Health Care in the Early 1960S
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United Nations Juridical Yearbook, 1965
Extract from: UNITED NATIONS JURIDICAL YEARBOOK 1965 Part One. Legal status of the United Nations and related inter-governmental organizations Chapter II. Treaty provisions concerning the legal status of the United Nations and related inter-governmental organizations Copyright (c) United Nations CONTENTS (continued) Page 8. Trinidad and Tobago Privileges and Immunities (Diplomatic, Consular, and International Organi- zations) Act, 1965 10 9. Uganda The Diplomatic Privileges Act, 1965 12 10. Venezuela (a) Decision by the Ministry of Foreign Affairs concerning the granting of privileges and immunities to the Resident Representative of the Technical Assistance Board 13 (b) Decision by the Ministry of Foreign Affairs concerning the granting of privileges and immunities to Technical Assistance experts 14 11. Zambia Diplomatic Immunities and Privileges Act, 1965 15 CHAPTER II. TREATY PROVISIONS CONCERNING THE LEGAL STATUS OF THE UNITED NATIONS AND RELATED INTER-GOVERNMENTAL ORGANIZATIONS A. TREATY PROVISIONS CONCERNING THE LEGAL STATUS OF THE UNITED NATIONS 1. Convention on the Privileges and Immunities of the United Nations. Approved by the General Assembly of the United Nations on 13 February 1946 .... 19 2. Agreements relating to meetings and installations 19 (a) Agreement between the United Nations and the Government of Niger concerning the establishment of a sub-regional office of the United Nations Economic Commission for Africa. Signed at Niamey on 20 November 1963 19 (b) Exchange of letters constituting an Agreement between the United Nations and the Government of Mexico regarding the arrangements for the session of the Special Committee of Principles of International Law concerning Friendly Relations and Co-operation among States to be held in Mexico City from 27 August to 1 October 1964. -
Bring Me the Head of Frank Sinatra! Credit, and That He Keeps Three Loaded Double- in Early 1988
BRING ME THE HEAD OF FRANK “Old No. 6-7/8.” Screw those guys. Really. SINATRA! Jimmy's Bar Introduction If the group is already an adventuring party, then it stands to reason they will be in a tavern. If not, This is a module for 4-6 player characters of level well, they might as well meet at a tavern. 4-6. It is set in a gonzo post-apocalyptic past- Specifcally, Three-Arm Jimmy's, on the Hoboken future. waterfront. What that means, in practical terms, is that it is Three Arm Jimmy's is the sort of generic tavern set in the world presented in Gamma World or that unimaginative Game Masters always start Mutant Future (Encounter Critical could also easily modules in. It's got a bar, manned by Jimmy be used, although the setting is Earth, rather than himself—the extra arm comes in very handy for Vanth or Asteroid 1618). Statistics in this module pulling beers. The bar serves cheap but adequate will be given in Mutant Future terms. beer, a variety of rotgut liquors, most of which are nasty-ass industrial ethanol with a few drops of Other systems can be used, of course: since it favoring agents, and standard bar food, such as has been said that First Edition Gamma World salty deep-fried starchy things, onion rings, was the best edition of Dungeons and Dragons, pickled eggs, and the ubiquitous rat-on-a-stick D&D would work fne, as would Paranoia, Call of (show players Illustration #1). In addition to Cthulhu, Arduin, or an-only-slightly-variant Spawn Jimmy, there will be a waitress and a of Fashan, for instance. -
The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism. -
THE 21St and 22Nd JUNE 1965
INTERNATIONAL COUNCIL OF MONUMENTS AND SITES REPORT ON THE CONSTITUTIVE ASSEMBLY HELD IN WARSAW THE 21st AND 22nd JUNE 1965 I CO MOS MINUTES OF THE PROCEEDINGS OF THE ICOMOS CONSTITUTIVE ASSEMBLY Summary 1. Report on the Constitutive Assembly 3 2. Rules of the ~onstitutive Assembly . 11 3. Statutes 11 4. Report on the first General Assembly 15 5. Rules of the General Assembly . 17 6. Rules of Procedure of the Executive Committee. 22 7. Rules of the Advisory Committee . 23 REPORT ON THE CONSTITUTIVE ASSEMBLY HELD IN WARSAW THE 2lst AND 22nd JUNE 1965 The Constitutive Assembly of the International Council Mr. Josef Dutkiewicz, Mr. Stanislaw Lorentz, Mr. Jerzy of Monuments and Sites met at Warsaw, as guests of Lomnicki, Mr. Alfred Majewski, Mr. Kazimierz Mali the Polish government, in the Rudniev Room of the nowski, Mr. Bohdan Marconi, Mr. Andrzej Micha Palace of Culture and Science. Mr. Lucjan Motyka, lowski, Mr. Kazimierz Michalowski, Mr. Adam Milo Minister of Culture and the Arts, and Mr. Zygmunt bedski, Mrs. Hanna Pienkowska, Mr. Mieszyslaw Przy Gartstecki, Vice-Minister of Culture and the Arts, were lecki, Mr. Mieczyslaw Ptasnik, Mr. Bohdan Rymaszew delegated by the government of the host country to ski, Mr. Jerzq Szablowski, Mr. Jan Zachwatowicz; represent it at the sittings. from Romania : Mrs. Gabriella Bordenache, Mr. Geor ges Curinski, Mr. Grigore Ionesco, Mr. Mihail Ionesco, In attendance were : Mr. Livin Stefanescu; from West Germany: Mr. Georg S. Graf Adelmann, from Sweden: Mr. Zygmunt Lakocinski, Mr. Carl F. Mrs. Hanna Adenauer, Mr. Werner Bornheim gen. Mannerstrale, Mrs. Dagmar Selling, Mr. -
