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Analyzing Stealth Games with Distractions
Proceedings, The Twelfth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (AIIDE-16) Analyzing Stealth Games with Distractions Alexander Borodovski and Clark Verbrugge School of Computer Science McGill University Montreal,´ Quebec,´ Canada [email protected], [email protected] Abstract and when and where the guard was at that point. This re- duces the combinatorial explosion in state space to a man- The ability to distract opponents is a key mechanic in many ageable branching of game states, even if the branch points stealth games. Existing search-based approaches to stealth must still be detected dynamically. To make search in this analysis, however, focus entirely on solving the non-detection space efficient we then extend the main Rapidly Exploring problem, for which they rely on static, ahead-of-time models of guard movements that do not depend on player interaction. Random Tree (RRT) search algorithm, applying multiple op- In this work we extend and optimize an approach based on timizations that improve performance without overly stress- heuristic search of stealth games to model variation in guard ing the resource requirements beyond that of a basic non- paths as dynamically triggered by player actions. Our design detection search. Implementation of this design in Unity3D is expressive, accommodating different distraction designs, shows feasibility, and we demonstrate that we can solve including remote activation and time delays. Using a Unity3D both relatively simple distraction puzzles typical of modern implementation, we show our enhanced search can solve dis- games, and much more complex designs involving compo- traction puzzles found in real games, as well as more com- sition of multiple distractions. -
Measuring Risk in Stealth Games
Measuring Risk in Stealth Games Jonathan Tremblay Pedro Andrade Torres Clark Verbrugge School of Computer Science Ciência da Computação School of Computer Science McGill University, Montréal Universidade Salvador, McGill University, Montréal Québec, Canada Salvador Québec, Canada [email protected] Bahia, Brasil [email protected] [email protected] ABSTRACT paths through a stealth scenario [18]. This gives design- Level design for stealth games requires the ability to explore ers the ability to dynamically evaluate the relative existence and understand the possible paths players may take through of a stealthy path solution. Qualitative evaluation of level a given scenario and how they are impacted by different de- difficulty or game complexity, though, depends strongly on sign choices. Good tool support can help by demonstrating how players perceive possible solutions|during immersive the existence of such paths, but for rapid, interactive design, gameplay, players will view different stealthy path choices the relative difficulty of possible solutions also needs to be as more or less likely to result in exposure and thus more quantified, in a way that correlates well with human per- or less dangerous or difficult. Design of a stealth metric ception of risk. Here we propose and evaluate three differ- that quantifies this perception is thus an important aspect ent metrics for defining and quantifying the risk of stealthy of stealth level design as such definition is non-existent in paths. We validate and compare these measures through the literature. A reliable measure of stealth difficulty would a small human study, showing that a simple path-distance enable possible stealth paths to be algorithmically analyzed measure correlates best with human judgement. -
The Bluffers Guide to Golf : Bluff Your Way in Golf Pdf, Epub, Ebook
THE BLUFFERS GUIDE TO GOLF : BLUFF YOUR WAY IN GOLF PDF, EPUB, EBOOK Peter Gammond | 64 pages | 01 Oct 2005 | OVAL BOOKS | 9781903096505 | English | London, United Kingdom The Bluffers Guide to Golf : Bluff Your Way in Golf PDF Book The hosel is the main offender. Search for Panzer Dragoon Orta on eBay. Swingin' Ape's badly timed release at the end of last year sold so poorly that we can't even track down its sales figures as they were outside the Top Full Price Xbox games for the year. This gives you the opportunity to figure out if people are bluffing and call them out. He may be running a country in crisis but Boris Johnson still makes time for daddy duties: Prime Minister is Living in the lap of luxury! Little yellow bicycles mark the route up Cragg Vale, a five-mile slog out of Mytholmroyd; in Masham, locals knitted 20, miniature jerseys and strung them up as bunting, only for them to be taken down by council killjoys citing "health and safety fears". A little derivative, yes, but polished to a sheen and well worth inspecting. Why are they willing to sacrifice their own ambitions? Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. They lift their bits up and over their bib shorts and let rip at the side of the road. Bluffer's Guide To Veganism Search for RalliSport Challenge on eBay. Current sales estimates suggest that less than two out of every hundred Xbox owners went out and bought this, but not many people want to sell it. -
