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Lexiconordica
LexicoNordica Forfatter: Hannu Tommola og Arto Mustajoki [Den förnyade rysk-finska storordboken] Anmeldt værk: Martti Kuusinen, Vera Ollikainen og Julia Syrjäläinen. 1997. Venäjä- suomi-suursanakirja (Bol ´šoj russko-finskij slovar´) yli 90.000 hakusanaa ja sanontaa. Porvoo/Helsinki/Juva: WSOY og Moskva: Russkij jazyk, 1997. Kilde: LexicoNordica 5, 1998, s. 239-260 URL: http://ojs.statsbiblioteket.dk/index.php/lexn/issue/archive © LexicoNordica og forfatterne Betingelser for brug af denne artikel Denne artikel er omfattet af ophavsretsloven, og der må citeres fra den. Følgende betingelser skal dog være opfyldt: Citatet skal være i overensstemmelse med „god skik“ Der må kun citeres „i det omfang, som betinges af formålet“ Ophavsmanden til teksten skal krediteres, og kilden skal angives, jf. ovenstående bibliografiske oplysninger. Søgbarhed Artiklerne i de ældre LexicoNordica (1-16) er skannet og OCR-behandlet. OCR står for ’optical character recognition’ og kan ved tegngenkendelse konvertere et billede til tekst. Dermed kan man søge i teksten. Imidlertid kan der opstå fejl i tegngenkendelsen, og når man søger på fx navne, skal man være forberedt på at søgningen ikke er 100 % pålidelig. 239 Hannu Tommola & Arto Mustajoki Den förnyade rysk-finska storordboken Martti Kuusinen, Vera Ollikainen, Julia Syrjäläinen: Venäjä-suomi- suursanakirja (Bol´soj russko-finskij slovar´) yli 90.000 hakusanaa ja sanontaa. Toim. M. Kuusinen. Porvoo, Helsinki, Juva: WSOY & Moskva: Russkij jazyk, 1997, XXXI + 1575 s. Pris: FIM 554. The dictionary reviewed in this article is a revised edition of a Russian-Finnish dictionary compiled by scholars in the former Soviet Karelia. The dictionary was first published in 1963 in Moscow, then reprinted twice by the Finnish publishing house WSOY. -
Widespread Crater-Related Pitted Materials on Mars: Further Evidence for the Role of Target Volatiles During the Impact Process ⇑ Livio L
Icarus 220 (2012) 348–368 Contents lists available at SciVerse ScienceDirect Icarus journal homepage: www.elsevier.com/locate/icarus Widespread crater-related pitted materials on Mars: Further evidence for the role of target volatiles during the impact process ⇑ Livio L. Tornabene a, , Gordon R. Osinski a, Alfred S. McEwen b, Joseph M. Boyce c, Veronica J. Bray b, Christy M. Caudill b, John A. Grant d, Christopher W. Hamilton e, Sarah Mattson b, Peter J. Mouginis-Mark c a University of Western Ontario, Centre for Planetary Science and Exploration, Earth Sciences, London, ON, Canada N6A 5B7 b University of Arizona, Lunar and Planetary Lab, Tucson, AZ 85721-0092, USA c University of Hawai’i, Hawai’i Institute of Geophysics and Planetology, Ma¯noa, HI 96822, USA d Smithsonian Institution, Center for Earth and Planetary Studies, Washington, DC 20013-7012, USA e NASA Goddard Space Flight Center, Greenbelt, MD 20771, USA article info abstract Article history: Recently acquired high-resolution images of martian impact craters provide further evidence for the Received 28 August 2011 interaction between subsurface volatiles and the impact cratering process. A densely pitted crater-related Revised 29 April 2012 unit has been identified in images of 204 craters from the Mars Reconnaissance Orbiter. This sample of Accepted 9 May 2012 craters are nearly equally distributed between the two hemispheres, spanning from 53°Sto62°N latitude. Available online 24 May 2012 They range in diameter from 1 to 150 km, and are found at elevations between À5.5 to +5.2 km relative to the martian datum. The pits are polygonal to quasi-circular depressions that often occur in dense clus- Keywords: ters and range in size from 10 m to as large as 3 km. -
Sa Abá, ¡Ay! ¡Chito! Ó ¡Chiton!. Sht...! ¡Chiton! ¡Silencio!
