In the Middle of an Island 85 (Acquaviva/Varnick 1957) INTRO: [G]/// [C]/// [G]/// [C]

Total Page:16

File Type:pdf, Size:1020Kb

In the Middle of an Island 85 (Acquaviva/Varnick 1957) INTRO: [G]/// [C]/// [G]/// [C] In the Middle of an Island 85 (Acquaviva/Varnick 1957) INTRO: [G]/// [C]/// [G]/// [C]/// [G] In the middle of an [C] island, In the middle of the [G] ocean You and I beneath the [D7] moon[Am7]light [D7] With just the monkeys and the [G] palm trees [G7] In the middle of an [C] island, when it's time to do some [G] kissin’ Plenty time for lotsa [D7] lov[Am7]in' [D7] And walkin' barefoot in the [G] sand [C]/ [G7] BRIDGE Though there's no [C] island at all Just a [Cm7] picture on my [G] wall, my [A] darlin’ How I [A7] wish we could [D7] be [Am7] [D7] (PAUSE) In the middle of an [C] island, In the middle of the [G] ocean You and I forever [D7] dar[Am7]lin' [D7] In a paradise for [G] two [C]/[G7]/// INSTRUMENTAL: FIRST AND SECOND VERSE [C]//// //// [G]/// //// [D7]/ [Am7]/ [D7]/ //// [G]/// [G7]/// [C]/// //// [G]/// //// [D7]/ [Am7]/ [D7]/ //// [G]/ [C]/ [G7]/ BRIDGE Though there's no [C] island at all Just a [Cm7] picture on my [G] wall, my [A] darlin' How I [A7] wish we could [D7] be [Am7] [D7] (PAUSE) In the middle of an [C] island, In the middle of the [G] ocean You and I forever [D7] dar[Am7]lin' [D7] In a paradise for [G] two [C]/ [G7] In the middle of an [C] island, In the middle of the [G] ocean You and I forever [D7] dar[Am7]lin' [D7] In a paradise for [G] two [C]/ [G] [D7] [G] Am7 Cm7 Sunshine Coast Ukulele Masters Spirit In The Sky 92 (Norman Greenbaum 1969) Intro: [C]/// // [F] [Eb] X 4 [C]/// //// When I die and they lay me to rest, gonna go to the [F] place that's best When they lay me [C] down to die [G] Goin' on up to the spirit in the [C] sky CHORUS Goin' on up to the spirit in the sky That's where I'm gonna go [F] when I die When I die and they [C] lay me to rest I'm gonna [G] go to the place that's the [C] best [C]/// // [F] [Eb] [C]/// // [F] [Eb] [C]/// //// Prepare yourself, you know it's a must, gotta have a friend in [F] Jesus So you know that [C] when you die He's [G] gonna recommend you to the spirit in the [C] sky Gonna recommend you to the spirit in the sky That's where you gonna go [F] when you die When you die and they [C] lay you to rest You're gonna [G] go to the place that's the [C] best [C]/// // [F] [Eb] [C]/// // [F] [Eb] [C]/// //// INSTRUMENTAL: Chorus chords [C]/// //// //// [F]/// //// [C]/// [G]/// [C]/// //// Never been a sinner, I've never sinned, I've got a friend in [F] Jesus So you know that [C] when I die It's [G] gonna set me up with the spirit in the [C] sky CHORUS x 2 I'm gonna [G] go to the place that's the [C] best [C]/// // [F] [Eb] [C]/// // [F] [Eb] [C]/// // [F] [Eb] [C]/// // [F] [Eb] [C] Sunshine Coast Ukulele Masters Life Could be a Dream 86 (Keys/Feaster/McRae/Edwards 1954) INTRO: [G]/// [Em]/// [C]/// [D7]/// (TWICE) Oh [G] life could be a [Em] dream [C] If I could [D7] take you up to [G] paradise up a[Em]bove [C] If you would [D7] tell me I’m the [G] only one that you [Em] love [C] Life would be a [D7] dream [G] sweetheart, hello [Em] hello again Sh[C] boom and hopin’ we’ll [D7] meet again [G] Sh-boom sh[Em]boom [C] ya-da-da-da-da-da [D7] da-da-da-da [G] Sh-boom sh[Em]boom [C] ya-da-da-da-da-da [D7] da-da-da-da [G] Sh-boom sh[Em]boom [C] ya-da-da-da-da-da [D7] da-da-da-da Sh[G]boom hello [Em] hello again, sh[C]boom and hopin’ we’ll [D7] meet again Oh [G] life could be a [Em] dream [C] If only [D7] all my precious [G] plans would come [Em] true [C] If you would [D7] let me spend my [G] whole life lovin’ [Em] you [C] Life could be a [D7] dream sweet[G]heart [G]/ BRIDGE: Now [B] every time I look at you [E7] Something is on my mind [A] If you do what I want you to [C] baby, we’d be so [D] fine INSTRUMENTAL “Sh-booms” then V2 [G] [Em] [C] [D7] [G] [Em] [C] [D7] [G] [Em] [C] [D7] [G] [Em] [C] [D7] [G] [Em] [C] [D7] [G] [Em] [C] [D7] [G] [Em] [C] [D7] [G]// BRIDGE: Oh [G] life could be a [Em] dream [C] If only [D7] all my precious [G] plans would come [Em] true [C] If you would [D7] let me spend my [G] whole life lovin’ [Em] you [C] Life could be a [D7] dream sweet[G]heart Hey nonny [Em] ding dong, a[C]lang alang a[D7]lang [G] Boom ba[Em]doh, ba[C]doo ba-doodle[D7]ay Oh [G] life could be a [Em] dream [C] life could be a [D7] dream Oh [G] life could be a [Em] dream [C] If only [D7] all my precious [G] plans would come [Em] true [C] If you would [D7] let me spend my [G] whole life lovin’ [Em] you [C] Life could be a [D7] dream sweet[G] heart [G7]/ OUTRO: [C] Dee-oody[D7]oo sh[G]boom, sh[Em]boom [C] Dee-oody[D7]oo sh[G]boom, sh[Em]boom [C] Dee-oody[D7]oo sh[G]boom, sh[Em] boom [C] [D7] Sweet[G]heaaaaart [D7] [G] Sunshine Coast Ukulele Masters Goin’ Up The Country 83 (Alan Wilson 1968) I’m [C] goin’ up the country baby don’t you wanna go I’m goin’ [F7] up the country baby don’t you wanna [C] go I’m goin’ [G7] to some place where I’ve never been be[C]fore I’m [C] goin’, I’m goin’ where the water tastes like wine I’m [F7] goin’ where the water tastes like [C] wine We can [G7] jump in the water stay drunk all the [C] time [D7] Instrumental: G/// //// //// //// C/// //// G/// //// D7/// C/// G/// G7/// I’m gonna [C] leave this city, got to get away I’m gonna [F7] leave this city, got to get a[C]way All this [G7] fussing and fighting man you know I sure can’t [C] stay Now baby [C] pack your leaving trunk You know we gotta leave today Just exactly where we’re goin’ I cannot say But [F7] we might even see the US[C]A ‘Cause it’s a [G7] brand new game and I want to [C] play [D7] Instrumental: G/// //// //// //// C/// //// G/// //// D7/// C/// G/// G7/// I’m [C] goin’ up the country baby don’t you wanna go I’m goin’ [F7] up the country baby don’t you wanna [C] go I’m goin’ [G7] to some place where I’ve never been be[C]fore No use of you [F7] runnin’, or screamin’ and [C] cryin’ ‘Cause you got a [G7] home man, as long as I’ve got [C] mine I’m [C] goin’ up the country baby don’t you wanna go I’m goin’ [F7] up the country baby don’t you wanna [C] go I’m goin’ [G7] to some place where I’ve never been be[C]fore I’m [C] goin’, I’m goin’ where the water tastes like wine I’m [F7] goin’ where the water tastes like [C] wine We can [G7] jump in the water stay drunk all the [C] time [D7] Instrumental: G/// //// //// //// C/// //// G/// //// D7/// C/// G/// //// G/// //// //// //// C/// //// G/// //// D7/// C/// G/// //// [C] [G] Sunshine Coast Ukulele Masters Honolulu Rock-a Roll-a 73 (Hoffman/Manning) ( Line 1 of intro is sung slowly, then pick up tempo from beginning of line 2) INTRO: If [C] you could cast your eyes on the [G] isle of paradise [A7] You’d be surprised to see what’s [D7] happened to Waikiki (Pause) They do the [G] Honolulu rock-a roll-a, Honolulu rock-a roll-a [C] Come and see them all a [G] rockin’ away On the [D7] beach at Waiki[G]ki You’ll love the Honolulu rock-a roll-a, Honolulu rock-a roll-a [C] Hula hula girls a[G]swayin’ away ‘Neath the [D7] palm trees by the [G] sea You’ll see them [C] swing their little grass skirts They love to [G] swing their little grass skirts Be sure to [A7] bring along a ukulele To serenade your [D7] love (Pause) When you do the [G] Honolulu rock-a roll-a, Honolulu rock-a roll-a [C] Say “hi” in Ha[G]waii for me when you [D7] get to Waiki[G]ki INSTRUMENTAL: C/// //// G/// //// A7/// //// //// D7/// G/// //// //// //// C/// G/// D7/// G (Pause) They do the [G] Honolulu rock-a roll-a, Honolulu rock-a roll-a [C] Come and see them all a[G]rockin’ away On the [D7] beach at Waiki[G ]ki You’ll love the Honolulu rock-a roll-a, Honolulu rock-a roll-a [C] Hula hula girls a[G]swayin’ away ‘Neath the [D7] palm trees by the [G] sea You’ll see them [C] swing their little grass skirts They love to [G] swing their little grass skirts Be sure to [A7] bring along a ukulele To serenade your [D7] love (Pause) When you do the [G] Honolulu rock-a roll-a, Honolulu rock-a roll-a [C] Say “hi” in Ha[G]waii for me when you [D7] get to Waiki[G]ki When you [D7] get to Waiki[G]ki When you [D7] ge—t toooo Wai—ki—[G]ki [D7] [G] Sunshine Coast Ukulele Masters Drift Away 82 (Mentor Williams 1973) [F] Day after day, I’m more con[C]fused [F] Yet I look for the [G] light through the pouring [C] rain [F] You know that’s a game that I hate to [C] lose [Dm] And I’m feelin’ the strain [F] ain’t it a shame CHORUS Oh [C] give me the beat, boys, and free my soul I [G] wanna get lost in your rock’n roll and [F] drift away Oh [C] give me the beat, boys and free my soul I [G] wanna get lost in your rock’n roll and [F] drift away [F] Beginning to think that I’m wastin’ [C] time [F] I don’t under[G]stand the things I [C] do [F] The world outside looks so un[C]kind [Dm] Now I’m countin’ on you [F] to carry me though CHORUS Instrumental Verse Chords: [F]/// //// [C]/// //// [F]/// [G]/// [C]/// //// [F]/// //// [C]/// //// [Dm]/// //// [F]/// //// CHORUS [Dm] And when my mind is free [F] you know a melody can [C] move me [Dm] And when I’m feelin’ blue [F] a ukulele’s comin’ through to [G] soothe me [F] Thanks for the joy that you’ve given [C] me [F] I want you to [G] know I believe in you [C] song [F] And rhythm and rhyme and harmo[C]ny [Dm] You help me along [F] makin’ me strong A CAPPELLA CHORUS CHORUS Oh [C] give me the beat, boys, and free my soul I [G] wanna get lost in your rock’n roll and [F] drift away Oh [C] give me the beat, boys and free my soul I [G] wanna get lost in your rock’n roll and [F] drift away [C] Sunshine Coast Ukulele Masters Somewhere Over the Rainbow/What a Wonderful World 18 (Arlen/Harburg 1939) (Theile/Weiss 1967) INTRO: “Oooo..” C/// //// Em/// //// F/// //// C/// //// F/// //// E7/// //// Am/// //// F/// //// [C] Somewhere [Em] over the rainbow [F] way up [C] high
Recommended publications
  • Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
    MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................
