnja 2009. u 20 h, polukružna dvorana Teatra &TD Tema: Led Zeppelin Led Zeppelin IV Erik Davis 11-13 Autori i izvođači: Darko Japelj i Silvia Marchig Razgovor s Erikom Davisom Mark Dery 14-15 Ilustracije: Igor Hofbauer Socijalna i kulturna antropologija Koncept: Silvia Marchig Knjiga amuleta i talismana Claude Lecouteux 18-19 Koprodukcija:Kik Melone uz potporu Gradskog ureda za kulturu, obrazovanje Vizualna kultura i šport Grada Zagreb i Ministarstva Kulture Republike Hrvatske.Ostvareno kroz Dokumentacija ili ritual? Branko Cerovac 20 ARP radnu platformu EkS-scene Višestruki načini gledanja Igor Marković 20 Umjetnost svakog čovjeka je sakralna Jasna Jakšić 21 i Studentski centar u Zagrebu – Kultura promjene – Teatar &TD Sjesti pod stablo Boris Greiner 22 Prikaze u dva čina Petra Vidović 23-24 Svijet poput penduluma Ana-Marija Koljanin 24 Karusel je iluzija putovanja, vrtoglava vrtnja, uvijek iz istog početka i s istim ishodom. U svakom krugu odlazimo u novu kazlišnu iluziju, nakon svakog kruga Glazba Lekcija iz mitologije rock’n’rolla Vatroslav Miloš 35 slijedi povratak. Kvartetom u ime vremena Mersid Ramičević 36-37 Nizanjem slojeva iluzije, uvijek iznova istim putem, pokušavamo stvoriti vrtlog, kako bi postalo moguće Mali Isus i veliki Šutej Trpimir Matasović 37 Zločin koji je morao biti počinje Nate Petrin 38 fiksirati točku središta vrtnje: izvodača samoga. Kao što ne znamo da li se cijeli svijet vrti u krug oko Razgovor sa Steveom Steinom Hugo Currie 39 karusela koji jedini miruje ili obrnuto, tako prestaje biti važno razlikovati iluziju od realnog. Ostaje važna Kazalište samo osoba koja je u središtu vrtnje i onaj dio nje koji nam se otkriva. Razgovor s Marinom Jurjević Suzana Marjanić 40-41 Grčka mjera kritičkog senzibiliteta Nataša Govedić 42-43 Što i tko je Camp? Srđan Sandić 43-44 Kritika Beskompromisna pozicija čvrstog undergrounda Hrvatski filmski ljetopis 55/2008. Bojan Krištofić 45 Pet pozicija dvoglave etnologije Suzana Marjanić 46 listopad 2008. Budućnost će pripasti inteligentnima Dario Grgić 47 Proza Priče o sreći Bojan Babić 48 IN MEMORIAM: TOMISLAV PINTER (Krešimir Mikić) Rušenje Svjetskog trgovačkog centra kao zračna štafeta Dan McNeil 49 ANIMACIJSKE STUDIJE Pitanja koja obvezno morate postaviti kada intervjuirate poznatog pisca (i odgovori koje poznati pisac obično daje) Raymond Federman 49 Djeca vinila Thomas Clément 50-51 Hrvoje Turković: Je li animirani film uopće – film? Poezija Clare Kitson: Misionarski polet – animacijski program britanskog Channel Foura Moje Ja je ponekad previše Miroslav Cmuk 52 Silvestar Mileta: Crtani filmovi Warner Brothersa kao ogledalo Hollywooda Riječi i stvari Antički dah Neven Jovanović 55 Jurica Starešinčić: Tri motiva Pavla Štaltera: smijeh, bajka, smrt TEMA BROJA: Autorski strip Filmografija Pavla Štaltera Priredili Ivana Armanini i Marko Pogačar Razbijanje definicije “stripa”: odvajanje kulturalnog od strukturalnog u “stripu” Neil Cohn 25-27 STUDIJE Sarma Dragica & zlatni prepečenec www.komikaze.hr 28 Rykkä i Fykkä: Zločin u fjorduVinko Barić 29 Rikard Puh: Gorke suze i ljubavni odnosi u poslijeratnoj Njemačkoj: o