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Folk Roots, Urban Roots
Thursday 13 December 2018 7.30–9.55pm Barbican Hall LSO SEASON CONCERT FOLK ROOTS, URBAN ROOTS Bartók Hungarian Peasant Songs Szymanowski Harnasie Interval Stravinsky Ebony Concerto Osvaldo Golijov arr Gonzalo Grau Nazareno Bernstein Prelude, Fugue and Riffs ROOTS & Sir Simon Rattle conductor Edgaras Montvidas tenor Chris Richards clarinet Katia and Marielle Labèque pianos Gonzalo Grau percussion Raphaël Séguinier percussion London Symphony Chorus ORIGINS Simon Halsey chorus director In celebration of the life of Jeremy Delmar-Morgan Streamed live on youtube.com/lso Recorded by BBC Radio 3 for broadcast on Tuesday 18 December Welcome Jeremy Delmar-Morgan In Memory 1941–2018 We are also delighted to welcome Katia and Jeremy Delmar-Morgan was a member of Marielle Labèque, who perform Nazareno, the LSO Advisory Council for over 20 years, a double piano suite drawn from Osvaldo a Director of LSO Ltd from 2002 to 2013, and Golijov’s La Pasión según San Marco, thereafter a Trustee of the LSO Endowment arranged by Gonzalo Grau, who appears Trust. He was also Honorary President of alongside Raphaël Séguinier as one of this the Ronald Moore Sickness and Benevolent evening’s percussion soloists. We then close Fund, where he brought invaluable advice with Prelude, Fugue and Riffs by the LSO’s to the LSO musicians on the investment former President, Leonard Bernstein, with strategy for the fund. After studying LSO Principal Clarinet Chris Richards as soloist. medicine at Cambridge he went into the City for a career in stock-broking, latterly elcome to this LSO concert at Tonight’s concert is performed in combining the two in the financing of the Barbican. -
Boston Symphony Orchestra Concert Programs, Season 21,1901
INFANTRY HALL, PROVIDENCE. Boston Symphony Orchestra, Mr. WILHELM GERICKE, Conductor. Twentieth Season in Providence. PROGRAMME OF THE FIRST CONCERT Wednesday Evening, November J 3, At 7*45 sharp. With Historical and Descriptive Notes by Philip Hale. PUBLISHED BY C. A. ELLIS, MANAGER. (1) 'Established Established 1823 1823 PIANOFORTE MAKERS RECIPIENTS OF One Hundred and Twenty-Nine FIRST MEDALS AND AWARDS These Celebrated Instruments are To-day better than ever REPRESENTED BY GOFF AND DARLING 276 Westminster Street • Providence, R. I (2) : DOStOn INFANTRY HALL, Symphony f providence. A Twenty-first_Season, 1901-1902. Orchestra Twentieth Season in Providence. Mr. WILHELM GERICKE, Conductor. First Concert Wednesday Evening, November \ 3 At 7.45 sharp PROGRAMME. " Robert Volkmann . Overture, Richard III.," Op* 6S Edouard Lalo Concerto for Violoncello and Orchestra Prelude. Allegro maestoso. * Intermezzo. Introduction. Rondo. " tt Franz Liszt . Symphonic Poem, No. 7, Festklaengfe Hermann Gbtz Symphony in F major, Op* 9 I. Allegro moderato (F major) II. Intermezzo : Allegretto (C major) III. Adagio, ma non troppo lento (F minor IV. Finale : Allegro con fuoco (F major) SOLOIST Mr. JEAN GERARDY. (3) Co. Gabrilowitsch to the Everett Piano EVERETT PIANO CO., NEW YORK. I take the first oppor- just reached St. Petersburg, Gentlemen,Cextlemen- Havingnavi g j roncemine the pianos you furnished for my to express to a tunity £^ !^ ££££££ heartiest "hanks for the same. Am belongs to the superior oof tl "enormous share which TamI am ouTtequite conscifconscious pleasure ot me much qualities of your piano for tiie success y , ^ There js ^ess ty J ^ to say so openly ^^^ ^ra«^, and its of the ^ attainments Ew*'"*^ enthusiastic friends among aZ number o£ future ,s eno s I S g this short time. -
The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)
