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Lovecraft's Terrestrial Terrors: Morally Alien Earthlings
7 ARTIGO http://dx.doi.org/10.12957/abusoes.2017.27816 01 LOVECRAFT’S TERRESTRIAL TERRORS: MORALLY ALIEN EARTHLINGS Greg Conley (EKU) Recebido em 05 mar 2017. Greg Conley is Adjunct Instructor of Humanities, Aprovado em 30 mar 2017 Ph.D. in Literary and Cultural Studies, MFA in Creative Writing, of the Department of Languages, Cultures, and Humanities. Expert Areas: Victorian Literature; Science Fiction/Fantasy/Horror. Email: gregory. [email protected]. Abstract: Lovecraft’s cosmic horror led him to create aliens that did not exist on the same moral spectrum as humanity. That is one of many ways Lovecraft’s work insists humans do not matter in the cosmos. However, most of the work on Lovecraft has focused on the space aliens, and how they are necessarily alien to humans, because they are from other worlds. Lovecraft’s terrestrial aliens, such as the Deep Ones, the Old Ones, and the Shoggoths, are less alien, but just as morally strange. Lovecraft used biological horror to create his terrestrial aliens, and in turn used them to claim that morality was a product of human evolution and history. A life form with a separate evolutionarily history would necessarily have a separate and incomprehensible morality. Lovecraft illustrates that point with narrators who are ultimately sympathetic with the aliens, despite the threat they pose to the narrators and to everything they have ever known. Keywords: Fiction; Cosmic horror; Biologic horror. REVISTA ABUSÕES | n. 04 v. 04 ano 03 8 ARTIGO http://dx.doi.org/10.12957/abusoes.2017.27816 Resumo: O horror cósmico de Lovecraft o conduziu a criar alienígenas que não existem no mesmo escopo moral da humanidade. -
High Spatially Sensitive Quantitative Phase Imaging Assisted with Deep
www.nature.com/scientificreports OPEN High spatially sensitive quantitative phase imaging assisted with deep neural network for classifcation of human spermatozoa under stressed condition Ankit Butola1,2,8, Daria Popova2,3,8, Dilip K. Prasad4, Azeem Ahmad2, Anowarul Habib2, Jean Claude Tinguely2, Purusotam Basnet3,5, Ganesh Acharya5,6, Paramasivam Senthilkumaran7, Dalip Singh Mehta1,7 & Balpreet Singh Ahluwalia2,6* Sperm cell motility and morphology observed under the bright feld microscopy are the only criteria for selecting a particular sperm cell during Intracytoplasmic Sperm Injection (ICSI) procedure of Assisted Reproductive Technology (ART). Several factors such as oxidative stress, cryopreservation, heat, smoking and alcohol consumption, are negatively associated with the quality of sperm cell and fertilization potential due to the changing of subcellular structures and functions which are overlooked. However, bright feld imaging contrast is insufcient to distinguish tiniest morphological cell features that might infuence the fertilizing ability of sperm cell. We developed a partially spatially coherent digital holographic microscope (PSC-DHM) for quantitative phase imaging (QPI) in order to distinguish normal sperm cells from sperm cells under diferent stress conditions such as cryopreservation, exposure to hydrogen peroxide and ethanol. Phase maps of total 10,163 sperm cells (2,400 control cells, 2,750 spermatozoa after cryopreservation, 2,515 and 2,498 cells under hydrogen peroxide and ethanol respectively) are reconstructed using the data acquired from the PSC-DHM system. Total of seven feedforward deep neural networks (DNN) are employed for the classifcation of the phase maps for normal and stress afected sperm cells. When validated against the test dataset, the DNN provided an average sensitivity, specifcity and accuracy of 85.5%, 94.7% and 85.6%, respectively. -
Peter the Great and His Changing Identity Emily Frances Pagrabs Wofford College
Wofford College Digital Commons @ Wofford Student Scholarship 5-2016 Peter the Great and His Changing Identity Emily Frances Pagrabs Wofford College Follow this and additional works at: http://digitalcommons.wofford.edu/studentpubs Part of the European History Commons, and the Slavic Languages and Societies Commons Recommended Citation Pagrabs, Emily Frances, "Peter the Great and His Changing Identity" (2016). Student Scholarship. Paper 17. http://digitalcommons.wofford.edu/studentpubs/17 This Honors Thesis is brought to you for free and open access by Digital Commons @ Wofford. It has been accepted for inclusion in Student Scholarship by an authorized administrator of Digital Commons @ Wofford. For more information, please contact [email protected]. Peter the Great and His Changing Identity Senior History Honors Thesis May 11, 2016 Emiley Pagrabs Pagrabs 1 Introduction Well aware of the perception that foreigners held of him, Peter the Great would never apologize for his nationality or his country. A product of his upbringing, Peter did have some qualities that many foreigners criticized as barbaric and harsh. Said Peter: They say that I am cruel; that is what foreigners think of me, but who are they to judge? They do not know what the situation was at the beginning of my reign, and how many were opposed to my plans, and brought about the failure of projects which would have been of great benefit to my country obliging me to arm myself with great severity; but I have never been cruel…I have always asked for the cooperation of those of my subjects in whom I have perceived intelligence and patriotism, and who, agreeing with my views, were ready to support them.1 Essentially, Peter I was simply a Russian. -
Immortality of the Soul (Plat Ōn) and Bodily Resurrection (Paul) — Any Rapprochement?
