Nigel Havers

Total Page:16

File Type:pdf, Size:1020Kb

Nigel Havers Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Nigel Havers Playing Age: 55 - 65 years Television 2019, Television, The Reluctant Landlord, Dr Kennedy, CPL Productions, David Sant 2019, Television, Larry, Meet The Cockfields, UKTV, Steve Bendelack 2019, Television, Andrew Wilder, Midsomer Murders, Bentley Productions, Audrey Cooke 2018, Television, Lewis Archer, Coronation Street, Granada TV, Various Directors 2017, Television, Doc, Murder on the Blackpool Express, Shiny Button Productions, Simon Delaney 2017, Television, The Doc, Timewasters, ITV2, George Kane 2016, Television, Stanley Keen, Benidorm, ITV, Robin Sheppard 2015, Television, David, Stop Start, BBC, Ben Kellett 2015, Television, Tony Pebble, The Life of Rock With Brian Pern, BBC, Rhys Thomas 2005, Television, Peter Hillman, Open Wide, Talkback Thames, Juliet May 2004, Television, Henry Williamson, Born And Bred, BBC Television, David Innes Edwards 2001, Television, Terry, Manchild (2 Series), BBC Television, David Evans 2001, Television, Chadwick, Murder In Mind, BBC Television, Ferdinand Fairfax 2001, Television, A. J. Raffles, The Gentleman Thief, BBC Television, Justin Hardy 1998, Television, Dr. Paige, Dangerfield, BBC Television, Beverley Dartnall 1997, Television, Halek, Bridge Of Time, USA Network, Jorge Montesi 1997, Television, Alex Marsden, The Heart Surgeon, BBC Television 1984, Television, Ronny Heaslop, A Passage To India, David Lean Stage 2018, Stage, Serge, Art, David Pugh, Ellie Jones 2015, Stage, Algernon Moncrieff, The Importance of Being Earnest, UK Tour, Lucy Bailey 2005, Stage, Maxim de Wynter, Rebecca, David Pugh, Patrick Mason 2003, Stage, Art, Tour 2003, Stage, Pierre, See You Next Tuesday, Albery Theatre, Robin Lefevre 1997, Stage, Serge, Art, Wyndham's Theatre, Matthew Warchus Film 2004, Film, David Niven, The Life And Death Of Peter Sellers, Labrador Films, Stephen Hopkins 1999, Feature Film, Hofstadter, Paradise Lost, Herb Freed 1987, Feature Film, Dr. Rawlins, Empire Of The Sun, Steven Spielberg 1986, Feature Film, Robert Jones, The Whistle Blower, Simon Langford 1985, Feature Film, William John Wills, Burke & Wills, Graeme Clifford 1981, Feature Film, Lord Andrew Lindsay, Chariots Of Fire, Hugh Hudson Powered by Spotlight and Tagmin The information in this CV has been provided by or on behalf of the client concerned via Spotlight.com. Every effort has been made to make sure that the information contained in this page is correct and Spotlight and Tagmin can accept no responsibility for its accuracy. Nigel Havers 1/1.
Recommended publications
  • Tv Cad's Passion for Stuffing
    DS1ST DAILY STAR, Monday, June 8, 2020 19 ‘Punish TV CAD’S PASSION FOR STUFFING breach bosses’ COMPANY bosses should be held responsible for cyber attacks that compro- mise consumer data. And 68% of consumers believe they should also be Taxi for Mr Havers! compensated for breaches, THE MIKE WARD INTERVIEW says data protection firm Veritas Technologies. The Government is pro- NIGEL HAVERS posing tougher penalties In Corrie for bosses who fail to pro- tect users, with details to ACTOR AND (to come) be finalised later this year. Simon Jelley, of Veritas, said: “As consumers, we’re COLLECTOR unforgiving of businesses that don’t take data securi- ty as seriously as we do. “If businesses don’t get these basics right, consum- ers are ready to punish their leadership.” In The Charmer Can you guess CON ARTIST: the year from ■ In Corrie as these five clues? evil Lewis Archer 1. Building work on American military HQ The Pentagon is completed. 2. High tec! Raymond Chandler novel The Lady Of The Lake is published, featuring private eye Philip Marlowe. 3. Vera Lynn stars in SMOOTHIE: We’ll Meet Again, a ■ Nigel in The musical loosely based Charmer in 1987 on her life. 4. Rolling Stones frontman Mick Jagger is born in Dartford, Kent. 5. Soviet win in the Battle of Stalingrad stops the German advance and sees World War Two turn in favour of the Allies. No Googling! Answer in tomorrow’s paper. Friday’s year: 2005 TV meal NIGEL Havers is telling me how The Bidding Room, starting this after- But that’s the way we British are.
