Damnatio Memoriae – the Contested Memory of Antonio Bajamonti in Split
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Dalmatia Tourist Guide
Vuk Tvrtko Opa~i}: County of Split and Dalmatia . 4 Tourist Review: Publisher: GRAPHIS d.o.o. Maksimirska 88, Zagreb Tel./faks: (385 1) 2322-975 E-mail: [email protected] Editor-in-Chief: Elizabeta [unde Ivo Babi}: Editorial Committee: Zvonko Ben~i}, Smiljana [unde, Split in Emperor Diocletian's Palace . 6 Marilka Krajnovi}, Silvana Jaku{, fra Gabriel Juri{i}, Ton~i ^ori} Editorial Council: Mili Razovi}, Bo`o Sin~i}, Ivica Kova~evi}, Stjepanka Mar~i}, Ivo Babi}: Davor Glavina The historical heart of Trogir and its Art Director: Elizabeta [unde cathedral . 9 Photography Editor: Goran Morovi} Logo Design: @eljko Kozari} Layout and Proofing: GRAPHIS Language Editor: Marilka Krajnovi} Printed in: Croatian, English, Czech, and Gvido Piasevoli: German Pearls of central Dalmatia . 12 Translators: German – Irena Bad`ek-Zub~i} English – Katarina Bijeli}-Beti Czech – Alen Novosad Tourist Map: Ton~i ^ori} Printed by: Tiskara Mei}, Zagreb Cover page: Hvar Port, by Ivo Pervan Ivna Bu}an: Biblical Garden of Stomorija . 15 Published: annually This Review is sponsored by the Tourist Board of the County of Split and Dalmatia For the Tourist Board: Mili Razovi}, Director Prilaz bra}e Kaliterna 10, 21000 Split Gvido Piasevoli: Tel./faks: (385 21) 490-032, 490-033, 490-036 One flew over the tourists' nest . 18 Web: www.dalmacija.net E-mail: [email protected] We would like to thank to all our associates, tourist boards, hotels, and tourist agencies for cooperation. @eljko Kuluz: All rights reserved. No part of this publication may be used or repro- Fishing and fish stories . -
Pp20 Finalno
UDK 327.8 (497.16 Boka Kotorska : 450) “1882” 355.40 (497.16 Boka Kotorska : 450) “1882” 949.716 Boka Kotorska “1882” Izvorni znanstveni rad Primljeno: 3. 2. 2000. Drugi bokeljski ustanak (1882.) i Italija prema spisima austrijske πpijunaæe u zadarskoj pismohrani Ivan Pederin Zadar, Republika Hrvatska Austrija je na Berlinskom kongresu dobila mandat da okupira Bosnu i Hercegovinu nakon πto su njezini agenti izazvali ustanak i s njime neposredno upravljali, primjeri- ce Andrássyjev agent Gustav von Thoemmel, koji je u doba ustanka djelovao u stoæeru knjaza Nikole.1 Austro-Ugarska je okupirala Bosnu i Hercegovinu, sklopila tajni sporazum sa Srbijom, a potom je privukla u svoju orbitu Rumunjsku i Italiju u Trojnom savezu. Europska masonerija, koja se desecima godina predvoena Mazzi- nijem i Garibaldijem suprostavljala austrijskoj πpijunaæi poduzela je gotovo oËajniËki pokuπaj da podigne Balkan protiv Austro-Ugarske i Turske i inspirirala Drugi bokelj- ski ustanak. Ustanak je pobudila masonska loæa Egeria u Rimu kojoj je venerabilis bio Giuseppe Garibaldi. S njim i s njegovim sinom Menottijem bili su u vezi Léon Gambetta i Gladstone. No ustanak je bio loπe organiziran pa je propao. Agenti Giuseppea Garibaldija pojavili su se na Balkanu krajem 1850-ih godina, da- kle u doba kad se Carevina nazivala Austrijom ili Carskim dræavama (die kaiserlic- hen ili die österreichischen Staaten). Srpski hajduk Luka VukaloviÊ, koji je sudjelo- vao u hercegovaËkim ustancima, nadao se da Êe se Garibaldi isrkcati 1862. godine u Dalmaciji. Hrvatski liberali Imbro Tkalac i Eugen Kvaternik pristigli su u Torino da bi Hrvatsku ukljuËili u ustanak koji je trebao pobuditi Garibaldi iskrcavanjem u Dalmaciju i koji je onda trebao zahvatiti Hrvatsku, Srbiju, Maarsku, Poljsku i »eπ- ku. -
Hungarian Horizons in The