English_Spanish_Tagalog_Dictionary_Project_Gutenberg_cd3wd !Vaya! ¡que vergüenza!. Ayan! kahiyâhiyâ! ¡Ah! ¡ay!. Ah! abá! ahá! ¡Ay!. Sa abá, ¡ay! ¡Chito! ó ¡chiton!. Sht...! ¡Chiton! ¡silencio!. ¡Marahan! ¡Fuera! ¡fuera de aquí! ¡quita! ¡quita allá!. Sulong! tabì! lumayas ka! alis diyan! ¡He! ¡oye!. Hoy! pakinggan mo! ¡He!. Ehé. ¡Oh!. Abá! ¡Quita de ahí! ¡vete allá!. Tabì! sulong! ¡Vaya!. ¡Ayan! A bordo. Nakasakay sa sasakyán. A cada hora. Oras-oras. Á cada momento. Sa bawa't sangdalî. A Dios. Paalam, adyos. A Dios; despedida. Paalam. Á él mismo. Sa kanya ngâ, sa kanya man, sa kanya rin (lalake). Á eso, á ello. Diyan sa, doon sa. Á eso, á ello. Diyan sa, doon sa. A este ó esta, por eso. Dahil dito. A esto. Dito sa; hanggang dito. A esto. Dito sa, hanggang dito. Á horcajadas. Pahalang. A la mar, fuera del navio. Sa tubig. A la moda. Ayon sa ugalí, sunod sa moda. A la temperatura de la sangre. Kasing-init ng dugô. Á lo ancho. Sa kalwangan. Á lo cual. Dahil dito, sa dahilang ito. A lo largo. Sa gawî, sa hinabahabà. Á lo largo. Sa hinabahabà. Á lo que, á que. Na saan man. Á mas, ademas. Bukod sa rito, sakâ. A medio camino. Sa may kalagitnaan ng lakarín. Á menos que; si no. Maliban, kung dî. A pedacitos. Tadtad. Á pie. Lakád. A poca distancia, cercanamente. Malapítlapít, halos. Spanish_Tagalog Page 1 English_Spanish_Tagalog_Dictionary_Project_Gutenberg_cd3wd Á poco precio. May kamurahan. A popa, en popa. Sa gawíng likod, sa gawíng hulí. A popa. Sa gawíng likod. Á propósito. Bagay. A punto de, dispuesto á, en accion. Kauntî na, handâ na, hala. -
Durham Research Online
Durham Research Online Deposited in DRO: 02 June 2020 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Heap, Michael J. and Gilg, H. Albert and Byrne, Paul K. and Wadsworth, Fabian B. and Reuschl¡e,Thierry (2020) 'Petrophysical properties, mechanical behaviour, and failure modes of impact melt-bearing breccia (suevite) from the Ries impact crater (Germany).', Icarus., 349 . p. 113873. Further information on publisher's website: https://doi.org/10.1016/j.icarus.2020.113873 Publisher's copyright statement: c 2020 This manuscript version is made available under the CC-BY-NC-ND 4.0 license http://creativecommons.org/licenses/by-nc-nd/4.0/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Journal Pre-proof Petrophysical properties, mechanical behaviour, and failure modes of impact melt-bearing breccia (suevite) from the Ries impact crater (Germany) Michael J. -
June 2010 Issue
NEW YORK June 2010 | No. 98 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com HERBIE HANCOCKSEVEN DECADES OF IMAGINATION Mark Feldman • David S. Ware • Kadima Collective • Event Calendar NEW YORK Despite the burgeoning reputations of other cities, New York still remains the jazz capital of the world, if only for sheer volume. A night in NYC is a month, if not more, anywhere else - an astonishing amount of music packed in its 305 square miles (Manhattan only 34 of those!). This is normal for the city but this month, there’s even more, seams bursting with amazing concerts. New York@Night Summer is traditionally festival season but never in recent memory have 4 there been so many happening all at once. We welcome back impresario George Interview: Mark Feldman Wein (Megaphone) and his annual celebration after a year’s absence, now (and by Sean Fitzell hopefully for a long time to come) sponsored by CareFusion and featuring the 6 70th Birthday Celebration of Herbie Hancock (On The Cover). Then there’s the Artist Feature: David S. Ware always-compelling Vision Festival, its 15th edition expanded this year to 11 days 7 by Martin Longley at 7 venues, including the groups of saxophonist David S. Ware (Artist Profile), drummer Muhammad Ali (Encore) and roster members of Kadima Collective On The Cover: Herbie Hancock (Label Spotlight). And based on the success of the WinterJazz Fest, a warmer 9 by Andrey Henkin edition, eerily titled the Undead Jazz Festival, invades the West Village for two days with dozens of bands June. -
