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Kaleidoscope and the Discourse of Underground News
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln UReCA: The NCHC Journal of Undergraduate Research & Creative Activity National Collegiate Honors Council 2016 Movement(s) in Dialogue: Kaleidoscope and the Discourse of Underground News Jeb Ebben University of Wisconsin - Milwaukee Follow this and additional works at: https://digitalcommons.unl.edu/ureca Part of the Educational Methods Commons, Gifted Education Commons, and the Higher Education Commons Ebben, Jeb, "Movement(s) in Dialogue: Kaleidoscope and the Discourse of Underground News" (2016). UReCA: The NCHC Journal of Undergraduate Research & Creative Activity. 33. https://digitalcommons.unl.edu/ureca/33 This Article is brought to you for free and open access by the National Collegiate Honors Council at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in UReCA: The NCHC Journal of Undergraduate Research & Creative Activity by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 Movement(s) in Dialogue: Kaleidoscope and the Discourse of Underground News 2 Movement(s) in Dialogue: Kaleidoscope and the Discourse of Underground News Throughout the late 1960s and early 1970s, underground newspapers such as Milwaukee’s Kaleidoscope documented, reported on, and informed the burgeoning American counterculture. These papers served many functions. They discussed drug experiences and reported on local news and events, from concerts to protests and police brutality. They reviewed the newest psychedelic rock albums, published poetry and artwork, and sought to challenge their readership (and, by extension, mainstream America) by introducing new and radical ideas. They reprinted communiques from leftist organizations such as the Black Panthers, Students for a Democratic Society (SDS), and, later, the Weather Underground. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
A History of the Communication Company, 1966-1967
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Summer 2012 Outrageous Pamphleteers: A History Of The Communication Company, 1966-1967 Evan Edwin Carlson San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Carlson, Evan Edwin, "Outrageous Pamphleteers: A History Of The Communication Company, 1966-1967" (2012). Master's Theses. 4188. DOI: https://doi.org/10.31979/etd.cg2e-dkv9 https://scholarworks.sjsu.edu/etd_theses/4188 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. OUTRAGEOUS PAMPHLETEERS: A HISTORY OF THE COMMUNICATION COMPANY, 1966-1967 A Thesis Presented to The Faculty of the School of Library and Information Science San José State University In Partial Fulfillment of the Requirements for the Degree Master of Library and Information Science by Evan E. Carlson August 2012 © 2012 Evan E. Carlson ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled OUTRAGEOUS PAMPHLETEERS: A HISTORY OF THE COMMUNICATION COMPANY, 1966-1967 by Evan E. Carlson APPROVED FOR THE SCHOOL OF LIBRARY AND INFORMATION SCIENCE SAN JOSÉ STATE UNIVERSITY August 2012 Dr. Debra Hansen School of Library and Information Science Dr. Judith Weedman School of Library and Information Science Beth Wrenn-Estes School of Library and Information Science ABSTRACT OUTRAGEOUS PAMPHLETEERS: A HISTORY OF THE COMMUNICATION COMPANY, 1966-1967 by Evan E. -
The United States Print Media and Its War on Psychedelic Research in the 1960S
The Exposition Volume 5 | Issue 1 Article 2 May 2019 The nitU ed States Print Media and its War on Psychedelic Research in the 1960s Jessica M. Bracco Buffalo State College, [email protected] Follow this and additional works at: https://digitalcommons.buffalostate.edu/exposition Part of the Cultural History Commons, European History Commons, Intellectual History Commons, Public History Commons, and the Social and Behavioral Sciences Commons Recommended Citation Bracco, Jessica M. (2019) "The nitU ed States Print Media and its War on Psychedelic Research in the 1960s," The Exposition: Vol. 5 : Iss. 1 , Article 2. Available at: https://digitalcommons.buffalostate.edu/exposition/vol5/iss1/2 This Article is brought to you for free and open access by the History and Social Studies Education at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in The Exposition by an authorized editor of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. The nitU ed States Print Media and its War on Psychedelic Research in the 1960s Cover Page Footnote 1 “Letter to the Editor,” Harvard Crimson, December 13, 1962. 2 Efrem Sigel, “Psilocybin Expert Raps Leary, Alpert on Drugs,” Harvard Crimson, December 12, 1962. 3 “Letter to the Editor.” 4 Matthew Oram, “Efficacy and Enlightenment: LSD Psychotherapy and the Drug Amendments of 1962,” Journal of the History of Medicine and Allied Sciences 69, no.2 (April 2014): 223-224. 5Terrence Mal, “LSD: Problem for Both Science and Law Drug Popular Among Young People Because of Mystic Hallucination Effect,” Los Angeles Times, November 21, 1965. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
Alessandro Ludovico
POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium. -
