DOCSLIB.ORG

Soundbox: a Place for People Who Love Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Soundbox: a Place for People Who Love Music High resolution photos of SoundBox are available for download from the SoundBox online press kit. SOUNDBOX: A PLACE FOR PEOPLE WHO LOVE MUSIC “SoundBox succeeds on every level, both demographically and artistically… And yes, it’s the coolest thing on the block” - KQED SoundBox is the San Francisco Symphony’s experimental performance venue and late-night live music series taking place backstage at Davies Symphony Hall in Hayes Valley, San Francisco. Embarking on its third season in December 2016, SoundBox welcomes culturally-adventurous listeners to evenings of eclectic musical exploration and discovery in an out-of-the-box setting. Each SoundBox performance is a unique sensory experience encompassing shifting stage settings, art installations, projection screens, and unexpected surprises. SoundBox performances invite audiences to enjoy music an intimate and casual environment while enjoying hand-crafted cocktails and gourmet snacks from the in- house bar, for a ticket price of only $45. “SoundBox is an experimental space for all kinds of music,” SFS Music Director Michael Tilson Thomas explains. “Part of the experience of being in this space is to hear music of many diverse musical eras, from the earliest Gregorian chants, going back to the ninth century, to the most recent music, which is being written as we speak! The concerts are programmed by different musicians of different generations and very different priorities. To have a space in which the audience and musicians can explore this huge swath of music together is something I’ve always dreamed of, and now we have it.” SoundBox launched in December 2014, and both of its first two seasons witnessed ten sold-out shows and overwhelming critical acclaim. “San Francisco has a superb new performance venue for music…[the] tremendous opening event of SoundBox…was as exciting for what it offered as for what it promised,” wrote Joshua Kosman in the San Francisco Chronicle. Georgia Rowe, reviewer for the Bay Area News Group called it a “thrilling debut,” writing, “the classical music establishment has been wringing its hands for years, trying to figure out how to attract younger audiences. They can stop now. Michael Tilson Thomas has found the solution.” SoundBox has subsequently made the “Best of San Francisco” lists of both San Francisco Magazine and 7x7.com. One of the keystone elements of SoundBox has been the acoustic transformation of a 7,600 square foot rehearsal space adjacent to Davies Symphony Hall into an imaginative performance venue through use of the Meyer Sound Constellation system. With Constellation, composers and conductors select from different acoustic environments for each musical piece—and can custom program a completely new environment if desired. The use of this acoustic sound system provides ultimate versatility and accommodates a variety of musical styles and ensembles within one performance evening. During its first two seasons, SoundBox shows have featured a wide mix of SFS musicians and have been curated by a variety of artists, including Michael Tilson Thomas, the SF Symphony percussion section, the SF Symphony Chorus and Director Ragnar Bohlin, composers Nathaniel Stookey and Samuel Adams, conductor Edwin Outwater, performance artist Meow Meow, and the LA-based artist collective CHROMATIC. Themes have included the French avant-garde, 1960s California counter-culture, technology in new music, cabaret culture of the Weimar era, and more. SoundBox is located at 300 Franklin Street at Hayes Street, and accommodates approximately 500 people, some seated and some standing. The venue offers an alternative to that of the traditional concert hall experience. The space is designed for general admission seating with banquettes, ottomans, barstools, café tables, and high top cocktail tables. SoundBox has a full bar serving specialty cocktails and gourmet bar bites for enjoyment during the performances. Audience members can access more information on the works performed during each concert on the SoundBox App, available on iPhone and Android. The doors open at 8pm for each event, with the music beginning at 9pm. SoundBox images are available in the online press kit. Television segments on SoundBox have also been aired by PBS NewsHour, Associated Press, and CBS This Morning. 