Judit Gál HUNGARIAN HORIZONS IN THE HISTORY OF THE CHURCH IN DALMATIA: THE ROLE OF THE ROYAL GRANTS TO THE CHURCH MA Thesis in Medieval Studies CEU eTD Collection Central European University Budapest May 2014 HUNGARIAN HORIZONS IN THE HISTORY OF THE CHURCH IN DALMATIA: THE ROLE OF THE ROYAL GRANTS TO THE CHURCH by Judit Gál (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ Examiner CEU eTD Collection Budapest May 2014 HUNGARIAN HORIZONS IN THE HISTORY OF THE CHURCH IN DALMATIA: THE ROLE OF THE ROYAL GRANTS TO THE CHURCH by Judit Gál (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2014 HUNGARIAN HORIZONS IN THE HISTORY OF THE CHURCH IN DALMATIA: THE ROLE OF THE ROYAL GRANTS TO THE CHURCH by Judit Gál (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Supervisor Budapest May 2014 CEU eTD Collection I, the undersigned, Judit Gál, candidate for the MA degree in Medieval Studies, declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. -
University of Zadar [email protected] Tea TEREZA VIDOVIĆ-SCHRE
LINGUA MONTENEGRINA, god. XIII/1, br. 25, Cetinje, 2020. Fakultet za crnogorski jezik i književnost UDK 070:929Bettiza E. Izvorni naučni rad Josip MILETIĆ (Zadar) University of Zadar [email protected] Tea TEREZA VIDOVIĆ-SCHREIBER (Split) University of Split [email protected] DALMATIA – BETTIZA’S LOST HOMELAND The paper analyses the potential of Bettiza’s fiction for the deve- lopment of Croatian and Italian cultural relations as well as tourist promotion of the Croatian historical region of Dalmatia. Particular attention is focused on the novel Exile, in which the author writes a family chronicle by evoking his Split roots. At the same time, he describes the atmosphere, customs and picturesque figures of Dal- matian towns in the interwar period, the encounter of Slavic and Roman culture, as well as the destiny of the Italian population there who, due to the turmoil of war and socialist revolution, decided to leave their homeland. Reception of Bettiza’s work, as an account of an individual history that is completely different from the written (national), the collective history, can positively affect the Italian perception of Dalmatia as a tourist destination, and it can improve the distorted image of Croats living there, which has been created for decades in Italy, through the activist action of extreme groups, therefore it can be of multiple use. Proving that not all Italians for- cibly left their former homeland, but that a part of them left freely seeking a better life for themselves and their families not seeing any perspective in the upcoming communism, allows for the constructi- on of bridges between Slavic and Roman culture, and an even better and more effective tourism promotion of this Croatian region in the context of Italian tourist interests. -
Marin Držić U Hektorovićevom Očištu I Nalješkovićevom Posredovanju
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Marin Držić u HektorovićevoM očištu i nalješkovićevoM posreDovanju Viktoria Franić Tomić jeDna Hvarska NoVela od STaNca: Hektorovićeva poslanica talijanskoM liječniku vincenzu vanettiju petar Hektorović posjetio je Dubrovnik prvi put prije 1540. godine jer mu tada u svibnju mjesecu svoju prvu poslanicu šalje nikola nalješković, iz čega proizlazi zaključak da su među Hvaraninovim dubrovačkim pri- jateljima još bili Mavro vetranović i nikola Dimitrović.1 važno je pritom spomenuti da je vetranović, koji je tada postao prijatelj petru Hektoroviću, 1 na temelju raspoložive građe život petra Hektorovića analizira josip vončina, »Djela petra Hektorovića«, u: Stari pisci hrvatski, knj. XXXiX, zagreb, 1986., str. 7-14. najstariji životopis Hektorovićev vidi u knjizi Ribanje i ribarsko prigovaranje i razlike stvari složene po Petru Hektoroviću Starogradjaninu, pri- redio šime ljubić, zadar, 1846. isti autor