SARA BONNE the New Project of Rotterdam Based Singer Saskia Groenenberg

Total Page：16

File Type：pdf, Size：1020Kb

SARA BONNE The new project of Rotterdam based singer Saskia Groenenberg. Her debut album is called Testimony will be released sept 2012. SARA BONNE is a lot of things at the same time; some days she feels like a walking contradiction! But somehow all these characteristics can exist in the same person and those days they go hand in hand. ROUGH SOUL/POP/BLUES / extrovert/exuberant/confronting/braving/classy/raw SINGER SONGWRITER/JAZZ /intimate/personal/intense/dynamic Stories of highs and lows in life and love. It has been said that it could taste like a shake made of Adele, Feist and Schradinova, but please listen for yourself ‘cause people say a lot of things;-) This album is a story, my story, written thruthfuly and bold, this is what happened, what I experienced , what I witnessed, , it is....my testimony. Sara Bonne performed her album on the stages of Paradiso, Rotown and many festivals and was featured on VPRO’s 3voor12 Hollandse Nieuwe. Her first single and videoclip “Amy’s song” was released with airplay and live performances on radio6 and radio2. Her second single will be released in march 2013. The album Testimony was released on september 23rd 2012 and has gotten great reviews in the Dutch press. Line up: Vocals: Saskia Groenenberg Bass: Erik Versluis Drums: Matthijs Zijlstra Guitar: Paul Davids Keys: Serge DuSault www.sarabonne.com facebook: Sara Bonne music Twitter:@sarabonnemusic ABOUT “TESTIMONY”: Testimony, is the word that best describes my first album. It is a story, my story, 12 stories about life and survival,the loss of love and finding it again, trying to be confident in this moment of time,in all your beauty and with all your flaws. Looking the beast in the eye and finding true beauty and sometimes just the beast staring back at you. .

Copy Link

Recommended publications

Regulation of Photosynthesis and Energy Dissipation Intriazine-Resistan T and Susceptible Chenopodiumalbum"
REGULATIONO FPHOTOSYNTHESI SAN DENERG YDISSIPATIO NI N TRIAZINE-RESISTANTAN DSUSCEPTIBL E CHENOPODIUMALBUM REGULATIE VAN FOTOSYNTHESE EN ENERGIEDISSIPATIE IN TRIAZINE-RESISTENTE ENGEVOELIG E CHENOPODIUMALBUM 0000 0750 6104 Promotor: dr.W.J .Vredenber g hoogleraari nd e plantenfysiologie metbijzonder e aandachtvoo rd efysisch e aspecten Co-promotor: dr.ir.J.J.S .va nRense n universitairhoofddocen t bijd evakgroe p Plantenfysiologie <? ~> _ \ /"i 1 o I ^ N70?1^ \ | VictorBa sCurwie l REGULATION OFPHOTOSYNTHESI S ANDENERG YDISSIPATIO NI N TRIAZINE-RESISTANT ANDSUSCEPTIBL E CHENOPODIUMALBUM Proefschrift terverkrijgin g vand egraa dva ndocto r opgeza gva nd erecto r magnificus vand eLandbouwuniversitei t Wageningen, dr.C.M . Karssen, inhe topenbaa rt everdedige n opdonderda g 26jun i 1997 desnamiddag st evie ruu ri nd eAula . G LU^-Al The work presented in this thesis was performed at the Wageningen Agricultural University, Department of Plant Physiology, The Graduate School of Experimental Sciences, Arboretumlaan 4,6703B DWageningen ,th eNetherlands . BIBLIOTHEEK LANDBOUWUNIVERSITEIT WAGENINGEN Coverdesign :Victo rB .Curwie lan dAlle xB . Haasdijk ISBN 90-5485-692-0 ,sJMo8^< , ^ZÖf Stellingen 1. Onderzoek bij Chenopodiumalbum naar het effect van abiotische stress op triazine- resistenteplante n heeft aangetoond, dat stresska n leidento t schaduwtype eigenschappen. Dit proefschrift. 2. Het verschil in de gevoeligheid van triazine-resistente en "wild-type" planten van Chenopodium albumvoo r fotoinhibitie komt het sterkst tot uiting bij hoge lichtintensiteit tijdens de opkweek. Dit proefschrift. 3. Van alle mechanismen, die Chenopodium album ter beschikking heeft om zich te beschermen tegen overdadig licht zijn die, welke leiden tot fotochemische (qP) en energie-gerelateerde (qE)dovin g vanchlorofy l afluorescentie, he t belangrijkste.