The Psychedelic Poster Art and Artists of the Late 1960S
Focus on Topic The Psychedelic Poster Art and Artists of the late 1960s by Ted Bahr Bahr Gallery New York, USA 46 Focus on Topic The stylistic trademarks of the 1960s To advertise these concerts, both promoters turned to Wes Wilson at Contact Printing, who had been laying psychedelic poster were obscured and disguised out the primitive handbills used to advertise the Mime lettering, vivid color, vibrant energy, flowing Troupe Benefits and the Trips Festival. Wilson took organic patterns, and a mix of cultural images LSD at the Festival and was impacted by the music, from different places and periods -- anything to the scene, and the sensuous free-love sensibilities of confuse, enchant, thrill, and entertain the viewer. the hippie ethos. His posters quickly evolved to match the flowing, tripping, improvisational nature of the The style was also tribal in the sense that if you developing psychedelic music -- or “acid rock” -- and could decipher and appreciate these posters his lettering began to protrude, extend, and squeeze then you were truly a member of the hippie into every available space, mimicking and reflecting the subculture – you were hip, man. totality of the psychedelic experience. His early style culminated in the July 1966 poster for The Association which featured stylized flame lettering as the image The psychedelic poster movement coincided with the itself, a piece that Wilson considered to be the first rise of hippie culture, the use of mind-altering drugs like truly psychedelic poster. LSD, and the explosion of rock and roll. San Francisco was the center of this universe, and while prominent psychedelic poster movements also developed in London, Detroit, Los Angeles, and Austin, Bay Area artists both initiated and dominated the genre. -
Statement to SNCC Staff Meeting, February 1965
Statement by John Lewis , Chair~an Staff meeting February 1965 With a deep sense of humility I speak to you today in an at tempt to share with you some of my feelin~s and thoughts on suer. and the !:'lack Civil Rights struf'gle. I have no words of l•liSdO'll, nor have I been dreaming r,reet dreams. From the outset I am a•Jare of ~he fact that we are at a crucial juncture in the history of the Student Nonviolent Coordin-ating Committee. The situation demands clarity, £irmness , and certainty, as well as an un~atched capacity for planning and foresight. On my arrival in Atlanta after having been out of the country for two months, 1 was throughly informed about the questions and issues that ~1ere raised at both t'le staff meeting and the ~;taff retreat. I have read the positions papers, the minutes, and have talked with many members of the staff 1-Ji th gre.at interest concel"ning the nature of your deliberation!' in 1\tlanta and in 13ay S't . Louis. l only ~er,ret that I was unable t o take part in the many sessions of serious discussion and thinkinp.. fortunately or unfortunately I ~1as in Africa on Phat I like to call a mission of learning, or an attempt to cenent the relation between the liberation mov~~ent of Africa and the Civil ~ights Struggle in this country. I a~ convincec more t han ever before that the social ; economic, and political des tiny of the black people of America is inseparable from that of our black brothers of Africa . -
ARSC Journal These Films
Sound Recording Reviews 213 Judy Garland: The Golden Years at M-G-M - The Harvey Girls, The Pirate, Summer Stock. MGMIUA Home Video. ML104869. 5 laser discs, 2 sides in CAV. 7 hours ofprerecordings on analog track; stereo in part; NTSC. Released in 1995. Thoroughbreds Don't Cry and Listen, Darling. MGMIUA Home Video. ML104569. 2 laser discs. 21 minutes ofprerecordings for Listen, Darling on analog track; NTSC. Released in 1994. The Ultimate Oz. MGM/UA Home Video and Turner. ML103990. Includes The Wizard of Oz, ML104755, 2 laser discs, 4 sides in CAV, THX and No-Noise; and The Wonderful Wizard of Oz: The Making of a Movie Classic, ML104756, 1 laser disc, THX. 4 hours 48 minutes of prerecordings on analog and digital tracks; NTSC. Released in 1993. The Wizard of Oz: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71964. 2 compact discs. Released in 1995. Meet Me In St. Louis: 50th Anniversary Edition. MGMIUA Home Video and Turner. ML104754. 3 laser discs and 1 compact disc of soundtrack (CD: MGM Records 305123). 4 sides in CAV; remixed from original multi-channel recording mas ters into stereo; 52 minutes of prerecordings on analog track; Includes The Making of an American Classic; NTSC. Released in 1994. CD also available separately on Rhino Movie Musicfl'urner Classic Movies R2 71958. Stereo. Released in 1995. Easter Parade: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71960. 1 compact disc. Released in 1995. That's Entertainment/ HI: Deluxe Collector's Edition. MGMIUA Home Video. ML103059. -
