Chapter One the Gothic and Its Revivals Yannis Kanarakis
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Dark Romanticism in Edgar Allan Poe's the Fall of the House of Usher
KASDI MERBAH UNIVERSITY - OUARGLA Faculty of Letters and Foreign Languages Department of English Language and Literature Dissertation Academic Master Domain: Letters and Foreign Languages Speciality: Anglo-Saxon Literature Submitted by: GABANI Yassine Title: Dark Romanticism in Edgar Allan Poe’s The Fall of The House of Usher Dissertation Submitted in Partial Fulfillment of the Requirements for Master Degree in Anglo-Saxon Literature Publically defended On: 24/05/2017 Before the Jury: Mrs. Hanafi (Tidjani) Hind President KMU-Ouargla Dr. Bousbai Abdelaziz Supervisor KMU-Ouargla Mrs. Bahri Fouzia Examiner KMU-Ouargla Academic year: 2016/2017 Dedication I dedicate this work to my dear parents for their unlimited love, faith and support, I will not get to this point of my life without them. To my beloved brothers and sisters for encouraging and pushing me forward in every obstacle. To all my friends and colleagues who stood beside me in good and hard times. I Acknowledgements First of all, the greatest gratitude goes ahead to Allah who helped me to complete this study. Then, unique recognition should go to my supervisor Dr. Bousbai Abdelaziz for his great guidance, observations, and commentary and for his advice and expertise which he provided; for his generosity and help, especially for being patient with me in preparing the present work. I would like to express my heartfelt thanks to the board of examiners for proofreading and examining my paper. Finally, I would like to express my thanks to all teachers of English Department for their advice and devotion in teaching us. II Abstract The dark romantic movement is a turning point in the American literature with its characteristics that influenced many American writers. -
Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
WORDSWORTH's GOTHIC POETICS by ROBERT J. LANG a Thesis
WORDSWORTH’S GOTHIC POETICS BY ROBERT J. LANG A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English December 2012 Winston-Salem, North Carolina Approved By: Eric Wilson, Ph.D., Advisor Philip Kuberski, Ph.D., Chair Omaar Hena, Ph.D. TABLE OF CONTENTS ABSTRACT ....................................................................................................................... iii CHAPTER 1 ........................................................................................................................1 CHAPTER 2 ........................................................................................................................8 CHAPTER 3 ......................................................................................................................27 CHAPTER 4 ......................................................................................................................45 CONCLUSION ..................................................................................................................65 WORKS CITED ................................................................................................................70 VITA ..................................................................................................................................75 ii ABSTRACT Wordsworth’s poetry is typically seen by critics as healthy-minded, rich in themes of transcendence, synthesis, -
Analyse How Frankenstein and Blade Runner Imaginatively Portray Individuals Who Challenge the Established Values of Their Times
Analyse how Frankenstein and Blade Runner imaginatively portray individuals who challenge the established values of their times. Mary Shelley’s epistolary gothic novel Frankenstein and Ridley Scott’s 1994 seminal science fiction film Blade Runner both, despite their vastly contexts imaginatively examine the fundamental nature of what it means to be human as they challenge the established views of their times. These cautionary tales warn us of the dangers of the unethical pursuit power through scientific advancement, man’s fear of mortality and the destruction of the natural world. In Frankenstein, The Modern Prometheus Mary Shelley challenges the 19th Century view that the power of science alone will advance the quality of human existence through the character of Victor. Shelley was a key figure in Romantic literary movement and Frederic Schlegel defined Romanticism as “literature depicting emotional matter in an imaginative form” and dark Romanticism became a sub-genre known as Gothic. Victor, an archetypal Gothic character, is propelled to scientific endeavour to attain personal grandeur through sinister means. He reveals Shelly’s underlying fears as seen when he states with overwrought emotive language and personal pronouns, "I believed myself destined for some great enterprise”. He reinforces his selfish motives through high modality in the lines “Wealth was an inferior object; but what glory would attend the discovery”, emphasising his desire for immortal fame. His egotism is highlighted through verb usage when he claims grandiosely “I will pioneer a new way, explore unknown powers and unfold to the world the deepest mysteries of creation” reflecting the themes of dark Romanticism. -
The Lure of Disillusion
The Lure of Disillusion RELIGION, ROMANTICISM & THE POSTMODERN CONDITION A manuscript submitted to Palgrave Macmillan Publishers, October 2010 © James Mark Shields, 2010 SHIELDS: Lure of Disillusion [DRAFT] i The Lure of Disillusion ii SHIELDS: Lure of Disillusion [DRAFT] [half-title verso: blank page] SHIELDS: Lure of Disillusion [DRAFT] iii The Lure of Disillusion Religion, Romanticism and the Postmodern Condition James Mark Shields iv SHIELDS: Lure of Disillusion [DRAFT] Eheu! paupertina philosophia in paupertinam religionem ducit:—A hunger-bitten and idea- less philosophy naturally produces a starveling and comfortless religion. It is among the miseries of the present age that it recognizes no medium between literal and metaphorical. Faith is either to be buried in the dead letter, or its name and honors usurped by a counterfeit product of the mechanical understanding, which in the blindness of self-complacency confounds symbols with allegories. – Samuel Taylor Coleridge, The Statesman’s Manual, 1839 [R]eligious discourse can be understood in any depth only by understanding the form of life to which it belongs. What characterizes that form of life is not the expressions of belief that accompany it, but a way—a way that includes words and pictures, but is far from consisting in just words and pictures—of living one’s life, of regulating all of one’s decisions. – Hilary Putnam, Renewing Philosophy, 1992 SHIELDS: Lure of Disillusion [DRAFT] v [epigraph verso: blank page] vi SHIELDS: Lure of Disillusion [DRAFT] CONTENTS Acknowledgments ix INTRODUCTION 1 Excursus One: Romanticism—A Sense of Symbol 6 PART ONE: ROMANTICISM AND (POST-)MODERNITY 1. Romancing the Postmodern 16 The Forge and the Flame A “True” Post-Modernism The Two Faces of Romanticism Romanticism as Reality-Inscription Romantic Realism 2. -
