DOCSLIB.ORG

Verlanglijst Van Joost

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Verlanglijst Van Joost 25 november 2012 git.mdcc.cx/ad1810-www verlanglijst van Joost boek Muziek, Wiskunde, Informatica - George Bataille, De tranen van Eros (1961) Wolkers, essays - John Derbyshire, Prime Obsession, Joseph Numbers, Springer 2003 ISBN 0-387-95320-5 - Manon Uphoff, Hij zegt dat ik niet dansen - Muriel Rukeyser, alles, b.v. The Orgy Henry Press, Washington DC, USA, 2003 - Sander Bais, de sublieme eenvoud van rela- kan, ESSAYS, 2000, ISBN 9057593432, of: - An Irish Journey of Passion and Transforma- ISBN 0-309-08549-7 tiviteit - een visuele inleiding, ISBN 978 90 5356 Het moet eten, ademhalen, slapen , Contact, jan- tion, Paris Press, 1997, ISBN10 0963818325, - Karl Sebbagh, Dr. Riemann’s Zeros, Farrar, 992 4. van rond 2003 uari 2010 ISBN13 9780963818324 Strauss and Giroux, NY, USA, 2003, ISBN - Christopher Locke, David Weinberger, - D. Dieks, V. Icke, G.Y. Nieuwland, - Atiq Rahimi, alles, b.v. Steen van Geduld 0-374-25007-3 Doc Searls and Rick Levine, The Cluetrain J. Ritzerveld, F. Takens, Commentaar op (2008?) - D.J. Struik, Het Land van Stevin en Huygens Manifesto - The End of Business as Usual, ”Waanwetenschap”: de Tachtigjarige Oorlog van - BˆoYin Rˆa, Het boek van het geluk, Aurora, (1958) (ook online op http://www.dbnl.org/tekst/stru0081999, 2001,gesc01 Perseus01/ Books N.G. van Kampen, Epsilon Utrecht, 2003, 60 Zuid Scharwoude, 1920, 1988, 1997. ISBN , je zou t voor me kunnen printen blz, EUR 7,-; ISBN 90-5041-083-9 - Edward Tufte, 1997, Visual Explana- 90-73007-08-9. te bestellen bij b.v. ”De - Jack Goldsmith and Tim Wu, Who Con- tions: Images and Quantities, Evidence and - Charlotte Mutsaers, Hazepeper gevolgd door Heremietın Eindhoven. ¨ trols the Internet? Oxford University Press, Narrative. Cheshire, CT: Graphics Press, Napoleon, Sunt pueri pueri en Varia - Essays, Am- - David Deida, alles, bijvoorbeeld The Way of 2006 ISBN 0961392126; 2003, The Cognitive Style sterdam: Meulenhoff, 1985, 94 p, ISBN 90- the Superior Man, Sounds True Inc.,U.S. (Mar of PowerPoint. Cheshire, CT: Graphics 290-1960-3; Het circus van de geest - Emblemata, - Aigner, Ziegler en Hofmann, Proofs from 2005), ISBN-10: 1591792339, ISBN-13: 978- the book, Springer, 2004 Press, ISBN 0961392169; 2006, Beautiful Ev- Amsterdam: Meulenhoff, 1983, 64 p, ISBN 1591792338. of: Wild Nights, ”Conversations idence. Cheshire, CT: Graphics Press, ISBN 90-290-1714-7 with Mykonos”, Sounds True Inc.,U.S. (Mar - P. Erd¨os, J. Sur´anyi, Topics in the Theory of 0961392177. - Joseph Brodsky (russische dichter), alles 2005), ISBN-10: 1591792339, ISBN-13: 978- - Een boek met essays, b.v. zoals uitgegeven 1591792338. Zie ook http://www.deida.info/. Strips, Tijdschrift(-abonnement) door Uitgeverij Vantilt - Marie-Louise von Franz, Alchemy: An - Edward S. Herman and Noam Chom- Introduction to the Symbolism and the Psychol- ogy 1981 ISBN: 0-919123-04-X http://marie- sky, Manufacturing Consent: The Political Econ- - Mark Beyer, Daniel Clowes, Charles - Wired (engelstalig blad over moderne cul- louisevonfranz.com/ omy of the Mass Media, 1988 Burns, Joe Sacco: allemaal: een stripboek tuur) - James Lawley & Penny Tompkins, - Joseph Roth, Rebellie, Atlas 2007, 142 blz, / ”graphic novel”(met bonnetje) - The Wire (engelstaling muziekblad) Metaphors in Mind: Transformation through sym- EUR 18,50, origineel 