Matrix 111 the Newsletter of the British Science Fiction Association
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Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Doctor Strange Epic Collection: a Separate Reality Pdf, Epub, Ebook
DOCTOR STRANGE EPIC COLLECTION: A SEPARATE REALITY PDF, EPUB, EBOOK Steve Englehart,Roy Thomas,Gardner F. Fox | 472 pages | 08 Nov 2016 | Marvel Comics | 9780785194446 | English | New York, United States Doctor Strange Epic Collection: A Separate Reality PDF Book All rights to cover images reserved by the respective copyright holders. Use your keyboard! The art is right up my alley; '70s psychedelia is among my favorite things. The treatment of Wong made me cringe a few too many times to really enjoy it, but I am delighted at the idea that the Vatican has a copy of the Necronomicon. This will not affect the original upload Small Medium How do you want the image positioned around text? Recent searches Clear All. Table of Contents: 29 Dr. You must be logged in to write a review for this comic. Sort order. Table of Contents: 39 Dr. Howard's Unaussprechlichen Kulten and excellent psycedelic artwork. Sorry, but we can't respond to individual comments. Gorgeous art! Not so great is exactly what you'd expect: the corny plotting and dialogue that goes hand in hand in comic works from the 70's. Learn how to enable JavaScript on your browser. May 13, Laura rated it liked it Shelves: cthulhu , death , fanfiction , graphic-novel , gygaxy , necromancy , nyarlothotep. Marvel , Series. What size image should we insert? Still wonderful to visit. Here at Walmart. Sign in to Purchase Instantly. The Return! Oct 14, Tony Romine rated it it was amazing. Thanks for telling us about the problem. Banner is sent to another dimension where he turns into the Hulk and faces the Night-Crawler. -
SPRING/SUMMER 2011 T O R F O R G E S P Rin G/S U M M Er 2 0
Hardcovers & Trade Paperbacks Trade & Hardcovers SPRING/SUMMER 2011 SPRING/SUMMER FORGE Tor Spring/Summer 2011 Forge SPRING/SUMMER 2011 Hardcovers & Trade Paperbacks Fifth Avenue Group • Macmillan • 4-141-420956 TOR www.tor-forge.com 175 Fifth Avenue • New York, NY • 10010 • NY York, New • Avenue Fifth 175 34 Nixon Road • Bolton, ON • L7E 1W2 L7E • ON Bolton, • Road Nixon 34 Macmillan H. B. Fenn and Company, Ltd. Company, and Fenn B. H. Tor is distributed by: distributed is Tor Distributed in Canada by: Canada in Distributed Quantum Thief Thief Quantum by Hannu Rajaniemi Hannu by Forge from art Cover SPRING/SUMMER 2011 Hardcovers & Trade Paperbacks Backlist . Backlist T 52 T Contents . T 38 38 . T . August August May................... F 2 .................... July . July T 25 T June . ................... F 5 ................... June T 13 T July . .................... F 13 . May ................... T 2 T August F 17 . ................. Contents Backlist . ................. F 19 Index . .................. F 22 a P Trade & Hardcovers Customer Service perbacks . .......... F 24 2011 1 0 2 R E M M U S SPRING/ Tor Cover art from The Fund by H. T. Narea Forge is distributed by: Distributed in Canada by: Macmillan H. B. Fenn and Company, Ltd. www.tor-forge.com 175 Fifth Avenue • New York, NY • 10010 34 Nixon Road • Bolton, ON • L7E 1W2 TOR The Knowledge of Good & Evil GlENN KlEIER A defrocked priest embarks on an epic odyssey through the afterlife in search of answers to life’s Ultimate Question n 1968, the heart of famous Catholic theologian Father Thomas IMerton slows to a stop. Before he’s revived, Merton stumbles across a backdoor into Heaven, looks into the very Mind of God, and escapes with a Secret so powerful it could change all humanity. -
The Iconic Interview with Steve Englehart By: Chris “Chrispy” Barcomb
The Iconic interview with Steve Englehart By: Chris “Chrispy” Barcomb The word “Iconic” doesn’t lend itself just to the name of this Facebook page or Podcast, but it could also be used to describe Steve Englehart’s comic book career. As a writer, he has written just about every character known to comic book fans, for both Marvel and DC, and his career stretched over two decades. Even just recently, Marvel released Captain America Serpents Unite (a one- shot), which features a reprint of Captain America #168 written by Steve Englehart. Steve Englehart’s Captain America run began in 1972 with Captain America #153 and ended in 1975 with Captain America #186. During this run, he introduced characters like William Burnside, Jack Monroe, Solarr, Nightshade, Nomad, and a newly formed Serpent Squad. He also introduced and set the foundation for the Secret Empire. He worked with some legendary comic artists as well, including Sal Buscema, Herb Trempe, and Frank Steve Englehart Robbins. Together they brought us stories about Photo Credit: Picture taken from the Secret Empire, the crazy Captain America of Steve Englehart’s personal website the 1950’s, and the true origin of the Falcon. Read on below to see what Steve Englehart had to say about his time writing Captain America and his thoughts on the character today. 