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A Survey and Guide to the Most Frequently Programmed Lieder In
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 A survey and guide to the most frequently programmed Lieder in the undergraduate studios of selected major music institutions in the United States Joseph Christopher Turner Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Turner, Joseph Christopher, "A survey and guide to the most frequently programmed Lieder in the undergraduate studios of selected major music institutions in the United States" (2010). LSU Doctoral Dissertations. 3319. https://digitalcommons.lsu.edu/gradschool_dissertations/3319 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A SURVEY AND GUIDE TO THE MOST FREQUENTLY PROGRAMMED LIEDER IN THE UNDERGRADUATE STUDIOS OF SELECTED MAJOR MUSIC INSTITUTIONS IN THE UNITED STATES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts by Joseph Christopher Turner B.M., Mississippi College, 1994 M.M., Mississippi College, 1998 August 2010 i © Copyright 2010 Joseph Christopher Turner All rights reserved. ii DEDICATION To my parents iii ACKNOWLEDGEMENTS There are so many without whom this project would not have been possible. I wish to thank the following individuals for their support and encouragement: Prof. -
THROUGH LIFE and LOVE Richard Strauss
THROUGH LIFE AND LOVE Richard Strauss Louise Alder soprano Joseph Middleton piano Richard Strauss (1864-1949) THROUGH LIFE AND LOVE Youth: Das Mädchen 1 Nichts 1.40 Motherhood: Mutterschaft 2 Leises Lied 3.13 16 Muttertänderlei 2.27 3 Ständchen 2.42 17 Meinem Kinde 2.52 4 Schlagende Herzen 2.29 5 Heimliche Aufforderung 3.16 Loss: Verlust 18 Die Nacht 3.02 Longing: Sehnsucht 19 Befreit 4.54 6 Sehnsucht 4.27 20 Ruhe, meine Seele! 3.54 7 Waldseligkeit 2.54 8 Ach was Kummer, Qual und Schmerzen 2.04 Release: Befreiung 9 Breit’ über mein Haupt 1.47 21 Zueignung 1.49 Passions: Leidenschaft 22 Weihnachtsgefühl 2.26 10 Wie sollten wir geheim sie halten 1.54 23 Allerseelen 3.22 11 Das Rosenband 3.15 12 Ich schwebe 2.03 Total time 64.48 Partnership: Liebe Louise Alder soprano 13 Nachtgang 3.01 Joseph Middleton piano 14 Einerlei 2.53 15 Rote Rosen 2.19 2 Singing Strauss Coming from a household filled with lush baroque music as a child, I found Strauss a little later in my musical journey and vividly remember how hard I fell in love with a recording of Elisabeth Schwarzkopf singing Vier Letze Lieder, aged about 16. I couldn’t believe from the beginning of the first song it could possibly get any more ecstatic and full of emotion, and yet it did. It was a short step from there to Strauss opera for me, and with the birth of YouTube I sat until the early hours of many a morning in my tiny room at Edinburgh University, listening to, watching and obsessing over Der Rosenkavalier’s final trio and presentation of the rose. -
Festival Richard Strauss
RICHARD STRAUSS Torino, 2-25 febbraio 2018 Un progetto di CITTÀ DI TORINO TEATRO REGIO TORINO RICHARD-STRAUSS-ARCHIV GARMISCH RICHARD-STRAUSS-INSTITUT GARMISCH-PARTENKIRCHEN ASSOCIAZIONE AMICI DEL REGIO ARIANNA PER LA MUSICA AMBAscIATA DELLA REPUBBLICA FEDERALE DI GERMANIA A ROMA BIBLIOTECA NAZIONALE UNIVERSITARIA DI TORINO ASSOCIAZIONE ABNUT - AMICI BIBLIOTECA NAZIONALE UNIVERSITARIA DI TORINO CONSERVATORIO “GIUSEPPE VERDI” DI TORINO ORCHESTRA FILARMONICA DI TORINO ASSOCIAZIONE BARETTI UNIONE MUSICALE ORCHESTRA DA CAMERA “GIOVANNI BATTISTA POLLEDRO” ACCADEMIA DEL SANTO SPIRITO I MUSICI DI SANTA PELAGIA ACCADEMIA CORALE STEFANO TEMPIA ASSOCIAZIONE CONCERTANTE - PROGETTO ARTE&MUSICA CIRCOLO DEGLI ARTISTI ORCHESTRA SINFONICA NAZIONALE DELLA RAI GOETHE-INSTITUT TURIN ACCADEMIA DI MUSICA DI PINEROLO UNIVERSITÀ DEGLI STUDI DI TORINO - CENTRO STUDI SUL TEATRO MUSICALE IL CIRCOLO DEI LETTORI ASSOCIAZIONE CULTURALE ORGANALIA ACADEMIA MONTIS REGALIS MARCHESATO OPERA FESTIVAL - COMUNE DI SALUZZO - FONDAZIONE SCUOLA APM DI SALUZZO ASSOCIAZIONE ANTIDOGMA