THE SUNDAY STAR, Washington, D. C. SPMMT, «. TURNTABLE TALK E-4 MAKC* IMS | NEWS OF MUSIC Here Are New Sounds Mozart Cycle Billed JjfH At 4 For Speeding Guests RHBB plC' -• ww*lfe*' By JAMES G. DEANE ! work Is familiar In a version By Dirksen, Lywen Up InStamford. Conn., when for concert orchestra arranged he Is not out in the West In- with the composer’s approval By DAT THORPE States for an average of $16.43. dies or some other exotic spot by Gordon Jacobs, a pupil. The Certainly the most unusual Those interested in entering the contest should write Helen with a microphone and tape original Is no less Ingratiating. musical event for which the - N' Havener, National Federation recorder, there is a man named All told, there are really II Mocart anniversary will be Clubs, of Music 445 West Emory Cook who has a pen- pieces on the disc, which the responsible this year Is the Twenty-third street. New York chant fer miking recordings Eastman Symphonic Wind cycle of Mozart violin 11. N. Y. nobody else would think of. ' Ensemble performs with gus- and keyboard sonatas to be The other contest is the Merriweather Post Award of For posterity, Mr. Cook has to. The recorded sound is a ' played this spring and fall by ! SSOO cash and a S6OO scholar- magnetically enshrined the i model. Richard Dirksen and Werner ship ** * * SOPRANO WITH ARMY the Phillips Gal- to the Juilliard School of sound of ocean waves, earth- at Music. The National Sym- NEW BCHUBERTIAN BAND—Evelyn Sachs, who fcry quakes. a burlesque perform- will be guest artist with \ ' phony sent out an announce- department long S (including two ment speeding This not Army Band Tuesday. The 45 works that the deadline had ance and trains ago registering a variations) February was com- | acts of cover vir- been extended from through a tunnel. He also has plaint pianists span I m LIl that too few Ytually the entire of 25 to March 10. Icalled Man- supplied an Invaluable enter- nowadays play any Schubert. Mozart’s creative life. The ager Ralph Black to find how for hi-fi-minded Columbia first, 6, was tainment aid has strategically K. written in 1762. things were going. “Speed the De- composer was years n hosts called come forward with evidence when the 6 getting from Hif'' parting Guest," a yet 547, “You entries \ now classic. that the cause Is not lost. old. and the last. K. ap- every Dnion, m p§* Fleisher, 1786, State in the Sometimes he also dabbles Leon one of the new peared in three years Ralph?” ¦ generation I asked. identiflably pianists before he died. in music or matter of and for "I haven’t got my briefcase related to It, such the rep- a time a pupil of the noted Cycles quartets, handy,” Black, as ofBeethoven said Mr. “but ertoire of the oildrum orches- Schubert exponent. Artur sonatas, and symphonies, of I think you can say that if tras now rending the night air Schnabel, has made a record Brahms chamber music, and there are a few States missing, of the Caribbean. But it is in devoted mostly to the posthu- m. keyboard young SB « even of Bach's music we have at least mu- more elemental areas that the mous towering B flat sonata. ’ exemplified by every region fIBBH as the “Clavier sicians from in mm • Cook talent is at its most in- Whether it Is youthful exu- country. trbung” are not rare, but an the Not dozens—- P^l imitable. and it has just berance that makes the music appreciation of the develop- hundreds of them. They want spawned another masterpiece. sound stimulating, play on every so or the ment of Mozart is more dif- to concertos in- Its title, not to be taken too infrequency perform- acquire. strument you of its ficult to The two can name—- literally, is “The Compleat In ance, I am not certain, but If categories of his music which piano, fiddle, horn, oboe, flute, iJp Fidelytie.” this record bassoon, harp, clarinet, is an accurate are often played as a cycle—- cello—- index of the future no harm quintets even organ, The contents of “The Com- the viola and the believe