2016–17 SOUNDBOX DATES SoundBox is located at 300 Franklin Street at Hayes All shows begin at 9pm | Doors open 8pm General Admission | Limited Seating | Tickets: $45 MTT Curates and Hosts Pacific Harmonies: a Lou Harrison Centennial Celebration Friday, December 9, 2016 Saturday, December 10, 2016 Michael Tilson Thomas conductor and curator Eva Soltes music consultant and filmmaker Adam Larsen video designer Luke Kritzeck lighting designer Members of the San Francisco Symphony Members of the San Francisco Symphony Chorus Throughout the program, selections from the documentary film LOU HARRISON: A World of Music by Eva Soltes will be screened to contextualize and enhance the live musical performance. Eva SOLTES Selections from LOU HARRISON: A World of Music HARRISON Kyrie from Mass to St. Anthony [original 1939 version] SOLTES Selections from LOU HARRISON: A World of Music HARRISON Concerto No. 1 for Flute and Percussion I. Earnest, fresh and fastish II. Slow and poignant III. Strong, swinging and fastish HARRISON Canticle No. 3 INTERMISSION I Eva SOLTES Selections from LOU HARRISON: A World of Music HARRISON Selections from Suite for Cello and Harp I. Chorale IV. Aria V. Chorale (Reprise) Eva SOLTES Selections from LOU HARRISON: A World of Music HARRISON Selections from Pacifika Rondo I. The Family of the Court IV. In Sequoia’s Shade VI. A Hatred of the Filthy Bomb VII. From the Dragon Pool INTERMISSION II Eva SOLTES Selections from LOU HARRISON: A World of Music HARRISON & DEE Selections from Suite for Violin and American Gamelan I. Threnody II. Estampie V. Chaconne Eva SOLTES Selections from LOU HARRISON: A World of Music HARRISON Selections from Concerto for Organ with Percussion Orchestra IV. Canons and Choruses (Moderato) VI. Allegro (Finale) DJ and Composer Mason Bates and Conductor Edwin Outwater Co-Curate Macro/Micro Friday, January 20, 2017 Saturday, January 21, 2017 Mason Bates and Edwin Outwater co-curators Luke Kritzeck lighting designer Adam Larsen video designer Part I – Horizons All works in this act share a common “horizon line” on the video screens, which will evolve between: a bleak Alaskan tundra, a sunrise in the Age of Enlightenment, an English meadow at midday, and a Hawaiian sunset. HAYDN Adagio-Allegro from Symphony No. 6, “Le Matin” Edwin Outwater, conductor Members of the San Francisco Symphony [chamber orchestra] VAUGHAN WILLIAMS “Bredon Hill” from On Wenlock Edge Edwin Outwater, conductor William Ferguson, tenor Members of the San Francisco Symphony [strings and piano] Christopher ROUSE Ku-Ka-Ilimoku Members of the San Francisco Symphony [percussion ensemble] INTERMISSION I Part II – South America The works in this act depict different treatments of South American environments, contrasting between folk scenes and mythology. Gabriela Lena FRANK Selections from Milagros IV. Milagrito—Danza de Tingo María V. Milagrito—Sombras de Amantaní Members of the San Francisco Symphony [string quartet] GOLIJOV “Lúa descolorida” Edwin Outwater, conductor Marnie Breckenridge, soprano Members of the San Francisco Symphony [String orchestra] Gabriela Lena FRANK Selections from Leyendas: An Andean Walkabout IV. Chasqui VI. Coqueteos Members of the San Francisco Symphony [string quartet] INTERMISSION II Part III – Technology and Biology During the intermission prior to the third act, we will move from the earth into space, with field recordings of “techno” insect sounds and sounds of the Voyager I satellite leaving Earth. Part III begins with works by Bach featured on the Golden Record aboard Voyager I, followed by “Greetings to the Universe” from the children of Earth. This evolves into Mason Bates’ Rise of Exotic Computing, which depicts the development of computer circuitry based on the architecture of the human brain. J.S. BACH Gavotte en rondeau from Partita No. 3 in E Major for solo violin, BWV 1006 J.S. BACH Prelude and Fugue No. 1 in C major from Well-Tempered Clavier, Book 2, BWV 870 Robin Sutherland, keyboard [Recorded Interlude: Greetings from the Children of Earth from Voyager I] Mason BATES The Rise of Exotic Computing Edwin Outwater, conductor Mason Bates, laptop Members of the San Francisco Symphony [chamber orchestra] John Adams Curates: Emergent *presented in conjunction