[Show full text]
The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship
[Show full text]
Tracts and Other Papers Relating Principally to the Origin, Settlement
Library of Congress Tracts and other papers relating principally to the origin, settlement, and progress of the colonies in North America from the discovery of the country to the year 1776. Collected by Peter Force. Vol. 3 TRACTS AND OTHER PAPERS, RELATING PRINCIPALLY TO THE ORIGIN, SETTLEMENT, AND PROGRESS OF THE COLONIES IN NORTH AMERICA, FROM THE DISCOVERY OF THE COUNTRY TO THE YEAR 1776. 2 219 17?? Oct13 COLLECTED BY PETER FORCE. Vol. III. WASHINGTON: PRINTED BY WM. Q. FORCE. 1844. No. 2 ? Entered according to Act of Congress, in the year 1844, By PETER FORCE, In the Clerk's Office of the District Court of the District of' Columbia. 7 '69 CONTENTS OF THE THIRD VOLUME. 3 390 ? 62 I. A Trve Declaration of the estate of the Colonie in Virginia, with a confutation of such scandalous reports as haue tended to the disgrace of so worthy an enterprise. Published Tracts and other papers relating principally to the origin, settlement, and progress of the colonies in North America from the discovery of the country to the year 1776. Collected by Peter Force. Vol. 3 http://www.loc.gov/resource/lhbcb.7018c Library of Congress by aduise and direction of the Councell of Virginia. London, printed for William Barret, and are to be sold at the blacke Beare in Pauls Church-yard. 1610.—[28 pages.] II. For the Colony in Virginea Britannia. Lavves Diuine, Morall and Martiall, &c. Alget qui non Ardet. Res nostrœ subinde non sunt, quales quis optaret, sed quales esse possunt. Printed at London for Walter Burre.
[Show full text]
Leon Battista Alberti
THE HARVARD UNIVERSITY CENTER FOR ITALIAN RENAISSANCE STUDIES VILLA I TATTI Via di Vincigliata 26, 50135 Florence, Italy VOLUME 25 E-mail: [email protected] / Web: http://www.itatti.ita a a Tel: +39 055 603 251 / Fax: +39 055 603 383 AUTUMN 2005 From Joseph Connors: Letter from Florence From Katharine Park: he verve of every new Fellow who he last time I spent a full semester at walked into my office in September, I Tatti was in the spring of 2001. It T This year we have two T the abundant vendemmia, the large was as a Visiting Professor, and my Letters from Florence. number of families and children: all these husband Martin Brody and I spent a Director Joseph Connors was on were good omens. And indeed it has been splendid six months in the Villa Papiniana sabbatical for the second semester a year of extraordinary sparkle. The bonds composing a piano trio (in his case) and during which time Katharine Park, among Fellows were reinforced at the finishing up the research on a book on Zemurray Stone Radcliffe Professor outset by several trips, first to Orvieto, the medieval and Renaissance origins of of the History of Science and of the where we were guided by the great human dissection (in mine). Like so Studies of Women, Gender, and expert on the cathedral, Lucio Riccetti many who have worked at I Tatti, we Sexuality came to Florence from (VIT’91); and another to Milan, where were overwhelmed by the beauty of the Harvard as Acting Director. Matteo Ceriana guided us place, impressed by its through the exhibition on Fra scholarly resources, and Carnevale, which he had helped stimulated by the company to organize along with Keith and conversation.