IMMORTALITY OF THE SOUL (PLAT ŌN) AND BODILY RESURRECTION (PAUL) — ANY RAPPROCHEMENT? ChrYs C. Caragounis [email protected] ABSTRACT It is a usual assumption among NeW Testament scholars that in his discussion of the resurrec - tion of the dead, Paul holds to the JeWish VieW of the resurrection of the bodY, not to the Hellenic (Platonic) VieW of the immortalitY of the soul. As this question impinges on the question of anthropologY, it is further stated that according to the Hellenic VieW man has a bodY — Which, moreoVer is conceiVed as a tomb of the soul (Orphics) — Whereas accor - ding to the JeWish VieW man is a bodY. A careful inVestigation of the Hellenic and OT-JeWish eVidence shoWs that it is a metho - dological miss to confuse VieWs in Hom ēros and the Orphics With later VieWs in Sokrates and Plat ōn. MoreoVer there neVer Was a “JeWish VieW” of the resurrection. There Were fiVe/siX VieWs. The resurrection of the bodY Was a minoritY VieW. The Pauline teXts shoW that Paul speaks of the resurrection of the dead but neVer of the resurrection of the bodY as Well as that man has a bodY. It is thus intriguing to compare Paul’s VieW of resurrection With Plat ōn’s VieW of the immortalitY of the soul and see hoW far apart theY are from one another. KEY WORDS : First Corinthians, Resurrection (of the bodY), ImmortalitY of the soul. 3 2 1 5 - 1. INTRODUCTION 3 2 . P P , Ernest Best prefaces his discussion of 1 Th 5:23 in his commentarY With 6 1 0 the remark that “To the Greek for Whom the bodY Was the tomb or prison of the 2 ; 1 7 immortal soul its ultimate fate Was unimportant” . -
Community Redevelopment Area Plans
February 2015 Community Redevelopment Area Plans Northbank Downtown CRA & Southside CRA Downtown Jacksonville Community Redevelopment Plan July 30, 2014 Acknowledgements This Community Redevelopment Plan has been prepared under the direction of the City of Jacksonville Downtown Investment Authority serving in their capacity as the Community Redevelopment Agency established by City of Jacksonville Ordinance 2012-364-E. The planning effort was accomplished through considerable assistance and cooperation of the Authority’s Chief Executive Officer, the Governing Board of the Downtown Investment Authority and its Redevelopment Plan Committee, along with Downtown Vision, Inc. the City’s Office of Economic Development and the Planning and Development Department. The Plan has been prepared in accordance with the Community Redevelopment Act of 1969, Chapter 163, Part III, Florida Statutes. In addition to those listed below, we are grateful to the hundreds of citizens who contributed their time, energy, and passion toward this update of Downtown Jacksonville’s community redevelopment plans. Mayor of Jacksonville Jacksonville City Council Alvin Brown Clay Yarborough, President Gregory Anderson, Vice-President Downtown Investment Authority William Bishop, AIA, District 2 Oliver Barakat, Chair Richard Clark, District 3 Jack Meeks, Vice-Chair Donald Redman, District 4 Craig Gibbs, Secretary Lori Boyer, District 5 Antonio Allegretti Matthew Schellenberg, District 6 Jim Bailey, Jr. Dr. Johnny Gaffney, District 7 Melody Bishop, AIA Denise Lee, District -
The Science of “Fringe”
THE SCIENCE OF “FRINGE” EXPLORING: INFLUENZA A SCIENCE OLYMPIAD THEMED LESSON PLAN EPISODE 313: IMMORTALITY Overview: Students will learn about the influenza virus and how it spreads and impacts its host. Grade Level: 9-12 Episode Summary: The alternate universe Fringe team investigates a bioterrorist armed with an insect that has a taste for human flesh. With the help of the CDC, they quickly discover that the insect was thought to be extinct and that a key researcher who previously devoted his life to the bug hasn’t been seen in years. The researcher’s goal was to create a universal vaccine for the flu virus based upon an enzyme extracted from the insect. Related Science Olympiad Event: Microbe Mission - Teams will answer questions, solve problems and analyze data pertaining to microbes. Learning Objectives: Students will understand the following: • Influenza is caused by a family of viruses that spread from host to host via airborne aerosols. • Influenza spreads seasonally around that world and causes hundreds of thousands of deaths each year • New strains of influenza often appear when an existing virus picks up new genes from viruses in other animal species such as birds or pigs. Episode Scenes of Relevance: • Bolivia and Frank discussing the possible flu vaccine (24:17 ‘called Atlanta’ – 25:05 ‘human hosts’) • Bolivia and Dr. Silva discussing his quest for a vaccine (30:50 ‘they’ll thank me’ – 31:50 ‘nearly complete’) © FOX/Science Olympiad, Inc./FringeTM/Warner Brothers Entertainment, Inc. All rights reserved. 1 Online Resources: • Fringe “Immortality” full episode: http://www.Fox.com/watch/Fringe • Science Olympiad Microbe Mission event: http://soinc.org/microbe_mission_c • Centers for Disease Control and Prevention Flu page: http://www.cdc.gov/flu/ • Flu.gov: http://www.pandemicflu.gov/ • NCBI Influenza Virus Resource: http://www.ncbi.nlm.nih.gov/genomes/FLU/flubiology.html Procedures: 1. -
