Looking up and Out: Transcending Techniques in Counselling for Grief
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Instruction on Sacred Music 7
SACRED MUSIC Volume 94, Number 1, Spring 1967 A NEW BEGINNING 3 Theodore Marier DECLARATION ON LITURGICAL INNOVATIONS 5 INSTRUCTION ON SACRED MUSIC 7 THE PARISH MUSIC PROGRAM 23 Rev. John Buchanan THE FIFTH INTERNATIONAL CHURCH MUSIC CONGRESS 27 John Hennig CHURCH MUSIC CONGRESS IN AMERICA 31 Rev. Carlo Braga, C.M. PUERI CANTORES 35 Rt. Rev. Msgr. Charles N. Meter NEWS 38 SACRED MUSIC, Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 2115 Summit Avenue, Saint Paul, Minnesota, 55101. Editorial office: University of Dallas, University of Dallas Station, Texas, 75061. Editorial Board Rev. RalphS. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Dr. Louise Cuyler Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. C. J. McNaspy, S.J. Rev. Peter D. Nugent Rev. Richard J. Schuler Frank D. Szynskie Rt. Rev. Rembert G. Weakland, O.S.B. Editorial correspondence: Rev. RalphS. March, S.O.Cist., University of Dallas, University of Dallas Station, Texas 75061 News: Rev. Richard J. Schiller, College of StThomas, Saint Paul, Minnesota, 55101. Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York, 10577. Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska, 68010. Advertising: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Theodore Marier Vice-president .Rev. -
Continental Organists and Catholic Church Music in Ireland, 1860-1960
Continental Organists and Catholic Church Music in Ireland, 1860-1960 Mary Regina Deacy Dissertation submitted to the National University of Ireland, Maynooth, for the Degree of Master of Literature (M.Litt.) Supervisor and Head of Department: Professor Gerard Gillen Department of Music National University of Ireland Maynooth Co. Kildare January 2005 i Table of Contents Table of Contents i Preface iv Acknowledgements x List of Abbreviations xiii Chapter One: Irish Catholic Church music to 1888 1.1 Music in the Irish Medieval Church 1 1.2 The Effect of the Reformation and the Penal Laws on Sacred Music 5 1.3 Catholic Emancipation 6 1.4 Music in Early Nineteenth-Century Dublin 8 1.5 Haydn Corri 10 1.6 The Rise of the Irish Catholic Church 12 1.7 Church Music Reform on the Continent - The Cecilian Movement 15 1.8 The Cecilian Movement in Ireland 19 1.9 Sacred Music in Maynooth before Heinrich Bewerunge 27 1.10 Heinrich Bewerunge 31 Chapter Two: Continental Organists in Ireland 1860-1888 2.1 Early Continental Cecilian Organists 35 2.2 Alois Volkmer (Dublin) 37 2.3 Herr Thinnes and Hans Conrad Swertz (Cork) 39 2.4 Dr Leo Kerbusch (Belfast) 41 2.5 Alphonse Haan (Longford) 42 ii 2.6 Cecilianism in Thurles 44 2.7 De Prins Brothers (Limerick and Cork) 48 2.8 Appraisal 53 Chapter Three: Continental Organists in Ireland 1888-1920 3.1 The Decline of Cecilianism in Ireland 56 3.2 Motu Proprio (1903) 60 3.3 Gustav Haan (Carlow) 64 3.4 German organists in Ardee, Cobh, Kilkenny, Loughrea and Tuam 65 3.5 Aloys Fleischmann (Cork) 69 3.6 Carl Hardebeck -
Book Reviews
BOOK REVIEWS DAS SIEGESLIED AM SCHILFMEER: CHRISTLICHE AUSEINANDERSET ZUNGEN MIT DEM ALTEN TESTAMENT. By Norbert Lohfink, S J. Frankfurt: Knecht, 1965. Pp. 273. DM 16.80. The title derives from a study of Ex 15, one of the collected essays which make up this volume. The subtitle strikes off the nature of the book, a sort of Christian conversation with the OT. Some of the essays have been pre viously published: "Formation of the OT," "Inerrancy," "Song of Moses," "The Greatest Commandment," "Buber's Translation of the Bible." Others are published for the first time: "The Narrative of the Fall," "Freedom," "Law and Grace," "Man and Death." L. has already distinguished himself with scholarly studies of Deuteronomy, and the present volume contains first-class contributions to biblical theology. The reviewer read them all with interest and profit, and never failed to be stimulated by L.'s insights, many of them quite original. The readers of this periodical deserve a de tailed discussion of his essay on inerrancy, which has already provoked considerable reaction (J. Coppens and R. Marié, as opposed to K. Priimm and E. Gutwenger) since its first appearance in Stimmen der Zeit, June, 1964. How is the question of biblical inerrancy to be posed? L. discusses three approaches: the inerrancy of the biblical writer(s), of the individual book, and of the Bible as a whole, and he concludes that the last affords the right basis for discussion. The tendency of Catholic theology has been to empha size the inerrancy of the biblical writer, and this is also the direction of Providentissimus Deus, which presupposed a limited and even definite number of "inspired writers" (Moses, Solomon, etc.), who would have written (complete) "books." Scholarly research has shown that the process of the formation of the OT eliminates such a presupposition; one simply cannot give an approximate number to the "inspired authors" for the "books" which have been formed by addition, glossing, and completing. -
The Material Culture of Frederick Hervey, the Earl Bishop of Derry (1730-1803)
Reconstructing an Ascendancy world: the material culture of Frederick Hervey, the Earl Bishop of Derry (1730-1803) Two volumes by Rebecca Margaret Ricardo Campion THESIS FOR THE DEGREE OF PHD DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH Supervisor of Research: Dr Alison FitzGerald October 2012 VOLUME ONE Table of Contents VOLUME ONE List of tables iv List of illustrations in volume two v Acknowledgments xiii Abbreviations xiv Introduction p. 1 Chapter 1 - Architecture and landscaping 1.1 Introduction p. 16 1.2 Three country houses p. 17 1.2.1 Downhill: the political house in a radical landscape p. 20 1.2.2 Ballyscullion: the cultural house p. 34 1.2.3 Ickworth: the dynastic house p. 40 1.3 Townhouses p. 46 1.4 The improving bishop: Hervey’s church building p. 50 1.4.1 Architecture as a common language p. 54 1.4.2 Case study one: Hervey’s offer to Bishop MacDevitt p. 55 1.4.2 Case study two: Hervey’s offer to Rosemary Street First Presbyterian Church, Belfast p. 63 1.5 Conclusion p. 65 Chapter 2 - Interiors and goods 2.1 Introduction p. 67 2.2 Living within the house: the interiors at Downhill and comparison with contemporary houses p. 68 2.3 The craftsmen p. 76 2.4 Sources of inspiration p. 87 2.4.1 Sources of inspiration: prints and books p. 88 2.4.2 Sources of inspiration: the Villa Negroni frescoes p. 90 2.4.3 Sources of inspiration: Neoclassicism and Sir John Soane p. 95 2.5 Wall papers, fabric, upholstery and chinoiserie p. -
Birte Schulz
Overcoming Boundaries? Questions of Identity in the Experience of German-speaking Exiles in Ireland 1933–45 Birte V. Schulz Thesis presented to the University of Limerick for the award of the Degree of Doctor of Philosophy Supervisor: Dr Gisela Holfter External Examiner: Prof. Ian Wallace Submitted to the University of Limerick, November 2020 Abstract Between 1933 and 1945 a relatively small number of people fled Nazi Germany and made their homes in Ireland. The oral and written testimonies collected and analysed here trace the physical and psychological journey of eight exiles who lost their homes, their jobs, their cultural and linguistic communities and sometimes even family members. The analysis of these sources focuses on how, as a consequence of this fundamentally felt loss, the exiles had to develop strategies to cope with these changed circumstances and rethink categories such as home, nationality and personal identity. The first chapter deals with Ireland in the context of exile studies. It explains why Ireland has only recently become part of international exile studies and gives a brief history of the discipline with special emphasis on the relevance of oral history. It also outlines the methodology used. The second chapter outlines how the category of identity is one of the most widely discussed in the human and social sciences and highlights core issues which are particularly relevant to the experience of exile, such as the precarious nature of personal identity, the subsequent need to build up a stable idea of the self and the traumatic effects a challenge to familiar strategies of identification can have on the individual.