Christopher Cerrone / Composer
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SATURDAY APRIL 29, 2017 | 7:30 PM | ROCKEFELLER CHAPEL A TRIPTYCH: Earth, Moon, Peace Works of Augusta Read Thomas Played by Spektral Quartet and Third Coast Percussion ROCKEFELLER CHAPEL | UNIVERSITY OF CHICAGO OF UNIVERSITY 2 PROGRAM The program is performed without intermission, although there will be brief pauses for resetting the stage. You are warmly invited to a wine and cheese reception here in the Chapel after the concert, with refreshments served from the west transept. You will also find CDs on sale. RAINBOW BRIDGE TO PARADISE SELENE Moon Chariot Rituals 2016 2015 3 Russell Rolen CELLO Spektral Quartet Third Coast Percussion and CHI CHI | A TRIPTYCH: EARTH, MOON, PEACE CHI for string quartet RESOUNDING EARTH 2017 World première 2012 I CHI vital life force I INVOCATION pulse radiance II AURA atmospheres, colors, vibrations II PRAYER star dust orbits III MERIDIANS zeniths III MANTRA ceremonial time shapes IV CHAKRAS center of spiritual power in the body IV REVERIE CARILLON crystal lattice Spektral Quartet Third Coast Percussion Clara Lyon VIOLIN David Skidmore Maeve Feinberg VIOLIN Peter Martin Doyle Armbrust VIOLA Robert Dillon Russell Rolen CELLO Sean Connors ABOUT THIS CONCERT Like most works of art, tonight’s concert came into Enter Spektral Quartet (or re-enter, for this being through the confluence of flashes of desire, conversation also had begun, allegro con spirito, some snippets of conversation, and the sudden alignment of eons before). On March 7, 2015, the cosmic lights went energies sparked by the commissioning of a new work. green and we knew we had a program: Selene, to be The flash of desire came just over three years ago. -
Mellissa Hughes SOPRANO
SOPRANO Mellissa Hughes “A magnetic presence” – THE NEW YORK TIMES “A dazzling diva adept at old and new music” – TIME OUT NEW YORK “note-perfect...by turns coolly composed and legitimately frightening” – Pitchfork “Riveting” – THE NEW YORKER “Haunting and beautiful” – Feast of Music “I actually wasn't prepared for the strength of her physical performance…” – THE AWL “A postclassical siren” – TIME OUT NEW YORK Photo: Mark Hughes “Mellissa Hughes ratcheted the work to a wild, intoxicating pitch.” -- THE WASHINGTON POST “indispensable to New York’s new-music ecosystem.” – THE NEW YORK TIMES Hailed by The New York Times as “ a versatile, charismatic soprano endowed with brilliant technique and superlative stage instincts…indispensable to New York’s new-music ecosystem” MELLISSA HUGHES enjoys a busy career in both contemporary and early music. A dedicated interpreter of living composers, Hughes has worked closely with Julia Wolfe, Michael Gordon, David Lang, Steve Reich, Neil Rolnick, and has premiered works by David T. Little, Missy Mazzoli, Ted Hearne, Caleb Burhans, Christopher Cerrone, Jacob Cooper, and Frederick Rzewski, among others. In the classical concert hall she has performed Mozart’s Vespers and Requiem under the baton of Sir Neville Marriner, Handel’s Dixit Dominus with Sir David Willcocks, and the role of Dido under the direction of Andrew Lawrence King. Equally at home in front of a rock band, Hughes has received widespread acclaim in her role as lead vocalist of Newspeak, an amplified alt-classical band, and for her work with Missy Mazzoli’s Victoire. In the 2013/14 season, Hughes continues touring with John Zorn for Zorn@60 celebrations, singing his “Madrigals” and “Earthspirit” in Jerusalem, Paris and at Alice Tully Hall in New York (having sung the works last season in Montreal, Ghent, Warsaw, at the Barbican in London, and at the Guggenheim New York.) She also stars in Jonathan Berger’s double bill opera, Visitations, in a Beth Morrison Production/HERE production for Protoype 2014 at Roulette, led by Christopher Rountree. -
Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz. -
Kansas City, Missouri
Forty-Fourth Annual Conference Hosted by University of Missouri-Kansas City InterContinental Kansas City at the Plaza 28 February–4 March 2018 Kansas City, Missouri Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests. -