1. How did you get the opportunity to write Captain America for Marvel? I’d been working my way up as a writer, from monster stories to romance stories to, finally, THE BEAST. Evidently, Editor-in-Chief Roy Thomas liked what I was doing, because one day he gave me both CAPTAIN AMERICA and THE DEFENDERS. -
"Captain America Must Die": How a Super Soldier Became a Patriot
Author Biography Mackenna is a fourth-year history major, with minors in German and Asian studies. Her research interests include the history of popular culture and the Cold War. In her free time, she enjoys reading comic books and binge-watch- ing Survivor and The Amazing Race. After graduation, she hopes to work as an editor in the comic book industry. Johnson “Captain America Must Die”: How a Super Soldier Became a Patriot by Mackenna Johnson Abstract This paper analyzes the character of Captain America in the midst of the Cold War, and particularly asks how and to what extent the character reflects his con- temporary sociopolitical atmosphere. To achieve this end, I first establish the vital role of popular culture, especially comic books, in modern historical research. I then discuss the history of Captain America, the sociopolitical situation of the 1970s, and, finally, introduce the Secret Empire and Nomad storylines of the 1970s, which form the basis of my argument. The most valuable primary source in this paper is not the comic books themselves, but an interview that I recently conducted with the former author of Captain America, Steve Englehart. Ulti- mately, I argue that Englehart redefined Captain America’s version of patriotism and created a character that was more effectively able to reflect on and respond to social and political events. In bold letters: “The Death of a Hero,” next to the lifeless figure of Cap- tain America tied to a chimney, slumped and bleeding. Two figures stood behind the slain man with bowed heads, one African American with high- tech wings strapped to his back, the other blonde-haired and clad mostly in black. -
TMR Volume 10 AW Edit
GEEK MYTHOLOGY: NOSTALGIA IN FOUR COLORS RYAN HAMPTON he cover of Marvel Comics’ The West Coast Avengers #11 depicts Iron Man, an armored and helmeted superhero, locked in heated battle with Shockwave, an Tarmored and helmeted supervillain. Both their arms are raised, the fingers of Iron Man’s right hand intertwined with Shockwave’s left hand in a power struggle to hold the other close. Iron Man’s left hand is clenched into a fist about to hammer Shockwave’s silver face shield, while Shockwave’s right hand is extended in a karate chop formation about to strike Iron Man’s back. In the middle distance, Hawkeye, a nebulous hero clad in a purple costume and armed with bow and arrow, and Mockingbird, an acrobatic ingénue armed with an extendable steel staff, are fending off Razorfist, who has large razors for hands, and Zaran, a self-proclaimed weapons master. In the background, a crowd of frightened onlookers recedes into the distance. As an adolescent, this cover spoke to me in a way that it does not now. I had never purchased a comic book before, but something about the characters and their struggles prompted me to buy it, take it home, and devour its contents. I hold no emotional ties to the comic itself (the cover image and the story inside were long forgotten until rereading the issue very recently), except that it was the entry point for years of comic book collecting that eventually waned and died with the advent of adulthood and the speculator boom and crash of the mid-1990s. -
Marvelcomicsinthe70spreview.Pdf