    [Show full text]
  • Stray Cats Strut Into Carpenter
    Stray Cats Strut Into Carpenter Combine 1500 tapping feet, a last encore. They can just move the sold out performance, and a pul- crowd. sating popular beat, and you've got Cats members Brian Setzer, Lee the Stray Cats rocking this town. Rocker, and Slim Jim Phantom Tickets to the Cats' perfor- don't have the heavy metal sound, mance at Carpenter Sports Build- but a more basic, 1950's dance ing on November 20, were no easy music style. Setzer does most of thing to come by. When tickets the vocals for the group while went on sale two weeks before, Phantom plays a single snare, bass they were sold out in less than drum and cymbal and Rocker three hours. plays an acoustic stand-up bass. Why are the Stray Cats such a Their performance included hot group? Maybe it's their combi- songs such as "Baby Blue," "Built nation of early rock 4n' roll music For Speed," "Rock This Town," and contemporary new wave that's and "Stray Cat Strut." The New- the key. Then again, maybe it's the ark crowd immediately jumped to way the Cats can make an audi- its feet and didn't stop dancing un- ence dance, jump and sing from til the several encores ended. the first echo of sound to the very by Anne Giacoma 204 Features Live From Newark ... It's Joe Piscopo Easy audience rapport and a all of his fans unfortunate enough constant repertoire of humorous to live in Newark. Highlighting antics characterized Joe Piscopo's Piscopo's performance was a September performance at Mitch- tongue-in-cheek Tom Snyder im- ell Hall.
    [Show full text]
  • Big Blast & the Party Masters
    BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat.
    [Show full text]
  • Eisemann Center Presents Lee Rocker of the Stray Cats Sat, Oct. 26, 2019
    For Immediate Release Media Contact: Sarah Nesbit 972-744-4612 or [email protected] EISEMANN CENTER PRESENTS LEE ROCKER OF THE STRAY CATS GRAMMY NOMINATED MUSICIAN AND BASS PLAYER HALL OF FAMER SAT, OCT. 26, 2019 at 7:30 PM RICHARDSON, TX – Eisemann Center Presents LEE ROCKER of The Stray Cats at the Eisemann Center, 2351 Performance Drive in Richardson, Texas on Saturday, October 26, 2019 at 7:30 pm in the Hill Performance Hall. LEE ROCKER made his mark singing, playing, standing on, spinning and rocking his giant upright bass as a founding member (along with Brian Setzer and Slim Jim Phantom), of the Grammy nominated music group The Stray Cats, who sold over 10 million albums, garnered 23 gold and platinum certified records, and were music video pioneers of the MTV. The Stray Cat’s worldwide mega hits “Stray Cat Strut”, “Sexy and Seventeen” and “Rock this Town” have become a part of the fabric of rock and roll. The Rock and Roll Hall of Fame has included “Rock this Town” as one of the 500 most important songs in rock. From the cover of the Rolling Stone magazine, to appearing on Saturday Night Live, to headlining the US Festival and touring with the Rolling Stones, LEE ROCKER has seen and done it all. In addition to The Stray Cats and the Rolling Stones, Rocker has toured and performed with George Harrison, Ringo Starr, Willie Nelson, Leon Russell, and John Fogerty. In 1982 Rocker and his father Stanley Drucker, (classical clarinetist) both received Grammy nominations; this was something that has only occurred twice in the history of the Grammy Awards.