je taj tekst dopunio u prvom kritičkom izdanju piščevih djela, Petar Hektorović, 1. život, napisao akademik šime ljubić, u: Stari pisci hrvatski, knjiga 6, zagreb, 1874. o životu piščevom vidi još petar kuničić, Petar Hektorović, njegov rod i Tvrdalj, starogradske i hvarske uspomene, Dubrovnik, 1924.; Grga novak, Hvar kroz stoljeća, treće izdanje, zagreb, 1972. najbolji uvid u znanja o nalješkovićevoj biografiji i djelu nudi zbornikPučka krv, 115 bio u vrlo bliskim vezama i književnom štovanju s Marinom Držićem te da je upravo vetranović mogao biti spona u razmjeni informacija o literarnim djelima između ovih pisaca koji se možda nisu poznavali, ali prije će biti da su se namjerno ignorirali što je već naslutio i rafo Bogišić u svojim studijama o ovom razdoblju u starijoj hrvatskoj književnosti nastaloj u Dubrovniku.2 kad piše svoju najstariju poznatu poslanicu Hektoroviću, nikola nalješković u njoj opisuje pjesnički put na parnas,3 temu koja će se poslije naći i u Hektorovićevu pismu talijanskom liječniku vanet- tiju iz 1561. -
ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I. -
GENS VLACHORUM in HISTORIA SERBORUMQUE SLAVORUM (Vlachs in the History of the Serbs and Slavs)
ПЕТАР Б. БОГУНОВИЋ УДК 94(497.11) Нови Сад Оригиналан научни рад Република Србија Примљен: 21.01.2018 Одобрен: 23.02.2018 Страна: 577-600 GENS VLACHORUM IN HISTORIA SERBORUMQUE SLAVORUM (Vlachs in the History of the Serbs and Slavs) Part 1 Summary: This article deals with the issue of the term Vlach, that is, its genesis, dis- persion through history and geographical distribution. Also, the article tries to throw a little more light on this notion, through a multidisciplinary view on the part of the population that has been named Vlachs in the past or present. The goal is to create an image of what they really are, and what they have never been, through a specific chronological historical overview of data related to the Vlachs. Thus, it allows the reader to understand, through the facts presented here, the misconceptions that are related to this term in the historiographic literature. Key words: Vlachs, Morlachs, Serbs, Slavs, Wallachia, Moldavia, Romanian Orthodox Church The terms »Vlach«1, or later, »Morlach«2, does not represent the nationality, that is, they have never represented it throughout the history, because both of this terms exclusively refer to the members of Serbian nation, in the Serbian ethnic area. –––––––––––– [email protected] 1 Serbian (Cyrillic script): влах. »Now in answer to all these frivolous assertions, it is sufficient to observe, that our Morlacchi are called Vlassi, that is, noble or potent, for the same reason that the body of the nation is called Slavi, which means glorious; that the word Vlah has nothing -
Nepoznati Dokumenti O Grgi Novaku I Miroslavu Krleži, Koji Osvjetljavaju Kulturnu Atmosferu Sredine Stoljeća U Hrvatskoj
Croatica et Slavica Iadertina, Zadar, 2010 UDK: 7.072 Novak, G. 821.163.42-05 Krleža, M. 821.163.42(093) Izvorni znanstveni članak Primljen: 28. 5. 2010. Prihvaćen za tisak: 23. 6. 2010. Viktoria Franić Tomić Filozofski fakultet u Splitu Radovanova 13, HR – 21 000 Split [email protected] Nepoznati dokumenti o Grgi Novaku i Miroslavu Krleži, koji osvjetljavaju kulturnu atmosferu sredine stoljeća u Hrvatskoj U arhivu Mediteranskog instituta Grga Novak na Hvaru čuva se nekoliko neuočenih dokumenata koji osvjetljavaju život Grge Novaka, jednog od najznamenitijih Dalmatinaca XX. stoljeća, arheologa i historičara, pisca dvosveščane Prošlosti Dalmacije i trosveščane Povijesti Splita.1 U drugom, kraćem dijelu studije autorica analizira i pismo Miroslava Krleže predsjedniku JAZU koje osvjetljava Krležin položaj