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The First Amendment Implications of Convergence
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 9 Volume IX Number 2 Volume IX Book 2 Article 3 1999 Panel I: The First Amendment Implications of Convergence Andrew Jay Schwartzman Media Access Project Nicholas Jollymore Time Inc. Janine Jaquet New York University Jonathan Zittrain Berkman Center for Internet & Society; Harvard Law School Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Andrew Jay Schwartzman, Nicholas Jollymore, Janine Jaquet, and Jonathan Zittrain, Panel I: The First Amendment Implications of Convergence, 9 Fordham Intell. Prop. Media & Ent. L.J. 421 (1999). Available at: https://ir.lawnet.fordham.edu/iplj/vol9/iss2/3 This Transcript is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. PANEL I.TYP.DOC 9/29/2006 4:34 PM Panel I: The First Amendment Implications of Convergence Moderator: James Goodale* Panelists: Andrew Jay Schwartzman** Nicholas Jollymore*** Janine Jaquet**** Jonathan Zittrain***** MR. GOODALE: Well, I have to tell you—this is one of my more exciting moments, because I have taught a course on this very subject ever since I came to Fordham Law School. And no one could teach a more exciting course, because every year the technol- ogy changes, which means every year the law is subject to change. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 1/9/2019 Guster “Overexcited” The first single from Look Alive, in stores 1/18 Most Added early with over 25 stations on board immediately including: WFUV, WXRV, WNCS, WRNR, KJAC, WEHM, KVNA, WXCT, WTMD, KVNV, KTBG, WZEW, KYSL, WBJB, KMMS, KNBA, KMTN, WCNR... WXPN Free At Noon this week! CBS Saturay Morning coming up National tour kicks off the month and runs through April The Devil Makes Three “Paint My Face” The new single from Chains Are Broken, out now Early adds at KYSL, KRML and KSLU Catch them on tour now: 1/16 Saxapahaw NC, 1/17 Asheville NC, 1/18 Atlanta GA, 1/19 Knoxville TN, 1/20 Nashville TN, 1/23 Penscaola FL, 1/24 New Orleans LA, 1/25 Houston TX, 1/26 Austin TX, 1/27 Dallas TX, 1/30 St. Louis MO, 1/31 Madison WI... Joe Jackson “Friend Better” The first radio single from Fool, in stores January 18 New: WFPK, KPND, WCBE, WMWV, KNBA, WBZS, WZLO, WYCE... Early: WXPN, WFUV, KCSN, WEHM, KTBG, KVNA, KVNV, WAPS, WYEP, WDST, WBJB, KYSL, WNRN, WFIV, KROK, WKZE, KUMT, KBAC, WVOD and more 2019 marks 40 years since the release of the Look Sharp album 40 Years Of Music tour dates kick off in February Citizen Cope “Justice” The first single from Heroin and Helicopters, in stores March 1 Mediabase 50*, BDS Monitored Debut 37*, Indicator Debut 25*, FMQB Public Debut 44*! Tour kicks off March 1 First week: WPYA, KTHX, KVNA, KTBG, WCNR, WEXT, WMWV, KCLC, KNBA, KHUM, XM Loft.. -
Family Guy: TV’S Most Shocking Show Chapter Three 39 Macfarlane Steps in Front of the Camera
CONTENTS Introduction 6 Humor on the Edge Chapter One 10 Born to Cartoon Chapter Two 24 Family Guy: TV’s Most Shocking Show Chapter Three 39 MacFarlane Steps in Front of the Camera Chapter Four 52 Expanding His Fan Base Source Notes 66 Important Events in the Life of Seth MacFarlane 71 For Further Research 73 Index 75 Picture Credits 79 About the Author 80 MacFarlane_FamilyGuy_CCC_v4.indd 5 4/1/15 8:12 AM CHAPTER TWO Family Guy: TV’s Most Shocking Show eth MacFarlane spent months drawing images for the pilot at his Skitchen table, fi nally producing an eight-minute version of Fam- ily Guy for network broadcast. After seeing the brief pilot, Fox ex- ecutives green-lighted the series. Says Sandy Grushow, president of 20th Century Fox Television, “Th at the network ordered a series off of eight minutes of fi lm is just testimony to how powerful those eight minutes were. Th ere are very few people in their early 20’s who have ever created a television series.”20 Family Guy made its debut on network television on January 31, 1999—right after Fox’s telecast of the Super Bowl. Th e show import- ed the Life of Larry and Larry & Steve dynamic of a bumbling dog owner and his pet (renamed Peter Griffi n and Brian, respectively) and expanded the supporting family to include wife, Lois; older sis- ter, Meg; middle child, Chris; and baby, Stewie. Th e audience for the Family Guy debut was recorded at 22 million. Given the size of the audience, Fox believed MacFarlane had produced a hit and off ered him $1 million a year to continue production. -
The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine. -
Family and Satire in Family Guy