The mezzo-soprano onstage and offstage: a cultural history of the voice-type, singers and roles in the French Third Republic (1870–1918) Emma Higgins Dissertation submitted to Maynooth University in fulfilment for the Degree of Doctor of Philosophy Maynooth University Music Department October 2015 Head of Department: Professor Christopher Morris Supervisor: Dr Laura Watson 1 TABLE OF CONTENTS Page number SUMMARY 3 ACKNOWLEDGEMENTS 4 LIST OF FIGURES 5 LIST OF TABLES 5 INTRODUCTION 6 CHAPTER ONE: THE MEZZO-SOPRANO AS A THIRD- 19 REPUBLIC PROFESSIONAL MUSICIAN 1.1: Techniques and training 19 1.2: Professional life in the Opéra and the Opéra-Comique 59 CHAPTER TWO: THE MEZZO-SOPRANO ROLE AND ITS 99 RELATIONSHIP WITH THIRD-REPUBLIC SOCIETY 2.1: Bizet’s Carmen and Third-Republic mores 102 2.2: Saint-Saëns’ Samson et Dalila, exoticism, Catholicism and patriotism 132 2.3: Massenet’s Werther, infidelity and maternity 160 CHAPTER THREE: THE MEZZO-SOPRANO AS MUSE 188 3.1: Introduction: the muse/musician concept 188 3.2: Célestine Galli-Marié and Georges Bizet 194 3.3: Marie Delna and Benjamin Godard 221 3.3.1: La Vivandière’s conception and premieres: 1893–95 221 3.3.2: La Vivandière in peace and war: 1895–2013 240 3.4: Lucy Arbell and Jules Massenet 252 3.4.1: Arbell the self-constructed Muse 252 3.4.2: Le procès de Mlle Lucy Arbell – the fight for Cléopâtre and Amadis 268 CONCLUSION 280 BIBLIOGRAPHY 287 APPENDICES 305 2 SUMMARY This dissertation discusses the mezzo-soprano singer and her repertoire in the Parisian Opéra and Opéra-Comique companies between 1870 and 1918. -
Orcncstrh INCORPORATED THIRTY-NINTH SEASON (^^
^:- \. m ^^%<<M/ BOSTON SYAPflONY ORCnCSTRH INCORPORATED THIRTY-NINTH SEASON (^^ PRoGRSAAE |151 %rm Established 1833 WEBSTER > AND ATLAS NATIONAL BANK OF BOSTON WASHINGTON AND COURT STREETS AMORY ELIOT President RAYMOND B. COX, Vice-President v2^^-^'-^^i ^t\ ^r^'h" JOSEPH L. FOSTER, Vice-President and Cashier ARTHUR W. LANE, iSst. (S^e'r EDWARD M. HOWLAND. Vice-President HAROLD A. YEAMES, Asst Cashier Capital $1,000,000 Surplus and Profits $1,600,000 Deposits $11^,000,000 The well-established position of this bank in the community, the character of its Board of Directors, and its reputation as a solid, conservative institution recommend it as a particularly desirable depository for ACCOUNTS of TRUSTEES, EXECUTORS and INDIVIDUALS For commercial accounts it is known as A STRONG BANK OF DEPENDABLE SERVICE DIRECTORS CHARLES B. BARNES GRANVILLE E. FOSS JOSEPH S. BIGELOW ROBERT H. GARDINER FESSENDEN S. BLANCHARD EDWARD W. GREW THEODORE G. BREMER OLIVER HALL WILLIAM R. CORDINGLEY WALTER HUNNEWELL RAYMOND B. COX HOMER B. RICHARDSON AMORY ELIOT DUDLEY P. ROGERS ROGER ERNST THOMAS W. THACHER JOHN W. FARWELL WALTER TUFTS SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones Ticket Office ) \ Back Bav 1492 Branch Exchange ( Administration Offices ) INCORPORATED THIRTY-NINTH SEASON, 1919-1920 PIERRE MONTEUX, Conductor igrainmime © nteei B )n;ee:r'i§ WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, FEBRUARY 20 AT 2.30 O'CLOCK SATURDAY EVENING. FEBRUARY 21 AT 8.00 O'CLOCK COPYRIGHT, 1920, BY BOSTON SYMPHONY ORCHESTRA, INCORPORATED W. H. BRENNAN. Manager G. E. JUDD, Assistant Manager 1037 — A name that is spoken with the full pride of ownership—that carries with it the deep satis- faction of possessing the ultimate expression of man*s handiwork in Musical Art. -
Boston Symphony Orchestra Concert Programs, Season 28,1908-1909, Trip
INFANTRY HALL . PROVIDENCE Twenty-eighth Season, 1908-1909 MAX FIEDLER, Conductor Programme nf % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 24 AT 8. J 5 PRECISELY COPYRIGHT, 1908, BY C. A. ELLIS PUBLISHED BY- C. A. ELLIS, MANAGER Mme. CECILE CHAMINADE The World's Greatest Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest Woman Singer USE Piano. THE JOHN CHURCH CO., 37 West $2d Street New York City REPRESENTED BY THE JOHN CHURCH CO., 37 West 32d Street, New York City Boston Symphony Orchestra PERSONNEL TWENTY-EIGHTH SEASON, 1908-1909 MAX FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J, Noack, S. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Werner, H. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Marble, E. Goldstein, S. Kurth, R. Goldstein, H. Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, E. Warnke, J. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Maquarre, D. Lenom, C. Mimart, P. Mueller, E. Brooke, A. Sautet, A. -