MUSICA MUSEO NAZIONALE DEL CINEMA INPOETICA - FESTIVAL TRASVERSALE DELLE ARTI Dopo il successo del Festival Alfredo Casella, che nel 2016 si è aggiudicato il Premio Abbiati dell’Associazione Nazionale dei Critici Musica- li per l’originalità del progetto, e del Festival Antonio Vivaldi l’anno scorso, il 2018 è l’an- no di Richard Strauss. Al compositore tedesco più in vista e di successo nella prima metà del Novecento viene dunque dedicato il terzo festi- val monografico, interdisciplinare e collegiale realizzato a Torino: interdisciplinare perché nei 33 appuntamenti che lo costituiscono sono coin- volte più forme artistiche; collegiale perché tutto il programma è frutto di una vasta sinergia che coinvolge circa trenta istituzioni culturali. Richard Strauss (1864-1949) ebbe un forte lega- me con l’Italia e la sua cultura, come testimonia la mostra documentaria allestita per l’occasione e che significativamente inaugura il Festival. -
Art Song Repertoire List
Regan Heather Russell Art Song Repertoire List An asterisk (*) indicates a completed song set/cycle. I. Sprightly Mrs. Grasshopper II. Just before the Lights are Lit English Starlight Tale of the Wind Argento, Dominick To Mirza *Six Elizabethan Songs When Love is Over Barab, Seymour Bridge, Frank Lullaby Love Went a-Riding, H. 114 Barber, Samuel Britten, Benjamin Op. 10 How sweet the answer III. I hear an army The little old table Op. 13 On This Island, Op. 11 I. A Nun Takes the Veil III. Seascape III. Sure on this shining night IV. Nocturne IV. Nocturne V. As it is, plenty Hermit Songs, Op. 29 A Charm of Lullabies, Op. 41 I. At Saint Patrick’s Purgatory V. The Nurse’s Song III. St. Ita’s Vision V. The Crucifixion Burleigh, Harry Thacker Op. 45 My Lord, what a mornin’ II. A Green Lowland of Pianos *Five Songs of Laurence Hope III. O Boundless, Boundless Evening Busch, Carl Beach, Amy Marcy Cheney Orpheus with his lute Three Shakespeare Songs, Op. 37 II. Take, O Take Those Lips Away Butterworth, George Three Browning Songs, Op. 44 Six Songs from a Shropshire Lad I. The Year’s at the Spring I. Loveliest of Trees II. Ah, Love, but a Day! VI. Is My Team Plowing? Berger, Jean Charles, Ernest Four Songs When I have sung my songs II. Heart Cipullo, Tom Bolcolm, William *Another Reason Why I Don’t Keep a Gun in the House Cabaret Songs, Vol. 1 V. Song of Black Max (as told by the deKooning Conte, David Boys) *American Death Ballads Bowles, Paul Copland, Aaron Blue Mountain Ballads *Twelve Poems of Emily Dickinson I. -
Graduate Conducting Recital: Ithaca College Wind Ensemble
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 3-26-2008 Graduate Conducting Recital: Ithaca College Wind Ensemble. Christopher J. Dresko, conductor Ithaca College Wind Ensemble Christopher Dresko Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Wind Ensemble and Dresko, Christopher, "Graduate Conducting Recital: Ithaca College Wind Ensemble. Christopher J. Dresko, conductor" (2008). All Concert & Recital Programs. 6733. https://digitalcommons.ithaca.edu/music_programs/6733 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ~C:HdOL oF MUSIC ... q.raduate Conducting. Recital ITHACA COLLEGE WIND ENSEMBLE · Christopher J. Dresko, conductor Ford Hall Wednesd~y, March 26, 2008 8:15 p.m. · ·' . PROGRAM - Serenade for 13 Winds, Op. 7 In evening's stillness ... Joseph Schwantner (b. 1943) INTERMISSION Short Ride in a Fast Machine John Adam. (b. 1941 f' Sleep Eric Whitacre .(b. 1970) '· 1. '. Paris Sketches Martin J?,llerby (b. 1957} \ l •' . Graduate conducting recital presented in partial fulfillment for the .. degree ~ s e of Music in Conducting ';,_. , · Christopher Dresko is from ·the studio of Stephen Peterson. Photographic, video, and sound recording and/ or transmitting devices are not permitted in the Whalen Center concert halls. Please turn off all cell phone ringtones. -. 'll . ~ . PROGRAM NOTES A master of orchestration, Richard Strauss expressed in his tone poems the whole gamut of huqian emotions . His art songs also achieved fame and success, among which "Allerseelen" became a great favorite and has been transcribed for both orchestra and band . -