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-06-01 Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Ryan, Reilly Judd, "Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy" (2015). Theses and Dissertations. 5583. https://scholarsarchive.byu.edu/etd/5583 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl Larsen, Chair Sharon Swenson Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University June 2015 Copyright © 2015 Reilly Judd Ryan All Rights Reserved ABSTRACT Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Department of Theatre and Media Arts, BYU Master of Arts This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others. -
Eric Church to Bring “The Outsiders World Tour” to Kfc Yum! Center
ERIC CHURCH TO BRING “THE OUTSIDERS WORLD TOUR” TO KFC YUM! CENTER Contact: Sandra Kendall Deanna Southerling Marketing Director Marketing /Social Media Specialist (502) 991-1546 (502) 690-9014 Louisville, KY (April 9, 2014) – Eric Church’s “The Outsiders World Tour” will launch in North America on September 11, 2014 with 31 arena dates being announced today, including a stop at the KFC Yum! Center on September 25. Ticket pricing and availability will be made available on EricChurch.com in the coming days. Members of the Church Choir will have access to a pre-sale starting on April 15. Church selected Dwight Yoakam as the special guest for the entire tour. Opening the tour on different dates throughout the first leg will be rising country music duo Brothers Osborne (performing at the Louisville show), critically acclaimed singer/songwriter Brandy Clark, or the hard rocking band Halestorm. Hailed as a top entertainer by The New York Times, Rolling Stone, SPIN Magazine, and more, Church will bring his rip-roaring attitude when he performs at venues such as Madison Square Garden, Quicken Loans Arena in Cleveland, Wells Fargo Center in Philadelphia, the Sprint Center in Kansas City, the Arena at Gwinnett Center in Atlanta, Thompson-Boling Arena in Knoxville, and FedExForum in Memphis, among others. Church will also return to the Greensboro Coliseum in Greensboro, N.C. where he sold more than 15,000 tickets in 2012 as part of his headlining arena tour, The Blood, Sweat & Beers Tour—which Pollstar named a Top Tour of 2012. While The Blood, Sweat & Beers Tour employed a succession of backdrops as the focus of the show, Church's The Outsiders World Tour will use a much more high tech design and will offer fans a 360° view of the entertainer and his band. -
LOUDON WAINWRIGHT III Haven’T Got the Blues (Yet) (429 Records)
MUSIC / NEW MUSIC By STEPHEN HOLDEN Published: September 8, 2014 LOUDON WAINWRIGHT III Haven’t Got the Blues (Yet) (429 Records) From an enfant terrible, once hailed as a new Bob Dylan, to a wary but not too grumpy older man, Loudon Wainwright III, now 68, has stayed the course for well over four decades, charting his life and times with pungent light verses and biting turns of phrase. As a folk singer-songwriter, he has proved that a sharp sense of humor can make for verses more durable than earnest self-examination. You can’t whine about the aging process but you can confront it and soften it with laughter. And on the best songs in “Haven’t Got the Blues (Yet),” his 23rd studio album, he faces impending decrepitude with a smile on his face, buoyed by Zoloft. “Brand New Dance,” which opens the album, is a frantic rockabilly swinger in which he announces a new dance craze “sweeping the land,” where “First you get out of bed, then you attempt to stand.” There’s a silver lining. “But that senior discount that’s my kind of treat/Cause when I get on the bus, you got to gimme a seat.” As the song continues, the point of view widens to embrace an older person’s cynicism on Election Day: “One of them fools is bound to win/But it’s the same old same old all over again.” Mr. Wainwright’s music hasn’t changed significantly. It varies from good-timey folk to spare folk-blues. If his voice has thinned a bit, he still conveys the jovial intimacy of a born storyteller whose public self- mockery exorcises demons. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI' Bell & Howell Information and teaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 A GENERIC ANALYSIS OF THE RHETORIC OF HUMOROUS INCIVILITY IN POPULAR CULTURE DISSERTATION Presented in Partial FuljBUment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Laura K. -
'I Will Survive': Musical Mappings of Queer Social Space in a Disco Anthem Author(S): Nadine Hubbs Source: Popular Music, Vol