motivima i temama u filmovima Rainera Razgovor s Dunjom Janković Ivana Armanini 30-31 Domaći autorski strip: korijeni, postignuća, trajanja Wernera Fassbindera Bojan Krištofić 32-33 Goran Dević: Werner Herzog – poetika izgubljenih svjetova Irena Paulus: Nove glazbene smjernice: Kubrick nakon 2001: odiseje u svemiru – Barry Lyndon OGLEDI I OSVRTI dvotjednik za kulturna i društvena zbivanja Zoran Jovančević: U težnji za drukčijim svjetovima (o filmovima adresa uredništva: Vodnikova 17, Zagreb nesklada) telefon: 4855-449, 4855-451, fax: 4813-572 Marijan Krivak: Mračnije od mračnog (Ciklus suvremenog e-mail: [email protected], web: www.zarez.hr mađarskog filma, Filmski programi, Zagreb, 9–14. lipnja 2008) uredništvo prima: radnim danom od 12 do 15 sati FESTIVALI nakladnik: Druga strana d.o.o. Jurica Starešinčić: Punoljetan i pomlađen Animafest (Animafest za nakladnika: Andrea Zlatar 2008) glavni urednik: Zoran Roško zamjenice glavnog urednika: Nataša Govedić i Katarina Luketić Igor Bezinović: O supermarketima i tri filma (Motovun 2008) izvršni urednik: Nenad Perković Krešimir Košutić: Novo kino i stara bluđenja (Pula 2008) poslovna tajnica: Dijana Cepić NOVI FILMOVI uredništvo: Dario Grgić, Srećko Horvat, Silva Kalčić, Kino: Dnevnik živih mrtvaca (Mario Kozina), Dok vrag ne sazna da si Trpimir Matasović, Suzana Marjanić, , Nataša Petrinjak, Marko Pogačar, Boris Postnikov, Srećko Pulig, Gioia-Ana Ulrich mrtav (Josip Grozdanić), Klopka (Marijan Krivak), Lars ima curu (Juraj Kukoč), Orao protiv morskog psa (Iva Žurić), Samo bez brige (Mima Simić), WALL-E (Boško Picula) grafičko oblikovanje: Studio Artless DVD: Devet života (Diana Nenadić), Redacted (Dragan Rubeša), Staze slave (Josip Grozdanić) lektura: Dalibor Jurišić NOVE KNJIGE priprema: Davor Milašinčić tisak: Tiskara Zagreb d.o.o. Damir Radić: Entuzijastični i artikulirani erudit – i kada griješi (Živorad Tomić, Užitak gledanja: zapisi o svjetskom filmu, 2007) Tiskanje ovog broja omogućili su: Josip Grozdanić: Velika sestra te gleda (Hrvoje Turković, Narav televizije, 2008) Ministarstvo kulture Republike Hrvatske Asaf Džanić: Panoramski pogled na animaciju (Midhat Ajanović, Karikatura i pokret: devet ogleda o crtanom Ured za kulturu Grada Zagreba filmu, 2008) cmyk XI/247/8, 8. siječnja 2,,9. 3 esej Zaručnici neba Predrag Vrabec poslagivat će se u naborima damasta tako da će tek primjetne sjenke narasti u veliko tijelo mraka koje će nas obujmiti kao na- rukvica, narukvica afrike. Mokraća, znoj i sluz putovat će u nama kao tihe noćne rijeke. Ujutro poželjet ćemo probušiti Volim zaručnike neba (koji uši, uresiti ih zlatom. Poći na tržnicu, u koračaju ispred mene) šarenilo dana. Nenadano pala je kiša i po ga drveta gledat će vas moje nasmiješene oči. Ne bojte se, dođite, pomilujte svako isam znao da ću poći na svadbu. nebu se prostrla duga. U daljini primijetio drvo, pomilujte mene. Probudio sam se u gluho doba sam tvoj obris i pohitao za tobom. Duga noći nahranjen snom. Sjeo sam je nestala u trenu, a sjenka tvoga šešira i razmislio što obući, kako se uresiti. izgubila se u mnoštvu. Odlučio sam da to bude bijelo, bijelo oivičeno crnim, kao