1922 - Guido van Driel, De ondergang van Ams- bolic modelling (Psychologie) The Developing - LOVER, tijdschrift over feminisme, cultuur terdam, ISBN 9789054921851, de Harmonie, - Vladimir Nabokov, Wolk, Burcht, Meer, Company Press, London, 2000 en wetenschap 1937 2007 - Jeremiah Abrams c.s. Meeting the Shadow, - European Photography - Art Magazine, www.equivalence.com, - Guy Delisle, alles b.v. Birma (oog en blik, - Ryan McGinley (New Yorkse fotograaf, Tarcher 1991 ISBN 087477618X (vertaald als Berlin, Germany 2008) publiceert sinds 2000). Een fotoboek. ”Ontmoeting met je schaduw”, Kosmos 1996, - Cuny Janssen, Utrechtse fotografe, ge- 2001 ISBN 9021585677 EUR 30,-) boren 1975, alles b.v. There is Something in - Jaap Goedegebuure en Oek de Jong Eck- the Air in Prince Albert, South Africa, Cologne: hart nu: tien visies op Meister Eckhart, Augustus, Snoeck, 2007, ISBN 978-3-936859-49-2 252 blz, EUR 29,95 (mei 2011) - Ata Kando, Hongaarse fotografe, woont in - Peter Linebaugh en Marcus Rediker, Nederland. alles. The Many Headed Hydra: The Hidden History - Leni Riefenstahl, Africa, fotoboek, Duitse of the Revolutionary Atlantic (over 17e eeuwse uitgave, EUR 30 bij de Slegte zeerovers, ongeveer 2008) - Anne Vegter, (poezie en ook proza) alles - David Aaronovitch, Voodoo Histories - The Role of Conspiracy History in Shaping Modern His- - Erich Maria Remarque, Drie Kameraden, tory, Penguin, 2009, ISBN 978 0 2240 898 76 Vorroux, 637 blz, EUR 24,- (2008-05) - Kester Freriks, Verborgen Wildernis - Ruige - Gy¨orgy Dragom´an, De Witte Koning, 2005, Natuur en Kaarten in Nederland, uitgegeven door Atlas, EUR 19,90 (2008) Athenaeum-Polak en van Gennep, 2010 - Eric de Kuyper, niet helemaal alles: - Jodi Dean, Blog Theory: Feedback and Capture Filmische Hartstochten (1984), Aan zee (1988), in the Circuits of Drive, 2011 De hoed van tante Jeannot (1989), Een tafel voor een (1990), Dag stoel naast de - Rob de Wijk, Pyrrus in Kosovo: Hoe het tafel (1991), De verbeelding van het man- Westen de oorlog niet kon winnen en zelfs bi- nelijk lichaam (1993), Te vroeg... te laat... jna verloor, 2000 - Etgar Keret, Suddenly, (1994), Een passie voor Brussel (1995), Drie a Knock on the Door, Published by Chatto and zusters in Londen (1996), Met zicht op zee Windus, part of Vintage Publishing, EAN: (1997), Kinders (1998), Met gemengde gevoe- 9780701186678, Published Feb 2012 lens (2000), Een vis verdrinken (2001) - Jan CD - Pop-O-Pies, The White EP - LoudBomb (feat. Bob Mould) alles Jazz - Ludwig van Beethoven, strijkkwartet no. - Blowoff (feat. Bob Mould) alles 13 - Lack of Knowlegde (punk) The Grey CD - Hanns Eisler, alles, bijvoorbeeld The Hol- (southern/bang) reissue 2006 van opnames lywood Songbook, Matthias Goerne, bariton. 1983/1984 Decca 460 582-2 (1999) - Dub Syndicate (reggae), alles, bijvoor- - Dagmar Krause, Supply and Demand (muziek beeld Tunes from the missing channel of Pounding van Kurt Weill, 1986). System - Marianne Faithfull, The Seven Deadly Sins - African Head Charge, Songs of Praise (On- (1998) with Vienna Radio Symphony Or- U Sound 1990) chestra conducted by Dennis Russel Davies. - Various (reggae), Dynamite! Dancehall Style, muziek van Kurt Weill. of: Easy Come, Easy (Soul Jazz, 2007-03) Go (2008) - Karen Dalton, (amerikaanse blues, jaren - Kate Bush, Lionheart (1978), Never for Ever ’60), alles. zie b.v. http://www.wirz.de/music/daltofrm- Jelly.htm Roll