Extensions of Remarks E1123 EXTENSIONS of REMARKS
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7 U S ^Ct^Tncl Shùffls
7 Us ^ct^tncL opt ai zi CHAMPA&fiifS tOQHT/UiS , TAYLOR , SHÙfflS Ä« toSWO SrfiTjôt/ Discover the World on Your SEMESTER AT SEA- Sails each September & February Combine accredited study with educational stops in Africa, Aus- tralasia and the Orient. Over 7500 students from 450 campuses have already experienced this interna- tional program. A wide range of financial aid is available. WCA Advisor on Campus: Lewis C. Butler Dean ALFRED UNIVERSITY REGAL NOTES UNDERSTAND PLAYS, NOVELS AND POEMS FASTER WITH OUR NOTES We're ne.w cmd we're »he bigest! Thousand» of topics reviewed for quicker understanding. Our subjects include not only English, but Anthro- pology Art, Black Studies, Ecology, Eco- nomics, Education, History, Low, Music, Philosophy, Political Science, Psychology, Religion, Science, Sociology end Urban Prob- lems. Send $2 for your catalog of topics avail- able. REGAL NOTES 3160 "0" Street, N.W. Washington, D. C. 20007 Tel-Une: 202-333-0201 11 i Fiat Lux, Alfred, New York February 22,1973 FIAT LUX Letters to the Editors Alfred, New York D.J.'s Fired No Man Is An Island February 22, 1973 To the Editor Vol. 58, No. 11 The recent removals of Mark, Randy, Elliot, A1 and As I sit here, I see before me a faceless mass of disin- others from WALF has shown the young radio station's teresting people. The meal is familiar enough. On the inexperience and lack of maturity. back of the steak are the usual words: PIRELLI—MADE Editor-in-Chief (content) — Kathy Horner IN FRANCE FOR ALFRED UNIVERSITY. It seems to Editor-in-Chief (production)—Randy Brown Heavy-handed firings because of obvious personal conflicts and personal tastes should not be tolerated. -
Biographical Description for the Historymakers® Video Oral History with Sheila Frazier
Biographical Description for The HistoryMakers® Video Oral History with Sheila Frazier PERSON Frazier, Sheila, 1948- Alternative Names: Sheila Frazier; Sheila E. Frazier ; Life Dates: November 13, 1948- Place of Birth: New York, New York, USA Residence: Bronx, NY Work: Los Angeles, CA Occupations: Film Actress; Television Producer Biographical Note Actress and producer Sheila Elaine Frazier was born on November 13, 1948, in the Bronx, New York, to Dorothy Dennis and Eugene Cole Frazier. Frazier lived on the Lower East Side of New York City until the age of ten, when she moved with her mother to Englewood, New Jersey. In Englewood, Frazier’s neighbors included stars and future stars like Clyde McPhatter, Van McCoy, The Isley Brothers and Dolly and Jackie McClean. Frazier attended P.S. 97 in New York City and Liberty School in New Jersey. At Englewood’s Dwight Morrow High School, her classmates were Margaret Travolta and Hazel Smith. Inspired by Susan Hayward’s performance in the film, I’ll Cry Tomorrow, Frazier longed to be an actress but was hampered by a speech impediment. Graduating in 1966, Frazier moved to New York City where she served in various clerical positions with Allied Stores, Boutique magazine and the United Negro College Fund. Recruited by the noted Negro Ensemble Company photographer Bert Andrews, Frazier became acquainted with the New York arts community. Frazier studied acting at HB (Herbert Berkoff) Studios in New York, under the direction of Bill Hickey and Uta Hagen. Eventually actor Richard Roundtree encouraged Frazier to take acting lessons from Gilbert Moses at the Negro Ensemble Company which led to additional training with Dick Anthony Williams at the New Federal Theatre. -
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$10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. www.forevervets.com Expires 3/31/2020 4 x 2” ad Your Community Voice for 50 Years RecorPONTE VEDRA der entertainment EXTRA! Featuring TV listings, streaming information, sports schedules, puzzles and more! has a new home at April 23 - 29, 2020 THE LINKS! 1361 S. 13th Ave., Ste. 140 Evil in the ALSO INSIDE: Jacksonville Beach What’s available Ask about our now on Hulu, Offering: 1/2 OFF Netflix and · Hydrafacials All Services Amazon Prime · RF Microneedling Pages 3,17, 22 · Body Contouring · B12 Complex / Lipolean Injections · Botox & Fillers A · Medical Weight Loss VIRTUAL CONSULTATIONS Natalie Dormer stars in “Penny Dreadful: City of Angels,” Get Skinny with it! premiering Sunday on Showtime. (904) 999-0977 www.SkinnyJax.com1 x 5” ad Kathleen Floryan REALTOR® Broker Associate ODOM’S MILL | 4BR/3ba • 2,823 SF • $535,000 Here is a fantastic place to hang your heart with a lot of livability. This wonderful home enjoys views of a meandering lagoon and nature preserve, with no neighbors behind. In the heat of the day enjoy your screened pool/lanai that opens to an iron fenced back yard with an access gate to the water for kayak or SUP board. Take ten minutes to drive to Mickler’s Landing Beachfront Park. -