    [Show full text]
  • Slim Jim Phantom Has Secured His Place As a True Rock-N-Roll Icon. As the Legendary Drummer for the Stray Cats, Phantom, Alongsi
    Slim Jim Phantom has secured his place as a true rock-n-roll icon. As the legendary drummer for the Stray Cats, Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock-n-roll the Stray Cats took inspiration from that bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the U.S., gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way. Born in the Brooklyn Borough of New York City, Jim grew up listening to his parents’ jazz records and by the age of ten took up the drums. Immersing himself in the art of drumming and the world of music, Jim took lessons with Mousie Alexander (who played with Benny Goodman), which included the study of jazz and working through books by Jim Chapin and Ted Reed. By the late 70s Jim was playing in bands with school friend and bassist Lee Rocker and they soon joined forces with guitarist Brian Setzer. The rest, as they say, is history. The Stray Cats had numerous hit singles in the early 1980s, their classic album “Built for Speed” went double platinum, and their song “Rock This Town” is in the Rock and Roll Hall of Fame’s list of “The Songs That Shaped Rock and Roll.” Summer 2008 saw Jim and the Stray Cats reunite for an extensive tour of Europe. In February 2009 the band headed to Australia and New Zealand for the first time in 18 years - a tour which was eagerly anticipated by Australasian fans.
    [Show full text]
  • Will Tuition Rise out of Control?
    The UWM Post in Sampson Parsons Faculty applaud Milwaukee Idea ergy and her enthusiasm," added pated that I, as a social worker, By Robin Lickel Madeleine Velguth, Associate Pro­ would ever want to participate in fessor of French. dialogues about fresh water. But Several members of UWM's "She's an excellentspeaker and I found myself drawn into the dis­ Faculty Senate expressed enthusi­ must be a good listener too, be­ cussions and they made sense." asm after Chancellor Zimpher cause she has a very keen sense of Others were impressed by presentedaprogressreportonthe her audience. If anyone can get Zimpher'spresentationof the Mil­ Milwaukee Idea at Thursday's ple­ the citizens of Milwaukee and its waukee Idea and its progress. nary session. corporate and business commu­ "The Milwaukee idea is really Many Senate members were nity to realize that UWM is a hid­ coming together quickly now," also engaged as members of the den treasure, a very good univer­ said Robert Greenstreet, Dean of "Committee of 100," the group of sity thatcould with propersupport the School of Architecture and UWM constituents congregated to become a great university, it's Urban Planning. conceptualize and define the Mil­ Chancellor Zimpher." "The ideas represented in the waukee Idea. Several participants Marshall Goodman, Dean of Chancellor's presentation demon­ expressed excitement about their the School of Letters & Sciences, strate the extraordinary range of experiences in the process. has already seen the Milwaukee creative, energetic imput received "I have truly enjoyed the oppor­ Idea in action. from a multitude of campus and tunity to be a part ofthe Milwau­ "Recently, I was up in Madison, community individuals.
    [Show full text]
  • Season Gvr Live! Arts & Entertainment
    2017/2018 SEASON GVR LIVE! ARTS & ENTERTAINMENT 1 Welcome to the GVR Live! 2017/2018 Performing Arts Season! This upcoming season is meant to inspire, delight and excite every patron who walks through the doors of the West Center Auditorium. Last season was extremely ambitious and we hope you enjoyed all the brilliant artists that graced our stage. With this new season, we continue the GVR Live! tradition of enhancing our artistic offerings each year with even more sensational talent and performances. Creating each new season is an extraordinary challenge. For each season, it is never our intention to duplicate our previous season. It is our goal to reimagine, recreate and reinvent the GVR Live! season in order to make it an outstanding experience each and every year. Julie Vance The GVR Live! 2017/2018 Performing Arts Season is filled with new artists, Senior Recreation Supervisor, M.A., CPP, CPAE exciting tributes, traditional country, inspiring classics, international flare and so much more! It is important to us to encourage diverse artistic tastes by offering eclectic and unique programming while balancing these styles with familiar musical tastes. We believe we have found that perfect balance this season. We begin our season with the return of Jarabe Mexicano to kick off the festivities at Cocktails in the Courtyard. Our international offerings also include rising stars of the Cuban music scene, Tiempo Libre. We are also very proud to present Flamenco Vivo Carlota Santana who is considered to be one of America’s premier Spanish dance companies. As a compliment to these diverse performances, we are also presenting plenty of rock ‘n’ roll.