'I Will Survive': Musical Mappings of Queer Social Space in a Disco Anthem Author(s): Nadine Hubbs Source: Popular Music, Vol. 26, No. 2 (May, 2007), pp. 231-244 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/4500315 Accessed: 13-11-2017 03:14 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Popular Music This content downloaded from 199.79.168.81 on Mon, 13 Nov 2017 03:14:55 UTC All use subject to http://about.jstor.org/terms Popular Music (2007) Volume 26/2. Copyright ? 2007 Cambridge University Press, pp. 231-244 doi:10.1017/S0261143007001250 Printed in the United Kingdom 'I Will Survive': musical mappings of queer social space in a disco anthem NADINE HUBBS U-M Women's Studies Program, 2229 Lane Hall, 204 S. State St, Ann Arbor, MI 48109-1290, USA E-mail: [email protected] Abstract This essay reconsiders the constituencies of fans and detractors present at prime and bursting 1970s dicsos. It argues for a more gender-inclusive conception of discos multiracial 'gay' revellers and for a particular convoluted conception of 'homophobia' as this applies to the Middle-American youths who raged against disco in midsummer 1979. -
Tommi Avicolli Mecca Collection Coll.25 John Anderies
Tommi Avicolli Mecca collection Coll.25 John Anderies. Last updated on March 08, 2019. John J. Wilcox, Jr. LGBT Archives, William Way LGBT Community Center Tommi Avicolli Mecca collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 7 Related Materials........................................................................................................................................... 8 Controlled Access Headings..........................................................................................................................9 Collection Inventory.................................................................................................................................... 11 Collection documentation...................................................................................................................... 11 Subject files............................................................................................................................................11 -
SPEAKERS Director, Marketing and University
4 5 TATE BERKAN industrial risk management/occupational safety and health from Eastern Kentucky SPEAKERS Director, Marketing and University. Client Services | Travelers Laboratory Tate Berkan is a certified industrial hygien- ALLISON ist with 30 years of experience in chemical BRESLOFF exposures, IH sampling, and analytical Corporate Environmental, methodology. Prior to her 25 years at Trav- Health and Safety Manager elers, Berkan was a senior occupational JOHN ABLE BRENDA Pitney Bowes Inc. safety and health engineer at UTC and an Occupational Safety BERGERON OSHA inspector. Her current responsibili- As the corporate EHS manager for Pitney Bowes based in Shelton, Allison J. Bresloff Training Specialist | CONN- Principal Attorney | DEMHS ties are varied and include client training has wide-ranging experience within OSHA @CTDEMHS and marketing. multiple industries, including aerospace, John Able has been in the safety and en- As the principal attorney for the Con- Berkan has a bachelor’s degree in biology consumer packaged goods, solid waste vironmental consulting field for 30 years. necticut Department of Emergency from New Mexico State University and a management, and mailing/service opera- He has been a certified safety professional Services and Public Protection, Division of master’s degree in industrial hygiene from tions. since 2002, and occupational safety train- Emergency Management and Homeland the University of Central Missouri. ing specialist with the state of Connecticut Security, Brenda M. Bergeron serves as Her competencies -
Dawson's Creek", Intertextuality, and Legitimation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2012 The Rise and Fall of the WB: "Dawson's Creek", Intertextuality, and Legitimation Ambert R. J. P. Hodge College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Mass Communication Commons Recommended Citation Hodge, Ambert R. J. P., "The Rise and Fall of the WB: "Dawson's Creek", Intertextuality, and Legitimation" (2012). Dissertations, Theses, and Masters Projects. Paper 1539626676. https://dx.doi.org/doi:10.21220/s2-00v5-f567 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Rise and Fall of the WB:Dawson’s Creek, Intertextuality, and Legitimation Amber R. J. P. Hodge Honolulu, Hawaii Bachelor of Arts, The College of William and Mary, 2005 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary May 2012 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Am Approved b W j mmi JArthur Knight, Ph.D. The College of William and Mary Colleen Kennedy, Ph.D. The College of William and Mary ABSTRACT PAGE Americans have always been divided generationally, from the Lost Generation and the Greatest Generation to the Baby Boomers and Generation X.