    [Show full text]
  • Sagawkit Acceptancespeechtran
    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
    [Show full text]
  • Senate Results
    CONCORDIAN Senate results: Concordia College Volume 77; Number 17 Christopher Hoffer.'."....<«^/. 113 Moorhead, Minn. 56560 February 15, 1985 Mike Moe ...' - ...105 Todd Gorr • 101 New senators give thoughts Tracy Muske 95 Daniel Daehlin «.» 54 Three-fourths of Concordia's student for tne "scraps" left over from the "Big Steve Anderson: senate has been chosen. According to the Six" while the "Big Six" enjoy "salaries" results of last Monday's election, juniors that maybe excessive. As one of four returning senators, I plan Christopher Hoffer. Mike Moe, Todd Gorr on taking a more active role in the inter- Total votes cast: i and Tracy Muske; sophomores Steve This is just a general overview of what I nal structure, such as committees, and im- Centrum—' Anderson, Todd Nelsen, Thomas Hull and plan to do. If a member of my class has proving communication with the major and Peter Lund; and freshmen Ruth Rieke, some ideas or opinions they wish to ex- minor organizations. East—14 John Eidum, Stephanie Moen and John press, they should contact me. Student Olson will represent their respective contact is important in senate. I feel that an incumbent senator should Total—154^3 classes next year. Four incoming benefit from the previous senate, in both freshmen will join them in the senate. their positive and negative aspects. t)ne Todd Nelsen: should continue the strengths of the past Following the election, The Concordian senate and improve the weaknesses. That Sophomores asked the new senators about the election In my second year in the student senate is how a constituency can best be and their plans for next year.
    [Show full text]
  • Coventry & Warwickshire Cover
    Coventry & Warwickshire Cover May 2018 .qxp_Coventry & Warwickshire Cover 23/04/2018 18:32 Page 1 SHAZIA MIRZA PLAYS Your FREE essential entertainment guide for the Midlands WARWICK ARTS CENTRE COVENTRY & WARWICKSHIRE WHAT’S ON MAY 2018 2018 ON MAY WHAT’S WARWICKSHIRE & COVENTRY Coventry & Warwickshire ISSUE 389 MAY 2018 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On warwickshirewhatson.co.uk inside: PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART Yourthe 16-pagelist week by week listings guide MOUNTAINS... theatre to tantalise the tastebuds at the Belgrade TWITTER: @WHATSONWARWICKS TWITTER: @WHATSONWARWICKS MARMOZETS Knowing What You Know Now at Coventry’s Kasbah FACEBOOK: @WHATSONWARWICKSHIRE GET 40% OFF admission to the National Sea Life Centre! Voucher inside... WARWICKSHIREWHATSON.CO.UK (IFC) Warwickshire.qxp_Layout 1 23/04/2018 18:41 Page 1 Contents May Warwicks_Worcs.qxp_Layout 1 23/04/2018 15:04 Page 2 May 2018 Contents Under the sea - discover ‘what lies beneath’ at the region’s National Sea Life Centre - feature page 28 Fleabag Sari Schorr OperaUpClose the list Maddie Rice on stepping into A Force Of Nature from present a contemporary staging Your 16-page Phoebe Waller-Bridge’s shoes... across the pond... of Mozart’s final masterpiece... week-by-week listings guide feature page 8 page 17 page 24 page 51 inside: 4. First Word 11. Food 17. Music 20. Comedy 22. Theatre 36. Film 38. Visual Arts 43. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire
    [Show full text]
  • Brief Encounter
    NOËL COWARD’S BRIEF ENCOUNTER STUDY PACK “I’m not very keen on Hollywood…I’d rather have a nice cup of cocoa really” - Noël Coward Highlights Of A Life And Career 1899 16 December, Noël Peirce Coward born in Teddington, Middlesex, eldest surviving son of Arthur Coward, piano salesman and Violet. His early circumstances were of refined suburban poverty. 1907 First public appearances in school and community concerts. 1908 Family moved to Battersea and took in lodgers. 1911 First professional appearance as Prince Mussel in The Goldfish, produced by Lila Field at the Little Theatre and revived in same year at Crystal Palace and Royal Court Theatre. Cannard, the page-boy, in The Great Name at the Prince of Wales Theatre and William in Where the Rainbow Ends with Charles Hawtrey’s Company at the Savoy Theatre. 1912 Directed The Daisy Chain and stage-managed The Prince’s Bride at Savoy in series of matinees featuring the work of the children of the Rainbow cast. Mushroom in An Autumn Idyll ballet, Savoy. 1913 An angel (Gertrude Lawrence was another) in Basil Dean’s production of Hannele. Slightly in Peter Pan, Duke of York’s. 1914 Toured in Peter Pan. Collaborated with fellow performer Esmé Wynne on songs, sketches, and short stories. Coward as a teenager 1915 Admitted to sanatorium for tuberculosis. 1916 Five-month tour as Charley in Charley’s Aunt. Walk-on in The Best of Luck, Drury Lane. Wrote first full-length song, ‘Forbidden Fruit’. Basil Pycroft in The Light Blues, produced by Robert Courtneidge, with daughter Cicely also in cast, Shaftesbury.