Rehearsal and Concert
SYMPHONY HALL, BOSTON HUNTINGTON 6-MASSACHUSETTS AVENUES _, , { Ticket Office, 1492 , {^ , ^ Telephones ^^^^ ^^^ ^ j Administration Offices, 3200 \ THIRTIETH SEASON, 1910 AND 1911 MAX FIEDLER, Conductor Programme of % Tenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, DECEMBER 23 AT 2.30 O'CLOCK SATURDAY EVENING, DECEMBER 24 AT 8.00 O'CLOCK COPYRIGHT, 1910, BY C. A. ELLIS PUBLISHED BY C. A.ELLIS, MANAGER 697 OPERA AMERICA AND ABROAD Mr. H. WINFRED GOFF Frau CLARA WALLENTHIN- Miss EDITH DE LYS London Covent Garden STRANDBERG Stockholm London Covent Garden two seasons America Savage Grand Opera Royal Opera and Dresden M'lan Florence Brussels Rome etCt Mrs. CLARA SEXTON- At present singing in Germany Mr. EARL W. MARSHALL CROWLEY Italy Florence Milan Miss LAURA VAN_ KURAN Italy Florence etc. Barcelona Now singing in America Italy Florence Now in America Now in Italy Mrs. ALICE KRAFT BENSOI Mrs. LOUISE HOMER Mr. MYRON W. WHITNEY France Nantes At present with Aborn Grand Opera Co. New Yori Paris London Brussels Now with Lilian Nordica Concert and Opera Boston Chicago Now singing New York Metropolitan Opera Co. Co. Italy Mme. LENA ABARBANELL Miss FANNY B. LOTT Miss BLANCH FOX (VOLPINI) Austria Hungary Germany etc. Italy Palermo Rimini Pisa etc. Italy Venice Milan Vercelli etc Metropolitan Opera Co. New York Now singing in Italy American Grand Opera Cos. New Now singing " Madam Sherry" N. Y. Miss EDITH FROST STEWART York Chicago San Francisco etc. Mr. HENRY GORRELL To create title role in N'ictor Her- Miss MARY CARSON (KIDD) Italy Florence Genoa Torino etc. -
Boston Symphony Orchestra Concert Programs, Season 30,1910-1911, Trip
I MECHANICS HALL WORCESTER Thirtieth Season, 19J0-19J MAX FIEDLER, Conductor Programme of % SECOND CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, JANUARY 24 AT 8.15 COPYRIGHT, 1910, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER WM. L. WHITNEY International School for Vocalists BOSTON NEW YORK SYMPHONY CHAMBERS 134 CARNEOIE HALL 246 HUNTINOTON AVE. CORNER OF 57th AND 7th AVE. PORTLAND HARTFORD Y.M.C. A. BUILDING HARTFORD SCHOOL OF MUSIC CONGRESS SQUARE 8 SPRING STREET — THE function of the Boston Symphony Orchestra always has been to provide music of the highest class in the most perfect manner humanly possible. Such was the sole object of its founder, and that this ideal has been not only attained, but maintained, finds eloquent testimony in the generous and loyal support given to the Orchestra by the most discriminating musical publics in America. Only by adhering steadfastly to this ideal since its founda- tion has the Orchestra been able to hold its present position without a superior in the world and without a peer in this country. Commercial considerations have never been permitted to interfere with or to obstruct its artistic progress. It has ex- isted as nearly for art's sake alone as is possible in such a great organization. The result of this wise policy is an orchestra which is famous in all countries where the art of music is practised, an orchestra which is accepted as a model to be fol- lowed by all others, an orchestra whose concerts are eagerly sought by all cities, whose coming is always an event of prime importance in a musical season. -
Booklet Download
Tracklist Tracklist DISC 1 DISC 2 ACT 1 ACT 2 1. “Prelude” 3:37 1. “Avrem lieta di maschere la notte” 1:02 2. “Dell’invito trascorsa è già l’ora” 4:51 2. “Noi siamo zingarelle” 2:24 ACT 3 3. “Libiamo ne’lieti calici” 2:55 3. “Di Madride noi siam mattadori” 2:46 ACT 2 4. “Che è ciò?” 2:17 4. “Alfredo! Voi!” 3:40 5. “Un dì felice, eterea” 3:24 10. “Lunge da lei” - 5. “Invitato a qui seguirmi” 2:38 9. “Prelude” 3:36 6. “Ebben? che diavol fate?” 1:13 “De’ miei bollenti spiriti” 3:44 6. “Ogni suo aver tal femmina” 1:40 10. “Annina?” “Comandate?” 