Master Thesis Project Artificial Intelligence Adaptation in Video
Master Thesis Project Artificial Intelligence Adaptation in Video Games Author: Anastasiia Zhadan Supervisor: Aris Alissandrakis Examiner: Welf Löwe Reader: Narges Khakpour Semester: VT 2018 Course Code: 4DV50E Subject: Computer Science Abstract One of the most important features of a (computer) game that makes it mem- orable is an ability to bring a sense of engagement. This can be achieved in numerous ways, but the most major part is a challenge, often provided by in-game enemies and their ability to adapt towards the human player. How- ever, adaptability is not very common in games. Throughout this thesis work, aspects of the game control systems that can be improved in order to be adapt- able were studied. Based on the results gained from the study of the literature related to artificial intelligence in games, a classification of games was de- veloped for grouping the games by the complexity of the control systems and their ability to adapt different aspects of enemies behavior including individual and group behavior. It appeared that only 33% of the games can not be con- sidered adaptable. This classification was then used to analyze the popularity of games regarding their challenge complexity. Analysis revealed that simple, familiar behavior is more welcomed by players. However, highly adaptable games have got competitively high scores and excellent reviews from game critics and reviewers, proving that adaptability in games deserves further re- search. Keywords: artificial intelligence in games, adaptability in games, non-player character adaptation, challenge Preface Computer games have become an interest for me not so long ago, but since then they have turned almost into a true passion. -
Examining the Building Blocks of Stealth Centric Design
Examining the Essentials of Stealth Game Design Youssef Khatib Game Design Bachelor Thesis, 15hp Game Design and Graphics, spring semester, 2013 Supervisors: Ernest Adams, Hedda Gunneng Examiner: Steven Bachelder Abstract Through looking into the inner workings of stealth centric games, this paper aims to find out the essential components of this type of videogames. Examining the history of such games and the design principles of stealth centric games in relation to the participating player this paper will methodically examine games in the light of the arguments of industry professionals. After that a framework is extracted, identifying the principal core components of stealth centric game design. Table of contents 1. Introduction ............................................................................................................................. 1 1.1 Purpose ............................................................................................................................. 2 1.2 Question ........................................................................................................................... 2 1.3 Scope of work................................................................................................................... 2 2. Background .............................................................................................................................. 3 2.1 Avatar Means ................................................................................................................... 4 -
Signature Redacted Department of Comparative Media Studies May 24Th, 2019
Roguelife: Digital Death in Videogames and Its Design Consequences By James Bowie Wilson B.A. Interactive Entertainment, University of Southern California, 2015 B.A. Sociology, University of Southern California, 2015 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2019 © 2019 James Bowie Wilson. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium nowknown or hereafter created. Signature of Author: Signature redacted Department of Comparative Media Studies May 24th, 2019 Certifiedby: Signature redacted D. Fox Harrell Professor of Digital Media and Artificial Intelligence Comparative Media Studies Program & Computer Science and Artificial Intelligence Laboratory (CSAIL) Thesis Advisor Signature redacted Certified by: Nick Montfort Professor of Comparative Media Studies _atureredd ittee Accepted by: Sig nature redacted MASSACHUSETTS INSTITUTE Vivek Bald OF TECHN01.0- 01 Professor of Comparative Media Studies Director of Graduate Studies JUN 11:2019 C) LIBRARIES I 77 Massachusetts Avenue Cambridge, MA 02139 MITLibraries http://Iibraries.mit.edu/ask DISCLAIMER NOTICE This thesis was submitted to the Institute Archives and Special Collections without an abstract. Table of Contents Chapter One: Introduction p5-10 A. Overview p5 B. Motivation p6 C. Contributions p9 II. Chapter Two: Theoretical Framework p 1 1-26 A. Methodology p11 1. Game Studies p12 a) Defining Games p12 b) Defining Genres p16 B. Methods p18 1. Game Design p18 a) Iterative Design and Playtesting p18 b) Paper Prototyping and Software Prototyping p22 2. -