što u srcu noći raste Volim gledati kako se spuštaš Književna republika 8-10/2008. dan koji je najljepši u jutro kada je još niz ulicu (leđa su ti čas s jedne, (Izašao je trobroj Književne republike za kolovoz/listopad) malo posut mrvicama mraka. Na bijelu čas s druge strane, tako da me košulju stavio sam bijeli križ. Na rever hvata lagana vrtoglavica) Sadržaj: teška kaputa bijelu ružu s malo zeleni. Ne znam zašto si mi to baš morao reći, OBLJETNICE – MRKONJIĆ Došao sam i čekao da mi pokažu kuda i to u trenutku kada sam pokušao proći - Jozefina Dautbegović: Mrki u čistopisu, 3 krenuti. Oni su samo koračali ispred pored tebe, u nekoj žurbi. Zapravo nisam - Velimir Visković: Snovi i strogost Zvonimira Mrkonjića, 17 mene oplavljeni bojom neba. Osvrnuli te ni dobro čuo, razumio, skrećući tu blizu - Tonko Maroević: Prostiranje pustinje – gonetanje gomile, 21 bi se, mahnuli mi smiješeći se, blago. u sporednu ulicu kako bih popio šalicu - Mladen Machiedo: Poetička prepoznatljivost Zvonimira Mrkonjića, 25 Odjedanput više nisam mogao koračati. čaja. Osjetio sam, osjetio neku jezu, uzne- - Krešimir Bagić: Mrkonjićev pjesnički stil, 34 Stao sam ukopan u svoje oči koje su se mirenost, ali i neku čudnu, čudnu nje- - Miroslav Mićanović: Hoću li otvoriti pravu kutiju? orosile suzama, a srce mi je obuzeo neki žnost. Prišao sam bliže, pomaknuo stolicu - Višnja Machiedo: Sonetni trobar Zvonbimira Mrkonjića, 46 neobični mir i radost. Nisam mogao dalje do prozora kako bi svjetlost u svojoj - Branko Bošnjak: Aporije pjesme i svijeta, 53 za njima. Oni su odlazili u svoj insularni posteljici donijela ono što treba donijeti. - Miloš Đurđević: Gradnja stiha i opis u poeziji Zvonimira Mrkonjića, 61 život. Život otoka sveprostora gdje pokre- Sve što spava ponovo je dijete, to si mi - Vladimir Biti: O razdiobi suvremenoga hrvatskog pjesništva, 69 ti nisu potrebni, a razgovara se tišinom. rekao, Fernando. Kako si već zamaknuo - Sibila Petlevski: Zvonimir Mrkonjić: pitanje, odnos, razlog i sustav, 73 Mogao sam samo pogledati u nebo i oči iza ugla nisam te mogao upitati poznaješ - Lidija Vukčević: Poetika nove strogosti, 78 su mi bile pune zvijezda. Kada sam na li Jozefinu. O, da, rekao si mi, zagonetno - Mirko Tomasović: Dva rana (prevoditeljska) rada Zvonimira Mrkonjića, 85 trenutak spustio kapke, život je stajao smijući se. Kroz tvoje oči koje vide kroz - Andrea Milanko: “Tjelesnost” u Mrkonjićevoj poemi Šćap mlohavih (1970), 93 ispred mene posve jasan. moje oči vidio sam kako je pratiš i kako - Ante Armanini: Tri temeljna pojma Valérijeve poetike, 97 tvoj pogled sagorijeva u plamenu njene Volim pomisliti (da on još - Mani Gotovac: Dramaturg iz najmanje sobe u kazalištu ili “Breza će sjati svojom kose uklesane u širok obod šešira, šešira žalobnom bjelinom dokle god je hrvatskog jezika”, 124 uvijek sjedi tu) kome ni prostranstvo neba nije dostatno. - Milana Vuković – Runjić: Ogledalo mahnitosti: knjiga o kazalištu vrijedna kazališta Nedaleko. Par koraka od nas. Pratio sam vas sada iz daljine, ne nastojeći pamćenja, 128 Predstava svakodnevna biva.
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