Social Penetration and Police Action: Collaboration Structures in the Repertory of Gestapo Activities
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Social Penetration and Police Action: Collaboration Structures in the Repertory of Gestapo Activities
Social Penetration and Police Action: Collaboration Structures in the Repertory of Gestapo Activities KLAUS-MICHAEL MALLMANN* SUMMARY: The twentieth century was "short", running only from 1914 to 1990/ 1991. Even so, it will doubtless enter history as an unprecedented era of dictatorships. The question of how these totalitarian regimes functioned in practice, how and to what extent they were able to realize their power aspirations, has until now been answered empirically at most highly selectively. Extensive comparative research efforts will be required over the coming decades. The police as the key organization in the state monopoly of power is particularly important in this context, since like no other institution it operates at the interface of state and society. Using the example of the Gestapo's activities in the Third Reich, this article analyses collaboration structures between these two spheres, which made possible (either on a voluntary or coercive basis) a penetration of social contexts and hence police action even in shielded areas. It is my thesis that such exchange processes through unsolicited denunciation and informers with double identities will also have been decisive outside Germany in the tracking of dissident behaviour and the detection of conspiratorial practices. I do not think it is too far-fetched to say that the century which is about to end will go down in history as the era of dictatorships. But a social history of this state-legitimized and -executed terror, let alone an interna- tional comparison on a solid -
© 2010 Andrew Thomas Demshuk
© 2010 Andrew Thomas Demshuk THE LOST EAST: SILESIAN EXPELLEES IN WEST GERMANY AND THE FANTASY OF RETURN, 1945-1970 BY ANDREW THOMAS DEMSHUK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Professor Peter Fritzsche, Chair Professor Matti Bunzl Professor Akira Iriye, Harvard University Professor Maria Todorova ABSTRACT One-fifth of the postwar West German population consisted of German refugees expelled from the former eastern territories and regions beyond. My dissertation examines how and why millions of expellees from the province of Silesia came to terms with the loss of their homeland. Revising the traditional expectation that this population was largely interested in restoring prewar borders as a means to return to the East, I offer a new answer to the question of why peace and stability took root in West Germany after decades of violent upheaval. Before Bonn recognized Poland’s postwar border in 1970, self-appointed political and scholarly spokespeople for the expellees lost no occasion to preach the “right to the homeland” (Heimat) and advocate for a revolutionary migration, in which all expellees would return to the lands that had once been inside Germany’s 1937 borders. Confronting the generally accepted theory that expellees either thought like their leaders or lost interest in the East because of material prosperity in the West, I examine a wide range of neglected archival holdings, periodicals, circular letters, memory books, travel reports, and unpublished manuscripts to show how, through fantasizing about the old Heimat, expellees steadily came to terms with the permanence of their exile. -
The Transfiguration of the Hero: a Memory Politics of the Everyday in Berlin and Budapest
THE TRANSFIGURATION OF THE HERO: A MEMORY POLITICS OF THE EVERYDAY IN BERLIN AND BUDAPEST by Júlia Székely Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfilment of the requirements for the degree of Doctor of Philosophy Supervisors: Judit Bodnár CEU eTD Collection Jean-Louis Fabiani Budapest, Hungary 2016 STATEMENT I hereby state that this dissertation contains no materials accepted for any other degrees in any other institutions. The thesis contains no materials previously written and/or published by another person, except where appropriate acknowledgement is made in the form of bibliographical reference. Budapest, February 29, 2016. CEU eTD Collection i | P a g e ABSTRACT Although after the period of the Second World War the death of the hero was loudly announced (Münkler 2006), in recent years, the academic interest in heroes has been reemerging. Authors not only established a critical understanding of the hero who came to be defined as an end-product of a careful construction (e.g., Todorova 1999, Giesen 2004a), but ―new heroes‖ also made their mass appearance (Jones 2010). Yet, in contrast to the majority of these analyses that either concentrate on one particular hero (e.g, Verdery 1999) or on one specific period (e.g., Lundt 2010), I discuss the conceptual and aesthetic transformation of the hero. Focusing on the genre of public works of art in Berlin and Budapest from 1945 up to the present time, I study various processes of the transfiguration of the hero. Besides the linguistic and cultural connections between Berlin and Budapest beginning from the 19th century, I assumed that the two cities can represent many of the dual arguments of memory studies.