    [Show full text]
  • Conservatory Canada Contemporary Idioms Repertoire List
    Contemporary Syllabus Repertoire List Committee Chair: Andrew Harbridge Committee Members: Derek Oger, April Smith, Michael Faulkner, Beth Tadeson, Judy Freeman, Michelle Miller, Nancy Rogerson, David Story, Sherry McKinnon, Kathy Bartel, Suzanne Oakley, Roxanne McGahey and Esther Ng. Published: Sept 3, 2016 © 2016 Conservatory Canada Conservatory Canada Level 1 or Grade 1 Page !1 Contemporary Repertoire *Canadian Composer Canadian Contemporary Repertoire Series Lv 1 Product # HL 00139067 *Badian, Maya ISBN: 9781495005367 HAL Northern Lights Repertoire 1A Repertoire DWM Olé LA ISBN 978-0-9919297-2-6 ‘Game’ in Mixolydian 20th/21st c. (Modal) *Chase, G. Northern Lights Repertoire 1B Repertoire DWM Northern Lights Repertoire 1A Repertoire DWM ISBN 978-1-927777-03-9 ISBN 978-0-9919297-2-6 Aboriginal Dance CP Lullaby for Chelte NR ‘Cantus Planus’ in Dorian NB (Modal) Cuban Folk Dance FK *Chouinard, D. Northern Lights Repertoire 1B Repertoire DWM *Balodis, F. ISBN 978-1-927777-03-9 Northern Lights Repertoire 1B Repertoire DWM Jewel Box Ballerina CP ISBN 978-1-927777-03-9 The Lace Tablecloth CP Cobb, E, ! Higgledy Piggledy Jazz *Bender, J. ISBN 978-0-9566569-19 Northern Lights Repertoire 1A Repertoire DWM Super Duck ISBN 978-0-9919297-2-6 I Ate All The Choc’late Puppy Tricks CP You Tell Me Why I Wait For Christmas? Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Crawley, C. Video Fantasy ET Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 *Benedict, R. Musette NB Canadian Contemporary Repertoire Series Lv 1 A Rant ET Product # HL 00139067 ISBN: 9781495005367 HAL *Dick, J.
    [Show full text]
  • Music Popula R Mu S Ic
    POPULAR MUSIC MUSIC F Levon Helm’s POPUL Midnight Ramble By the Time We Got Fab Four FAQ Photographs by Paul LaRaia The Official Heavy Foreword by Levon Helm Metal Book of Lists to Woodstock Everything Left to Backbeat Books Know About the Beatles ... by Eric Danville The Great Rock ’n’ Roll A and More! The official record of the incredible Illustrations by Cliff Mott Revolution of 1969 down-home jam sessions held Backbeat Books R MU And Party Every Day by Stuart Shea and by Bruce Pollock by Levon Helm, the charismatic This time-wasting yet essential The Inside Story of Backbeat Books Robert Rodriguez drummer, singer, and sometimes toilet reader is part trivia contest Casablanca Records From the Byrds, Baez, Hendrix, Hal Leonard by Larry Harris with Curt Gooch Stories unknown by most fans, mandolin player for The Band. and part encyclopedia of excess. Joplin and Jefferson Airplane, S and Jeff Suhs trends unseen & history uninter- Accompanying the spectacular Get ready to be thrown headfirst to the Velvet Underground, the IC Backbeat Books photos are testimonials and into a mosh pit of wacky, wild, and Mothers of Invention, Funkadelic preted are revealed! Here are the The true, behind-the-scenes story remembrances from the notable weird lists from metal’s hardest- and the Fugs, 1969 stands up as best obscure Beatles facts, bound of Casablanca Records, from an blues entertainers and musicians hitting stars. a decade-smashing anomaly in the to start as many arguments as eyewitness to the excess and who have joined the Ramble. US $16.99 • CAN $21.95 • 7” annals of rock, captured gloriously they end.