with SFS celebrations of John Adams’s 70th Birthday Friday, February 10, 2017 Saturday, February 11, 2017 John Adams curator and host Christopher Rountree conductor Seth Reiser lighting designer Adam Larsen video designer Mark Grey sound designer Members of the San Francisco Symphony Additional artists to be announced John ADAMS Hallelujah Junction Orli Shaham and Molly Morkoski, pianos Andrew NORMAN Try For chamber orchestra Christopher Roundtree, conductor Members of the San Francisco Symphony INTERMISSION I John ADAMS Selections from John’s Book of Alleged Dances For string quartet and pre-recorded audio Rag the Bone Dogjam Pavane: She’s So Fine Toot Nipple Judah to Ocean Members of the San Francisco Symphony Jacob COOPER Ripple the Sky For voice, string octet, and live sound augmentation Christopher Rountree, conductor Jonathan Woody, vocalist Mark Grey, live sound Members of the San Francisco Symphony INTERMISSION II Ashley FURE Shiver Lung For amplified vocalists and instrumental ensemble
Load more

Recommended publications
  • 13/14 Season
    13/14 SEASON BerkeleySymphony_program_covers_FINAL.indd 3 8/5/13 3:48 PM Berkeley Symphony 2013-14 Season 5 Message from the Music Director 7 Message from the Executive Director 9 Board of Directors & Advisory Council 10 Orchestra 13 Producers’ Circle Sponsorship Gifts 15 Program 17 Program Notes 31 Music Director: Joana Carneiro 37 Guest Artists 41 Berkeley Symphony 45 Music in the Schools 47 Under Construction 49 Broadcast Dates 57 Membership Support 65 Contact 66 Advertiser Index Season Sponsors: Kathleen G. Henschel, , Ed Osborn, and Brian James & Shariq Yosufzai Media Sponsor: Official Wine Sponsor: Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No photographs or recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. Berkeley Symphony, 1942 University Ave., Ste. 207, Berkeley, CA 94704 510.841.2800 • Fax: 510.841.5422 E-mail: [email protected] Web site: www.berkeleysymphony.org To advertise: 510.652.3879 February 6, 2014 3 4 February 6, 2014 Message from the Music Director Dear Friends, I hope the New Year is bringing you much joy, health and wonderful music. Speaking of wonderful music, I am most excited about our program tonight and am incredibly proud to present our second commission of the season, a violin concerto by Samuel Adams. It has been a joy to work with Sam and to photo by Rodrigo de Souza get to know his music more and more.
    [Show full text]
  • Ojai Music Festival and 2021 Music Director John Adams Announce Schedule for the 75Th Festival September 16 to 19, 2021
    Ojai Music Festival and 2021 Music Director John Adams Announce Schedule for the 75th Festival September 16 to 19, 2021 Music Director John Adams devises a wide-ranging composer-focused festival with Samuel Adams, Timo Andres, Laurie Anderson, Anthony Cheung, Donnacha Dennehy, inti figgis-vizueta, Arturo Fuentes, Dai Fujikura, Rhiannon Giddens, Philip Glass, Alejandra Hernández, Mario Lavista, Ingram Marshall, Dylan Mattingly, Brad Mehldau, Jessie Montgomery, Nico Muhly, Gabriela Ortiz, Manuel Rocha, Kaija Saariaho, Esa-Pekka Salonen, Caroline Shaw, Carlos Simon, Gabriella Smith, and Paul Wiancko, alongside works by Bach, Debussy, Mozart, Rameau, and Stravinsky Artists making their Ojai debuts include Rhiannon Giddens and Francesco Turrisi, pianist Víkingur Ólafsson, Attacca Quartet, violinist Miranda Cuckson, Chumash Elder and storyteller Julie Tumamait, and recorder player Anna Margules; Ojai welcomes the return of pianist/composer Timo Andres, the LA Phil New Music Group, and the Los Angeles Chamber Orchestra (LACO) 2021 Program features the World Premieres of Sunt Lacrimae Rerum (these are the tears of things) by Dylan Mattingly and the revised version of Gabriela Ortiz’s La Calaca, along with the West Coast Premiere of Samuel Adams’ Chamber Concerto and the first concert performance of Esa-Pekka Salonen’s Objets Trouvés The Festival will offer a free family concert for the community by Festival artists Julie Tumamait and Anna Margules in conjunction with its BRAVO education program “The Ojai Music Festival has always done things differently with its special mix of casual manner and provocative programming. Ever since its inception in the days of Stravinsky and Copland it has stood out among music festivals for its celebration of the new.