Boy Drowns in Reservoir by MARK GRAVEN but on Toe Fourth Pass, Found the Body in Approximately the the Day from an Island About 100 Feet from Snore
tie, too late? H copy of the report from tbe speflalist, Dr i, Neptune CMy, ssyttg parts «(the first copy Mt farther asjared Dr. Bagdaa. art getting a nin around," ht (aid, nl iht'i dtotraMght at tU tits of (our aid that laat *eek, Ike ,n WtUt, visited her home, Swerved the cl tf pl.ymg wuh his nd neighborhood children A\& Mr. Donmo. "but It a or » speech problem ^^•BllUai III the schooland head >Wd the social worker's viitt was a s« «nl»*r wla», page 1 The Daily Register VOL 100 NO. 295 SHREWSBURY, N.J. JUNE 12, 1978 15 CENTS Teen-age boy drowns in reservoir By MARK GRAVEN but on toe fourth pass, found the body In approximately the the day from an Island about 100 feet from snore. keys and some loose change COLTS NECK - Divers pulled the body of an unidentified same spot that the young biker had reported the victim going "If he could have swum 15 more feet, he would have made State police praised the first aid squads for their speed In teen-afe boy from Swimming River Reservoir shortly before down, police said. the bank," said one state policeman. recovering the body. midnight yesterday. Youngsters near the scene yesterday, told police that they Officials reportedly found some personal affects belonging "We've been here before," said one veteran squad member, Divers from the Falrvlew and Llncroft First Aid Squads had seen the victim swim back and fourth several times during to the victim on the Island. They Included a white t-shlrt, some See My drowns, page I found the body, which state police at Colts Neck said had been submerged four hours, in 12 feet of water, about 30 feet from the snore of a wooded area off Lovett Road. -
Finding Aid to the Historymakers ® Video Oral History with Sheila Frazier
Finding Aid to The HistoryMakers ® Video Oral History with Sheila Frazier Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Frazier, Sheila, 1948- Title: The HistoryMakers® Video Oral History Interview with Sheila Frazier, Dates: August 24, 2007 Bulk Dates: 2007 Physical 7 Betacame SP videocasettes (3:05:09). Description: Abstract: Actress and television producer Sheila Frazier (1948 - ) is the founding director of Frazier Multimedia Group. Her acting credits include Super Fly, California Suite, 227, The District, and The West Wing. Frazier was interviewed by The HistoryMakers® on August 24, 2007, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2007_240 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Actress and producer Sheila Elaine Frazier was born on November 13, 1948, in the Bronx, New York, to Dorothy Dennis and Eugene Cole Frazier. Frazier lived on the Lower East Side of New York City until the age of ten, when she moved with her mother to Englewood, New Jersey. In Englewood, Frazier’s neighbors included stars and future stars like Clyde McPhatter, Van McCoy, The Isley Brothers and Dolly and Jackie McClean. Frazier attended P.S. 97 in New York City and Liberty School in New Jersey. At Englewood’s Dwight Morrow High School, her classmates were Margaret Travolta and Hazel Smith. Inspired by Susan Hayward’s performance in the film, I’ll Cry Tomorrow, Frazier longed to be an actress but was hampered by a speech impediment. -
Renaming Blaxploitation by Looking at Today's Film
Renaming Blaxploitation by Looking at Today’s Film: Black Heroes, White Villains, and Trump’s America ____________ A Thesis Presented to The Faculty of the Department of English University of Colorado Boulder ____________ Advisor: Adam Bradley Honors Council Representative: Jeremy Green Outside Reader: Kaifa Roland Additional Reader: Mark Winokur ____________ By Lauren Arnold Defense on April 8, 2019 Arnold 2 Introduction White directors, producers, writers, actors, and film studios have, of course, dominated the American film industry since its inception. Early depictions of Black people, from the 19th century minstrel shows of White actors in Black face and offensive or stereotypical animated films to the narrow typecasting of Black actors from the late 1920s onward, have been produced for the White gaze by White men. The Black community had thus never established a popularized aesthetic