it or not.” pleat” jet will be done in starting piano “What’s wrong with an or- Include the sound of this trios show Mozart planes, an 1893 two-cylinder particular pianist on record- largely as com- gan?” I asked, simulating af- the mature gas engine, ex- makin B so early. (His precise poser at slight firecrackers of his late years, while front the to that a age is the one thing great relays. ploding in Mexico, 50-odd- Columbia 1 the forms in which he wrote box of wires and year-old does not tell about him.) “Well, nothing, really.” was cylinder-recording of all his life have so many in- Sousa’s “The Thunderer” and One might wish the handful examples even a the reply, “but we’re primarily BACKHAUS IN BEETHOVEN—WiIheIm Backhaus, perhaps the senior master dividual that a reverent ditty called “He of little dance pieces encoring performer who will essay all Interested in people who can pianist now before the public, who will be heard in an all-Beethoven program Sunday” the sonata might have piano go making playing Goes to Church on been the Beethoven sonatas, on a career which wiU include the Diabelli Variations next Sunday in Constitution Hall. sung by a Billy supplemented, for solos with symphonies. Peo- man named there are to name a single favorite Murray, an Infant crying, and some wasted grooves. But cycle, to ple like Seymour Lipkin and ' ' will usually hesitate IN Smith sings the rousing rock : an alleged 10,000 hens and maybe Flelsher-Columbia are < engage in so large an under- Theodore Lettvin. TOPS POPS' and roll “Tutti-Frutti.” (MGM | waking up at holding out for another whole That's what Ilike about three roosters taking. or- K-12165.) : 5.22 o’clock one morning In record. DANCING CHORISTER— chestra managers. They talk * May Chronology excellent Ansonia, There are also ** * dance are all the Follow up involving high Dick Duane—Two i N. H. Song and a contest sides, as Dick's powerful voice I three fine New York Central PLUS BRAHMS same to the Don Cossacks, j, Dirksen and Lywen will per- school music students, and Red Satellite Nations essays engines delight any immediately run two ballads in “ToMake steam to The line from Schubert to who perform In Constitution |Torm the sonatas with violin their minds Prelude." fan, horribly piano and violin and to people like Lipkin and Lett- a Mistake” and "Blue rail and some Schnabel to the present Is Hall this afternoon. •|and (ABC-Paramount 45-9677.' distorted organ music to pun- drawn directly Sharpsichord, and are at present vin. They are proud of their even more on Encouraging Jazz Aldemara Romero-—Romero’s salon ; Ish, presumably, hl-fl ad- a new Epic recording, advantages all which considering the and restraint in not mentioning ! orchestra has a top-notch LP of au- in feasibility playing thentic Venezuelan music that easily i diets for their sins. the four-hand F minor fantasy of the works , Rubinstein and Gieseking. | By 808 WILLIAMS ! of the local contemporary Pol- rhy- captures the ear. There are six The piece de resistance is on is performed by two other in chronological order. None The runners-up in the Na- Russia, apparently realizing j ish composers, as well as thms represented In the dozen tunes: I joropo. valse. valse-Jorppo, cancion, side two, though. It consists Schnabels, Helen (daughter- of the other three great tional Symphony pens merengue. 1 Hr contest are impossible to works from the of such and polo. Highlights In this entirely of wind. in-law) Viennese composers, that it’s buck the as George delightful aet are "Geranlo,” "Vene- and Karl Ulrich (son). Beetho- to be winnowed out in five or famous Americans zuelan Fiesta.” El Carl-Carl.” "Brisas *# * * ven, Haydn or Schubert, wrote six regions in i current jazz trend, has decided and Harry James. del Zulla.” and the lovely Tu Partlda." Recent events at the Library the United Gershwin (RCA Victor LPM-1203.) MARCHLESS BAND many violin sonatas, and not States and brought on to that “if you can’t beat