[Show full text]
The Urban and Cultural Climate of Rotterdam Changed Radically Between 1970 and 2000. Opinions Differ About What the Most Importa
The urban and cultural climate of Rotterdam changed radically between 1970 and 2000. Opinions differ about what the most important changes were, and when they occurred. Imagine a Metropolis shows that it was first and foremost a new perspective on Rotterdam that stimulated the development of the city during this period. If the Rotterdam of 1970 was still a city with an identity crisis that wanted to be small rather than large and cosy rather than commercial, by 2000 Rotterdam had the image of the most metropolitan of all Dutch cities. Artists and other cultural practitioners – a group these days termed the ‘creative class’ – were the first to advance this metropolitan vision, thereby paving the way for the New Rotterdam that would begin to take concrete shape at the end of the 1980s. Imagine a Metropolis goes on to show that this New Rotterdam is returning to its nineteenth-century identity and the developments of the inter-war years and the period of post-war reconstruction. For Nina and Maria IMAGINE A METROPOLIS ROTTERDAM’S CREATIVE CLASS, 1970-2000 PATRICIA VAN ULZEN 010 Publishers, Rotterdam 2007 This publication was produced in association with Stichting Kunstpublicaties Rotterdam. On February 2, 2007, it was defended as a Ph.D. thesis at the Erasmus University, Rotterdam. The thesis supervisor was Prof. Dr. Marlite Halbertsma. The research and this book were both made possible by the generous support of the Faculty of History and Arts at the Erasmus University Rotterdam, G.Ph. Verhagen-Stichting, Stichting Kunstpublicaties Rotterdam, J.E. Jurriaanse Stichting, Prins Bernhard Cultuurfonds Zuid-Holland and the Netherlands Architecture Fund.
[Show full text]
4934685-A528b9-809730855221.Pdf
Songs and chamber music by Nicholas Marshall The Birds Music in the Wood 1. Proud Songsters 1:23 18. Music in the Wood 1:48 2. The Birds 1:54 19. The Spinner 1:26 3. Leda and the Swan 1:41 20. You in Anger 1:25 4. Boys Then and Now 0:59 21. Nocturnal 2:29 5. Snow 2:10 22. Catullus to Lesbia 1:22 6. The Owl 1:22 23. Waters of Life 2:21 7. The Swan 3:52 Three Short Songs 8. Plaint for ’cello and piano 3:28 24. Ultimate 1:59 25. The World State 1:06 The Falling of the Leaves 26. The Holy of Holies 2:08 9. The White Birds 2:24 10. The Host of the Air 2:30 27. The Nightingale 5:03 11. The Lover tells of the Rose in his Heart 1:44 (Fantasia on a Welsh folk-song) 12. The Fiddler of Dooney 1:26 13. The Falling of the Leaves 1:49 Four Folk Songs 14. He wishes for the Cloths of Heaven 2:38 28. The Brisk Young Widow 1:28 29. Ye Banks and Braes 1:52 Recorder Concerto 30. Ca’ the Yowes 2:56 15. I. Animato 6:47 31. Soldier, Soldier 1:59 16. II. Molto adagio 4:41 17. III. Molto vivace 3:50 Total CD duration 74:54 James Gilchrist, tenor Manchester Chamber Ensemble: John Turner, recorder Richard Howarth, violin Harvey Davies, piano & David Routledge, violin harpsichord Kay Stephen, viola Tim Smedley, cello Tim Smedley, cello The Music notes by the Composer The Birds.