    [Show full text]
  • The Development of the British Conspiracy Thriller 1980-1990
    The Development of the British Conspiracy Thriller 1980-1990 Paul S. Lynch This thesis is submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of Doctor of Philosophy. January 2017 Abstract This thesis adopts a cross-disciplinary approach to explore the development of the conspiracy thriller genre in British cinema during the 1980s. There is considerable academic interest in the Hollywood conspiracy cycle that emerged in America during the 1970s. Films such as The Parallax View (Pakula, 1975) and All the President’s Men (Pakula, 1976) are indicative of the genre, and sought to reflect public anxieties about perceived government misdeeds and misconduct within the security services. In Europe during the same period, directors Costa-Gavras and Francesco Rosi were exploring similar themes of state corruption and conspiracy in films such as State of Siege (1972) and Illustrious Corpses (1976). This thesis provides a comprehensive account of how a similar conspiracy cycle emerged in Britain in the following decade. We will examine the ways in which British film-makers used the conspiracy form to reflect public concerns about issues of defence and national security, and questioned the measures adopted by the British government and the intelligence community to combat Soviet subversion during the last decade of the Cold War. Unlike other research exploring espionage in British film and television, this research is concerned exclusively with the development of the conspiracy thriller genre in mainstream cinema. This has been achieved using three case studies: Defence of the Realm (Drury, 1986), The Whistle Blower (Langton, 1987) and The Fourth Protocol (MacKenzie, 1987).
    [Show full text]
  • Dear Fiona: Letters from a Suspected Soviet
    In this poignant and revealing memoir, Fiona DEAR FIONA FIONA DEAR Fullerton tells for the first time the story of Letters from a Suspected Soviet Spy her friendship with Alex Alexandrowicz a category-A high security prisoner who was He was a suspected Cold War spy. to serve 22 years for a crime he didn’t com- mit. Based on their original letters to each She was a KGB double agent in a Bond movie. other, the narrative is one of startling con- trasts — the darkness of a man incarcerated When a prisoner writes to a movie star, the best DEAR FIONA and a woman surrounded by the brightest he can hope for is a signed photo. But when lights of show business. Alex Alexandrowicz wrote to glamorous actress Letters from a Suspected Soviet Spy Fiona Fullerton, he didn’t expect it to lead to a “It is you alone who has given me strength while friendship spanning 30 years. I have been in prison, the strength to restore lost and dying hope into burning resolution”. Fiona Fullerton was for 30 years a leading The book uncovers Alex’s tender poetry, FIONA FULLERTON actress in theatre, television and films. She prison diaries and artwork, often produced is now a property guru, journalist, interior in solitary confinement while Fiona shares designer and author of three books about her doubts about the fragility of celebrity. investing in the property market. She lives in the Cotswolds with her husband and two “Have you ever heard of Nadejda Philaretovna children. von Meck? She and Tchaikovsky were corre- sponding for years, they never met — and yet he produced his finest work for her.