them, ** * * of Congress notwithstanding, join them,” Stan Kenton—"Baa-Too-Kee” Is a A handsome picture of red- duo-piano playing danger- even the best of them—those Washington to play with the and therefore has JUST RELEASED fine Instrumental with a Latin In- is by changed policy permit fluence: however, the reverse side of caped English cavalrymen on ously being art, Beethoven—are comparable symphony Young Amer- its to Barney j , close to a dead in the Kessel A fabulous "Winter in Madrid" is the real win- a Mercury Is in quality to that composer’s ica Series this spring in Con- and encourage "progressive” ner. It has a haunting melody, plus a new recording which makes this sort of en- new LP by this outstanding by : music in its satellite countries. rnperb vocal Ann Richards. (Capitol only vaguely symbolic of the terprise a welcome one. contemporary pieces for cello stitution Hall. The final win- I guitarist, with fine support by F-2246.) Karl Garry contents. My assumption, Ulrich Schnabel, who has Wjfp, or for piano alone. ner will be chosen from the The latest music group to be as Georgie Auld, Moore—A clever Idea for an on had jE, mm such men Bill LP. In "Garry Moore Presents My coupling picture and title, two professional ofreers, ap- Mozart, on the other hand, performances at these con- j j backed by the state is the Perkins, Harry Edison, Red Kind of Music." Here’* a worthwhile I says Black, Band, and unusual set, with such jazz men which is “British Band Clas- parently Is planning to put particularly certs, probably, Mr. Blue Jazz State which Mitchell, others. Barney Carceras, was drawn to the and as Wild Bill Davison. Ernie sics,” was that here was an- more on combination, by a poll of the orchestral mu- I has just been formed in Po- boys really swing Mel Henke, Randy Hall. Sonny Terry, stress his inherited and in no other and the the strings of (his playing accompani- land, according to reports things George Barnes. ,and other batch of marches, but one name was noted re- field except the symphony (of sicians the the along, as their cohesive Percy Faith's band. Numbers are “The nothing the cently plan, Merry Dancer.” "You Took Advantage the disc is of kind. in the New York recital wrote 51), ments. That I think, is a received from Radio Warsaw. group upon ! Me, ’ I which he and the little embark both oi Can’t Believe That You’ra Actually ads), good. stroke of genius. The band will schedule works originals, ! in Love With Me.” "After You’va it is a little collec- which Is all to the concerto (52 in number), near standards and han- Gone,” has | "Moods Impromptu,” "Cryln* tion of four of the deftest of The overside of this record left us so much of his best dling each with skill and per- j j Shame. ’ "Yesterdays," "Oh Lady Be ception. Good,” "Body and Soul." "Let’s Fall modern concert works for embraces eight music. His first published Included in the 11 j ’ x>ve.” and "You of Brahms’ 24 work in Didn’t Want Me military wind band. Gustav Hungarian dances, was set numbers are such items as | Baby.” a jam tune spotting a great heard usu- a of violin sonatas : blues vocal by none other than Garry Holst, fame, ally THE WEEK “Begin Blues,” CL-717.) of “Planets” au- as orchestral pieces in de- dedicated daughter PROGRAMS OF the “Louisi- ' himself. (Columbia j to the of Barclay—Shimmering strings • thored half of the music, two fiance (heard King France, ana,” “Embraceable You,” j Eddie of the form PIANIST AT NATIONAL the of and if the Reformation. 