Contents Introduction: The Twilight Years . 5 PART I: 1968-1970 . 9 PART II: 1970-1974 . 46 PART III: 1974-1976 . 155 PART IV: 1976-1979 . 203 Creator Spotlights : Roy Thomas . 10 Gene Colan . 16 Neal Adams . 31 Gil Kane . 52 Joe Sinnott . 54 Gerry Conway . 90 Marv Wolfman . 143 Jim Starlin . 150 Jim Shooter . 197 John Byrne . 210 Frank Miller . 218 Key Marvel Moments : Marvel Con . 175 Marvel Comics in the 1970s 3 Introduction: The Twilight Years n volume one, Marvel Comics in the 1960s , it was mix, vaulting Marvel Comics into a pop-culture Ishown how the development of the company’s new movement that threatened to overwhelm established line of super-hero books introduced in that decade notions of art and its role in society. As a result, Lee could be broken up into four distinct phases: the came to be seen as Marvel’s front man, and through a Formative Years, the Years of Consolidation, the combination of speech making, magazine interviews, Grandiose Years, and the Twilight Years. Led by and his often inspiring comic book scripts, he became editor Stan Lee, who was allied with some of the a sort of pop guru to many of his youthful readers. best artists in the business including Jack Kirby, However, by 1968, Marvel Comics had reached its Steve Ditko, Don Heck, John Romita, John Buscema, zenith in terms of its development and sheer creative Jim Steranko, and Gene Colan, Marvel moved quickly power. Soon after came an expansion of the company’s from its early years when concepts involving continuity line of titles and a commensurate dilution of the and characterization were intro - duced to new features with little thought given to their revolu - tionary impact on the industry to the Years of Consolidation when concepts of characteriza - tion, continuity, and realism began to be actively applied. -
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INSIDE: HOW TO WRITE FOR HOLLYWOOD! $595 In the USA HOWARD MAGAZINE May CHAYKIN 2003 DENNY O’NEIL PAUL DINI FABIAN NICIEZA KURT BUSIEK DeFALCO & FRENZ n i k y a h C d r a w o H 3 0 0 2 © & M T g g a l F n a c i r e m A MAGAZINE Issue #4 May 2003 Read Now! Message from the Editor . page 2 Chaykin All Over Interview with Howard Chaykin . page 3 A Man for All Media Interview with Paul Dini . page 20 Not the Las t... ...Interview with Dennis O’Neil Part 2 . page 33 Astro City’s Marvel Interview with Kurt Busiek Part 2 . page 48 All He Wants to Do Is Change the World! Interview with Fabian Nicieza . page 56 Feedback . page 76 Books on Writing . page 77 Nuts & Bolts Department Thumbnails to Script to Finished Art: MIGHTY LOVE Story and art by Howard Chaykin . page 8 Conceived & Edited by Live Action TV Scripting 1: THE FLASH DANNY FINGEROTH Opening pages from “Watching the Detectives” by Howard Chaykin . page 12 Designer Live Action TV Scripting 2: MUTANT X CHRISTOPHER DAY Closing pages from “The Shock of the New” by Howard Chaykin . page 16 Compact Storytelling 1: JINGLE BELLE Transcribers Script and finished art: “Jingle Belle” 2-pager, written by Paul Dini, STEVEN TICE, the LONGBOX.COM STAFF art by Steve Rolston . page 28 and PETER SANDERSON Comics 101/Classes 3 & 4 Publisher Notes by Dennis O’Neil for the writing and editing classes JOHN MORROW he teaches at DC Comics . -
The Drink Tank 344
The Drink Tank 344 That’s a Kurt Erichsen civer! It’s been a while since we’ve had him in these pages! Also, you’ll be seeing that there Gallifreyan symbol (a ha’penny to the first person who can tell me what it means!) from the wonderful Jesi Pershing a bunch! It’s awesome, no? Plus, Teddy Harvia, and words from good folks, including Hugo-nominee (and Future Supremem Court Justice!) Steve Stiles. But mostly, this issue is about Chuck Serface’s piece leading in to our MASSIVELY AWESOME Marvel Comics edition of Nerdvana Podcast (JC Arkham and JoshBot do a GREAT job with it! You can listen to it at http://nerdvanapodcast.com/ and it’s all over the place and a lot of fun (start with the Batman episode at http:// www.nerdvanapodcast.com/Episodes/Nerdvana-S01E03a.mp3) and keep on going! I’ve got a lot of thoughts about Marvel, it’s a comic line I’ve only been into at times, but largely I’m not a fan. I love The Flash, Batman, Plastic Man, Elongated Man, Johnny Thunder, Wildcat, and especially The Justice Soci- ety. Always my favorite. Marvel had The Hulk, who was awesome at times, and Daredevil. When I was growing up, there was the X-Men, at the time the biggest thing in comics. I liked the X-Men to a degree, but always into the DC stuff far more. On the plus side, there were stories back in the day that were awesome. There was a X-Men issue where it was Kitty telling a bedtime story about Pirates! But mostly, it passed over me while I was reading about Barry Allen and Crisis On Infinite Earths. -
Science Fiction/San Francisco