The New Yorker
Kindle Edition, 2015 © The New Yorker COMMENT HARSH TALK BY MARGARET TALBOT Three years ago, after the reëlection of Barack Obama, a rueful Republican National Committee launched an inquiry into where the Party had gone wrong. Researchers for the Growth & Opportunity Project contacted more than twenty- six hundred people—voters, officeholders, Party operatives —conducted focus groups, and took polls around the country. The resulting report is a bracingly forthright piece of self-criticism that took the G.O.P. to task for turning off young voters, minorities, and women. A key finding was that candidates needed to curb the harsh talk about immigration. Mitt Romney’s call for “self-deportation” was loser rhetoric. Making people feel that “a GOP nominee or candidate does not want them in the United States” was poor politics. The report offered one specific policy recommendation: “We must embrace and champion comprehensive immigration reform. If we do not, our Party’s appeal will continue to shrink to its core constituencies.” None of the current Republican Presidential hopefuls seem to have taken that counsel to heart. Donald Trump, the front-runner, wouldn’t, of course. “The Hispanics love me,” he claims, despite the fact that he proposes building a wall on the Mexican border to keep out people he equates with “criminals, drug dealers, rapists.” Ben Carson takes issue with Trump’s stance, sort of. “It sounds really cool, you know, ‘Let’s just round them all up and send them back,’ ” he said. But it would cost too much, so he advocates deploying armed drones at the border. -
ANDREW NORMAN: PLAY TRY ANDREW NORMAN B
ANDREW NORMAN: PLAY TRY ANDREW NORMAN b. 1979 PLAY PLAY (2013) TRY [1] Level 1 12:24 [2] Level 2 20:57 [ ] BOSTON MODERN ORCHESTRA PROJECT 3 Level 3 12:45 GIL ROSE, CONDUCTOR [4] TRY (2011) 13:58 TOTAL 60:07 COMMENT By Andrew Norman I wish you all could see Play performed live. The symphony orchestra is, for me, an instrument that needs to be experienced live. It is a medium as much about human energy as it is about sound, as much about watching choices being made and thoughts exchanged and feats of physical coordination performed as it is about listening to the melodies and harmonies and rhythms that result from those actions. As its name might suggest, Play is an exploration of the many ways that people in an orchestra can play with, against, or apart from one another. Like much of my music, it tries to make the most of the innate physicality and theatricality of live instrumental performance. Play is very directly concerned with how and when and why players move—with the visual as well as the aural spectacle that is symphonic music—and as such there are layers of its meaning and structure that might be difficult to discern on an audio recording. So you, the listener of this album, will have to use your imagination, as you are not going to see much of what defines Play’s expressive world. You’re not going to see how the conductor does or doesn’t control the goings-on at any particular moment. -
Philharmonia Baroque Orchestra Sunday / July 18 / 4:00Pm / Venetian Theater
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
S U M M E R 2 0
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Hopscotch-Takes-Opera-Into-The- Streets.Html
CLIP BOOK PREVIEWS/ FEATURES October 31, 2015 Also ran online: http://www.nytimes.com/2015/10/31/arts/music/hopscotch-takes-opera-into-the- streets.html September 13, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-ca-cm-fall-arts-hopscotch-opera-la- 20150913-story.html October 8, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-et-cm-hopscotch-opera-industry-20151008-story.html November 21, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-et-cm-hopscotch-hawthorne- 20151121-column.html December 13, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-ca-cm-best-classical-music-2015- 20151213-column.html November 16, 2015 Opera on Location A high-tech work of Wagnerian scale is being staged across Los Angeles. BY ALEX ROSS Parts of “Hopscotch” are staged inside a fleet of limousines. Other scenes take place on rooftops and in city parks. CREDITPHOTOGRAPH BY ANGIE SMITH FOR THE NEW YORKER Jonah Levy, a thirty-year-old trumpet player based in Los Angeles, has lately developed a curious weekend routine. On Saturday and Sunday mornings, he puts on a white shirt, a black tie, black pants, and a motorcycle jacket, and heads to the ETO Doors warehouse, in downtown L.A. He takes an elevator to the sixth floor and walks up a flight of stairs to the roof, where a disused water tower rises an additional fifty feet. Levy straps his trumpet case to his back and climbs the tower’s spindly, rusty ladder. He wears a safety harness, attaching clamps to the rungs, and uses weight-lifting gloves to avoid cutting his palms. -
21C Liederabend , Op 3
BAM 2013 Next Wave Festival #21cLiederabend Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer 21c Liederabend, op. 3 Festival of Contemporary Art Song Creative direction by Beth Morrison and Paola Prestini Music direction by Julian Wachner Featuring New York’s finest solo singers, NOVUS NY, and The Choir of Trinity Wall Street BAM Harvey Theater Nov 22 at 7:30pm—Program 1 Nov 23 at 7:30pm—Program 2 Approximate running time: two hours, no intermission Composer in residence Anna Clyne Librettist in residence Royce Vavrek Scenic and lighting design by Maruti Evans BAM 2013 Next Wave Festival sponsor Projection and video design by S. Katy Tucker Featuring compositions by: Thomas Cabaniss, Christopher Ceronne, Thomas Cipullo, Anna Clyne, Mohammed Fairouz, Judd Greenstein, David Handler, Viacom is the BAM 2013 Music Sponsor Ted Hearne, Marie Incontrera, David T. Little, Tod Machover, Missy Mazzoli, Nico Muhly, Major support for music at BAM provided by The Virginia B. Toulmin Foundation Olga Neuwirth, Paola Prestini, Huang Ruo, Michel van der Aa, Aleksandra Vrebalov, Endowment funding has been provided by Julian Wachner, Eric Whitacre, Du Yun, and The Andrew W. Mellon Foundation Fund for Netsayi & Black Pressure Opera and Music-Theater Co-commisioned and co-produced by Beth Morrison Projects Additional endowment support provided by and VisionIntoArt, presented in association with Trinity Wall the BAM Fund to Support Emerging and Street. Local Musicians 21c Liederabend Op. 3 Being educated in a classical conservatory, the Liederabend (literally “Song Night” and pronounced “leader-ah-bent”) was a major part of our vocal educations. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
2020-2021 Season Chronology of Events
Carnegie Hall 2020–2021 Season Chronological Listing of Events All performances take place at Carnegie Hall, 57th Street and Seventh Avenue, unless otherwise indicated. October CARNEGIE HALL'S Wednesday, October 7, 2020 at 7:00 PM OPENING NIGHT GALA Los Angeles Philharmonic LOS ANGELES PHILHARMONIC Gustavo Dudamel, Music and Artistic Director Stern Auditorium / Perelman Stage Lang Lang, Piano Liv Redpath, Soprano JOHN ADAMS Tromba Lontana EDVARD GRIEG Piano Concerto in A Minor, Op. 16 EDVARD GRIEG Selections from Peer Gynt DECODA Thursday, October 8, 2020 at 7:30 PM Weill Recital Hall Decoda LUDWIG VAN BEETHOVEN Septet in E-flat Major, Op. 20 FRANZ SCHUBERT String Trio in B-flat Major, D. 471 GUSTAV MAHLER Selection from "Kräftig bewegt, doch nicht zu schnell" from Symphony No. 1 in D Major (arr. Decoda) ARNOLD SCHOENBERG Selections from Variations for Orchestra, Op. 31 (arr. Decoda) VARIOUS COMPOSERS Ode to Beethoven (World Premiere created in collaboration with the audience) LOS ANGELES PHILHARMONIC Thursday, October 8, 2020 at 8:00 PM Stern Auditorium / Perelman Stage Los Angeles Philharmonic Gustavo Dudamel, Music and Artistic Director Leila Josefowicz, Violin Gustavo Castillo, Narrator GABRIELLA SMITH Tumblebird Contrails (NY Premiere) ANDREW NORMAN Violin Concerto (NY Premiere, co-commissioned by Carnegie Hall) ALBERTO GINASTERA Estancia, Op. 8 Andrew Norman is holder of the 2020-2021 Richard and Barbara Debs Composer's Chair at Carnegie Hall. LOS ANGELES PHILHARMONIC Friday, October 9, 2020 at 8:00 PM Stern Auditorium / Perelman