Damage Prevention Issue
SPRING 2017 THE MINNESOTA UTILITY CONTRACTORS ASSOCIATION DAMAGE PREVENTION ISSUE INSIDE THIS ISSUE contractor survey on utility hits contractor claims for undisclosed utilites ms216d stakeholder review what’s in your spec: the truth about tracer wire and much much more... Spring 2017 | 1 1000 Westgate Drive, Ste 252 | St. Paul, MN 55114 | www.muca.org 2 | MUCA Underground Press FROM THE PRESIDENT 2017 BOARD OF DIRECTORS Winter…. What winter? The start of the construction President Vice President season is off and running! As your crew leaders are Mark Magney Lee Beemer already out there working hard, please encourage them Magney Construction Co. Beemer Companies to keep safety as their main concern; I know it’s yours too. MUCA’s main concern is solving problems for Past President Secretary/Treasurer members through education, training, and legislative Tim Culp Mike Leahy, Jr. relations. Quam Construction St. Paul Utilities After an unpredictable election cycle, we have a new President who in his Directors acceptance speech called out infrastructure: “We’re going to rebuild our infrastructure, which will become, by the way, second to none. And we will put Craig Habighorst Brad Worrell millions of our people to work as we rebuild it.” Let’s hope he keeps his word. Rice Lake Construction Group Hancock Concrete The trouble for MUCA Members is finding people for doing the work. MUCA has engaged with several groups on several fronts to solve the Matt Smith Chris Glassing workforce development issue for our members. We participate in Project Elcor Construction, Inc. American Cast Iron Pipe Build Minnesota, The Legacy I-3 Initiative, the MN DOT DBE/Workforce Collaborative, and the Center of the American Experiment. -
Freeing Voices of Dissent in the Underground Newspaper Collection
Laurie Charnigo Prisoners of Microfilm Freeing Voices of Dissent in the Underground Newspaper Collection “We are a people, and a people must have their own voice, and that voice is the underground press.”1 - Thomas King Forcade 1. Bad juju I put the finishing touch on the display case in the lobby of our library, a sign in bold newsprint: “Come Explore the UPS Underground Newspaper 41 Collection (1963-1975)!” Stepping back to admire my creation, I almost had to brace myself against the dizzying psychedelic collage of graphics. This display screamed not only “Look at me!” but “Damn! I’m cool!” And oh how cool it was covered with photos, comics, and covers from a wide range of colorful Vietnam-era ‘underground’ newspapers. The bright art of Black Panther’s Emory Douglas shouted “Power to the People!” Psychedelic covers of the San Francisco Oracle flashed Vedic Motifs, bearded gurus, and hookah- smoking shamans. Gilbert Sheldon’s Fabulous Furry Freak Brothers and Trina Robbins’ feminist superheroes playfully danced throughout the display. There were photos of protesters marching for civil rights, gay rights, women’s rights, and in opposition to the war in Vietnam. There were raised fists of solidarity, peace signs, concert posters, a real lava lamp (which I hoped wouldn’t burn the library down), and covers of the Berkeley Barb, Avatar, the Los Angeles Free Press, and many others. Books about the Vietnam-era underground press were featured prominently throughout the display, such as Ken Wachsberger’s extensive Voices from the Underground series and John McMillian’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media Laurie Charnigo is education librarian at Jacksonsville State University in Alabama. -
The Undergroun and Alternative Press in Britain
Harvester/Primary Social Sources The Underground and Alternative Press in Britain A Bibliographical Guide with historical notes By John Spiers Published with a title and chronological index as a companion to the Underground/ Alternative Press collection prepared for microform publication by Ann Sexsmith and Alastair Everitt ~ THEHARVESTERPRESSt974 THE HARVESTER PRESS LIMITED Publishers Contents 2 Stanford Terrace Hassocks, Nr. Brighton Sussex, England First published in 1974 by the Harvester Press General Editor's Preface page7 Introduction© John Spiers 1974 Index, notes, etc ©The Harvester Press 197 4 General Preface page 9 Acknowledgements page 13 This Bibliographical Guide issued with the Harvester/Primary Social Sources silver-halide microfiche and 35 mm roll-fihn collection 'The Underground and THE UNDERGROUND AND ALTERNATIVE Alternative Press in Britain'. PRESS IN BRITAIN by John Spiers page 15 LC Card No. 73-93912 Complete List of Participating Groups and Papers page 29 ISBN 0 901759 84 8 Descriptions of Groups and Papers page 33 Typesetting by Campbell Graphics Ltd., Newcastle upon Tyne Printed in England by Redwood Press Limited, Trowbridge How to use the Index page 55 Bound by Cedric Chivers, Portway, Bath INDEX page 59 All eights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of The Harvester Press Limited. General Editor's Preface What Harvester/Primary Social Sources is now offering to scholars should not be seen as just another collection of research material reproduced on microfiche. It is very much more than that. -
