The Government Inspector and Other Works Free
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Institute of Distance and Open Learning Gauhati University
ENG-02-20 Institute of Distance and Open Learning Gauhati University MA in English Semester 4 Paper 20 European II - Modern European Fiction Contents: Block 1: Short Russian Fiction Block 2: The Novel in Russian Block 3: The Novel in German Block 4: The Novel in French (1) Contributors: Block 1: Short Russian Fiction Unit 1 : Afrah Abdul Kafi Mohammed & Musaeva Cholpon Mirbekovna EFL University, Hyderabad Unit 2 : Afrah Abdul Kafi Mohammed Musaeva Cholpon Mirbekovna & Shana Ninan EFL University, Hyderabad Unit 3 : Reju George Mathew & C. Arumugathai EFL University, Hyderabad Block 2: The Novel in Russian Unit 1 : Sradha Somraj EFL University,Hyderabad Unit 2 : Sweta Mukherjee EFL University, Hyderabad Unit 3 : Smitha Vallathol EFL University, Hyderabad Unit 4 : Apeksha Harsh & Vidya Kesavan EFL University, Hyderabad Block 3: The Novel in German Units 1, 3 & 4 : Prasenjit Das Assistant Professor in English KKHSOU Unit 2 : Dibyajyoti Borah Assistant Professor in English H B Girls’ College, Golaghat Block 4: The Novel in French Units 1, 2, 3 & 4 : Dr. H. Kalpana Rao Reader, Dept. of English Pondicherry University, Pondicherry Editorial Team Dr. Kandarpa Das Director, IDOL, GU Dr. Uttara Debi Assistant Professor in English IDOL, GU Sanghamitra De Guest Faculty in English IDOL, GU Manab Medhi Guest Faculty in English IDOL, GU (2) Cover Page Designing: Kaushik Sarma Graphic Designer CET, IITG February, 2012 © Copyright by IDOL, Gauhati University. All rights reserved. No part of this work may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise. Published on behalf of Institute of Distance and Open Learning, Gauhati University by Dr. -
GOGOLIAN SPATIAL MODELS and MANKIND's POTENTIAL for REDEMPTION: a COMPARISON of “THE CARRIAGE” and DEAD SOULS Maxwell O
GOGOLIAN SPATIAL MOD ELS AND MANKIND’S PO TENTIAL FOR REDEMPTION: A COMPARISON OF “THE CARRIAGE” AND DEAD SOULS Maxwell O. Mason A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the req uirements for the degree of Master of Arts in the Department of Slavic Languages and Literatures. Chapel Hill 2006 Approved by Advisor: Christopher Putney Reader: Beth Holmgren Reader: Ivana Vuletic ABSTRACT MAXWELL O. MASON: Gogolian Spatial Models and Mankind’s Potential for Redemption: A Comparison of “The Carriage” and Dead Souls (Under the direction of Christopher Putney) This analysis explores Nikolai Gogol’s utilization of spatial models in his short story “The Carr iage” and his epic novel Dead Souls in an attempt to deduce a connection between a character’s physical environment and his potential for redemption. These works are unique in that they reflect two distinct periods of a highly formative time in Gogol’s th eological development. “The Carriage,” the earlier published of the two, represents th is period’s point of departure, whereas Dead Souls conveys the output of Gogol’s complex journey. Employing the insight of Iurii Lotman, this study examines first the dominance of evil in the “static” environments of these two works and then its subordination to “boundless” space in Dead Souls . To replace his dominant model of evil even temporarily, though, Gogol was forced to extend his vision limitlessly, a task that w as ultimately more than he could bear. ii TABLE OF CONTENTS Page -
A Comparative Study of the Literary Output of Nikolai Gogol
The Aesthetics of Effacement: A Comparative Study of the Literary Output of Nikolai Gogol and Oscar Wilde PhD Thesis 2019 Brigit Katharine McCone Student no. 09129731 1 I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signed ___________________________________________________ 2 SUMMARY This thesis marks the first comprehensive comparative study of the literary output of Nikolai Gogol and Oscar Wilde, from an intersectional perspective blending genre theory, queer theory, postcolonial theory and Jungian psychoanalysis, to examine the authors as sexually and ethnically closeted while estimating the impact of this closeting on their fiction. The thesis concludes that Nikolai Gogol and Oscar Wilde have significant parallels in their conception of the artistic process, explicable by a shared exposure anxiety, significant stylistic parallels, explicable by a shared imperative to generate interpretative suspense and facilitate plausibly deniable self-expression, and significant thematic parallels in their treatment of sexuality, ethnicity and identity, explicable by a shared experience of sexual and ethnic closeting. By establishing that all major sexual themes in the fiction of Nikolai Gogol have direct parallels in the fiction of Oscar Wilde, this thesis contributes to the contextualization of Gogol as a closeted writer, while proposing new aesthetic frameworks for the evaluation of Oscar Wilde. 