u Titovoj Jugoslaviji. Analiziraju se neki aspekti Krležinog epistolarnog stila. Ključne riječi: Grga Novak, Miho Barada, Mate Ujević, Miroslav Krleža, hrvatska književnost XX. stoljeća, epistolarna književnost, HAZU, Josip Broz Tito. Policijski memorandum i Novakov boravak u logoru Iz nekih Novakovih biografijapoznato je da je on s grupom profesora Filozofskog fakulteta krajem 1941. bio interniran u Staroj Gradiški i Jasenovcu, te da je pušten u travnju sljedeće godine.2 Kad su ga nakon deset mjeseci zatočenja endehaške vlasti oslobodile, Novak je, premda se vratio na svoju fakultetsku katedru gdje je predavao povijest staroga vijeka, nastavio svojim antifašističkim djelovanjem privlačiti pozornost policije Nezavisne Države Hrvatske. O toj pozornosti svjedoči jedan neobjavljeni policijski protokol datiran 11. travnja 1944., a koji je nastao u vezi saslušanja prof. Držislava Švoba koji je bio uhićen pet dana prije davanja toga 1Grga Novak: 1888-1978, Zagreb, 1979. Vidi Slobodan Prosperov Novak, u knjizi Grga Novak, Prošlost Dalmacije, Zagreb, 2001; Isti, u: Prošlost Dalmacije, I-II, Split, 2004. -
Damnation, Deification, Commemoration 3
/ 3 Damnation, Deification, Commemoration Ja n n e k e DE J o n g & Olivier H e k s t e r T h e i m p o r t a n c e o f m e m o r y or Romans, dynastic lines were of great importance. This was already Fthe case in the Roman Republic, in which aristocratic families who controlled politics took great care of their commemoration of the dead. Funerary occasions offered families the opportunity to publicly show famous ancestors, whose fame would radiate upon their next of kin through lineage which was made explicit1. On marked occasions, the masks of the deceased members of the family (imagines) were carried around in a procession, so that every spectator could be reminded of the family’s ancestors2. Commemoration started from the moment of some one’s death. At the funeral, it was customary for a member of the fam ily to give a speech in which the deceased was praised for deeds and virtues. This way of commemorating the deceased not only bestowed honour on the dead and his family, but also served as an example of good behaviour that should be imitated. The funeral and laudatio fune- bris could also have political implications3. Occasionally, persons who 1 See, for instance, H.I. Flower, Ancestor Masks and Aristocratic Power in Roman Culture, Oxford, 1996 ;Ead., The Art of Forgetting. Disgrace and Oblivion in Roman Political Culture, Chapel Hill, 2006; T.P. Wiseman, « Domi Nobiles and the Roman cultural elite » in M. Cébeillac-Gervasoni (ed.), Les « Bourgeoisies » municipales italiennes aux i f et f r siècles av. -
Egypt in Croatia Croatian Fascination with Ancient Egypt from Antiquity to Modern Times
Egypt in Croatia Croatian fascination with ancient Egypt from antiquity to modern times Mladen Tomorad, Sanda Kočevar, Zorana Jurić Šabić, Sabina Kaštelančić, Marina Kovač, Marina Bagarić, Vanja Brdar Mustapić and Vesna Lovrić Plantić edited by Mladen Tomorad Archaeopress Egyptology 24 Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-339-3 ISBN 978-1-78969-340-9 (e-Pdf) © Authors and Archaeopress 2019 Cover: Black granite sphinx. In situ, peristyle of Diocletian’s Palace, Split. © Mladen Tomorad. All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Severn, Gloucester This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Preface ���������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������xiii Chapter I: Ancient Egyptian Culture in Croatia in Antiquity Early Penetration of Ancient Egyptian Artefacts and Aegyptiaca (7th–1st Centuries BCE) ..................................1 Mladen Tomorad Diffusion of Ancient Egyptian Cults in Istria and Illyricum (Late 1st – 4th Centuries BCE) ................................15 Mladen Tomorad Possible Sanctuaries of Isaic Cults in Croatia ...................................................................................................................26 -