Morton, The ’23-’24 piano solos - Sidney Bechet, alles (1980), The Dreaming (1982) - Sister O.M. Terrell, (amerikaanse gospel of Jelly Roll Morton Vol. 1 (’26-’27) - Charlie Parker, alles, bv The Complete - Various, Lullabies from the Axis of Evil, Kirke- blues, jaren 30), alles - Cecil Taylor, Winged Serpent of Always a Savoy And Dial Studio Recordings, Savoy 92911-2 lige Kultur Verstedden Oslo, FXCD 269-2004 - Al Green, Lay It Down (Blue Note, 2008-05) Pleasure (FMP CD 69/BVHaast, 12/’96) van (8 CDs) (n´ıet SV 0105 (1 CD)) - Morton Feldman, alles behalve piano and Cecil Taylor Ensemble - Chet Baker, Chet Baker and Crew (1956) (Pa- string quartet (ives ensemble) (minimalistisch - Wilco, americana/ouwe lullen rock, alles, - Sun Ra, Lanquidity (Evidence, 1978) (11/2000) cific Jazz 1224), of Chet’s Choice (Criss Cross modern klassieke componist voor piano) b.v. Sky Blue Sky uit 2007 of Easy Listening for Intergalactic Travel: Greatest 1016, 1985), of Blues for a Reason, (Criss Cross - The Flaming Groovies, alles (amerikaanse - Hole, Live through this Hits, (Evidence, 1956 - 1973) (11/2000) 1010, 1984), of Peace, (Enja 4016, 1982), of 60-ies rock) - The Smiths, The Smiths 1984, Meat is Murder - Keith Jarrett, Sun Bear Concerts box met Broken Wing, (Emarcy 013043, 1978), of Let’s - Ad van der Veen, alles (klinkt als Neil 1985, Strangeways Here We Come 1987 6 CDs, ongeveer EURO 80,- (ECM, 1978) get lost: The best of Chet Baker sings, (Pacific Young, 2008) Jazz 92932 1953-1956) - Dick el Demasiado, No nos dejamos afeitar (ECM 1100-2) (4/2002) - Smilin’ Osei, alles b.v. Alarm Blo (Dakar Pero peinamos Tomenota Records (Eindhove- - Sarah Vaughan, Sarah Vaughan Verve 543305- - Charles Mingus, Passions of a man - The Sound 2001) (of Wayo tactics (Dakar Sound naar Dick Verdult leeft zich uit op Cumbia) 2 1954 of The Divine Sarah Vaughan: The Columbia complete Atlantic Recordings 1956 - 1961, Atlantic 2005 - Stella Chiweshe, Two Sides of Zim- 2005)). In Nederland woonachtige Ghanees, Years 1949 - 1953 Columbia 465597 aka 16 Most / Wea 1997, 6 CD Box set, ASIN: B000003446 http://www.smilinosei.com/ babwe’s Mbira Queen Piranha/Music and Words, Requested Songs Columbia 474399-2 - Brad Shepik Trio, alles, b.v. Places You Go 2006 - Mexican Institute of Sound, alles, b.v. - Art Pepper The Return of Art Pepper Blue (Songlines) 2007 Pinta (2007) of Mejico Maxico (Cooking Vinyl, - Ethiopische muziek uit de jaren ’70, b.v. Note 4683-2 of Modern Art Blue Note 46848-2 - John Coltrane, Ascension, Impulse! 1965, 2008) CD uit de ´ethiopiques serie (Buda Musique, of Modern Jazz Classics OJC 341 of Intensity 543413-2 Parijs) (niet deel 1, 3, 13 of 14) - MaRain, (Luisterliedjes uit Amsterdam), OJC 387 - Grant Stewart, alles (saxofoon, 2009) - Various, muziek uit Somali¨e, Jamila - alles, b.v. Stills (1998, als Marijn Wij- - Duke Ellington, The Duke at Fargo 1940, - ook leuk vind ik Steve Lacy, Mal Waldron, Songs from a Somali City, uitgebracht mei nands), Harbour (2007) of Paper Walls (2008). STCD 8316/7 2CD David Murray, en Lenny Tristano. Met bon- 1996 op Night and day, ASIN : B00004UO7K Zie http://www.marain.nl/ - Louis Armstrong, alles van vr 1930 netje graag. - Joao Gilberto, alles b.v. Voz e Violao - Gary Lucas, (Amerikaanse gitarist, ex (2000), Amoroso (1977), Getz - Gilberto (met Captain Beefhearts’ The Magic Band), alles, Stan Getz, 1964), Joao Gilberto (1961), O Amor b.v.