Frank's World
Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output. -
How Jews Became Sexy, 1968–1983
Acting Jewish: Negotiating Ethnicity on the American Stage and Screen Henry Bial http://www.press.umich.edu/titleDetailDesc.do?id=147187 The University of Michigan Press chapter 4 How Jews Became Sexy, 1968–1983 “What’s a nice Jewish girl like me doing on the cover of Playboy?” This caption appears, self-referentially enough, on the cover of Playboy’s October 1977 issue,1 which features a photograph of Barbra Streisand, wearing white shorts and a T-shirt emblazoned with the Playboy logo, reclining across the bottom half of a large white circle; Streisand’s extended left leg forms a line that transforms the circle into a Q, which presumably refers to the questions she will answer in what the leading headline bills as: “THE FIRST IN-DEPTH INTERVIEW WITH BARBRA STREISAND.” The caption (“What’s a nice Jewish girl . .”) appears suspended above and to the right of Streisand’s head, evoking a cartoon-style thought bubble. The location of the caption and the use of the ‹rst person (“like me”) suggests that this is a question that Streisand is asking herself. Yet perhaps there is a more interesting ques- tion: why has Playboy, the self-appointed arbiter of feminine sexual attractiveness, chosen to feature “a nice Jewish girl” on its cover? How did Streisand become, in fact, “the ‹rst female celebrity in 24 years” to pose for the magazine’s cover?2 In March of 1962, ‹fteen years prior to her Playboy appearance, Streisand made her Broadway debut as Miss Marmelstein in Jerome Weidman and Harold Rome’s I Can Get It for You Wholesale. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Federal Budget for Fiscal 1966
February 1965 by CHARLES A. WAITE The Federal Budget for Fiscal 1966 J_ HE Federal budget presented to local governments—programs which are although they show divergent move- Congress in January shows a shift in essentially for civilian purposes—ac- ments. From fiscal 1965 to fiscal 1966 emphasis from defense and space to count for over 85 percent of the increase the deficit on the administrative budget programs for education, health, aid to in expenditures. A similar pattern is basis declines by $1 billion to about the elderly, and for the war on poverty. shown in the administrative budget. $5 billion, the cash deficit remains virtu- This shift is evident on all three budget Federal expenditures are expected to ally unchanged at about $4 billion, and bases. For example, for the first time rise fa-om fiscal 1965 to fiscal 1966, the NIA budget deficit increases by $1 since 1950, cash budget outlays for with the amount depending on the billion to $6 billion. Summary data defense, international programs and budget concept used. The adminis- for the three budgets are shown in space activities will account for less table!. than half of the total cash payments to trative budget proposes an increase of the public. In the national income just over $2 billion in expenditures. In both the cash and NIA budgets Table 1.—-Federal Government Receipts and Expenditures, Fiscal 1964-66 outlays are up $6 billion. (Billion dollars) The budget estimates assume a GNP 1964 1965 1966 Federal Fiscal Position on of $660 billion in calendar 1965 or an actual estimate estimate Three Accounting Bases increase of about 6 percent, somewhat Administrative Budget: Billion $ less than the 6% percent rise in 1964. -
Volume One, Number Two February 1965
1965 Volume One, Number Two February 1965 Dean Emeritus Sister Helen Madeleine has translated liz the Light of the News Trinity from the original French edition by Fran<;ois Charmot, S.J. This work Ci viI discusses the spirituality of Blessed Julie Billiart, foundress of the Sisters of Notre A FTER a false early spring, Boston Dame de Namur. A limited number of finally reverted last month to its tradi by autographed copies are available in the tional snowy cover. Despite the balmy Alumnae Office for $3.50. weather spring fever had not struck The The third volume, Catherine, was Fenway. written under Sister Marie Margarita's Three recent faculty publications of D ISCRIMINATION and segregation pen name, Michel Robert. Editions du note include V alues and Interests i/1 So are terms which have challenged the Scorpions publishes these French lyric cia/ Change by Sister Marie Augusta, collegian in the 1960's. The Emmanuel poems which center on the life of the Chairman of the Emmanuel Sociology student bears witness to her Catholic, young girl of the title. The 125-page Department, Sister Helen Madeleine'~ catholic education in one way by partic paper-back, issued in Paris, is being sold lIZ the Light of the Trillity, and a book ipation in the Civil Rights movement. in this country at the Emmanuel College of French lyrics entitled Catheril1e by One of the more actively involved Bookstore for one dollar. Sister Marie Margarita. groups on campus is the YOll11g Chris The first book in a new series on Con tian Students organization.