The-Future-Of-Immortality-Remaking-Life
The Future of Immortality Princeton Studies in Culture and Technology Tom Boellstorff and Bill Maurer, Series Editors This series presents innovative work that extends classic ethnographic methods and questions into areas of pressing interest in technology and economics. It explores the varied ways new technologies combine with older technologies and cultural understandings to shape novel forms of subjectivity, embodiment, knowledge, place, and community. By doing so, the series demonstrates the relevance of anthropological inquiry to emerging forms of digital culture in the broadest sense. Sounding the Limits of Life: Essays in the Anthropology of Biology and Beyond by Stefan Helmreich with contributions from Sophia Roosth and Michele Friedner Digital Keywords: A Vocabulary of Information Society and Culture edited by Benjamin Peters Democracy’s Infrastructure: Techno- Politics and Protest after Apartheid by Antina von Schnitzler Everyday Sectarianism in Urban Lebanon: Infrastructures, Public Services, and Power by Joanne Randa Nucho Disruptive Fixation: School Reform and the Pitfalls of Techno- Idealism by Christo Sims Biomedical Odysseys: Fetal Cell Experiments from Cyberspace to China by Priscilla Song Watch Me Play: Twitch and the Rise of Game Live Streaming by T. L. Taylor Chasing Innovation: Making Entrepreneurial Citizens in Modern India by Lilly Irani The Future of Immortality: Remaking Life and Death in Contemporary Russia by Anya Bernstein The Future of Immortality Remaking Life and Death in Contemporary Russia Anya Bernstein -
"The Monsters Are Due on Maple Street" by Rod Serling ACT I
"The Monsters Are Due on Maple Street" by Rod Serling ACT I [Fade in on a shot of the sky...the various nebulae, and planet bodies stand out in sharp, sparkling relief. As the camera begins a slow pan across the heavens.] Narrator's Voice There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space, and as timeless as infinity. It is the middle ground between light and shadow - between science and superstition. And it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone. [The CAMERA has begun to PAN DOWN until it passes the horizon and on a sign which reads, "Maple Street." PAN DOWN until we are shooting down at an angle toward the street below. It's a tree-lined, quiet residential American street, very typical of the small town. The houses have front porches on which people sit and swing on gliders, conversing across from house to house. Steve Brand polishes his car parked in front of his house. His neighbor, Don Martin, leans against the fender watching him. A Good Humor man rides a bicycle and is just in the process of stopping to sell some ice cream to a couple of kids. Two women gossip on the front lawn. Another man waters his lawn.] Narrator's Voice Maple Street, U.S.A., late summer. A tree-lined little world of front porch gliders, hop scotch, the laughter of children, and the bell of an ice cream vendor. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
'"There's More Than One of Everything": Navigating Fringe's Cofactual Multiverse'
. Volume 13, Issue 1 May 2016 ‘There’s More Than One of Everything’: Navigating Fringe’s cofactual multiverse Casey J. McCormick, McGill University, Montréal, Canada Abstract: This article analyzes how viewers of Fringe (FOX 2008-2013) make sense of the series’ complex science fictional storyworld. It argues that Fringe presents multiple iterations of worlds and characters in a way that encourages ‘cofactual’ interpretation: rather than figuring parallel universes and alternate timelines as ontologically hierarchical, the narrative accommodates all versions of reality and invites viewers to participate in shaping the multiverse. The article offers a close reading of Fringe’s complex narrative structure alongside an exploration of how audiences responded to and impacted the series through fannish practices such as vidding and narrative