    [Show full text]
  • Invigorating the American Orchestral Tradition Through New Music
    FEARLESS PROGRAMMING: INVIGORATING THE AMERICAN ORCHESTRAL TRADITION THROUGH NEW MUSIC Octavio Más-Arocas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2016 Committee: Emily Freeman Brown, Advisor Timothy F. Messer-Kruse Graduate Faculty Representative Marilyn Shrude Kenneth Thompson © 2016 Octavio Más-Arocas All Rights Reserved iii ABSTRACT Emily Freeman Brown, Advisor Despite great efforts by American composers, their prodigious musical output has been mostly ignored by American orchestras. Works by living American composers account for an annual average of only 6% of all the music performed by American orchestras, while works by living composers of all nationalities combined totals a meager 11%. This study examines some of the historical breaking points in the relationship between American orchestras and new music. Five exceptional orchestras are cited, the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony Orchestra, the Atlanta Symphony, and the Seattle Symphony, that are thriving while successfully incorporating new music in their programing. This document draws attention to the significant role new music can play in the future of American orchestras by analyzing the programing of new music and projects that support composers, identifying innovative orchestral leaders and composers who have successfully served in advisory positions, and by recognizing and discussing the many creative strategies orchestras are using today. This document attempts to increase the understanding of the need for change in concert programing while highlighting several thrilling examples of innovative strategies that are making an essential contribution to the future of orchestral music.
    [Show full text]
  • Soundbox: a New Place for People Who Love Music
    High resolution photos of SoundBox are available for download from the SoundBox online press kit. SOUNDBOX: A NEW PLACE FOR PEOPLE WHO LOVE MUSIC “SoundBox succeeds on every level, both demographically and artistically… And yes, it’s the coolest thing on the block” - KQED SoundBox is the San Francisco Symphony’s experimental performance venue and late-night live music series taking place backstage at Davies Symphony Hall in Hayes Valley, San Francisco. Embarking on its third season in December 2016, SoundBox welcomes culturally-adventurous listeners to evenings of eclectic musical exploration and discovery in an out-of-the-box setting. Each SoundBox performance is a unique sensory experience encompassing shifting stage settings, art installations, projection screens, and unexpected surprises. SoundBox performances invite audiences to enjoy music an intimate and casual environment while enjoying hand-crafted cocktails and gourmet snacks from the in- house bar, for a ticket price of only $35. “SoundBox is an experimental space for all kinds of music,” SFS Music Director Michael Tilson Thomas explains. “Part of the experience of being in this space is to hear music of many diverse musical eras, from the earliest Gregorian chants, going back to the ninth century, to the most recent music, which is being written as we speak! The concerts are programmed by different musicians of different generations and very different priorities. To have a space in which the audience and musicians can explore this huge swath of music together is something I’ve always dreamed of, and now we have it.” SoundBox launched in December 2014, and both of its first two seasons witnessed ten sold-out shows and overwhelming critical acclaim.