Procedural Content Generation for Computer Games
Procedural Content Generation for Computer Games Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Yinxuan Shi, B.S. Graduate Program in Computer Science and Engineering The Ohio State University 2016 Dissertation Committee: Dr. Roger Crawfis, Advisor Dr. Yusu Wang Dr. Eric Fosler-Lussier Dr. Neelam Soundarajan Copyrighted by Yinxuan Shi 2016 Abstract Procedural Content Generation (PCG) is no new concept for the gaming industry. From early games like Rogue (1980) and The Sentinel (1986) to more recent games like Diablo III (2012) and Path of Exile (2013), PCG is heavily used in dungeons, quests, mini bosses and even storyline creation. The advantages PCG offers is not just limited to empowering game designers with fast content prototype/creation, but can also provide in-game adaptation to player’s response and small memory footprint. While there is much research on PCG, few results contribute to the evaluation: Does the generated content makes the game more interesting/fun? To answer this question, we examine two applications of PCG. One is level creation and another is visual content creation such as crowds. For level creation, the existing techniques mainly focus on map/terrain generation. In games where the player either avoids or engages in combat against hostile targets, the player’s experience involves other aspects such as enemy and resource placement and navigation. The problem of creating a fun level can be formulated into searching for a good combination of these aspects. This leads to two problems: 1. -
Playing Computer Games Int
DARC — Digital Aesthetics Research Center www.digital-aestetik.dk Playing Computer Games: Somatic Experience and Experience of the Somatic Copyright © 2012 Henrik Smed Nielsen Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License". www. gnu.org/licenses Layout, illustration and cover design: Ida Knudsen Publisher: Digital Aesthetics Research Center A copy of the book can be found at www.digital-aestetik.dk ISBN 978-87-91810-21-3 EAN 9788791810213 Table of Contents Preface 10 Introduction Addressing Lived Experience 13 Forgetting the Soma 17 A Disembodied Discipline? 17 Thinking Too Much About Rules ... 19 An Aesthetics of Mind 20 The Physical Corpus 22 The Living, Feeling, Sentient, Purposive Body 25 The Moving Body 26 The Technological Body 26 The Fictional Body 27 Between Somatic Experience and Experience of the Somatic 28 Defining Computer Games: A Human–Machine Relationship 31 The Automatic and the Proto-interactive 33 The Somatic Dimension of Human–Machine Relationship 35 An Overview of the Dissertation 38 Chapter 1 A (Post-)Phenomenological Foundation 43 The Phenomenological Movement 44 A Return to ‘Essence’? 47 The Phenomenological Reduction 49 The Intentional Soma 52 A Phenomenology of Computer Games? 56 The Patron Saint -
The Effect of Visualising NPC Pathfinding on Player Exploration
The Eect of Visualising NPC Pathfinding on Player Exploration Madeleine Kay Edward J. Powley Games Academy Games Academy Falmouth University Falmouth University United Kingdom United Kingdom [email protected] [email protected] ABSTRACT spent in a level and what percentage of the level they explored. Foregrounding AI behaviour through visualisation is an under- Analysis of this data found a number of cases where the dierent explored but potentially powerful technique for inuencing player pathnding methods and visualisations aected the percent of the behaviour, particularly in terms of sparking the player’s curiosity level explored and the number of player deaths but no cases where and encouraging them to spend more time exploring the game envi- the time spent in the level was aected to a statistically signicant ronment. is paper looks at visualising various methods of enemy level. ese are analysed in more detail in Section 5. NPC pathnding in a 3D Metroidvania game. We demonstrate a As Section 2 shows, previous papers explore visualising and number of cases where player exploration and player deaths are foregrounding AI and pathnding. However, there is lile on using aected by either a change in pathnding method or by visualising this in digital games beyond game design. e potential impact the pathnding process. is suggests that the choice of pathnd- of the results of this study could be in game design as the use of ing algorithm and the option for this to aect the visuals of the dierent pathnding techniques here have an eect on how play- game are useful considerations for game designers. -
Digra Conference Publication Format