mapping. It concludes that cofactual narration opens up an array of participatory practices that blur the text/paratext distinction and facilitate interactive storyworld building. Keywords: Complex TV, Fandom, Narrative, Paratexts, Counterfactual, Cofactual, Possible Worlds Cofactual Interpretation By the time viewers reach the series finale of Fringe (FOX 2008-2013), they have travelled across two spatially-distinct universes, three versions of the future, and at least four different timelines, with each world-iteration populated by different versions of the show’s central characters. Through its reinvigoration of science fiction tropes, such as time travel, alternate realities, and temporal resets, Fringe asks viewers to re-evaluate typical models of narrative world-building. The series constructs a multiverse comprised of what I deem cofactual diegetic worlds. I use the term ‘cofactual’ in contradistinction to the more common narrative term ‘counterfactual’ as a means of emphasizing the plurality and simultaneity of diegetic worlds in Fringe. -
Powers of Horror; an Essay on Abjection
POWERS OF HORROR An Essay on Abjection EUROPEAN PERSPECTIVES: A Series of the Columbia University Press POWERS OF HORROR An Essay on Abjection JULIA KRISTEVA Translated by LEON S. ROUDIEZ COLUMBIA UNIVERSITY PRESS New York 1982 Library of Congress Cataloging in Publication Data Kristeva, Julia, 1941- Powers of horror. (European perspectives) Translation of: Pouvoirs de l'horreur. 1. Celine, Louis-Ferdinand, 1894-1961 — Criticism and interpretation. 2. Horror in literature. 3. Abjection in literature. I. Title. II. Series. PQ2607.E834Z73413 843'.912 82-4481 ISBN 0-231-05346-0 AACR2 Columbia University Press New York Guildford, Surrey Copyright © 1982 Columbia University Press Pouvoirs de l'horreur © 1980 Editions du Seuil AD rights reserved Printed in the United States of America Clothbound editions of Columbia University Press books are Smyth- sewn and printed on permanent and durable acid-free paper. Contents Translator's Note vii I. Approaching Abjection i 2. Something To Be Scared Of 32 3- From Filth to Defilement 56 4- Semiotics of Biblical Abomination 90 5- . Qui Tollis Peccata Mundi 113 6. Celine: Neither Actor nor Martyr • 133 7- Suffering and Horror 140 8. Those Females Who Can Wreck the Infinite 157 9- "Ours To Jew or Die" 174 12 In the Beginning and Without End . 188 11 Powers of Horror 207 Notes 211 Translator's Note When the original version of this book was published in France in 1980, critics sensed that it marked a turning point in Julia Kristeva's writing. Her concerns seemed less arcane, her presentation more appealingly worked out; as Guy Scarpetta put it in he Nouvel Observateur (May 19, 1980), she now intro- duced into "theoretical rigor an effective measure of seduction." Actually, no sudden change has taken place: the features that are noticeable in Powers of Horror were already in evidence in several earlier essays, some of which have been translated in Desire in Language (Columbia University Press, 1980). -
Art Music Food Shops Living
Since 1958 FREE www.touristnewsmaine.com June 21 - 27, 2018 Volume 60, Issue 8 . for the people who live here, visit here and love it here. TouriSt NewS Marshall and Bob by David Witbeck ART MUSIC FOOD SHOPS LIVING kittery | york | ogunquit | wells | kennebunk | kennebunkport | arundel | biddeford | saco | old orchard beach PAGE 2 TOURIST NEWS, JUNE 21 - 27, 2018 IN THIS ISSUE Each of us has a story to tell. The Beat: Garage Band . .PAGE 3 The garage band has a colorful The Cliff House . .. PAGES 4 & 5 one. The Cliff House has an From the historical one. The Bushes have The Bush Love Story. PAGES 6 & 7 Publisher's a love story. Our local hero has It's Like This . PAGE 8 Desk... an inspirational story. Each Mainely Authors . PAGE 9 business represented on these pages has its own World's Best French Toast unique tale to tell. Openings. PAGE 10 Specialty Omelettes • Belgian Waffles Staying connected to our story is what brings Real French Crepes Local Heroes . .PAGE 11 meaning to what we do. Hearing these stories is Sandwiches & Soups • Children's Menu The Local Tourist. PAGE 12 what's fascinating to the rest of us. Rte. 9, Kennebunk Lower Village • 967-5132 In the Art World . PAGE 14 We hope you enjoy this next collection of stories as much as we love telling them. Open 7 Days, 7 AM to 2 PM Calendar . PAGES 16 & 17 We tell them, of Five Points Shopping Plaza, Biddeford • 283-2928 Tastings . PAGE 18 course, for the sheer Open 7 Days, 7 AM to 2 PM From Frinklepod.