Five Miles up with … Amanda Palmer | Compass - Yahoo! Travel
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Case of Amanda Palmer
3 4 Keep it Simple, Make it Fast! An approach to underground music scenes (vol. 4) Paula Guerra and Thiago Pereira Alberto (eds.) First Published July 2019 by Universidade do Porto. Faculdade de Letras [University of Porto. Faculty of Arts and Humanities] Via Panorâmica, s/n, 4150-564, Porto, PORTUGAL www.letras.up.pt Design: Wasted Rita and Marcelo Baptista Credits illustrations of book’s parts: Esgar Acelerado ISBN 978-989-54179-1-9 All the content presented in texts are solely the responsibility of the authors. The ideas presented do not necessarily represent the opinion of the editors. Attribution CC BY 4.0. International This book is Licensed under a Creative Commons Attribution 4.0. International License (CC BY 4.0). It is allowed to share, redistribute, adapt, remix, transform and build upon the content of this book. The appropriate credit must be given to the authors and editors. More informations: https://creativecommons.org/ licenses/by/4.0 353 7.3. Female artists, social media and alternative economy: the case of Amanda Palmer Beatriz Medeiros165 and Beatriz Polivanov166 Abstract In this paper we seek to investigate the strategies that the independent artist Amanda Palmer uses in order to gain visibility and financial capital to promote her music. Our theoretical background is mainly related to the process of self- presentation in social media, along with Bourdieu’s (2013) notion of symbolic capital. Based on the analysis of posts made by the artist on social network sites, such as Twitter and Instagram, apart from her blog and book / memoir (Palmer, 2014), we argue that her approaches for getting the audience engaged with her pledges can be gathered in three axes: a) public exposure of intimacy; b) negotiations of asking and c) advertising her crowdfunding projects. -
The Tim Ferriss Show Transcripts Episode 67: Amanda Palmer Show Notes and Links at Tim.Blog/Podcast
The Tim Ferriss Show Transcripts Episode 67: Amanda Palmer Show notes and links at tim.blog/podcast Tim Ferriss: All right. So I'm gonna click "record," and then we're just gonna take a couple of seconds of silence, and then we'll jump right into it. Hello, boys and girls. This is Tim Ferriss, and welcome to another episode of the Tim Ferriss Show where I deconstruct world-class performers, whether they be billionaire hedge-fund managers, early-stage investors, like Peter Thiel, or celebrities, Arnold Schwarzenegger, musicians, chess prodigies, and so on. They have commonalities, and they do have tools and tricks and routines that you can use. This episode, I am interviewing Amanda Palmer, who is a musician, but also a social media virtuoso and innovator as a musician, from the standpoint of both music and business models. Some of you, I'm sure, have seen her hit TED presentation, "The Art of Asking," which has been viewed more than six million times. But her story goes much, much deeper, and we will plumb the depths. We will talk about, of course, perhaps the Dresden Dolls where she first rose to prominence as one-half of that acclaimed punk cabaret duo, then the journey from solo album to leaving her record label altogether and experimenting with things like Kickstarter. She made international news in 2012 when she raised nearly $1.2 million preselling her new album, "Theatre is Evil," which went on to debut in the Billboard Top 10. It's one hell of a story. -
Joking About the Darkness Affect, Queerness, and Politics in the Work of Amanda Palmer
Joking About the Darkness Affect, Queerness, and Politics in the Work of Amanda Palmer Jackson Brooks Flesher Schulich School of Music Music Research McGill University, Montreal December 2018 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Musicology – Gender, Sexuality, and Feminist Studies ©Jackson Flesher 2018 Table of Contents Title Page ____________________________________________________________________ i Table of Contents ______________________________________________________________ ii Abstract _____________________________________________________________________ iii Résumé _____________________________________________________________________ iv Acknowledgements____________________________________________________________ v Introduction__________________________________________________________________ 1 Chapter 1: Amanda Palmer’s Aesthetic and Philosophy _______________________________________________________14 (Figure 1.1) __________________________________________________________________ 26 Chapter 2: Comparative Analyses of Emotional Politics and Affective Performance Practices _______________________________________ 55 Conclusion __________________________________________________________________ 97 Appendix (Palmer’s Discography) _______________________________________________100 Bibliography ________________________________________________________________104 ii Abstract Amanda “Fucking” Palmer began her musical career in 2000 as half of The Dresden Dolls -
The Art of Asking (Part 1) Source: TED Talk by Amanda Palmer, ‘The Art of Asking’ Focus: Listening, Phrasal Verbs