    [Show full text]
  • SOUNDBOX PERFORMANCES CONTINUE March 6-7 | April 9-10
    Contact: Amelia Kusar, Senior Publicist San Francisco Symphony (415) 503-5425 [email protected] UPDATED 2/24/2015 High resolution photos of SoundBox are available for download from the SoundBox online press kit. SOUNDBOX PERFORMANCES CONTINUE March 6-7 | April 9-10 9pm | Doors 8pm General Admission | Limited Seating 300 Franklin Street at Hayes in San Francisco $25 tickets | SFSoundBox.com SoundBox, the San Francisco Symphony’s new experimental performance venue and late-night live music series taking place backstage at Davies Symphony Hall in Hayes Valley, continues in 2015 with pairs of concerts on March 6-7 and April 9-10. SoundBox welcomes culturally-adventurous listeners to evenings of eclectic musical exploration and discovery, all in a nightclub-like setting. Listeners are invited to experience live music in an intimate and casual environment while enjoying hand-crafted cocktails and gourmet snacks from the in-house bar, with a ticket price of just $25. “SoundBox is a new and experimental space for all kinds of music,” SFS Music Director Michael Tilson Thomas explains. “Part of the experience of being in this space will be to hear music of many different musical eras, from the earliest Gregorian chants, going back to the ninth century, to the most recent music, which is being written as we speak! The concerts will be programmed by different musicians of different generations and very different priorities. To have a space in which the audience and musicians can explore this huge swath of music together is something I’ve always dreamed of, and now we have it.” The remaining SoundBox concerts in March and April include a range of repertoire from traditional classical works, to avant-garde pieces and world premieres, and everything in between.
    [Show full text]
  • For Immediate Release / March 1, 2021 San Francisco
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 1, 2021 SAN FRANCISCO SYMPHONY PARTNERS WITH POST:BALLET TO PRESENT PLAYING CHANGES, AVAILABLE FREE BEGINNING MARCH 4 ON SFSYMPHONY+ San Francisco contemporary dance company Post:ballet and San Francisco Symphony violinist Helen Kim bring to life seven interdisciplinary works for solo violin and dance Performance features music by Samuel Adams, Philip Glass, Daniel Bernard Roumain, and LJ White; and world premieres of new works by Ambrose Akinmusire, Mary Kouyoumdjian, and Elizabeth Ogonek SAN FRANCISCO, CA—The San Francisco Symphony and Bay Area contemporary dance company Post:ballet partner to present Playing Changes, an intimate performance of seven works for solo violin and dance. SF Symphony Associate Principal Second Violin Helen Kim performs each piece alongside accompanying choreography created and performed by Post:ballet Artistic Director Robert Dekkers and Post:ballet dance artists. Playing Changes will be available for free streaming beginning March 4, 2021 on SFSymphony+ via sfsymphonyplus.org. Filmed at West Oakland’s historic 16th Street Station by cinematographer and editor Ben Tarquin, Playing Changes features seven pieces for solo violin, three of which were commissioned for this project. Featured works include Samuel Adams’ Playing Changes from Violin Diptych; Philip Glass’ Knee Play 2 from Einstein on the Beach; the world premiere of Elizabeth Ogonek’s Cradle Dance; Daniel Bernard Roumain’s Filter; LJ White’s fly, into the light…; the world premiere of Mary Kouyoumdjian’s Water and Dust; and the world premiere of Ambrose Akinmusire’s kodo.
    [Show full text]
  • For Immediate Release / March 1, 2021 San Francisco Symphony Partners with Post:Ballet to Present Playing Changes, Available
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 1, 2021 SAN FRANCISCO SYMPHONY PARTNERS WITH POST:BALLET TO PRESENT PLAYING CHANGES, AVAILABLE FREE BEGINNING MARCH 4 ON SFSYMPHONY+ San Francisco contemporary dance company Post:ballet and San Francisco Symphony violinist Helen Kim bring to life seven interdisciplinary works for solo violin and dance Performance features music by Samuel Adams, Philip Glass, Daniel Bernard Roumain, and LJ White; and world premieres of new works by Ambrose Akinmusire, Mary Kouyoumdjian, and Elizabeth Ogonek SAN FRANCISCO, CA—The San Francisco Symphony and Bay Area contemporary dance company Post:ballet partner to present Playing Changes, an intimate performance of seven works for solo violin and dance. SF Symphony Associate Principal Second Violin Helen Kim performs each piece alongside accompanying choreography created and performed by Post:ballet Artistic Director Robert Dekkers and Post:ballet dance artists. Playing Changes will be available for free streaming beginning March 4, 2021 on SFSymphony+ via sfsymphonyplus.org. Filmed at West Oakland’s historic 16th Street Station by cinematographer and editor Ben Tarquin, Playing Changes features seven pieces for solo violin, three of which were commissioned for this project. Featured works include Samuel Adams’ Playing Changes from Violin Diptych; Philip Glass’ Knee Play 2 from Einstein on the Beach; the world premiere of Elizabeth Ogonek’s Cradle Dance; Daniel Bernard Roumain’s Filter; LJ White’s fly, into the light…; the world premiere of Mary Kouyoumdjian’s Water and Dust; and the world premiere of Ambrose Akinmusire’s kodo.