[Show full text]
The Effect of Cooling Rate on the Microstructure
THE EFFECT OF COOLING RATE ON THE MICROSTRUCTURE CONFIGURATION OF CONTINUOUSLY CAST STEEL SLABS by Mohammad Reza Allazadeh B.S. in Mechanical Engineering, Miskolc University, Miskolc, Hungary, 1997 M.S. in Computer Aided Technology Planning, Miskolc University, Miskolc, Hungary, 1999 M. S. in Solid Mechanic Engineering, Brown University, Providence RI, 2004 Submitted to the Graduate Faculty of Swanson School of Engineering in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Mechanical Engineering University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH SWANSON SCHOOL OF ENGINEERING This dissertation was presented by Mohammad Reza Allazadeh It was defended on January 12, 2009 and approved by Dr. Issac C. Garcia, Research Professor, Mechanical Engineering and Materials Science Dr. Anthony J DeArdo, Professor, Mechanical Engineering and Materials Science Dr. Roy D. Marangoni, Emeritus Professor, Mechanical Engineering and Materials Science Dissertation Director: Dr. Michael R. Lovell, Dean of the College of Engineering & Applied Science, University of Wisconsin-Milwaukee ii Copyright © by Mohammad Reza Allazadeh 2009 iii THE EFFECT OF COOLING RATE ON THE MICROSTRUCTURAL CONFIGURATION OF CONTINUOUSLY CAST STEEL SLABS Mohammad Reza Allazadeh, PhD University of Pittsburgh, 2009 This research work is another step for increasing the efficiency and productivity of the steel making process by enhancing both quality and quantity of the steel produced by the Continuous Casting process. When steels cool from a high temperature, austenite transforms into other phase configurations according to the austenite composition and cooling rate. As result of phase transformation, the steel crystal structure and, consequently, both the shape and the lattice parameter of the unit cell, change.
[Show full text]
Songs by Artist
YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me
[Show full text]
Christodoulos Panayiotou 35/22/35/36D
Christodoulos Panayiotou 35/22/35/36D Ett centralt verk i Christodoulos Panayiotous första utställning på Galerie Nordenhake är ett fotografi av en klänning som en gång bars av Marilyn Monroe. I dag ägs klänningen av den skandinaviske pornografipionjären Ole Ege. När Ege skapade en provdocka åt plagget, baserad på Monroes kända mått, visade den sig vara för stor. Denna anekdot, som Ege berättat för konstnären, fungerar som en nyckel till utställningen och åberopar idén om den mytologiska kroppen. Teman kring prakt, nöjesbranschens ceremonier och biografiska berättelser har destillerats till verk laddade med en stum aura. Diverse föremål har diskret placerats ut i utställningsrummet och vittnar tystlåtet om handlingar som utförts på och i dem. En del verk bär på latenta avtryck från hantverksarbete, andra visar tecken av tidens gång eller axlar rollen som reliker från historiska skeenden. Verket Operation Serenade består av ihoprullade röda mattor som använts på stora amerikanska prisutdelningar såsom Oscars-, Grammy- och Emmygalan. Dolda i sin nuvarande form bär de på spår från stjärnornas skor och den parad på röda mattan, som ofta blir mer uppmärksammad än evenemangen den leder fram till. En upphängd kostym (Untitled) har skapats i en taktil process där plaggets passform successivt testats på konstnären. Skor (Untitled) i hans storlek har tillverkats av handväskor, tillhörande kvinnor i konstnärens närmsta krets och omvandlar på så vis objekten till en skräddarsydd klädsel som aldrig burits. Precis som skorna, har en lokal hantverkare skapat en diptyk av monokromer i bladguld med samma arbetsmetod som används i tillverkningen av bysantinska ikoner. Tillsammans med en grupp keramikkrukor, utformade efter konstnärens instruktioner och en omgjuten dörrknackare från klostertraditionen (samtliga Untitled), återspeglar de en kulturell utgrävning utförd av Panayiotou.