El Cerebro De Broca
El cerebro de Broca es un libro escrito por Carl Sagan formado por discursos o artículos publicados entre 1974 y 1979 en muchas revistas incluyendo Atlantic Monthly, New Republic, Physics Today, Playboy, y Scientific American. El ensayo que titula el libro lleva su nombre en honor del físico, anatomista y antropólogo francés, Paul Broca (1824-1880). Generalmente se recuerda a Broca por su descubrimiento de que distintas partes físicas del cerebro corresponden a distintas funciones. Una gran parte del libro está dedicada a desacreditar el trabajo de los «fabricantes de paradojas», como llama a los divulgadores de la pseudociencia, ya sea quienes se encuentran al borde de las disciplinas científicas o simplemente son rotundos charlatanes. Otra gran parte del libro discute los convencionalismos en la nomenclatura de los miembros de nuestro sistema solar, así como sus características físicas. Sagan también expone sus puntos de vista sobre la Ciencia Ficción, mencionando especialmente a Robert A. Heinlein, quien fue uno de sus escritores favoritos durante su infancia. Las experiencias cercanas a la muerte, y sus controversias culturales también son discutidas en el libro, así como la crítica de las teorías desarrolladas en el libro de Robert K. Temple The Sirius Mystery publicado tres años antes en 1975. Carl Sagan El cerebro de Broca ePub r1.3 Horus 05.08.16 Título original: Broca´s Brain Carl Sagan, 1974, 1975, 1976, 1977, 1978, 1979 Traducción: Doménech Bregada (Cap 1 al 7) y José Chabás (Cap 8 al 25) Diseño de portada: Horus Editor digital: Horus Colaborador: epubsagan (apéndices y tablas) Corrección de erratas: el nota, heutorez, Autillo ePub base r1.2 Para Rachel y Samuel Sagan, mis padres, que introdujeron en mí la alegría de la comprensión del mundo, con gratitud, admiración y amor AGRADECIMIENTOS EN CUANTO A DISCUSIÓN de puntos específicos abordados en el texto, estoy en deuda con un buen número de amigos, corresponsales y colegas, entre los que se incluyen Diane Ackerman, D.W.G. -
Final Nominations List the National Academy of Recording Arts & Sciences, Inc
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8. -
Constraints on Mechanisms for the Growth of Gully Alcoves in Gasa Crater, Mars, from Two-Dimensional Stability Assessments of Rock Slopes ⇑ Chris H
Icarus 211 (2011) 207–221 Contents lists available at ScienceDirect Icarus journal homepage: www.elsevier.com/locate/icarus Constraints on mechanisms for the growth of gully alcoves in Gasa crater, Mars, from two-dimensional stability assessments of rock slopes ⇑ Chris H. Okubo a, , Livio L. Tornabene b, Nina L. Lanza c a Astrogeology Science Center, U.S. Geological Survey, Flagstaff, AZ 86001, United States b Lunar and Planetary Laboratory, University of Arizona, Tucson, AZ 85721, United States c Institute of Meteoritics, University of New Mexico, Albuquerque, NM 87131, United States article info abstract Article history: The value of slope stability analyses for gaining insight into the geologic conditions that would facilitate Received 6 December 2009 the growth of gully alcoves on Mars is demonstrated in Gasa crater. Two-dimensional limit equilibrium Revised 29 September 2010 methods are used in conjunction with high-resolution topography derived from stereo High Resolution Accepted 30 September 2010 Imaging Science Experiment (HiRISE) imagery. These analyses reveal three conditions that may produce Available online 27 November 2010 observed alcove morphologies through slope failure: (1) a ca. >10 m thick surface layer that is either sat- urated with H2O ground ice or contains no groundwater/ice at all, above a zone of melting H2O ice or Keywords: groundwater and under dynamic loading (i.e., seismicity), (2) a 1–10 m thick surface layer that is satu- Mars, Surface rated with either melting H O ice or groundwater and under dynamic loading, or (3) a >100 m thick sur- Geological processes 2 Tectonics face layer that is saturated with either melting H2O ice or groundwater and under static loading. -