The Dark Romanticism of Francisco De Goya
The University of Notre Dame Australia ResearchOnline@ND Theses 2018 The shadow in the light: The dark romanticism of Francisco de Goya Elizabeth Burns-Dans The University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Arts and Humanities Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Burns-Dans, E. (2018). The shadow in the light: The dark romanticism of Francisco de Goya (Master of Philosophy (School of Arts and Sciences)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/214 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. i DECLARATION I declare that this Research Project is my own account of my research and contains as its main content work which had not previously been submitted for a degree at any tertiary education institution. Elizabeth Burns-Dans 25 June 2018 This work is licenced under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International licence. i ii iii ACKNOWLEDGMENTS This thesis would not have been possible without the enduring support of those around me. Foremost, I would like to thank my supervisor Professor Deborah Gare for her continuous, invaluable and guiding support. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
Madonna Mary
MADONNA MARY. liV MRS. OLIPHANT, AUTHOR OF "THE LIFE OF EDWARD IRVING,' "AGNES," Etc. IN THREE VOLUMES. vol. in. C/7, ,T--\3 LONDON : HUEST AND BLACKETT, PUBLISHERS, SUCCESSOES TO HENEY COLBUEN, 13, GEEAT MARLBOROUGH STREET. 1867. The right of Translation it reserved. JIJTO. -/ J2<?iTt LONDON : SAYILL AND EDWAKDS, PRINTERS, CHANDOS STBEBT, COYEST GARDEN. wmmm CHAPTER I. IILFRID was so stunned by the in formation thus suddenly given him, that lie had but a confused con sciousness of the explanations which followed. He was aware that it was all made clear to him, and that he uttered the usual words of assent and conviction ; but in his mind he was too profoundly moved, too completely shaken and unsettled, to be aware of anything but the fact thus strangely communicated. It did not occur to him for a moment that it was not a fact. He saw no improbability, nothing unnatural in it. He was too young to think that anything was unlikely because it was extraordinary, or to doubt what was affirmed with so much confidence. But, in the meantime, the news was so startling, that it upset his mental balance, and made him in capable of understanding the details. Hugh was not the eldest son. It was he who was the VOL. III. B 2 Madonna Mary. eldest son. This at the moment was all that his mind was capable of taking in. He stayed by Percival as long as he remained, and had the air of devouring everything the other said ; and he went with him to the railway station when he went away. -
William Blake 1 William Blake
William Blake 1 William Blake William Blake William Blake in a portrait by Thomas Phillips (1807) Born 28 November 1757 London, England Died 12 August 1827 (aged 69) London, England Occupation Poet, painter, printmaker Genres Visionary, poetry Literary Romanticism movement Notable work(s) Songs of Innocence and of Experience, The Marriage of Heaven and Hell, The Four Zoas, Jerusalem, Milton a Poem, And did those feet in ancient time Spouse(s) Catherine Blake (1782–1827) Signature William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced".[2] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[3] Although he lived in London his entire life except for three years spent in Felpham[4] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[5] or "Human existence itself".[6] Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings William Blake 2 and poetry have been characterised as part of the Romantic movement and "Pre-Romantic",[7] for its large appearance in the 18th century. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
College of Letters 1
College of Letters 1 Kari Weil BA, Cornell University; MA, Princeton University; PHD, Princeton University COLLEGE OF LETTERS University Professor of Letters; University Professor, Environmental Studies; The College of Letters (COL) is a three-year interdisciplinary major for the study University Professor, College of the Environment; University Professor, Feminist, of European literature, history, and philosophy, from antiquity to the present. Gender, and Sexuality Studies; Co-Coordinator, Animal Studies During these three years, students participate as a cohort in a series of five colloquia in which they read and discuss (in English) major literary, philosophical, and historical texts and concepts drawn from the three disciplinary fields, and AFFILIATED FACULTY also from monotheistic religious traditions. Majors are invited to think critically about texts in relation to their contexts and influences—both European and non- Ulrich Plass European—and in relation to the disciplines that shape and are shaped by those MA, University of Michigan; PHD, New York University texts. Majors also become proficient in a foreign language and study abroad Professor of German Studies; Professor, Letters to deepen their knowledge of another culture. As a unique college within the University, the COL has its own library and workspace where students can study together, attend talks, and meet informally with their professors, whose offices VISITING FACULTY surround the library. Ryan Fics BA, University of Manitoba; MA, University of Manitoba; PHD, Emory