[Show full text]
Rotterdam Is Stated on the Map As a City and a Port That Can Offer India Something Valuable
Rotterdam is stated on the map as a city and a port that can offer India something valuable. The rise of India is just beginning. Therefore, it is good for companies to deepen existing relationships and develop new ones. To strengthen those trade relations, a seminar on the opportunities in rising India is organized in GHG (CIC/Venture Café) on Saturday, September 24th. According to Mayor Aboutaleb, “Rotterdam is not passively waiting for things to happen; it is making big efforts to develop the new economy with a multitude of innovation centers. Here I see a relationship with India, where large numbers of well-trained engineers are available. The advancement of India has only just begun”. With India as an emerging economic super power, new trade and investments will rise. If Rotterdam wants to play a role in this, the city needs to put itself over & over on the map because Rotterdam also renews itself and the world has to see that. "The Netherlands is the bridge to Europe. India's role as an economical manpower country but also as an innovation partner, is growing exponentially. Indian entrepreneurs who want to accelerate the step from product to process innovation initiated the project “Start Up India”. The Netherlands is worldwide known as one of the innovation leaders. An intensive cooperation between the Netherlands and India is necessary to achieve and to maintain the win-win for both”, said by the Chairman of NICCT, Vipin Moharir. NICCT is the largest and most important bilateral Chamber of Commerce that represents Dutch-Indian business.
[Show full text]
1 New Developments in Performers' Rights Ruth Towse Erasmus
New developments in performers' rights Ruth Towse Erasmus University Rotterdam, Netherlands [email protected] Paper presented at 3rd SERCI conference, Turin, 8/9June 2004 . Abstract Recent changes to copyright law have altered the legal position of performers and also, as with authors, given them new rights for online distribution. At the same time, recent collecting society arrangements have been condemned as anti-competitive. The paper looks at the economic aspects of these changes and asks what impact in the marketplace they are likely to have. First draft Copyright Ruth Towse 2004 1 1. Introduction To an economist interested in artists’ labour market, the distinction between the creative artist’s copyright and the performing artist’s related or neighbouring rights is somewhat puzzling, the more so as in the music industry, where the latter rights mostly apply, the singer-songwriter enjoys both sets of rights, copyright (or author’s right) for the composition and the performer’s right for the performance of her work. The very little empirical evidence there is on the subject does not suggest that the author’s right is more valuable than the performer’s neighbouring right – you might say that neither earns much from either right unless he or she belongs to the ethereal ranks of the superstar (Towse, 2001). The rationale for this distinction is to be found in the Romantic view of the author creating original work as a sort of sacred activity, while the performer merely reproduces the work in performance as a sort of administrator or executive. This implicitly ranks ‘creativity’ above ‘talent’ in the artistic pantheon; to an economist that is the equivalent of saying production is more important than marketing – in fact, each needs the other for getting the ‘product’ to the market.
[Show full text]
Legendary Singer-Songwriter James Taylor to Perform at Kfc Yum! Center
LEGENDARY SINGER-SONGWRITER JAMES TAYLOR TO PERFORM AT KFC YUM! CENTER Tickets go on sale Friday, September 5 at 10AM Contact: Sandra Kendall Deanna Southerling Marketing Director Marketing /Social Media Specialist (502) 991-1546 (502) 690-9014 Louisville, KY (August 25, 2014) – James Taylor and his All-Star Band are coming to the KFC Yum! Center on Friday, November 7 for one intimate and memorable night. As a recording and touring artist, James Taylor has touched people with his warm baritone voice and distinctive style of guitar-playing for more than 40 years, while setting a precedent to which countless young musicians have aspired. Over the course of his celebrated song-writing and performing career, Taylor has sold more than 100 million albums, earning gold, platinum and multi-platinum awards for classics ranging from Sweet Baby James in 1970 to October Road in 2002. He has won multiple Grammy awards and has been inducted into both the Rock and Roll Hall of Fame and the prestigious Songwriters Hall of Fame. Tickets for the Louisville show go on sale starting at 10AM on Friday, September 5 at the KFC Yum! Center Ticket Office, all Ticketmaster outlets, online at www.ticketmaster.com and by phone at 1-800-745-3000. # # # About the KFC Yum! Center The KFC Yum! Center is Louisville’s newest multi-purpose arena that boasts a total of 721,762 square feet while offering an arena bowl exceeding 22,000 seats and four meeting rooms spanning approximately 34,000 square feet all within walking distance of more than 4,200 hotel rooms in downtown Louisville.
[Show full text]