7:45 p.m. Sonata No. 2. stand out on two smooth lnstrumen- : according to here) stringed TODAY. Pezel: Music for Kin* Charles 11. •Indiana,” “Don’t Blame Me,” : tals: "Heart of Paris" and "If Hearts suites which in which Brahms first GALLERY—Joseph Lockett, instrument of CHORDB AND DAN- Voluntary i was so !DON COSSACK Locke: on the 100th Psalm ! Could Talk.” (Mercury 70796x45.) Frederick Fennell, who con- wrote them. importance CERS. Sene Jaroff. director. Constttu- Tune. Purcell; Toccata. Bonelli; Son- “12th Street Rag," “Moten Bpike Jones—Spike returns to his pianist, who gives a concert little to the en- j tion Hall. 3:00 p.m. Program of Rus- plan e forte, performances, were ata Gabrieli. Swing,” • j kidding of hit tunes, as he satirizes I ducts the A collection 24 ; tonight at the National semble that some of these sian religious music and folk songs METROPOLITAN MEMORIAL CHURCH and “Midnight Sun.” "Love and Marriage." of all in the ! with L. organist The Trouble 1 pace-setters for much of this garb originally dances. CHOIR. James McLain, (Contemporary C-3513.) ' With Pasquable." "16 Tacos," and orchestral provided by Gallery. sonatas could be BETHESDA-CHEVY HIGH SCHOOL and choirmaster. Soloists: Annabelle "Memories Are Made of This." (Verve music since. Hole, soprano: France* Raa. soprano. Joni James—Joni has a nice 2003x45.) kind of written various arrangers and, in three composed for keyboard alone BAND. Chester J. Petranek. conductor. Marion I Bethesda-Chevy Chase High School.; Mary Jane Sander*, alto: pairing good Hugo and Lvlgi—"Anywhere Is The other pieces a “Toc- instances, recording.) violin part i Whitten, tenor: Stuart Vaile, tenor; of two ballads in. are Brahms himself, has for the Mario Rossi with the added 3:00 p.m. Trumpet Voluntary. Pur- Richard baritone; Home With You" Is an old-fashioned ! cell-Gardner; Prayer from Hansel and ! Roaers. Robert “Somewhere Someone is Lone- nnmber nicely presented by them, but cata Marziale” and the “Folk Just been assembled for the and the Vienna Opera Orches- months later, the mature Humperdinck; i Nicholson, bass; Patricia Cockran, the side Melody” Grete 1. Allerseelen. violin: Doris Karl ly” other of "Our has | Song Suite" of the of liv- first by Vanguard, Having sonatas, on contrary, Strauss-Davis; Skyways March, Yo- Gasda. violin; and “Don’t Tell Me Not to absolutely nothing to offer musically, dean time inci- | tra officiate handily. the are Swenson, bassoon. Metropolitan Me- though It may be lust poor enough to ing composers. Ralph dentally. (Nos. ders; selections from Damn Yankees, i p.m. Love You.” (MGM K-12175.) British 4. 8 and 9 are your Brahms one way doesn’t models of intricate and deli- Adler and Ross; Berceuse from The ; moriai Methodist Church. 8:00 be liked by the public. (Mercury i Libera Me. Arne; Jesu. Joy and Ray Anthony—The Anthony 70803x45.) Vaughan Williams. The last In arrangements commissioned preclude Firebird. Stravinsky; Themes from; Treasure. mihi I haisng him another. cate ensemble. Petrouchka, Stravinsky; Flute Cock- j Buxtehude; Aperite portas justitiae. Buxtehude; Ye now Choir sings a rather catchy tail, Bimeone; American Folk Suite, lovely Some May Be Spurious Blue Mist. Osterling; are sorrowful. Brahms: How Is Me Way Walters: Has- i Thv dwelling place. Brahms, “Show the to Go kells Rascals. Yoder; On the Mall, LOCKETT, piano. National half ! Goldman. i JOSEPH Home,” the backing reg- A dozen of the sonatas Gallery of Art, 8:00 p.m. Prelude with are thought by some scholars STUDENT MEMBERS OF THE FRIDAY and Fugue m A minor. Bach-Liszt; istering solidly, as the band MORNING MUSIC CLUB. Barker Hall. Variations on a Chopin Theme, Opus plays the pretty "Madeira.” to be spurious—works written ' YWCA. 4:00 p.m. i ! 22, RachmaninofT; Nocturne. Opus 62. by students of Mozart which iSaINT CECELIA CHORAL SOCIETY.! I No. 1. Chopin: Etude. Opus 10, No. 5.: (Capitol F-3335.) Lawrence Seen, Chopin; Intermezzo in B flat minor way conductor.organ; Soloists: Brahms: Scherzo. Odus *. Brahms; Peggy King—Here's a 10- found their into the Mildred Clener, Catherine Debussy; Kennedy, soprano: Mary Alyce Ben- Reflets dans l’eau. Alborada LP that’s quite canon through the careless- del Gracioso, Ravel. inch really nett. contralto: Mnrlo Secret!, tenor: clever, story ness of early editors. Einstein Frank Farrelly. baritone. University as it traces the of THE HEAT! of Maryland Chapel, 4:00 p.m. Pence TOMORROW Peggy King’s rise in show believes them not to be genu- Lingua, Gregorian: Adora Te Devote. GARFIELD SWIFT, baritone; Charlton ine, while his French counter- Gregorian: Salve Regina. Gregorian: Meyer, piano. Phillips Gallery. 