Load more

Recommended publications
  • Gangubai Hangal's Primary Guru in Music Was Sawai Gandharva. She Has Also Acknowledged the Inspiration and Influence of Her
    Gangubai Hangal's primary guru in music was Sawai Gandharva. She has also acknowledged the inspiration and influence of her mother Ambabai and Zohrabai Agrewali on her musical development. Her singing embodies an extraordinary grasp of the essence of raga, keen sensitivity of swara, and an acute feeling for aesthetic design. She lives in Hubli and ********* Excerpts of an interview from C.S. Lakshmi's The Singer and the Song - Conversations with Women Musicians Vol 1 (2000). On her Padma Bhushan award: Gangubai: It is normally announced to the D.C. (District Collector) here. Then they come to ask to check who the person is, whether they want to receive the award or not. "You have got it, do you want to accept it?" My uncle was sitting outside, I wasn't there. "What is it? If it is Padma Bhushan she will take it," he said. "If you come tomorrow she will be back." I came back. He said, "Look, you have got the Padma Bhushan." They came and took my signature from the Tehsildar's office. After they took it, I thought, 'These are announced on January 26th, maybe on the 25th night. I must listen to the radio before I sleep. Both of us must sit together before the radio, listen to the announcement and then sleep'. We sat for a long time. Nothing was announced. So I said, "Look, they asked me for my signature just like that. It's not there. Nothing has come." It did not occur to me that nobody's name was announced.
    [Show full text]
  • Current Affairs November - 2018
    MPSC integrated batchES 2018-19 CURRENT AFFAIRS NOVEMBER - 2018 COMPILED BY CHETAN PATIL CURRENT AFFAIRS NOVEMBER – 2018 MPSC INTEGRATED BATCHES 2018-19 INTERNATIONAL, INDIA AND MAHARASHTRA J&K all set for President’s rule: dissolves state assembly • Context: If the state assembly is not dissolved in two months, Jammu and Kashmir may come under President’s rule in January. What’s the issue? • Since J&K has a separate Constitution, Governor’s rule is imposed under Section 92 for six months after an approval by the President. • In case the Assembly is not dissolved within six months, President’s rule under Article 356 is extended to the State. Governor’s rule expires in the State on January 19. Governor’s rule in J&K: • The imposition of governor’s rule in J&K is slightly different than that in otherstates. In other states, the president’s rule is imposed under the Article 356 of Constitution of India. • In J&K, governor’s rule is mentioned under Article 370 section 92 – ‘ Provisions in case of failure of constitutional machinery in the State.’ Article 370 section 92: Provisions in case of failure of constitutional machinery in the State: • If at any time, the Governor is satisfied that a situation has arisen in which the Government of the State cannot be carried on in accordance with the provisions of this Constitution, the Governor may by Proclamation: • Assume to himself all or any of the functions of the Government of the State and all or any of the powers vested in or exercisable by anybody or authority in the State.