The Underground Press
Catalog #4 The Underground Press Boo-Hooray Catalog #4: The Underground Press Terms: Usual. Not onerous. Boo-Hooray is proud to present our fourth catalog, dedicated to the 1960s and ‘70s underground press. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encour- age visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. The newspapers and magazines presented here–along with innumerable peer publications–established a trans-Atlantic network of underground press. This network provided an alternative to mainstream news and culture outlets, which had proved to be inept at covering the rapidly evolving social and political landscapes in Western Europe and Amer- ica. Though each had its own focus, these publications share histories of government prosecution, censorship, and surveillance; an animating mission of pushing the boundaries of cultural and political discourse; and shoestring budgets. Taken as a whole, these publications present a wide view of the countercultural zeitgeist of the 1960s and 70s. Catalog prepared by Beth Rudig, Director of Archives; Evan Neuhausen, Archivist; and Daylon Orr, Director of Rare Books & Manuscripts. Layout and design by Maya Fell. Please direct all inquiries to Daylon ([email protected]). All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. -
My Odyssey Through the Underground Press
Michael Kindman. My Odyssey through the Underground Press. Edited by Ken Wachsberger. East Lansing: Michigan State University Press, 2011. xx + 206 pp. $39.95, paper, ISBN 978-1-61186-000-9. Reviewed by Susan Keith Published on Jhistory (August, 2012) Commissioned by Heidi Tworek (University of British Columbia) Social movements of the Sixties--a cultural era movements of the Sixties as Michael “Mica” Kind‐ often said to have begun in the 1950s or even man in his posthumous memoir My Odyssey 1940s and to have continued until nearly the mid Through the Underground Press. In a book edited 1970s--gave new voice to a variety of groups that by Ken Wachsberger as one of four volumes in the previously had been marginalized in U.S. society. Voices from the Underground series, Kindman, [1] During this period, as Abe Peck writes, “War, who died in 1991, recounts his involvement in racism, class, nationalism, the environment, sexu‐ student protests, an autocratic urban religious ality, the nature of consciousness, culture, work, commune, the back-to-the-land movement, the lifestyle--all were radically, substantially, some‐ men’s movement, and gay liberation. As Kindman times explosively reconsidered.”[2] Alternative was either a creator of, contributor to, or acute newspapers and magazines were key components observer of the media of all these struggles, his of this reconsideration, as Peck and other schol‐ book will be useful to historians of both alterna‐ ars--including John McMillian in Smoking Type‐ tive media and social movements. writers: The Sixties Underground Press and the The frst three chapters of the book chronicle Rise of Alternative Media in America (2011)--have Kindman’s transformation into, in Wachsberger’s documented. -
The British Underground Press, 1965-1974: the London Provincial Relationship, and Representations of the Urban and the Rural
THE BRITISH UNDERGROUND PRESS, 1965-1974: THE LONDON PROVINCIAL RELATIONSHIP, AND REPRESENTATIONS OF THE URBAN AND THE RURAL. Rich�d Deakin r Presented as part of the requirement forthe award of the MA Degree in Cultural, Literary, andHistorical Studies within the Postgraduate Modular Scheme at Cheltenham and Gloucester College of Higher Education June 1999 11 DECLARATIONS This.Dissertation is the product of my own work and is. not the result of anything done in collaboration. I agreethat this. Dissertationmay be available forreference and photocopying,. at the discretion of the College. Richard Deakin 111 ABSTRACT Whateverperspective one takes, contradictions in the relationship between the capital and the provinces have always been evident to some extent, and the British undergroundpress of the late 1960s and early 1970s is no exception. The introductoryfirst chapter will definethe meaning of the term 'underground' in this context, and outline some of thesources used and the methodologies employed. Chapter Two will show how the British underground press developed froman alternative coterie of writers, poets, and artists - often sympathisers of the Campaign forNuclear Disarmament movement. It will also show how having developed from roots that were arguably provincial the undergroundadopted London as its base. The third chapter will take a more detailed look at the background of some London and provincial underground publications andwill attempt to see what extent the London undergroundpress portrayed the provinces, and vice-versa. In Chapter Four actual aspects of lifein urbanand rural settings, such as communes, squats, and pop festivals,will be examined in relation to the adoption of these lifestylesby the wider counterculture and how they were adapted to particular environments as part of an envisioned alternativesociety.