Allerseelen Cover
LIEDER ALIVE! LIEDERABEND SERIES 2012/13 Marcelle Dronkers, soprano Heidi Moss, soprano Kindra Scharich, mezzo-soprano Bryan Baker, piano The Music Salon at Salle Pianos Sunday, November 4, 2012 at 2 p.m. LIEDER ALIVE! MASTER WORKSHOP AND CONCERT SERIES ! MASTER ARTISTS LIEDER ALIVE! would like to thank the following for their priceless support: Thomas Hampson 2008 Marilyn Horne 2009 Mrs. Barbro Osher and The Pro Suecia Foundation June Anderson 2011 Håkan Hagegård 2012 Nancy Quinn, Tom Driscoll and Quinn Associates AFFILIATED MASTER ARTIST Salle Pianos and the Music Salon team Christa Ludwig Cathie Anderson Lighting CONTRIBUTING ARTISTS Heidi Melton, soprano Our invaluable Master Artists, Contributing Artists and Advisory Board Ji Young Yang, soprano Kindra Scharich, mezzo-soprano Katherine Tier, mezzo-soprano About LIEDER ALIVE! Eleazar Rodriquez, tenor Kirk Eichelberger, bass LIEDER ALIVE! was founded in 2007 by Maxine Bernstein to re-invigorate the teaching and performance of German Lieder, songs mainly from the Romantic Era of music composed for a ADVISORY BOARD solo singer and piano, and frequently set to great poetry. David Bernstein, Honorary Chair Our “graduate level” program brings outstanding master artists together with highly accomplished emerging and established professionals. The program takes place at the state-of- Alison Pybus, Executive Chair the-art San Francisco Conservatory of Music in the heart of San Francisco’s cultural district. Vice President, IMG Artists Master Workshops range from two to ten days, and are open to the public. Thomas Hampson inaugurated the program in October 2008 with a Mostly Mahler intensive Master Workshop; as John Parr Janos Gereben wrote in San Francisco Classical Voice, this event “went beyond all Collaborative Pianist, Master Coach expectations.” The following year, LIEDER ALIVE! welcomed mezzo-soprano Marilyn Horne San Francisco Opera Center Assistant to Music Director and to San Francisco for a three-day program teaching Romantic German Lieder. -
The Lieder of Richard Strauss
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1969 The Lieder of Richard Strauss Gary Dwight Welch Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Musicology Commons Recommended Citation Welch, Gary Dwight, "The Lieder of Richard Strauss" (1969). All Master's Theses. 1244. https://digitalcommons.cwu.edu/etd/1244 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. THE LIEDER OF RICHARD STRAUSS A Covering Paper Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Arts by Gary Dwight Welch July, 1969 ~iltu!G•ll N\ '3mqswua ~00}1103 ~·is U0\1tUNRM J'li108J AJVJ<{n ~ 1111~s ,S" h (YJ I~ '/~~S' 01 APPROVED FOR THE GRADUATE FACULTY ________________________________ John DeMerchant, COMMITTEE CHAIRMAN _________________________________ Wayne S. Hertz _________________________________ Joseph S. Haruda CENTRAL WASHINGTON STATE COLLEGE DEPARTMENT OF MUSIC presents in GARY D. WELCH, Baritone VIVIENNE ROWLEY JOHN DeMERCHANT, pianists PROGRAM Ru ggiero Leoncavallo ........ .... " Prologue" to Pagliacci II Richard Strauss Allerseelen Traum durch die Dammerung Stiindchen Die Nacht Cacilie INTERMISSION Ill Nicholas Flagella ............. .. ...... ........ .............. .. ........ ... ..... .. .The Land The Eagle The Owl The Snowdrop The Throstle Flower in the Cranny IV Giuseppe Verdi ..... .... ... ......... ...... .. .................. ... ... E'Sogno? f rom Falstaff Sidney Homer.. ... ...... ................. ..... .... ....... ... .. .. ........ .. .The Pauper's Drive Jean Sibelius ... ........ .... ..... .. ................. ..... ... ....... .. .......... Come Away Death Howard Hanson ..... .. .. .. .... .. .aOh , 'Tis n Earth Defiled from Merry Mount Myron Jacobson . -