    [Show full text]
  • The Journal the Music Academy
    ISSN. 0970-3101 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LX 1989 *ra im rfra era faw ifa s i r ? ii ''I dwell not,in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by: T. S. PARTHASARATHY The Music Academy Madras 306, T. T. K. Road, Madras-600014 Annual Subscription — Inland Rs. 20 : Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor, Journal of the Music Academy, 306, T. T. K. Road, Madras-600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type­ written (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS Pages The 62nd Madras Music Conference - Official Report 1-64 The Bhakta and External Worship (Sri Tyagaraja’s Utsava Sampradaya Songs) Dr. William J. Jackson 65-91 Rhythmic Analysis of Some Selected Tiruppugazh Songs Prof. Trichy Sankaran (Canada) 92-102 Saugita Lakshana Prachina Paddhati 7. S. Parthasarathy & P. K. Rajagopa/a Iyer 103-124 Indian Music on the March 7. S.
    [Show full text]
  • Support Material (SA-2)
    Support Material SA-II ENGLISH (LANGUAGE AND LITERATURE) CLASS - Xth 1 English Language and Literature (Code No. 184) SYLLABUS SA-II (2016-17) Section wise Weightage in English Language & Literature Section Total Wegh. 90 A Reading Skills 20 B Writing Skills with Grammar 25 C Literature Textbook & Extn. Reading Text 25 D Assessment of Speaking & Listening 20 TOTAL 90 Note : * It is a division of marks assigned to all the four skills of language. The distribution of marks for Formative Assessment carrying 40% weightage may by done by the schools themselves. A variety of activities to assess all the skills of language may be used for Formative Assessment. * The Summative Assessment Question Paper, if developed by the schools themselves, may be for 70 marks to which 20 marks may be added for Assessment of Speaking and Listening skills making the paper of 90 marks. The one third of the 90 marks i.e. 30 should be added each in 2 both Summative Assessments. * Assessment of Speaking and Listening (ASL) will be done formally at the term end examination in Summative-II. Schools can conduct ASL for Summative-I themselves as per the guidelines provided by the CBSE. However, assessment of these skills may also be done under the Formative activities spread over two terms. There will be one written paper of English at the end of each term carrying 70 marks. The time limit will be three hours. Section A : Reading 20 marks 50 periods Q.1.2 This section will have two unseen passages of a total length of 700-750.
    [Show full text]
  • MUSIC Hindustani
    The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics.
    [Show full text]
  • ISSN 2454-8596 Mogubai Kurdikar
    ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- Mogubai Kurdikar - The Doyen of Jaipur Atrauli Dr. Gurinder H. Singh Associate Professor Department of Music Janki Devi Memorial College University of Delhi New Delhi 110060 V o l u m e 1 I s s u e 1 A u g u s t - 201 5 Page 1 ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- ABSTRACT The music world before nineteen hundreds was predominantly male oriented, when the female performers were either court singers or entertainers. Though in the changing times there were several talented women who were making new identities as concert singers. The two ladies to make this major transition were Alladiya Khan‟s students Mogubai Kurdikar and Kesar Bai Kelkar who marked a shift from chamber singing and Marathi stage drama to concert stage of classical Hindustani music. Their success attributed enormously towards the phenomenal fame of their guru, Ustad Alladiya Khan whose extraordinary style gained prominence and reigned the music world in north India years after him. It came to be known as the Jaipur Atrauli Gayaki which made considerable impact particularly in Maharashtra. This article is a life sketch of the musical journey of Mogu Bai Kurdikar, her undeterred resolve ensuing her deep commitment through the many social struggles. The old phonograph records of Mogubai Kurdikar in Raags Sohni, Basanti Kedar,Yaman, Swani Kalyan exquisitely demonstrate the gayaki of Jaipur Atrauli The listener is awestruck by the concluding taan which traverses four avartanas in rupak taal in the Raag Nayaki Kanada, without a break for breath.