of its own or been the owner of that gaze that was catered to by film. It was not until the 1970s that Black film aesthetics were popularized with the creation of a genre referred to as blaxploitation. Blaxploitation has been recognized as beginning as early as 1966, but most critics mark its origin in the production of Melvin Van Peebles’ Sweet Sweetback’s BaadAsssss Song (1971) and its decline in the mid-1970s. The genre includes approximately seventy feature-length films, which were typically action movies, created by Black casts and crews for a Black audience — marking the first time in history that Hollywood studios made use of Black production. The naming of the genre separates these mainstream action movies that were backed and advertised by Hollywood studios and that garnered large Black audiences from Black independent films that were neither supported nor funded by Hollywood studios and did not have as large an audience. -
Ilanrhpbtpr Irralh Manchester, Conn
20 - MANCHESTER HERALD. Thurs., Sept. 16, 1982 West German Swensson rejects Tony, Sam BUSINESS government falls r. debate proposal swap blows . p a g e 3 ... page 10 -In Brief'------ Be cautious . page 4 Joins chamber Business meals still deductible The recently opened Greater Hartford County law or the old tax law that prevents you from deducting Division of Cash Millions of business people write off 100 percent of the Manchester, Conn. the expenses for all four of you? Chance of rain Discount Card of cost of taking customers and clients to lunch and dinner Friday, Sept. 17, 1982 America has joined — a lovely loophole in the tax law that has supported Saturday afternoon the Greater such world-famous restaurants as 21 in New York City Your ANSWER: Neither the new law nor the old knocks Single dopy 25q: Manchester for decades. The loophole was actually in danger when out this deduction. Just as long as the entertainment (or ilanrhpBtpr Irralh — See page 2 C h a m b er o f Congress proposed to cut the deduction to 50 percent of Money's the business meal) is deductible, so is the cost of having Commerce, The firm the cost in the new tax increase law — but at the last your spouse and the customer’s spouse along. is managed by minute, the crackdown on business meals was knocked Worth But watch this. William J. Peoples. out. The mythical three-martini lunches (I’ve known Sylvia Porter When the entertainment consists of nightclubbing or Cash Discount only one businessman in my entire career who drank something similar, you and the customer must have had Card is a retail dis three martinis at lunch; I don’t know where he is now), a substantial business meeting either before or after the count plan in which are safe for now. -
He Thinks He's Down: White Appropriations of Black Masculinities in the Civil
He Thinks He’s Down: White Appropriations of Black Masculinities in the Civil Rights Era, 1945-1979 Katharine Lizabeth Bausch A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY TORONTO, ONTARIO November, 2014 © Katharine Lizabeth Bausch, 2014 Abstract “He Thinks He’s Down” examines the ways in which a significant and influential collection of white artists and activists in the 1940s, 1950s, 1960s, and 1970s, seeking an alternative to hegemonic white middle-class masculinity, appropriated imaginary black masculinities into their lives and work. The dissertation demonstrates that during the civil rights era images of black men circulated widely in U.S. popular culture, in part because of the acceleration of the black freedom struggle. Media depictions of black men engaging in struggles for civil rights, integration, self-determination, and the end of white supremacy highlighted their rebelliousness, strength, freedom, and power. In this same moment, many white middle-class men felt anxious, disempowered, insecure, and disillusioned with norms of middle-class manhood, especially in the context of a growing white-collar economy, the nuclear arms race, suburbanization, and political corruption. These emotions were expressed in various popular culture forums, including literature, political movements, magazines and films. “He Thinks He’s Down” argues that one strategy adopted by white artists and activists to -
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Hustler Masculinity in African American Culture Lamar J