Scholarly Program Notes on the Graduate Voice Recital of Laura Kucharik Laura L
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 8-2015 Scholarly Program Notes on the Graduate Voice Recital of Laura Kucharik Laura L. Kucharik Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Kucharik, Laura L. "Scholarly Program Notes on the Graduate Voice Recital of Laura Kucharik." (Aug 2015). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF LAURA KUCHARIK by Laura Kucharik B.M., Millikin University, 1999 B.A., University of Missouri-St. Louis, 2006 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music. School of Music Southern Illinois University Carbondale August 2015 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF LAURA KUCHARIK By Laura Kucharik A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Vocal Performance Approved by: Dr. David Dillard, Chair Dr. Diane Coloton Dr. Eric Mandat Graduate School Southern Illinois University Carbondale 5/6/15 TABLE OF CONTENTS CHAPTER PAGE ABSTRACT ..................................................................................................................... -
6 X 10.Long.P65
Cambridge University Press 978-0-521-02774-8 - Richard Strauss: Man, Musician, Enigma Michael Kennedy Index More information index Aagard-Oestvig, Karl, 196, 212 Annunzio, Gabriele d’, 175, 187 Abendroth, Walther, 290–1 Arnim, Achim von, 103, 202 Adam, Adolphe, 105 Artôt de Padilla, Lola, 193 Adler, Guido, 295 Aschenbrenner, Carl, 19, 27 Adler, Hans, 374 Asow, Dr Erich Müller von, 18, 347 Adolph, Dr Paul, 262, 285, 298, 299 Astruc, Gabriel, 144 Adorno, Theodor, on R.S., 224 Auber, Daniel, 16–17, 32, 48, 130, 316, 366 Ahlgrimm, Isolde, 353 Audibert, Comte d’, 368 Ahna, Major General Adolf de (father-in- law), 58, 81–3 Bach, Johann Sebastian, 4, 128, 395; Well- Ahna, Mädi de (sister-in-law), 81–2 Tempered Clavier, 15 Ahna, Maria de (mother-in-law), 58 Baden-Baden, 28 Ahna, Pauline de. See Strauss, Pauline Bahr, Hermann, 96, 199, 231, 341; works Aibl, Joseph, 34, 109 on R.S. libretto, 196 Albert, Eugen d’, 32, 56 Bakst, Léon, 186 Albert, Hermann, 328 Bantock, Sir Granville, 284 Allen, Sir Hugh, 312 Bärmann, Carl, 20 Allgemeiner Deutscher Musikverein, 73, Barrymore, Lionel, invites R.S. to 108, 153, 306 Hollywood, 372–3 Allgemeine Musikzeitung, 33, 62, 290 Basile, Armando, 381 Altenberg, Peter (Richard Englander), 148 Bayreuth, 8, 26, 47, 54, 55, 57, 60, 61, 68, Alvary, Max, 68 83, 85, 86, 143, 281, 287; R.S. first Alwin, Carl, 94, 212, 222, 224, 238, 255, conducts at, 78; R.S. conducts Parsifal 256, 329 at, 276–7; Pauline sings at, 66, 78 Ampico (piano rolls, Chicago 1921), 406 Beardsley, Aubrey, 148 Amsterdam. -
Strauss US 13/8/07 2:59 Pm Page 5
570297bk Strauss US 13/8/07 2:59 pm Page 5 offered four songs with orchestral accompaniment, with ‘o Glück!’( ‘O happiness!’) in music penetrated again Hilko Dumno four more songs in 1898 in Op. 36. Op. 37, in the same and again by shafts of light. Hilko Dumno studied the piano, chamber music and song form at the year, offered six songs, with texts by various writers, The present recording contains songs from the Musikhochschule in Detmold and Franfurt am Main. His teachers included Gregor STRAUSS dedicated to Strauss’s wife. Ich liebe dich (I love you) # earlier part of Strauss’s long career, but he continued to Weichert, Rainer Hoffmann, Tabea Zimmermann and Charles Spencer. He held takes a poem by the soldier-writer Detlev von write songs throughout his life, with the Four Last Songs scholarships from the German Music Council, Villa Musica Mainz and the Yehudi Liliencron, a heroic pledge of loyalty. composed in 1948, the year before his death. They make Menuhin Foundation. Hilko Dumno has appeared regularly with Christoph Songs of Love and Death Op. 39 brings five more songs and chronologically up an important and essential part of German Lieder Prégardien, Christine Schäfer, Hedwig Fassbender, Julia Kleiter and Johannes the last of those included here, Befreit (Set Free) ^, a tradition, a remarkable contribution by a musician of the Schende as their partner at the Schleswig-Holstein Festival, the Schwarzenberg Allerseelen • Zueignung • Rote Rosen setting of a poem by Richard Dehmel, a friend of greatest versatility. Schubertiade, the Dresden Music Festival, the Lucerne Festival and the Amadeus Liliencron and a prolific writer. -