3 ACKNOWLEDGEMENT I am grateful for the advice and encouragement of my supervisor, Dr Sarah Smyth, of the Department of Russian and Slavonic Studies of Trinity College Dublin, and my co-supervisor, Dr Paul Delaney of the School of English, and my two examiners Jarlath Killeen and Claire Whitehead. -
The Government Inspector | Nikolai Gogol, Guy R
The Government Inspector | Nikolai Gogol, Guy R. Williams | 1992 1992 | 0174323832, 9780174323839 | The Government Inspector | Nikolai Gogol, Guy R. Williams | Nelson Thornes Limited, 1992 | The best oftwentieth-century drama for study and performance A famous Russian comedy wherea young traveller is mistaken for a government inspector. file download zev.pdf ISBN:9780571280506 | 128 pages | David Harrower | Drama | Jun 16, 2011 | The news that a government inspector is due to arrive in a small Russian town sends its bureaucrats into a panicked frenzy. A simple case of mistaken identity exposes the | Gogol's Government Inspector Inspector and 3 Other Plays | Eric Bentley brings to the attention of Gogol's still growing American public not only a new version of Inspector, but three other dramatic works: The Marriage, Gamblers and A | Drama | 1987 | 209 pages | ISBN:0936839120 | Nikola_ Vasil_evich Gogol_ Nikola Vasilevich Gogol | 109 pages | The Government Inspector | A Comedy in Three Acts | IND:30000035067226 | Drama | 1947 pdf download The Government Inspector pdf download Drama | Jeffrey Hatcher | The Government Inspector | A winning combination of light satire and romance...[This] smart, sweet play suggests that the endorphins released by garden-variety love may be the most reliable mood | ISBN:0822223376 | 64 pages | Jan 1, 2009 The UOM:39015008722095 | And Other Plays | The Government Inspector | 1927 | 288 pages Nikolai Vasilevich Gogol, Peter Raby | 63 pages | 1972 | THE STORY: The corrupt, squabbling bureaucrats of a provincial Russian hamlet are suddenly shocked to learn that a Government Inspector is about to pay them a visit--incognito | The Government Inspector | ISBN:0822204665 | Drama 98 pages | One of the most famous comedies in world theatre, Gogol's masterpiece has lost none of its bite. -
Nikolai Gogol
HUMANITIES INSTITUTE Frederic Will, Ph.D. NIKOLAI GOGOL (1809-1852) Works Drama The Gamblers. 1836 The Government Inspector. 1836 Essays Woman. 1830 Preface, to first volume of Evenings on a Farm. 1831 Fiction Evenings on a Farm near Dikanka, vol. I Evenings on a Farm near Dikanka, vol. II Arabesques. 1835 The Nose. 1835-6 The Overcoat. 1842 Dead Souls. 1842 Biography Gogol was born in a village in the Ukraine, in 1809. His mother descended from an army officer family, and his father, a member of the ‘petty gentry,’ was an amateur writer and playwright. Following in the footsteps of his parents, Nikolai was bilingual, both a Russian and a Ukrainian speaker. In 1820 Gogol went on to A School of Higher Art in Nezhin, a place where he began writing, and acting. He was not a popular boy--the domnant nickname for him was ‘the mysterious dwarf’, but he had a few close friends. He was, it appears, tremendously ambitious. In 1828 Gogol went to St. Petersburg, where he made premature efforts to get himself published. In 1831 he had the privilege of an introduction to Pushkin. It was in St. Petersburg that Gogol was able to bring out the first volumes of his short stories, and a couple of volumes of miscellaneous prose. On the whole he was being viewed, during this time, as a Ukrainian rather than a Russian writer. He himself furthered this national characterization, surrounded himself with Ukrainian friends, and developed a passion for Ukrainian history. In 1834 Gogol was appointed to a professorship in Mediaeval History at the University of St.