A Break of Day Free
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Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Stivale, Lezlie Hart, "Writing and Modernity: Colette's Feminist Fiction." (1991). LSU Historical Dissertations and Theses. 5211. https://digitalcommons.lsu.edu/gradschool_disstheses/5211 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Women with Women, Without Men: the Emergence of Lesbian Themed Novels in 1920S and 1930S in London and Paris by Velid Beganovi
Women with Women, without Men: The Emergence of Lesbian Themed Novels in 1920s and 1930s in London and Paris By Velid Beganović Submitted to Central European University Department of Gender Studies In partial fulfilment for the degree of Master of Arts in Gender Studies Supervisor: Professor Erzsébet Barát Second Reader: Professor Jasmina Lukić CEU eTD Collection Budapest, Hungary, 2010 This page intentionally left blank. CEU eTD Collection ii Abstract This thesis is a product of my interest in the pioneering, explicitly lesbian themed novels which started appearing in the late 1920s and early 1930s in London and Paris. By ‘lesbian themed novels’ I mean only those novels which were written by women, who themselves at some points in their lives were attracted to other women. Most of the analysis focuses on the period around the year of 1928, when three lesbian themed novels were published in English: Orlando: A Biography by Virginia Woolf, The Well of Loneliness by Radclyffe Hall, and Ladies Almanack by Djuna Barnes. The first such explicitly lesbian novel in the French language, which was partially published in 1932, was The Pure and the Impure by Colette. The four novels, all came out of two quite famous smaller communities of London and Paris – the Bloomsbury group and the Left Bank community, respectively. In the thesis I am using the discourse analysis, as defined by Fran Tonkiss1 to try and pinpoint the various factors that influenced the writing, censuring, and printing of these novels. I conduct a closer reading of the novels themselves, the available biographical materials on the lives of the authors, as well as the criticism and studies that appeared after the books have been published. -
Guide to World Literature
a . # S.. 110CouliT apsent .ED 186 927 4 CS 205 567 11. ,ABTUOR C:arrier, Warren, Olivor, ',Kenneth A., Ed. TITIE t Guide to World Literature,. New Edition. , INSTeITU.TIO I. National Council df Teachers ofEn-glish Urbana,- Ill. 4, REPORT NO' ISBN&O-B141-19492 . Pula DATE ! 80' ; - NOTE /. 2411p.406-'' . AV ni,ABLEFBO Nationralouncil. ol Teacher.b. of English,1111 Kea , . yon Rd.,Urbata,* IL 61801 (S,tock No. 19492, $7.50`,member, .s 4, - $8.50 noa-member) , EDRS PRICE MF01/201b Pluspostage. DESCRIPTORS Cultural Awareness; *English Instruction; Wigher .* Edu6atibn; triticj.sm; *Literature.. Apprciation; NavelS; *Reading .datjrials; Secdidary . Educationi.hort *tories; TeFhing G uiaes; . iLiteratue . , ABST CT 4 I14s guide, a revia.i.o.n af.a 1966 it6rk1by Robert OINe is intended.to.eacourage readijigibeyon'd thetraditioial . 'English:and Aluerican literatUre.texts.by maki4g aaiailaple a. useful re,sourc0 i.an '4r.ea wherefew teachs &aye adequate preparation. The guide contains d'oaparative'reviews ôfthe works Of 136 author's aqdo. seven works without known:auth.ors. Thewor repeesent various genre.s from. Classical to modernftimes andare dra n from 'Asia %and kfrica a§ w0ll as froia Sou'th Ametrica aud.,Europ..Eah reView provides intormat4.0n, about the -authoria short slim hry of thework discussion ofother \Works -by the author.,and a comparison of th-v'iok with*.similar works. Lists Of literature.anthologies an,d of works.of. literary:hist9ry 'and *criticism are iplpended.(tL). 1.. r 5 Jr".. - 4- . i . 11, ********w*********************************************4***************.. ? . * . ReproAuctions supplied..bY EDIS ar9 the best thAt #canbe.niade V .4c , * - from' tte _original docuent., - * . -
Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers
UC Irvine FlashPoints Title Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers Permalink https://escholarship.org/uc/item/3p449809 Author Schiesari, Juliana Publication Date 2012-03-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Polymorphous Domesticities FlashPoints The series solicits books that consider literature beyond strictly national and disciplinary frameworks, distinguished both by their historical grounding and their theoretical and conceptual strength. We seek studies that engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Available online at http://repositories.cdlib.org/ucpress. Series Editors Ali Behdad (Comparative Literature and English, UCLA) Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor Edward Dimendberg (Film & Media Studies, UC Irvine), Coordinator Catherine Gallagher (English, UC Berkeley), Founding Editor Jody Greene (Literature, UC Santa Cruz) Susan Gillman (Literature, UC Santa Cruz) Richard Terdiman (Literature, UC Santa Cruz) 1. On Pain of Speech: Fantasies of the First Order and the Literary Rant, by Dina Al-Kassim 2. Moses and Multiculturalism, by Barbara Johnson, with a foreword by Barbara Rietveld 3. The Cosmic Time of Empire: Modern Britain and World Literature, by Adam Barrows 4. Poetry in Pieces: César Vallejo and Lyric Modernity, by Michelle Clayton 5. Disarming Words: Empire and the Seductions of Translation in Egypt, by Shaden M. -
Effects of the Gaze in Colette's the Vagabond and Jean Rhys's Good