    [Show full text]
  • Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
    Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt.
    [Show full text]
  • 1980S Retro Playlist
    1980s Retro Playlist Instructor Song Name Time Artist BPM Contributor Uses Take A Chance On Me 4:07 Abba 107 Lisa Piquette I love this for an opening song Richard Poison Arrow 3:24 ABC 126 Newman intro song while class is setting up I Saw the Sign 3:12 Ace of Base 97 J Sage fast flat. Great for cadence drills My roommate at UCSB was in love with Adam Ant, so I can't think of the 1980s without thinking of her and this song! It has a great beginning for your cyclists; there's no way to not grab that distinctive drum Goody Two Shoes 3:28 Adam Ant 95 J Sage beat for your higher-cadence flats. Take On Me 3:47 Aha 84 Lisa Piquette Fast Cadence, Hill Back to the 80s 3:43 Aqua Annette Warm up Freeway of Love 5:33 Aretha Franklin 126 Lisa Piquette Cadence Surges Venus 3:37 Bananarama 126 Lisa Piquette Muscular Endurance Richard Take My Breath Away 4:12 Berlin 96 Newman cool down In my Top 5 for sure. I thought this song was so unique at the time—it didn't sound like many of the other typical songs of the era. The Scottish accents and the bagpipes gave it an exotic sound. I use this in almost all of my retro playlists. You can only climb to it, and at 2:28 you power out of the saddle after Big Country 3:55 Big Country 125 J Sage he sings "When every single hope has been shattered" until 2:45.
    [Show full text]
  • Iowa Bandmaster Magazine
    he T Iowa Bandmaster Magazine Summer Issue 2012 Iowa Bandmaster Magazine Deadlines Fall Issue .................................... October 5, 2012 Winter Issue ................................ January 4, 2013 Conference Issue ............................ March 8, 2013 Magazine Staff Editor Advertising Dick Redman Chad Allard 1408 W. 3rd St. 3060 24th Avenue Pella, Iowa 50219 Marion, IA 52302 641-628-9380 (H) 319-550-6109 (H) [email protected] 319-377-9891 [email protected] Festival Results Denise Graettinger District News 1307 Country Meadows Dr. Elaine Menke Waverly, IA 50677 1130 Rolling Hills Ct. 319-352-4003 (H) Norwalk, Iowa 50211 319-352-2087 (S) 515-953-6214 (H) [email protected] 515-685-3330 (S) [email protected] The Iowa Bandmaster 1 Iowa Bandmasters Association, Inc. World’s Finest Bandmasters Organization www.bandmasters.org PAST PRESIDENT PRESIDENT PRESIDENT-ELECT SECRETARY TONY GARMOE PATRICK KEARNEY BRAD LAMPE STEVEN COOK 4821 TWANA DRIVE 129 N EAST STREET COMMITTEE CHAIRS MAGAZINE EDITOR DES MOINES, IA 50310-2916 OSCEOLA, IA 50213 TREASURER DICK REDMAN AARON NUSS CONFERENCE EQUIPMENT JAYSON GERTH NATHAN SLETTEN IBA MAGAZINE-OFFICIAL PUBLICATION OF THE IOWA BANDMASTERS ASSOCIATION CONFERENCE EXHIBITS vol. 71 published by Pella Printing Co., Inc., Pella, Iowa 50219 NO. 1 DAN STECKER ELECTIONS JERRY BERTRAND CONTENTS ENDOWMENT FUND GENE GROSS President’s Message . 4, 7 HISTORIAN President-Elect’s Thoughts . 5, 7 MARY CRANDELL Congratulations to Our Retiring 2011 IBA Members . 8 PARLIAMENTARIAN FRED STARK 2012 IBA Conference Photos . 9-12 WEBMASTER Open Letter to the IBA Membership . 13 ELIZABETH FRITZ IBA Conference Performance Experience . 14-15 COLLEGE AFFAIRS College Corner by Dr.
    [Show full text]