    [Show full text]
  • Devdasis of Goa by Mario Cabral E Sa
    The Evolution of Community - Devdasis of Goa by Mario Cabral e Sa Some of the devdasis of Goa managed to use their traditionally inherited skill as musicians to build illustrious careers. More significantly, the community of former devdasis has not been totally decimated - a portion exists as an identifiable and organised community, many of its members, men and women, being high achievers in various fields. How this transformation took place needs to be studied in depth. This article provides a few glimpses of their past and present. THE devdasis of Goa were who sat in the temples close to the deity encouraged by their parents to learn traditionally connected to the men of the and had semipriestly duties like fanning singing and dancing from the kalavants. Gowd Saraswat Brahman community. the image, carrying the earthen lamps and The updasis, who were concubines, How this connection came about is a lighting them for worship; and temple were at risk of being pushed into matter of dispute. According to servants like bhandis. prostitution. Devdasis too sometimes Malbarao Sardesai, well known Malbarao Sardesai claims that his got involved in nonmarilal unions with pkhawaj, harmonium and flute player, ancestors kept the kalavants free not rich pilgrims, priests, local traders and and scion of a leading Gowd Saraswat enslaved. Saraswat girls were landlords, and in the colonial period, Brahman family, the sometimes with British Saraswats came to Goa with Literal translation of original caption: “Gentile woman officers. their artisans, servants, breastfeeding child.” The woman is a devdasi in a temple. The Saraswats had soldiers and devdasis (slaves contrived a system known as to god) and updasis (slaves sessa whereby devdasis were to men).
    [Show full text]
  • The Sound of Music
    This article has been extracted from the Platinum Jubilee Souvenir of the Suburban Music Circle (Year 2012) The Sound of Music By: Smt. Suniti Bagde [Smt. S.P Bagde is one of the oldest members of the Circle and is a member of the Managing Committee. Since an early age, she has been attending the concerts conducted by the Circle since inception. As a very senior member, she has been very active and engaged in guiding the Committee with her insights on Content Management. Having brought up in a family of music lovers, she took some music lessons and continued her interest in listening to classical music, kirtans and bhajans. Professionally, Smt. Bagde has been a French teacher and has taught at various schools and classes.] Smt. Suniti Bagde August augers authentically with the pitter patter of rain drops on Mother Earth adoring her greens with a splatter of fragrant flowers on her apparel with the musical notes of air, water and bird-chirp. The in September the dried yellow leaves take the place of verdure. And amidst this scenario in October when Navrang starts mingling with Saptasur of Garba our Suburban Music Circle was brought into life at Santacruz in 1936. Nature is the origin of creating music. According to Ritumbhara along with the sprightly spring that brought fresh scent in the air spreading joy, the circle inaugurated its first concert on 22nd February 1937 by Vidushi Hirabai Badodekar. It is said, her rendition of Basant Bahar was excellent. My father, Dattatraya Nadkarni joined this music circle. He used to take me, a toddler, to the concerts in Vimlanand Koppikar Hall – a step aside our home in Saraswat Colony.
    [Show full text]
  • Visharad Poorna Theory Theory
    1 © Anjali Nandedkar, nandedkarproductions.com www.swaranjalimusicschool.com Visharad Poorna Theory 2006 Syllabus: Akhil Bharatiya Gandharva Mahavidyalay Mandal – India www.abgmvm.org Theory: Written Exam Paper # 1: Chapter 5: Biographies: Introduction to Performance Styles of Famous Vocalists and Instrumentalists ------------------------------------------------------------------------------- 1. Gaan Saraswatee Shreematee Kishori Amonkar (April 10, 1932 - April 3, 2017) World famous Sitar player Bhaaratratna Pandit Ravishankar ji said this about Shreematee Kishoree Amonkar: “Kishoree’s singing originates from her throat as well as from her soul”. Only one true artist can praise another true artist this way. Indeed Kishori ji was fortunate that she was born in a renowned artist’s home, she received music training from her mother Shreematee Mogubai Kurdikar, and she was considered a leading disciple of Ustaad Alladiyaa Khan from Jaypur gharaanaa. However, she also created her own unique style and became an extremely popular singer of her generation. That is how she received heart felt praise from a top artists that she “Sings from her soul”. Gaan Sarasvati Kishori ji’s concerts were always very entertaining and successful due to the rigorous systematic training she received from her capable mother and teacher, Shreematee Mogubai Kurdikar. In her earlier days, Kishori ji started her career by singing a song in a movie called ‘Geet gaayaa pattharon me’. The song was very sweet because of her divine voice and became very popular. But her mother and teacher strictly removed her from movie business to bring her focus back to classical music. Mother knew the true potential of her genius daughter. She knew Kishoriji will create her own unique place and become immensely popular in whatever music form she chooses.