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 "Can't Knock the Hustle": Hustler Masculinity in African American Culture Lamar J. (Lamar Jordan) Garnes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES —CAN‘T KNOCK THE HUSTLE“: HUSTLER MASCULINITY IN AFRICAN AMERICAN CULTURE By LAMAR J. GARNES A Disse tation submitted to the Depa tment of English in pa tial fulfillment of the e.ui ements fo the deg ee of Docto of 0hilosophy Deg ee A1a ded: Fall Semeste 2 2005 Copy ight 6 2005 Lama J. Ga nes All Rights Rese ve The membe s of the committee app ove the disse tation of Lama J. Ga nes defended on August 202 2005. __________________________________ Je ilyn McG ego y 0 ofesso Co9Di ecting Disse tation __________________________________ Ch istophe Shinn 0 ofesso Co9Di ecting Disse tation __________________________________ Ma:ine Jones Unive sity Rep esentative __________________________________ Ma:ine Montgome y Committee Membe App oved: _____________________________________ Ralph Be y2 Chai 2 Depa tment of English The G aduate School has ve ified and app oved the above9named committee membe s. ii I dedicate this to Johnt el2 De ek2 my mom2 Nana2 and Aunt Leno a and to D eams and D eame s ii ACKNOWLEDGEMENTS Fi st and fo emost2 I 1ould like to thank the c eato fo being the e even 1hen I thought He/She 1asn‘t and 1ithout whom none of this 1ould have been possible. -
'Fun City: New York in the Movies 1967–75,' Curated by J
FOR IMMEDIATE RELEASE ‘FUN CITY: NEW YORK IN THE MOVIES 1967–75,’ CURATED BY J. HOBERMAN, HIGHLIGHTS GRITTY NEW YORK FILMS MADE DURING THE JOHN LINDSAY YEARS Screening series, accompanied by a new monograph by Hoberman, includes The French Connection, Dog Day Afternoon, The Taking of Pelham One Two Three, Midnight Cowboy, Across 110th Street, Superfly, Serpico, and more August 10–September 1, 2013 Astoria, NY, July 24, 2013—Movies filmed in New York City that tapped into the turmoil, chaos, and social and cultural energies of the late 1960s and early 1970s are the subject of the screening series Fun City: New York in the Movies 1967–75, curated by film critic and historian J. Hoberman. The series, which will be accompanied by a new monograph written by Hoberman, includes nineteen films, and will be presented by Museum of the Moving Image from August 10 through September 1. The films include established classics such as Rosemary’s Baby, The French Connection, Midnight Cowboy, and Dog Day Afternoon, as well as lesser known films such as The Angel Levine, Bye Bye Braverman, and Cotton Comes to Harlem. A special screening of Superfly, which just celebrated its 40th anniversary, will be accompanied by a discussion with co-star Sheila Frazier and followed by a costume and singing contest on Friday, August 16. In November 1965, New York City mayor John V. Lindsay signed an executive order that cut through existing red tape, encouraging the filming of motion pictures on the city’s streets. Hollywood took notice with a cycle of tough cop films (The French Connection), bleak social comedies (The Landlord), and gritty urban fables (The Panic in Needle Park). -
Curtis Mayfield
PERFORMERS CURTIS MAYFIELD sked once by an interviewer if he was a spir itual person, Curtis Mayfield smiled and said, “ I think all human beings are spiritu al.” That good opinion of others has stood him — and all of us — in good stead over four decades of music making, hs Influenced deeply by the church of his grandmother, the Reverend AB. Mayfield, and surrounded by gospel music since childhood, Curtis Mayfield would find creativity, selfhood and community forever intertwined in his career. He began harmonizing in church at age seven and taught himself guitar using a unique tuning improvised from his rudimen tary piano playing. In 1957 boyhood friend and fellow choir member Jerry Buder invited Curtis to join his group the Roosters, whose members Sam Gooden, Arthur Brooks and Richard Brooks had moved to Chicago from Chattanooga, hs Renamed the Impressions, the group’s first Curtis Mayfield, success, “For Your Precious Love,” ironically split Buder from singer, songwriter, producer, record- the group in I95&, when he was singled out on the record’s company presi dent, ca. 1973 label credit. But Mayfield put Buder’s solo career on track in i960, when the two cowrote “He Will Break Your Heart,” then launched the Impressions’ chart career in earnest with the 1961 hit “ Gypsy Woman.” As a trio made up of Gooden, Mayfield and Buder’s replacement, Fred Cash, the Impressions brought a run of graceful, inspirational Mayfield songs to the R&B and pop charts. “ It’s All Right,” “ I’m So Proud,” “ Keep On Pushing,” “Amen” and “People Get Ready” were by turns stately and jubi lant, and all expressed the grounding influence of a church upbringing along with the awakening social consciousness of a groundbreaking gener ation.