Songwriter Sam Barsh on Success in the Streaming
How It Really Works: Songwriter Sam Barsh On Success In The Streaming Age The multi-platinum music creator discusses the reality of making a living as a songwriting in the streaming age Sam Barsh (Intro by Nate Hertweck)AdvocacyApr 26, 2019 - 9:42 am What does it take to make a living as a songwriter in today's music industry? The answer may surprise you. Multi-platinum songwriter, producer and keyboardist Sam Barsh would know. His smash-hit credits include co-writer on Aloe Blacc's "The Man," writer and keyboardist on Kendrick Lamar's To Pimp A Buttery, contributions to albums by Anderson .Paak, BJ The Chicago Kid, Ledisi and many more. We sat down with Barsh to hear his perspective from the front lines of music creating as a living, and his insights are powerful. Below, Barsh shines a light on the reality of making a living as a songwriter in the streaming age and provides valuable advice to aspiring songwriters and a glimpse at why all music creators can nd optimism in the recently passed Music Modernization Act. As a major songwriter how has the streaming age affected your bottom line? The biggest change that streaming has brought to the songwriting business is the replacement of physical or download sales with streaming, and the corresponding difference in revenue. Physical sales continue to disappear while streaming is the way of the present and the future. The mechanical royalty payment for a physical or download sale of a song is $0.091 per sale, while the average streaming mechanical royalty payment is $0.00043 per stream. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
We Offer Thanks to the Artists Who've Played the Nighttown Stage
www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts. -
XV Congresso Nazionale Di Scienze Planetarie PRESIDENTE DEL CONGRESSO: Giovanni Pratesi
https://doi.org/10.3301/ABSGI.2019.01 Firenze, 4-8 Febbraio 2019 ABSTRACT BOOK a cura della Società Geologica Italiana XV Congresso Nazionale di Scienze Planetarie PRESIDENTE DEL CONGRESSO: Giovanni Pratesi. COMITATO SCIENTIFICO: Giovanni Pratesi, Emanuele Pace, Marco Benvenuti, John Brucato, Fabrizio Capaccioni, Sandro Conticelli, Aldo Dell’Oro, Carlo Alberto Garzonio, Daniele Gardiol, Monica Lazzarin, Alessandro Marconi, Lucia Mari- nangeli, Giuseppina Micela, Ettore Perozzi, Alessandro Rossi, Alessandra Rotundi. COMITATO ORGANIZZATORE: Cristian Carli, Mario Di Martino, Livia Giacomini, Vanni Moggi Cecchi, Emanuele Pace, Giovanni Pratesi, Giovanni Valsecchi. CURATORI DEL VOLUME Giovanni Pratesi, Fabrizio Capaccioni, Emanuele Pace, John Brucato, Marco Benvenuti, Sandro Conti- celli, Aldo Dell’Oro, Daniele Gardiol, Carlo Alberto Garzonio, Monica Lazzarin, Alessandro Marconi, Lucia Marinangeli, Giuseppina Micela, Ettore Perozzi, Alessandro Rossi, Alessandra Rotundi. Papers, data, figures, maps and any other material published are covered by the copyright own by the Società Geologica Italiana. DISCLAIMER: The Società Geologica Italiana, the Editors are not responsible for the ideas, opinions, and contents of the papers published; the authors of each paper are responsible for the ideas opinions and con- tents published. La Società Geologica Italiana, i curatori scientifici non sono responsabili delle opinioni espresse e delle affermazioni pubblicate negli articoli: l’autore/i è/sono il/i solo/i responsabile/i. ABSTRACT INDEX EDUCARE ALLA