    [Show full text]
  • John Hawkesworth Scope and Content
    JOHN HAWKESWORTH SCOPE AND CONTENT Papers relating to film and television producer, scriptwriter and designer JOHN STANLEY HAWKESWORTH. Born: London, 7 December 1920 Died: Leicester, 30 September 2003 John Hawkesworth was born the son of Lt.General Sir John Hawkesworth and educated at Rugby and Queen's College, Oxford. Between school and university he spent a year studying art at the Sorbonne in Paris, where Picasso corrected his drawings once a week. Following the military tradition of his family, Hawkesworth joined the Grenadier guards in 1940 and had a distinguished World War II record. In 1943 he married Hyacinth Gregson-Ellis and on demobilisation from the army began work in the film industry as an assistant to Vincent Korda. As art director he worked on many films for British Lion including The THIRD MAN (GB, 1949), OUTCAST OF THE ISLANDS (GB, 1951), and The SOUND BARRIER (GB, 1952). As a freelance designer he was involved with The MAN WHO NEVER WAS (GB, 1955) and The PRISONER (GB, 1955). Joining the Rank Organisation as a trainee producer, Hawkesworth worked on several films at Pinewood and was associate producer on WINDOMS WAY (GB, 1957) and TIGER BAY (GB, 1959). Hawkesworth's writing for television began with projects including HIDDEN TRUTH (tx 9/7/1964 - 6/10/1964), BLACKMAIL (Associated Rediffusion tx 1965 - 1966) and the 13 part BBC series CONAN DOYLE (tx 15/1/1967 - 23/4/1967), before embarking on the acclaimed LWT series The GOLDROBBERS (tx 6/6/1969 - 29/4/1969). It was with the latter that the Sagitta Production Company who were to produce the highly successful Edwardian series UPSTAIRS DOWNSTAIRS (tx 1970 - 1975) for LWT, came into existence, making Hawkesworth and his long term professional partner Alfred Shaughnessy household names.
    [Show full text]
  • Rawsthorne Phil
    P a g e | 1 PhD Submission PhD THESIS TITLE: Thatcher’s Culture of Conformity: The Disintegration of Party/State Distinctions and the Weaponisation of the State in Response to the Miners’ Strike 1984/85. AUTHOR: Phil Rawsthorne. STUDENT NUMBER: 22014306. AUTHOR’S DEPARTMENT: Department of English, History and Creative Writing, Faculty of Arts and Sciences, Edge Hill University. AUTHOR’S SUPERVISORY TEAM: Roger Spalding and Professor Alyson Brown. WORD COUNT: 77,886. SUMBISSION DATE: August 2019. P a g e | 2 Thesis Acknowledgement I would like to thank the Society for the Study of Labour History (SSLH). This research is based on files which were released in batches at the National Archives between January 2014 and July 2018. The SSLH issued me with a grant to cover some of the costs for repeated trips between Skelmersdale and Kew, West London. Much of the data collection was carried-out with their kind donation. My sincere gratitude is expressed toward my advisory team, Roger Spalding and Professor Alyson Brown. Their support, immense knowledge and continued encouragement were key factors in the completion of this research. Every set of suggested revisions made the thesis recognisably stronger and it would not have been completed without their help and guidance. Because I studied for both my undergraduate and masters’ degrees at Edge Hill, the completion of this thesis ends a seven-year period at the university. I would like to thank James Renton, Charlie Whitham, Dan Gordon and Bob Nicholson for their invaluable support. My fellow PhD researchers, Pat Soulsby and Quintus van Galen, both deserve a mention for their valued input and friendship.
    [Show full text]
  • Chariots of Fire Rerun: Locating Film’S Cultural Capital on a Contemporary Stage
    Chariots of Fire Rerun: Locating Film’s Cultural Capital on a Contemporary Stage Abstract The title sequence of Chariots of Fire – filmed on the West Sands beach of St Andrews, Scotland – has become one of the most reworked and reinterpreted moments of British cinema, transposed across a variety of places, politics and times. In exploring these moves – from the period of its setting in 1924, through its production in 1980, and to its most recent reworkings in the London 2012 Olympics – the article examines the constantly evolving legacies of the sequence and the cultural capital it has accrued across these contexts. By considering the original production and subsequently its multiple receptions, the article positions the sequence at the vanguard of shifts in film production and cultural heritage. Viewed from the vantage point of the 2012 Olympics, the film provides an integral source of cultural capital not just for national but also local and regional economies as they increasingly target new sources of revenue in a post-industrial age. Word count: 7977, including notes, references, captions and acknowledgements. 2 Chariots of Fire Rerun: Locating Film’s Cultural Capital on a Contemporary Stage OPENING CREDIT TITLE ‘CHARIOTS OF FIRE’ 2 EXT. A BEACH. BROADSTAIRS, KENT. DAY STILL ON THE FEET the sand flying – the wet – crunching through sea pools and driving rain. Up the mud bespattered sockless calves – the pounding knees, the soaked, voluminous shorts – all-enveloping the pumping thighs . the clenched piston fists, and finally, the punished faces. CONTINUE CREDITS [VOICEOVER]: Carlton Hotel Broadstairs . – Chariots of Fire screenplay (Welland 1980) 3 Cultural Capital on the Olympic Stage The title sequence of Chariots of Fire (1981) is perhaps the most iconic, and re-run, moment of British national cinema.