8:30 business. She does a number of Exsultati Justl, Viadana: Chrlste p.m. From Silent Night. Dowland; It tunes, plus parts, Wyzewa and St. Foix, Adoramus Te. Monteverdi: Gloria was a lover and his lass. Morley: standard some fine From Mlssa Brevis, Palestrina; Eleva- Come. 6orrow. Come, Campian; The special material written by call them masterpieces of tion. Frescobaldl; Stations of the Angler's Song, Lawes; Lord, 1 have Mozart’s youth—the first works Cross. Dupre; Prelude and Fugue in sinned, Humlrey, Hark', hark! the Eddy Samuels. Percy Faith’s G minor. Bmch: Toccata, Oravea: storm grows loud, Humfrey; As freez- band supports Peggy, as she in which all trace of the com- Jubilate Deo. Dooner: Pauls Ancelicus. ing fountains, Humfrey; Cupid, once, SAVE Dooner; Reflce; AND Mlssa Choralls. Let when weary grown. Humfrey; Cheer j tastefully sings *IOO poser’s dependence on Humfrey; “When You old all mortal flesh keep silence, Holst. up. my mates. Sound the Upon a BARBARA J. OWEN, organ: Ben I. Tret- Trumpet, Purcell; Tis Nature’s voice, Wish Star," “Let tBEAT - models disappears. "We can’t ter, Purcell; baritone. Old Presbyterian Meet- If music be the food of love.i Love,” Girl say who wrote them,” says Mr. ing House. Alexsndrla. Va„ 4:00 p.m Purcell; Emirenos Air, Handel:; There Be “Little : Aglncourt Hymn, Dunstable: Toccata Cynara. Delius Indra. Holst; The Blue,” “Hooray for Holly- Dirksen, “but since they’re In E minor. Chlesa, i Trellis, Irelano; to the wood.s Pachelbel: Aria da l We’ll Toye; wood,” Ago,” “Ev’ry good music, it’s obviously our ! an 1,: Prom .he Musical Clock Suite, i { no more, Ireland; The Inn. “Long and Haydn: Chaconne. Couperin: Con-i I Sleep, Warlock; Chopcherry, Warlock. Time.” (Columbia CL-2549.) Job to include them with the sider. O My Soul. Bach; O Give Me The Contented Lover. Warlock: Con- The Comtort. The Warlock; Rutterkin, Warlock. Workshop—This Green: Trumpet sider. j The Jazz rest and let the listener decide. Shall Sound. Handel; The Call. Ashley: DEPARTMENT OF AGRICULTURE BYM- an experiment in • They good Mozart J#any to the Holy Spirit. Vale; All PHONY ORCHESTRA. Dr. Frederick i terrific LP is may be be to High, Bach; Fail, conductor. Soloist: Pkul De gory God on of modern jazz, and it's most merely painted over, Christ lay in death's prison, Bonrf, cello. Department Agricul- like the Zachau; My Heart dark ture Auditorium, 8:30 p.m. Overture j successful. Featuring tenor is filled with des Prometheus, El Oreco in the National Gal- longing, Walther: Deck thyself, O my to Die Geschoepfe j Beethoven; Concerto for cello, Haydn: ( saxist A1 Cohn, the music is "J/O'WVCUIC' soul Sleepers | lery. performance may Walther: wake, Walther; Vorspiel A fine O I must leave und Liebestod from Tristan; sax brass, World. now thee. und Wagner; Excerpts from! scored for and four the varnish and the Brahms; My faithful heart rejoices. Isolde.Copland; Rosenkavalier remove Brahms: how ye. faith- Rodeo, with a four-man rhythm sec- O blessed are , Waltzes, Strauss. j RESIDENTIAL AIR loincloth.” ful souls. Brahms: Christ we shall j tion adding support. The CONDITIONING ** * * Joyfully praise. Willan; Praised be God. Willan. TUESDAY ; music that comes fourth Is PRIZE WINNERS HAROLD ASH, organ. Washington Ca- UNITED STATES ARMY BAND. Major! ; fresh and rich In ideas, the thedral. 