Augustus' Memory Program
Augustus’ memory program: Augustus as director of history Freek Mommers, F.A.J. S4228421 Summary: Chapter 1: Introduction 2 Chapter 2: Augustus’ troubling past 7 Chapter 3: Commemoration through ceremonies and festivals 11 Chapter 4: Commemoration through literature and inscriptions 20 Chapter 5: Commemoration through monuments 29 Chapter 6: Conclusion 35 Bibliography 36 1 Introduction Augustus is one of the most studied Roman emperors in modern literature but a lot of the period is still unknown or debated.1 The image of Augustus is usually dominated by his most successful years as princeps of Rome.2 Augustus represented himself as an example and as a protector of order, morals and peace.3 The civil war between Augustus and Anthony however was a period filled with chaos and terror. In times of war it was close to impossible to proceed in a moral and peaceful way. Augustus’ claims as an example of order and good morals would obviously be damaged by his troubling past. Therefore the memory of the civil war against Anthony culminating in the battle of Actium in 31 B.C. needed some conscious adaptations for Augustus’ later representation. The now well known history and literature of the civil war are mostly written in an Augustan perspective, a history of the winner. This thesis will try to answer the following question: How did Augustus adapt the memory of his troubling past of his civil war against Anthony in his commemoration practices? The civil war and the decisive battle of Actium play important but controversial roles in Augustan commemoration. Details of the civil war often were deliberately camouflaged or concealed in Augustan sources. -
Mate Suić GRGA NOVAK I DUBROVNIK
Mate Suić GRGA NOVAK I DUBROVNIK Nema znatnijeg naselja, regije ili užeg područja na cjelokup nom našem priobalnom prostoru, kojega se G. Novak nije dotakao u svom golemom znanstvenom djelu.1 To što je nekim centrima ili područjima posvetio više pažnje, a nekima manje, nije uvijek posljedica njegova većeg ili manjeg interesa za historiju pojedinih gradova ili regija, već je u mnogo većoj mjeri zavisno od niza drugih okolnosti: od kvantitete i kvalitete raspoložive izvorne gra đe, od aktualnosti pojedinih povijesnih pitanja, od stanja istraže nosti i obrade pojedinih problema, i sl. Naime, G. Novak je bio sistematičan radnik, svoja djela je dugo pripremao i za njih sa kupljao građu, ali je isto tako znao i uskočiti s nekim prilogom, koji je u datom času bio zanimljiv za naučnu, stručnu ili pak širu kulturnu javnost. Uostalom svi se njegovi radovi i mogu svr stati po tom kriteriju u tri skupine, od kojih jednu čine oni koji su rezultat dugogodišnjih istraživanja i unaprijed zacrtanih pla nova, u drugu radovi koji su mu nadolazili korištenjem i obra dom građe prikupljene za druge teme, i napokon u treću gdje spa daju prilozi u kojima je znao veoma uspješno aktualizirati pojedina pitanja iz povijesti našeg primorja. Po broju i opsegu radovi G. Novaka posvećeni Dubrovniku2 i njegovoj prošlosti ne mogu se mjeriti npr. s djelima što ih je 1 Iscrpnu bibliografiju G. Novaka v. u »Bibliografija radova Grge Novaka«, Radovi Instituta JAZU u Zadru 6/7, 1960, str. 605 i d., što ju je izradio V. Maštrović, i »Bibliografija radova Grge Novaka«, Adriatica prae- historica et antiqua, Zagreb 1970, XI — XIX (zaključno s godinom 1969), koju je priredio B.