Science Fiction/San Francisco Issue 78 Editors: Jean Martin, Chris Garcia December 17, 2008 Copy Editor: David Moyce email: [email protected] Calendar Editor: España Sheriff Compositor: Tom Becker 78 RPM record from Carl Haber’s lab at Lawrence Berkeley National Laboratory, scanned using IRENE (Image, Reconstruct, Erase Noise, etc.) photos by Sheraz Sadiq, for KQED QUEST “How Edison Got His Groove Back,” some rights reserved Contents News and Notes........................................................ Chris Garcia....................................... .............................................................................................. 2 Letters of Comment................................................. Jean Martin......................................... .............................................................................................. 4 Editorial.................................................................... Chris Garcia....................................... .............................................................................................. 6 Forrest J Ackerman: A Remembrance.................. Philip Gust......................................... Photo by Alan Light............................................................. 8 2008 in Retrospective............................................... Al “Rackstraw” Megas...................... Photos by Erik Anderson and Jean Martin......................... 10 LosCon: The Science Fiction Convention Reviewed as Science Fiction................................. -
Praise for the Work of Steven A. Roman
Praise for the Work of Steven A. Roman LORELEI: SECTS AND THE CITY “Steve Roman’s Lorelei is sexy, wild, and entertaining! A page-turner with a real punch.” —Elizabeth Massie, Bram Stoker Award–winning author of Sineater “Obviously, you’ve got a sexy character here, but you didn’t stop at that. You’ve got a real story going with real characters. These people kind of sneak up on the edge.” —Neal Barrett Jr., Science Fiction Writers of America Author Emeritus;on you—semi-normal author of The appearing Prophecy for Machine a while,, andThe thenHereafter you find Gang they’re, and rightPink Vodka Blues “Kudos to Roman for capturing the essence of 1970s fare like Vampirella. Filled with ghouls, chicks, and some strong artwork, this is a title that might’ve piqued Hammer Studios’ interest back in the day.”—Dread Central “A satisfying romp that feels like it would have made an excellent seventies fullhorror volume.”— film (especiallyStrange Amusementsone made by Hammer). The story is funny at times, graphic at times, and horrific at others, and it’s always delivering its stuff at “Roman’s writing is effective and propulsive. The story moves along quickly and convincingly; it’s a fast-paced adventure whose story will leave readers eager for more.”—Cemetery Dance THE SAGA OF PANDORA ZWIEBACK “Far and away one of the best young adult supernatural fantasy novels released in the last few years. Pan is exactly the kind of teen heroine that readers should be standing up and cheering for.”—HorrorNews.net “Blood Feud is a roller-coaster read; the action never lets up. -
2News Summer 05 Catalog
Justice League of America TM & © DC Comics. All Rights Reserved. December 2013 No.69 $ 9 . 9 5 100-PAGE TENTH EDITION ANNIVERSARY 100-PAGE 1 1 1 82658 27762 8 Volume 1, 1994--2013 Number 69 December 2013 Celebrating the Best Comics’ Bronze Age and Beyond! Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Dan Jurgens and Ray McCarthy COVER COLORIST Glenn Whitmore COVER DESIGNER FLASHBACK: A Slow Start for Anniversary Editions . .2 Michael Kronenberg PROOFREADER FLASHBACK: The House of Ideas’ Herculean 100th Issues!! . .4 Rob Smentek BEYOND CAPES: The “Antiversary” Issue . .14 SPECIAL THANKS FLASHBACK: Adventure Comics #400: Really? . .22 Jack Abramowitz Elliot S. Maggin Frankie Addiego Andy Mangels FLASHBACK: The Brave and the Bold #100, 150, and 200 . .25 David T. Allen Franck Martini Mark Arnold David Michelinie FLASHBACK: Superman #300 . .31 Mike W. Barr Mark Millar Cary Bates Doug Moench OFF MY CHEST: The Siegel/Superman lawsuit by Larry Tye, excerpted from his book, Jerry Boyd Pamela Mullin Superman: The High-Flying History of America’s Most Enduring Hero . .34 KC Carlson Mike Pigott Gerry Conway Charlie Roberts FLASHBACK: Showcase #100 . .38 DC Comics John Romita, Sr. BEYOND CAPES: Casper #200 and Richie Rich #200 . .41 Daniel DeAngelo Steve Rude Tom DeFalco Michael Savene INTERVIEW: Marv Wolfman on Fantastic Four #200 and Amazing Spider-Man #200 . .44 Steve Englehart Alex Segura A.J. Fowlks Marie Severin FLASHBACK: Batman #300 and 400 . .49 Grand Comic-Book Craig Shutt Database Walter Simonson BACKSTAGE PASS: Bob Greenberger’s Memories of Detective Comics #500 .