5:00 p.m. Toccata. Adagio > Hath Carry, conductor. Soloist;. as scholarship »nd Fugue In Bach; Pre- Evelyn mezzo-soprano. Depart- Two contests are lude: C, chorale Sachs, talented group work over such prize When we stand in greatest need. mental Auditorium, 8:3o p.m. The! as “Rosetta, ’’ news. One Involves a of Bach: Sixth symphony. Vidor. Chimes of Liberty. Goldman; Phedre; numbers “The MATHILDE McKINNBY. piano. Phil- Overture. Massenet; Irmel-i offered by the National lips Gallery. Prelude to Song Is Ended,” “Sugar Cohn,” FOR ONLY $260 5:00 p.m. Three-part (pre-season In-: in. Delius; Hail to the Spirit of Lib-j price) Federation of Music Clubs to ventlons. Bach; Preludes and Fugues: erty. Sousa; First Suite Military:; "Alone Together,” “Linger *995 II for (Well-Tempered Clavier. Book I). Band. Holst, Zuelgnung. Opus 10. No. Awhile,” “Foggy Water,” the winner of a competition in Bach: Krelslerlana. Oous 15. Schu- 1, Strauss; Mon coeur s'ouvre a ta “I’m piano, strings mann: Bulgarian Rhythms (from voix, Saint-Saens; Habanera. Bizet. Coming Virginia,” “Haroosh,” or voice. The Mlkrokosmos). Bartok; Five Preludes. Finale from New World Symphony. must be between Cone; Etude. Opus 8, No. Bcrlabln; Dvorak and four others. (RCA Victor contestant 4. „.. Regularly *1,095.00 —Save *IOO Now! years Impression. McKinney; Toccata. Ravel. ERNST WALLFISCH, violin; Lory Wall- LPM-1161.) 16 and 25 old, a native MALE CHOIR OF ST, LUKE'S EPIBCO- flaeh, piano. Corcoran Gallery of Art,; PAL CHURCH. Willis A. Hines, dl- 8:40 p.m. Bonata in E flat. Dittera-: Carroll—A new by or naturalized citizen and a -1 rector. Soloists: Chauncey Brown, dorf; Pictures from Fairy Tales, Opus; David LP resident of the District of tenor; Rexford Ovelton, tenor: Robert n 113. Schumann: Sonata in one move- i Carroll's orchestra provides us Columbia, Delaware, Mary- Nerris, baritone; A. Griffin Holliman, ment, Jacques de Menasce; Sonata In Employ- bass. St. Luke’s Episcopal Church. G. Bach; Sonata Opus 120. No. 2.; with a musical treat. land, Virginia, Virginia, B:.10 p.m. Zion hears her watchmen's Brahms. , ing full strings and a style West voices, Bach: Come ye to Bethlehem. North Carolina, South Caro- Davis: Where Is He born. Mendels- WEDNESDAY that's reminiscent of Wayne Georgia, sohn: O Lord most holy. Pranck: He: King, lilting lina. Florida, Ken- leaves His holy portals. !!ARENSKY TRIO: Audrey Davis, piano; David runs from Bach-Men-; Betty violin; delssohn: My Redeemer, Gladly hebein. Dorothy Jarvinen. through pulsating tucky, Mississippi, Tennessee, Buck: Assisting waltzes would I be enduring. Bach: Missal cello. artists: Patricia Grlf- rhythms. Highlights ' Alabama or Louisiana. It is Brevis. Willan: Lord make me an In- An. piano; Lee Meredith, soprano Latin of strument of Thy »eace. Duncan: First Clubhouse of the Woman's Club of 12 nice to know that the National Psalm. LaForge; Hear my prayer. Chevy Chase. 2:00 p.m. (This, isa a the numbers are “Trade- James: I'll special National Symphony Orchestra winds,” “Sugar Loaf,” Federation of Music Clubs is walk with God, Brodszkv: Benefit “Blue Let us brekk bread together, gfr. Silver Anniversary Musical able to nick its combined Laurence: Thy Kingdom Come. Evans. Tea.) Hours,” “La Golondrina,” BRASS ENSEMBLE. Gilbert lilltchell. “Tropical,” “Safari,” membership in each of these of the THURSDAY and conductor. Lutheran Church “Melody of Love.” (Mercury * UNITED BTATEB MARINE BAND. Cap- tain Albert Schoepper, conductor. So- | MG-20086.) loists: Fredrie Erdman. cornet; Jack Fitzgerald—Ella I Carey, saxophone; William D. Jones, Ella debuts baritone. Commerce Department Au- on label, one ditorium. 8:15 p.m. Overture for the Verve with of , Band. Mendelssohn; Jeux d’entanu. her strongest discs in years. Biset: Napoli. Bellstedt- Jericho.; Topside# Oould; Concerto for Saxophone. I is a wonderful blues Olazounov; Emperor Waltz, Strauss; entitled “Too Young for the La Calunnla e’un venticello. Rossini; Hungarian Rhapsody No. 6. Liszt. Blues,” done in her Inimitable FRIDAY fashion. Coupling is "It’s Only a Man,” ballad, FRIDAY MORNING MUSIC CLUB: Vir-i an excellent 'WESTERNS' Holland, piano; Virginia Harp- and the type of material at am. violin; Margaret Sheridan, so- 1 prano;Slnia Dorothy Emery, Betty 1 which she excels, but has had >ur Ability 01 • Tun* Detective , piano; Schein, violin; Audrey Davis, piano. little chance do Cosmos Club. 11:30 a.m. Sheep