    [Show full text]
  • BBC ONE Spring/Summer 2002 5 Drama
    Drama of Tony Blair, IT and gangsta rap can be strange DRAMA and comfortless, leaving these working-class heroes happy to try their luck at one more job. They cemented their friendships in Germany and Auf Wiedersehen, Pet Spain, and this new series takes the “cowboy” builders on an incredible journey from Middlesbrough to Arizona. “The timing seems absolutely right for the return of Auf Wiedersehen, Pet,” says Controller of Drama Commissioning, Jane Tranter. “The fact that all the original team have embraced it so enthusiastically demonstrates the power that the show still has to excite people. It’s moved on, in spirit and in time, and the maturity of the characters has brought a new edge and humour to the storytelling.” A BBC production for BBC ONE, Auf Wiedersehen, Pet is produced by Joy Spink and directed by Paul Seed. The executive producers are Laura Mackie and Franc Roddam. Being April Auf Wiedersehen, Pet, the hit drama of the Eighties, which followed the fortunes of an intrepid band of British brickies, returns to BBC ONE this spring. The production reunites the original cast of Jimmy Nail (Oz), Timothy Spall (Barry), Kevin Whately (Neville), Tim Healy (Dennis), Pat Roach (Bomber), Christopher Fairbank (Moxey) and newcomer Noel Clarke (Wyman), with original writers Dick Clement and Ian La Frenais and creator Franc Roddam. The last 15 years have been kinder to some of the lads than others. One drives a Bentley, another a taxi. Marriages have come and gone. But when Oz turns up with an irresistible offer, the “Magnificent Seven” find that the friendships they made on the road to Düsseldorf Three kids.
    [Show full text]
  • Mckinney Macartney Management Ltd
    McKinney Macartney Management Ltd IAN VOIGT - Sound Mixer LONDON SPY Director: Jakob Verbruggen. Producer: Guy Heeley. Starring: Ben Whishaw, Jim Broadbent and Charlotte Rampling. Working Title Television. DAMASCUS COVER Director: Daniel Zelik Berk. Producer: Hannah Leader. Starring: Jonathan Rhys Meyers, Olivia Thirlby and John Hurt. Damascus Cover / H Films. JAMES BOND: SPECTRE (Main Unit Cover) Director: Sam Mendes. Producers: Barbara Broccoli and Michael G. Wilson. Starring: Daniel Craig, Ralph Fiennes, Christoph Waltz, Naomie Harris, Ben Whishaw and Rory Kinnear. MGM. DOWNTON ABBEY (Series 6 - double banking days) Directors: Michael Engler and David Evans. Producer: Chris Croucher. Starring: Maggie Smith, Hugh Bonneville, Michelle Dockery, Jim Carter Joanna Froggatt and Laura Carmichael. Carnival Productions. THE MAN WHO KNEW INFINITY Director: Matt Brown. Producers: Edward R. Pressman, Sofia Sondervan, Joe Thomas and Jim Young. Starring: Jeremy Irons, Toby Jones, Stephen Fry, Dev Patel, Devika Bhise and Jeremy Northam. Animus Films. SPOOKS: THE GREATER GOOD Director: Bharat Nalluri. Producers: Jane Featherstone, Stephen Garrett and Ollie Madden. Starring: Peter Firth, Jennifer Ehle, Kit Harington, Tuppence Middleton Ronan Summers and Eleanor Matsuura. Kudos / Shine Pictures. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 IAN VOIGT Contd … 2 THE WOMAN IN BLACK: ANGEL OF DEATH Director: Tom Harper. Producers: Brian Oliver, Jane Hooks, Simon Oakes, Ben Holden and Tobin Armbrust. Starring: Helen McCrory, Jeremy Irvine, Ned Dennehy, Adrian Rawlins Alliance Films. EDGE OF HEAVEN Directors: John Henderson and Sandy Johnson. Executive Producer: Beryl Vertue.
    [Show full text]