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2003 Image and Identity: Effects of the Gaze in Colette's The aV gabond and Jean Rhys's Good Morning, Midnight Janet A. Puzey Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Puzey, Janet A., "Image and Identity: Effects of the Gaze in Colette's The aV gabond and Jean Rhys's Good Morning, Midnight" (2003). Masters Theses. 1483. https://thekeep.eiu.edu/theses/1483 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS/FIELD EXPERIENCE PAPER REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is receiving a number of request from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow these to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. oz/JS )o3 Date I respectfully request Booth Library of Eastern Illinois University NOT allow my thesis to be reproduced because: Author's Signature Date thesis4. -
Colette: Myth, Celebrity, Profession
The Making and Unmaking of Colette: Myth, Celebrity, Profession by Kathleen Antonioli Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Toril Moi, Supervisor ___________________________ David F. Bell ___________________________ Anne F. Garréta ___________________________ Helen Solterer ___________________________ Patricia Tilburg Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2011 ABSTRACT The Making and Unmaking of Colette: Myth, Celebrity, Profession by Kathleen Antonioli Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Toril Moi, Supervisor ___________________________ David F. Bell ___________________________ Anne F. Garréta ___________________________ Helen Solterer ___________________________ Patricia Tilburg An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2011 Copyright by Kathleen Antonioli 2011 Abstract This dissertation takes the paradoxical role of Colette in the canon of French and womenřs writing, from her earliest works to present, as an entry into a radically new interpretation of her life and literary oeuvre. This work is distinguished from previous works on Colette both in its approach and in the scope of its -
{Download PDF} a Break Of
A BREAK OF DAY PDF, EPUB, EBOOK Bella Forrest | 244 pages | 05 Jul 2014 | Createspace Independent Publishing Platform | 9781500422813 | English | [North Charleston, South Carolina] A Break of Day PDF Book Definition of break of day. That, and the fact that this really was going to be our last summer as humans. I'm starting to really like Colette; reading her feels like having a long conversation with a whimsical, observant friend, the sort of conversation you might have on that friend's back porch on a warm summer evening. But it's amazing that what was written eighty years ago in such a different world, for women at least, and in another country is still fresh and pertinent today. When they read her name About Colette. I enjoyed this but have nothing more to say. And this is most what this book seems about. Break of Day represents the typical power of John Donne over the subjects of love, separation and use of metaphysical elements. Sort order. This was like a beautiful, barely lucid dream. Quite honestly, I found the people in the book, including the narrator, terribly boring and self-centred. Love words? Aug 31, Aaden Friday rated it it was amazing Shelves: literature-classics. We believe that every person has the right to live as independently as possible, regardless of mental or physical abilities. The login page will open in a new tab. Written in the first person, and often in the present tense, Break of Day introduces the shifting memoir-as-fiction form that was to become her distinctive medium; what Angela Carter described as "a peculiar form of literary striptease". -
Rhetoric of Metafemininity. from Colette to Hortensia Papadat-Bengescu
Cultural Intertexts Year 1 Vol. 1-2/2014 Rhetoric of Metafemininity. From Colette to Hortensia Papadat-Bengescu Elena PANAIT∗ Abstract An effect of the interwar cultural modernity, the visibility of the women-writers in the space of Romanian literature was also possible through the assimilation of the patterns of feminine writing, already outlined in Western literatures. French writer Sidonie- Gabrielle Colette influenced the Romanian feminine prose of the interwar period with her meta-feminine writings, freed from prejudice and canons, in which the depth of introspection is combined with the incandescence of sensations. Similar features may be traced in the subjective-lyrical prose that characterizes Hortensia Papadat-Bengescu’s literary debut, which determines a certain stylistic and thematic resemblance between the two congeneric writers, beyond their inherent discontinuities. However, Hortensia Papadat-Bengescu intertextually reveals her dialogue with “the great Colette” only in her last novel, Străina, a work considered lost for a long time, recently recovered and published. Keywords: modernity, Colette, metafemininity, mirror, intertextuality An effect of the interwar cultural modernity, the visibility of the women- writers in the space of Romanian literature was also possible through the assimilation of the patterns of feminine writing, already outlined in Western literatures. In the diaries or memoirs of the women-authors, in the press, but also in some literary works (intertextually), one finds names of women-writers already acknowledged in European literature, whose books were available in our space either in the original, or in translation: Anaïs Nin, Virginia Woolf, Sidonie-Gabrielle Colette, Katherine Mansfield, George Sand, Marguerite Yourcenar, the Brontës, Jane Austen, George Eliot, etc.