may to with her safely graze. Bach-Petri; Sonata in previous record affiliation. BillyHill, writer of numerous cowboy and Western songs, E flat. Haydn; L’amero saro costante. (Verve 2002x45.) Mozart: The Pulse of an Irishman. MiSa^hl Zimmer, was bom ’way down East In Boston and studied violin at the Beethoven: 1m Berg; Just Tony Romano—Tony, who England Conservatory Aged 17, Bpring, Duke: Come My Beloved.. Foss; AIR CONDITIONING UNIT AND FIBREGLAS DUCT SYSTEM COMPLETELY New of Music. he hit the Sonata in D Vivaldi; Sonata Opus plays some mighty fine guitar, INSTALLED trail West, rode the rods, punched cattle, worked as a payroll 137, No. 3. Bchubert. turns vocalist on these two sides, jazz FERNANDO Valenti. hgrDsichord: John PROTRUDING MODEL stiff and pearl diver (dishwasher), ending up with a Wummer. flute. Library of Congress. displaying a noteworthy voice $995.00 FLUSH MODEL $1050.00 Chinese Salt City—- 8:30 p.m Duo Sonata in F. Handel; orchestra in a restaurant in Lake Variations on Ah. vous dtrals-je. that’s similar to Sinatra. Tunes ultimately in a penthouse in New York. Maman, K. 300e. Mozart; Duo Sonata are on in E flat Bach Sonata in A minor “Stars Fell Alabama” Score 20 points for each Billy Hill "Western" you can for unaccompanied flute. Bach; Duo and “Matador.” (Sycamore 45- identify Sonata in D. Quantz. When Hot Weather ... Call us for an estimate no from the clues below. UNITED STATES NAVY BAND. CWO 102.) Comes I with I of Americans believe it’s an ancient Richard Townsend, conductor. Soloist: Clue I.—Nine out ten Morris, Don Elliott—Don's Sextette • obligation, or come to our show turning Ben Mitchel tenor. Depart- Air conditioning stocks are quickly sold out. frontier folk tune, sung to the of the mental Auditorium. 8:30 p.m. Bwedish offers sparkling instrumentals room , of Conestoga wagons rolling Coronation March. Svendsen; Flying in “Cry and • end see our working rtsiden- wheels the West. Dutchman Overture. Wagner; Je suls Me a River” “Our Trained installation mechanics and electricians are scarce. Actually, it was first heard in the Ziegfeld Fol- seul. Massenet: Water Music Suite. Love.” Group plays tia * air con^,tionin system. Handel: Symphonie Fantastique. Ber- with taste • Installations are unavoidably delayed. i Also lies of 1934. lioz; Horns a-plenty. Lavalle-Wllber; and imagination. (ABC-Para- di, * Porgy and Bess, Gershwin. • our P ,ay of r *ir °°n Clue *.—A cowboy lament about the last roping and mount 45-9676.) ACT NOW and simply turn on the cooling switch when those . °T branding—this song also passed into American SATURDAY Nat Cole—Nat, with the as- blistering summer days arrive. ditioner* and air circulators. folklore byway of the Follies of 1934. CHARLES HUMMER, tenor: Weatervelt sistance of sympathetic sup- Clue (presum- B. Romaine. piano. University Women's port or- I.—Ballad about a small moon-lit church Club. 8:00 p.m. Dank Sie Dir Herr. from Nelson Riddle’s ably of the Mississippi). This of Handel: Once I loved a maiden fair, chestra, up west was one old English; L’Absence. Berlioz: Icl- comes with two two smash song hits by Billy Hill in one year- Bas. Faure: Le Reve. Massenet; Pour- more winners in the quoi me reveiller. Massenet; Sonata “Ask -1936. in D minor. Opus 31. No. 2 (adagio*. Me” and "Nothing Ever Clue 4.—The other 1936 smash hit—a doleful cowboy Beethoven; Impromptu In A flat Changes My Love for You.” (allegro), Chopin; Lamento de Fed- HOME COOLING INC—OL. 6-3702 song about riderless horses. erico. Cllea; Separazione. Sgambatl; (Capitol F-3328.) Clue Autry this famous Spirate pur spirate. Donaudy. Impres- Art Mooney t.—Gene made one in 1940—a aione. Slbella; Occhi di Fata. Denza; —The Clover- nostalgic song about a Weston canyon. The night haa a thousand eyes. Haze- leafs sing the pretty “You Can 8002 WISCONSIN AVENUE, BETHESDA, MARYLAND Thompson's Seafood Turn to Pact 1-19 for Answers Taka My Heart,” whilo Ode

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