(Re)Mark(s) of the Ninja: Replaying the Remnants Pierre-Marc Côté University of Montreal, Department of Art History and Film Studies 3200 Jean-Brillant, Montreal (Quebec, Canada), H3T 1N8 [email protected] ABSTRACT The author makes an appraisal of the videogame Mark of the Ninja (Klei 2012) through the analysis of its construction of temporality. Appropriating the framework of litterature scholar Éric Méchoulan, time is described as the anachronistic folding of the past upon the present. The theme of time and memory in the game is paralleled with Méchoulan’s media-archeological approach to western metaphysics, insisting on the material processes and ethics of thought, mediation and transmission. As the game applies such treatment of the mythical past of the fictional world, it is also aesthetically molding the experience of gameplay through marks as objects for an archeology of gamespace. It leads to critical approaches to cultural legitimacy and violence that nonetheless leaves the pleasures of narrative and play intact. Finally, the author uses David Bohm’s concept of suspension, showing how the articulation of contemplation and gameplay performances makes time for critical play. Keywords Temporality, Intertextuality, Violence, Reflexivity, Interface The nostalgia felt for video games is not nostalgia for a state before the trauma of the games disrupted us, but a desire to recapture that mind-altering experience of being in a game for the first time. It is a yearning for liminality itself – for the moment of transition - Sean Fenty, Playing the Past INTRODUCTION: SNEAKING THROUGH THE GIFT SHOP As Felan Parker convincingly demonstrated in his study of the rise of Jason Rohrer’s game Passage (2007) to art-house status, cultural and artistic legitimation “are not benign, natural processes” (2013, p.56). -
From the Action-Packed Film to the Stealth Strategy: a Controlled Revolt Against the Tradition of the Western in Desperados III
#0# Rocznik Komparatystyczny – Comparative Yearbook 11 (2020) DOI: 10.18276/rk.2020.11-13 Dagmara Kottke Katolicki Uniwersytet Lubelski Jana Pawła II, Lublin ORCID: 0000-0002-2160-5928 From the Action-Packed Film to the Stealth Strategy: A Controlled Revolt against the Tradition of the Western in Desperados III Desperados is a series of story-driven strategy games set in the Wild West. The origins of the series are traced back to 2001. The third entry – called by the producer Jonathan Riedler from THQ Nordic “not just a prequel, but… also a kind of reboot” to the series (Riedler) – was developed by the studio Mimimi Games in 2020. The game tells the story of six outlaws undertaking various tasks on the American frontier; blowing up a bridge and defending a ranch are just a few activities. Mimimi Games gained popularity due to their previous work: a stealth- based tactics Shadow Tactics: Blades of the Shogun (2016). In the title Japanese warriors use techniques of espionage and sabotage to assassinate opponents of the shogun. Despite a totally different setting and time, Desperados III bears a strong resemblance to Shadow Tactics; this covers the same mechanics, per- spective and – above all – genre. In Desperados III the formula of the western is adapted into the combination of a stealth and strategy. The aim of the article is to prove that in the process of this adaptation the western game breaks away with the conventions of the genre established by the classic literature and – above all – film. The analysis begins with the delineation of a history of the kind under discussion; then such elements of Desperados III as its gameplay, Dagmara Kottke temporality, perspective and environmental design are examined in the context of the transmedia relocation of the genre. -
A Game Genre Agnostic Framework for Game-Design
A Game Genre Agnostic Framework For Game-Design Jonathan Tremblay Clark Verbrugge School of Computer Science School of Computer Science McGill University McGill University Montreal,´ Quebec,´ Canada Montreal,´ Quebec,´ Canada [email protected] [email protected] Abstract—Designing games can involve long waiting periods RELATED WORK between design phases in order to get feedback from game testers This work incorporates game solvers and AI techniques into playing the game. In this work we propose a genre agnostic framework for design, using search techniques from artificial game design tools such as Unity 3D. Game solvers have a long intelligence to generate player traces. We evaluate our framework history of application in game analysis, and have clear appli- by presenting three very different games that are sent to the cation in allowing designers to explore various aspects of level tool and which give relevant design information. This approach design. Designers may ask a variety of fundamental questions greatly accelerates the design process. about their designs, such as whether and how something might INTRODUCTION be possible in the game [3]. The need for game-independent frameworks which can be reused for different games genres Designing video game is a complex, iterative process in- has also been recognized [4], and is the main concern we try volving a loop between game developers and testers. With the to address in this work. data produced by game testers, developers alter their design Our work can be seen in the context of several research in order to match a desired player-game interaction. The use efforts which aim at building design tools that incorporate of human testers requires significant time and effort, making AI techniques into the creation process for specific genres.