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2020 (October - December) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Ojai Music Festival and 2021 Music Director John Adams Announce Schedule for the 75Th Festival September 16 to 19, 2021
    Ojai Music Festival and 2021 Music Director John Adams Announce Schedule for the 75th Festival September 16 to 19, 2021 Music Director John Adams devises a wide-ranging composer-focused festival with Samuel Adams, Timo Andres, Laurie Anderson, Anthony Cheung, Donnacha Dennehy, inti figgis-vizueta, Arturo Fuentes, Dai Fujikura, Rhiannon Giddens, Philip Glass, Alejandra Hernández, Mario Lavista, Ingram Marshall, Dylan Mattingly, Brad Mehldau, Jessie Montgomery, Nico Muhly, Gabriela Ortiz, Manuel Rocha, Kaija Saariaho, Esa-Pekka Salonen, Caroline Shaw, Carlos Simon, Gabriella Smith, and Paul Wiancko, alongside works by Bach, Debussy, Mozart, Rameau, and Stravinsky Artists making their Ojai debuts include Rhiannon Giddens and Francesco Turrisi, pianist Víkingur Ólafsson, Attacca Quartet, violinist Miranda Cuckson, Chumash Elder and storyteller Julie Tumamait, and recorder player Anna Margules; Ojai welcomes the return of pianist/composer Timo Andres, the LA Phil New Music Group, and the Los Angeles Chamber Orchestra (LACO) 2021 Program features the World Premieres of Sunt Lacrimae Rerum (these are the tears of things) by Dylan Mattingly and the revised version of Gabriela Ortiz’s La Calaca, along with the West Coast Premiere of Samuel Adams’ Chamber Concerto and the first concert performance of Esa-Pekka Salonen’s Objets Trouvés The Festival will offer a free family concert for the community by Festival artists Julie Tumamait and Anna Margules in conjunction with its BRAVO education program “The Ojai Music Festival has always done things differently with its special mix of casual manner and provocative programming. Ever since its inception in the days of Stravinsky and Copland it has stood out among music festivals for its celebration of the new.
    [Show full text]
  • FOR IMMEDIATE RELEASE DATE October 22, 2016 Contact: Ed Yim, Music Accord [email protected]
    FOR IMMEDIATE RELEASE DATE October 22, 2016 Contact: Ed Yim, Music Accord [email protected] MUSIC ACCORD ANNOUNCES TWO NEW COMMISSIONS FOR THE 2016-2017 SEASON Samuel Carl Adams’ Impromptus for pianist Emanuel Ax Joseph Hallman’s short stories for Anthony McGill, clarinet; Alisa Weilerstein, cello; and Inon Barnatan, piano Music Accord, the national consortium of performing arts presenters, is pleased to announce the addition of two new works to its distinguished body of commissions for chamber ensembles and soloists. Commissioned for a trio of dynamic American musicians, Joseph Hallman’s short stories for clarinet, cello and piano will be premiered on January 18, 2017 at Princeton’s MacArthur Theater followed by a tour including Music Accord partners the Kennedy Center, the Center for the Performing Arts at Penn State, the Chamber Music Society of Lincoln Center, the Krannert Center for the Performing Arts, and the University Musical Society. Samuel Carl Adams’ solo piano work Impromptus will be premiered during Emanuel Ax’s European recital tour before a United States Premiere on December 6, 2016 at Music Accord partner Hancher Auditorium at the University of Iowa. These two new works mark the 31st and 32nd commissions in Music Accord’s nearly 20 year history. About Music Accord Comprised of top classical music presenting organizations throughout the United States, Music Accord is a consortium that commissions new works in the chamber music, instrumental recital and song genres. The Consortium's goal is to create a significant number of new works and to ensure presentation of these works in venues throughout this country and, if the occasion arises, internationally.