4:34 7. “Si ridesta in ciel l’aurora” 1:39 11. “Annina, donde vieni?” - 7. “Di sprezzo degno se stesso rende” 2:00 11. “Addio del passato” 7:36 8. “E strano!” - “Ah, fors’è lui” 6:35 “Oh mio rimorso!” 3:48 8. “Alfredo, Alfredo, di questo core” 4:32 12. “Largo a quadrupede” 0:48 9. “Follie! Delirio vano è questo!”- 12. “Alfredo?” “Per Parigi or or partiva” 4:11 13. “Signora...” “Che t’accadde?” 1:30 “Sempre libera” 4:57 13. “Pura siccome un angelo” 1:59 14. “Parigi, o cara, noi lasceremo” 4:32 14. “Non sapete quale affetto” 2:05 15. “Ah, non più!” - “Ah! Gran Dio! 15. “Un dì, quando le veneri” 2:52 Morir sì giovine” 4:42 16. “Ah! Dite alla giovine” 4:32 16. “Ah, Violetta!” “Voi? Signor?” 1:45 17. “Imponete” “Non amarlo ditegli” 5:00 17. -
Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
BAPTIST TEMPLE - - BROOKLYN Twenty-seventh Season, J907-J908 DR. KARL MUCK, Conductor frogramm? at % FOURTH CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY EVENING, FEBRUARY 21 AT 8. J 5 PRECISELY PUBLISHED BY C. A. ELLIS, MANAGER : Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nofdica, Campanari, Bispham, and manv other noted artists, will be used bv TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY . 37 West 32d Street, New York Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H Bak, A. Mullaly, J. Strobe, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Elkind, S. Gerhardt, G. -
Scholarly Program Notes on the Graduate Recital of Richard Lisenby Richard Lisenby Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Summer 7-1-2015 Scholarly Program Notes on the Graduate Recital of Richard Lisenby Richard Lisenby Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Lisenby, Richard. "Scholarly Program Notes on the Graduate Recital of Richard Lisenby." (Summer 2015). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF RICHARD LISENBY by Richard Lisenby B.A. Music, The University of Montevallo, 2011 B.A. Communication Studies, The University of Montevallo, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music. Department of Music in the Graduate School Southern Illinois University Carbondale August 2015 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF RICHARD LISENBY By Richard Lisenby A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Opera/Musical Theatre Approved by: Dr. David Dillard, Chair Tim Fink Cody Walker Graduate School Southern Illinois University Carbondale July 2, 2015 AN ABSTRACT OF THE RESEARCH PAPER OF RICHARD LISENBY, for the Master of Music degree in OPERA/MUSICAL THEATRE, presented on JULY 2, 2015, at Southern Illinois University Carbondale. TITLE: SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF RICHARD LISENBY MAJOR PROFESSOR: Dr. -
Boston Symphony Orchestra Concert Programs, Season 88, 1968-1969, Trip
VETERANS MEMORIAL AUDITORIUM, PROVIDENCE EIGHTY-EIGHTH SEASON 1968-1969 "A greatest symphony orchestra does now e;u and it is headquartered in Boston, Massachusefe Hi Fiol Beetfuwett: Sywptawj Hot. 2 RED SEAL RC/l STEREO TH E FOUR BRAHMS SYMPHONIES BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Red Seal Recordings itc/i BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES Wl LSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H. GARDINER Vice-President EDWARD M. KENNEDY JOHN L THORNDIKE Treasurer HENRY A. LAUGHLIN ABRAM BERKOWITZ EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. NOONAN THEODORE P. FERRIS MRS JAMES H. PERKINS FRANCIS W. HATCH SIDNEY R. RABB ANDREW HEISKELL RAYMOND S. WILKINS TRUSTEES EMERITUS HENRY B. CABOT LEWIS PERRY PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager HARRY J. KRAUT JAMES J. BROSNAHAN Associate Manager, Associate Manager, Business Affairs Public Affairs MARY H. SMITH MARVIN SCHOFER Concert Manager Press and Public Information program copyright © 1969 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ABRAM T. COLLIER Chairman ALLEN G. BARRY Vice-Chairman LEONARD KAPLAN Secretary MRS FRANK ALLEN MRS ALBERT GOODHUE OLIVER F. AMES MRS JOHN L. GRANDIN JR LEO L. BERANEK STEPHEN W. GRANT GARDNER L. BROWN FRANCIS W. HATCH JR MRS LOUIS W.