Recital Program
Voice & Trombone Recital Carl Boeder Featuring Mrs. Laura Stelljes, piano and Noah Ungemach, tenor March 27, 2021 | 3:00 PM Martin Luther College | Chapel of the Christ Voice & Trombone Recital Martin Luther College - Chapel of the Christ Saturday, March 27, 2021 Program Order I. My Life's Delight Roger Quilter Take, o take those lips away (1877-1953) The Monk and His Cat Samuel Barber A Green Lowland of Pianos (1910-1981) II. All' Mein Gedanken Richard Strauss Allerseelen (1864-1949) III. Adelaide from Guys and Dolls Frank Loesser (1910-1969) Just One of Those Things from Jubilee Cole Porter (1891-1964) Stormy Weather Ted Koehler (1894-1973) and Harold Arlen (1905-1986) The Wompom Michael Flanders (1922-1975) and Donald Swann (1923-1994) - intermission - IV. Sicilienne, Op. 78 Gabriel Fauré (1845-1924) Arranged by Alan Raph (b. 1933) Elegy for Mippy II Leonard Bernstein (1918-1990) Vocalise, Op. 34, No. 14 Sergei Rachmaninoff (1873-1943) Arranged by Alan Raph Concerto for Trombone and Piano Nikolai Rimsky-Korsakov (1844-1908) Voice & Trombone Recital Martin Luther College - Chapel of the Christ Saturday, March 27, 2021 Program Notes Roger Quilter wrote more than 100 art songs in a distinctly English style despite receiving much of his composing education in Germany. "My Life's Delight" comes from Quilter's popular collection Seven Elizabethan Songs and features the poetry of the prolific poet, lutist, and doctor, Thomas Campion. "Take, o take those lips away" is from Quilter's second set of songs with lyrics by Shakespeare. This short song was included in the play Measure for Measure. -
HOLLIS, DEBORAH LEE, DMA Orchestral Color in Richard Strauss's Lieder
HOLLIS, DEBORAH LEE, D.M.A. Orchestral Color in Richard Strauss’s Lieder: Enhancing Performance Choices of All of Strauss’s Lieder through a Study of His Orchestrated Lieder. (2009) Directed by Dr. James Douglass. 83 pp. Strauss was a major composer of Lieder , with more than 200 published songs composed between 1870 and 1948, many of which belong to the standard song repertoire. Strauss’s lieder are distinctive because they reflect his simultaneous preoccupation with composing tone poems and operas. The vocal lines are declamatory, dramatic, and lyrical, while the accompaniments are richly textured. Strauss learned the craft of orchestration through studying scores of the masters, playing in orchestras, conducting, and through exposure to prominent composers. Equally important was his affiliation with leading figures of the New German School including Liszt, Wagner, and Berlioz. Berlioz used the expressive characteristics of the orchestral instruments as the primary inspiration for his compositions. Like Berlioz, Strauss used tone color as a crucial element that gave expression to poetic ideas in his symphonic works, operas, and songs. Strauss’s approach to orchestration gives insight into ways that a collaborative pianist may use tone color to enhance renderings of all of the composer’s lieder. In this study, I use my own analysis of Strauss’s orchestrations of his songs, as well as Strauss’s statements in his revision of Berlioz’s Treatise on Instrumentation , to show how his orchestrations bring out important aspects of the songs, clarifying and enriching their meaning. I further show how collaborative pianists can emulate these orchestral effects at the keyboard using specific techniques of touch, pedal, and phrasing, thereby rendering each song richer and more meaningful.