    [Show full text]
  • Celebrating Their 20Th Season Together Michael Tilson Thomas & the San Francisco Symphony Perform Nine Concerts in Seven U.S
    Contacts: Public Relations National Press Representation San Francisco Symphony Shuman Associates (415) 503-5474 (212) 315-1300 [email protected] [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / October 14, 2014 (High resolution images of Michael Tilson Thomas, and Gil Shaham, and Samuel Adams are available for download from the San Francisco Symphony’s Online Photo Library) CELEBRATING THEIR 20TH SEASON TOGETHER MICHAEL TILSON THOMAS & THE SAN FRANCISCO SYMPHONY PERFORM NINE CONCERTS IN SEVEN U.S. CITIES ON NOVEMBER 12-22 TOUR Concerts feature Mahler’s Symphony No. 7, Prokofiev’s Violin Concerto No. 2 and Mozart’s Violin Concerto No. 5 with Gil Shaham, Samuel Adams’s Drift and Providence with the composer performing on electronica, Ravel’s Daphnis et Chloé, and Liszt’s Mephisto Waltz No. 1 Tour follows release of MTT & SFS new recording, Masterpieces in Miniature, on November 11 SAN FRANCISCO, CA (October 14) – Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) perform nine concerts in seven U.S. cities from November 12-22 at Carnegie Hall in New York City, Boston, Miami, Cleveland, Kansas City, Ann Arbor, and Princeton. The concerts showcase repertoire by Mahler, Ravel, Liszt, and Prokofiev, along with Drift and Providence, a work co-commissioned by the SFS from Samuel Adams, who performs with the Orchestra on tour. MTT led the world premiere of Drift and Providence in 2012, and for his 20th season with the Orchestra, he has programmed works by American composers on nearly every single concert week of the San Francisco Symphony’s 2014-15 season.
    [Show full text]
  • Soundbox Concludes First Season With
    Contact: Amelia Kusar, Senior Publicist San Francisco Symphony (415) 503-5425 [email protected] UPDATED MARCH 13, 2015 High resolution photos of SoundBox are available for download from the SoundBox online press kit. SOUNDBOX CONCLUDES FIRST SEASON WITH “THEIR OWN DEVICES,” CURATED BY SAMUEL ADAMS THURSDAY & FRIDAY, APRIL 9-10 9pm | Doors 8pm General Admission | Limited Seating 300 Franklin Street at Hayes in San Francisco $25 tickets | SFSoundBox.com SoundBox, the San Francisco Symphony’s new experimental performance venue and late-night live music series taking place backstage at Davies Symphony Hall in Hayes Valley, concludes its first season with April 9-10 concerts led by guest curator and composer Samuel Adams. SoundBox welcomes culturally-adventurous listeners to evenings of eclectic musical exploration and discovery, all in a nightclub-like setting. Listeners are invited to experience live music in an intimate and casual environment while enjoying hand-crafted cocktails and gourmet snacks from the in-house bar, with a ticket price of just $25. “SoundBox is a new and experimental space for all kinds of music,” SFS Music Director Michael Tilson Thomas explains. “Part of the experience of being in this space will be to hear music of many different musical eras, from the earliest Gregorian chants, going back to the ninth century, to the most recent music, which is being written as we speak! The concerts will be programmed by different musicians of different generations and very different priorities. To have a space in which the audience and musicians can explore this huge swath of music together is something I’ve always dreamed of, and now we have it.” SoundBox concludes its first season on Thursday and Friday, April 9-10 with “Their Own Devices,” in which guest curator and composer Samuel Adams showcases his own work as well as that of other exciting young composers, while examining the ways in which digital culture and technology have shaped the way music is created and experienced.
    [Show full text]