    [Show full text]
  • The Phonograph in India
    The Phonograph in India G. N. Joshi The Beginnings The history of the phonograph in India dates back to the beginning of the century. Though gramophones began to be exported to India since 1 898, the idea of commercially exploiting the phonograph on a large scale in the east was mooted in 1 900 and Messrs. The Mutoscope Biograph Co. of India was given the agency of selling horn-gramophones and records of European music imported from America. In 1 898, Mr. W. B. Owen had established in England the parent company of the Gramophone Co. Ltd. He was sent to England by the American inventor of disc recording, Mr. Emile Berliner, to sell, if possible, his European rights for the disc records which he had patented in the U.S.A. Since Mr. Owen did not succeed in selling Mr. Berliner's rights outright, the two formed The Gramophone Co. Ltd. in England. Mr. Berliner erected a record pressing factory at Hanover in the U.S.A . for supplying records and machines to the newly-formed company in England . At this point a· mechanic named Johnson invented a spring-wound motor for the phonograph machine. Until the time his invention was perfected, users (during the period when the record was being played) had to rotate, with the help of a handle, the turntable with the disc on it. The spring-motor Edison 'Home' Model A enabled the phonograph to be \Nound for a certain number of playings and hence the listener could sit at a distance \Nithout having to bother to crank the machine all the time.
    [Show full text]
  • Performing Modernity Musicophilia in Bombay/Mumbai
    TISS Working Paper No. 3 March 2013 PERFORMING MODERNITY MUSICOPHILIA IN BOMBAY/MUMBAI TEJASWINI NIRANJANA Research and Development Tata Institute of Social Sciences © Tata Institute of Social Sciences TISS Working Paper No. 3, March 2013 Contents Introduction ......................................................................................................................................1 Musicophilia and Modernity .............................................................................................................3 Studying Music in Bombay ...............................................................................................................5 Theatre and Hindustani Music ..........................................................................................................6 Musical Pedagogy ..............................................................................................................................7 Lingua Musica ...................................................................................................................................9 References .......................................................................................................................................11 Additional Data Sources ..................................................................................................................13 Appendix I ......................................................................................................................................14 iii iv ABSTRACT This
    [Show full text]
  • PROFILE Besides Saniya Has Been Showered with Blessings And
    PROFILE Born in the family of Music lovers, Saniya's talent was discovered by her parents at the tender age of 3, when she started playing songs on harmonium by herself. As an inborn Artist, since childhood, she had good understanding towards Swar and Laya. Her father is a violin player, mother is a good connoisseur of Music and brother, Sameep Kulkarni is disciple of Sitar Maestro Ustad Shahid Parvez. Education is also given utmost importance in her family and all family members are Merit rank holders. Saniya was fortunate to receive blessings from Ganasaraswati Kishoritai Amonkar at the age of 6 and she started learning classical music from Smt. Lilatai Gharpure (senior disciple of Smt. Hirabai Badodekar). Saniya's first debut was her performance in front of legendary Pt.Jitendra Abhisheki at the age of 12 and that time she created long lasting impression on the audience. Saniya had a privilege to learn under able guidance of renowned senior vocalist Dr.Ashwini Bhide- Deshpande of Jaipur-Atrauli Gharana. She was trained under Ashwiniji with a comprehensive gharana talim for 12 years and frequent Pune-Mumbai travels Saniya is a “Sangeet Visharad” with distinction and a gold medalist in M.COM. Further she also completed the intricate C.S. (Company Secretary) Course. Her hard work, perseverance, and love for music contributed to prove herself on both musical as well as academic fronts. Besides Saniya has been showered with blessings and appreciation by musicologists, music critics and stalwarts of Hindustani Classical Music like Pt. Bhimsen Joshi, Bharatratna LATA MANGESHKAR, Late Pt.
    [Show full text]