ADVANCED ENGLISH LESSON The Art of Asking (Part 1) Source: TED talk by Amanda Palmer, ‘The Art of Asking’ Focus: Listening, Phrasal verbs DISCUSSION QUESTIONS #1 • Do you find it easy to ask for things you need? • Who is your favourite musician/group? Are they Why do you think this is the case? a mainstream performer, or so they have more • When was the last time you asked someone for of a cult following? something? Was it a comfortable or • What is a ‘true fan’, in your opinion? Are you a uncomfortable conversation? ‘true fan’ of any musical artist? • Why does asking for things make us feel • Look at the images, showing various street shame? performers. What are they doing? Do you have • What is crowdfunding? How does it differ from performers like these in your country? crowdsourcing? Have you ever contributed to a • The music industry has changed a lot over the crowdfunding campaign? past few decades, both in terms of distribution • What is couchsurfing? Have you ever done it, or and artist-fan relationships. What role has the would you consider doing it in future? internet played in these changes? Photos by: Obed Hernandez, Josh Ludahl, Josh Appel, Zac- Ong - Unsplash H. A crash pad /ˈkræʃˈpæd/ VOCABULARY #1 I. To pass the hat /ˈpɑːs.ðəˈhæt/ Match the words and phrases with their definitions. J. Hype /haɪp/ A. Freak /friːk/ K. Counterintuitive /ˈkaʊn.tə.rɪnˈtʃuː.wəˌtɪv/ B. Gesture /ˈdʒes.tʃʌ/ L. Visceral /ˈvɪ.sə.rəl/ C. Profound /prəˈfaʊnd/ I. A single musical performance D. Prolonged /prəˈlɒŋd/ II. A movement of the hands, arms or head to express a E. -
Rebel Girls: Feminist Punk for a New Generation Rachel L
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2013 Rebel Girls: Feminist Punk for a New Generation Rachel L. Bodansky Scripps College Recommended Citation Bodansky, Rachel L., "Rebel Girls: Feminist Punk for a New Generation" (2013). Scripps Senior Theses. Paper 199. http://scholarship.claremont.edu/scripps_theses/199 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 REBEL GIRLS: FEMINIST PUNK FOR A NEW GENERATION by RACHEL L. BODANSKY SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR JAQUEZ PROFESSOR KANG APRIL 26, 2013 2 CONTENTS ACKNOWLEDGMENTS...................................................................................................3 INTRODUCTION……………………………………………………………….………..4 CHAPTER 1………………………………………............................................................7 CHAPTER 2………………………………………………………………………..……20 CHAPTER 3……………………………………………………………………………..35 CHAPTER 4……………………………………………………………………………..55 CONCLUSION…………………………………………………………………………..74 WORKS CITED…………………………………………………………………………77 3 ACKNOWLEDGMENTS Thank you to all my professors. Profs. Jaquez and Kang, thank you for guiding me in this process. Profs. Harley and Kamm, although you were not a part of my thesis writing, you have been a huge part of my intellectual growth and have offered endless support in my time at Scripps, and I thank you for that. I also want to thank my friends here at Scripps. You are the best friends and comrades I could have asked for, and I don’t know how I would have made it through thesis without you all. None of this would have been possible without my amazing family. -
Media Kit Kabarett Haus
MEDIA KIT KABARETT HAUS PERTH CONCERT HALL, CITY OF LIGHTS THURS 20 FEB – SAT 22 FEB TICKETS: $39 -$89 Click here for images KABARETT HAUS International siren and comedienne extraordinaire Meow Meow opens the Kabarett Haus accompanied by the full force of West Australian Symphony Orchestra. Join the spectacular queen of song for an unforgettable evening of exquisite music and much mayhem. Prepare for Piazzolla tangos, Weill, Brecht, Brel – even Radiohead – alongside original chansons by Meow Meow, Iain Grandage and Pink Martini’s Thomas M Lauderdale as this post-post-modern diva showcases her glorious brand of subversive and sublime entertainment. PERFORMANCES: MEOW MEOW PANDEMONIUM (WITH THOMAS M LAUDERDALE) | THU 20 FEB RUFUS WAINWRIGHT DOWN SOLO WAINWRIGHT | FRI 21 FEB AMANDA PALMER, THERE WILL BE NO INTERMISSION | SAT 22 FEB MEOW MEOW Post-post-modern diva Meow Meow has hypnotised, inspired, and terrified audiences globally with unique creations and sell-out seasons from New York’s Lincoln Center and Berlin’s Bar Jeder Vernunft to London’s West End and the Sydney Opera House. Named One of the Top Performers of the Year by The New Yorker, the spectacular crowd-surfing tragi-comedienne has been called “Sensational” (TheTimes), “diva of the highest order” (New York Post), “The Queen of Chanson” by the Berliner Zeitung, and “a phenomenon” by the Australian press. Her award-winning solo works have been curated by David Bowie, Pina Bausch, and Mikhail Baryshnikov and numerous international arts festivals . As well as being a prolific music and theatre creator she specialises in the Weimar repertoire and French chanson, and recently appeared as Titania in Emma Rice's revolutionary A Midsummer Night's Dream season at Shakespeare's Globe. -
Creators, Audiences, and New Media: Creativity in an Interactive Environment
Creators, Audiences, and New Media: Creativity in an Interactive Environment BY ©2014 ISAAC BELL Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Dr. Mary Jo Reiff Chairperson ________________________________ Chris McKitterick ________________________________ Dr. Anna Neill Date Defended: 7/14/2014 The Thesis Committee for Isaac Bell certifies that this is the approved version of the following thesis: Creators, Audiences, and New Media: Creativity in an Interactive Environment ________________________________ Chairperson Mary Jo Reiff Date approved: 07/14/2014 ii Abstract Composition and media scholars have in the past examined the participants and steps in the creative process as distinct roles and actions, with a separation between creators and audiences, including gatekeeping audiences (such as editors and publishers). The act of creation was viewed as taking place in isolation. The media emphasis on traditional genres such as print books has limited the examination of the distribution of these works. New media scholarship explores the ways media creation software and online distribution can complicate creativity and provide new venues for distribution. In this thesis, I claim that the new media environment has changed the traditional creator and audience roles, with boundaries being crossed regularly. Creators may be inspired by the ideas of a particular audience, the distribution of their works might bypass gatekeepers, and the audience may use these works in their own creations. The Internet allows us to observe and examine these changes both in real-time and after the fact.