HISTORY O.R· COOPERSTOWN
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Real Estate Record and Builders Guide Founded March 21, 1868, by CLINTON W
Real Estate Record and Builders Guide Founded March 21, 1868, by CLINTON W. SWEET Devoted to Real Estate, Building Construction and Building Management in the Metropolitan District Published Every Saturday by THE RECORD AND GUIDE COMPANY FRANK E. PERLEY, President and Editor; W. D. HADSELL, Vice-President; J. W. FRANK, Secretary-Treasurer Entered aa second daaa matter November 8, 1879, at the Post Office at New York. N. T., under the Act of March 3. 1879. Copyright, 1920, by The Record and Guide Company 119 West 40th Street, New York (Telephone: Bryant 4800) VOL. CV 250. A ropY NO. 19 (2721) NEW YORK, MAY 8, 1920 {12.00 A TEAB AdTertisins Index AdTertlsIng Index Page Page j A B See Electric Elevator.4th Cover Newins, Harvey B ..600 i Ackerly, Orville B., & Son 600 TiABLE OF CONTENTS. New York Edison Co., The 623 ! Adler, Ernest N 600 New York Title & Mortgage Co. .602 ; Alliance Realty Co 600 .... 603 Niewenhous Bros., Inc ....627 . Altmayer, Leon S 2d Cover Noyes Co., Chas. F Front Cover i American Bureau of R. E 600 Opposei Federal Tax on Real Estate to Pay Ogden & Clarkson Corp 2d Cover \ Ames & Co 2cl Cover 605 OReilly & Dahn 2d Cover Amy & Co., A. V 2d Cover Orr & Co., John C ^6^'i < Anderson & Co., James S 600 Mayor iHylan Appoints Committee on Housing Armstrong, John 600 fiO.S Payton, Jr., Co., Philip A.... ..612 ! Aspromonte & Son, L. S 627 Pease & Elliman Front Cover • Atlantic Terra Cotta Co 616 Joseph P. Day's Twenty-fifth Anniversary Cele Pflomm, F. -
A Mechanism of American Museum-Building Philanthropy
A MECHANISM OF AMERICAN MUSEUM-BUILDING PHILANTHROPY, 1925-1970 Brittany L. Miller Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Departments of History and Philanthropic Studies, Indiana University August 2010 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. ____________________________________ Elizabeth Brand Monroe, Ph.D., J.D., Chair ____________________________________ Dwight F. Burlingame, Ph.D. Master’s Thesis Committee ____________________________________ Philip V. Scarpino, Ph.D. ii ACKNOWLEDGEMENTS In the same way that the philanthropists discussed in my paper depended upon a community of experienced agents to help them create their museums, I would not have been able to produce this work without the assistance of many individuals and institutions. First, I would like to express my thanks to my thesis committee: Dr. Elizabeth Monroe (chair), Dr. Dwight Burlingame, and Dr. Philip Scarpino. After writing and editing for months, I no longer have the necessary words to describe my appreciation for their support and flexibility, which has been vital to the success of this project. To Historic Deerfield, Inc. of Deerfield, Massachusetts, and its Summer Fellowship Program in Early American History and Material Culture, under the direction of Joshua Lane. My Summer Fellowship during 2007 encapsulated many of my early encounters with the institutional histories and sources necessary to produce this thesis. I am grateful to the staff of Historic Deerfield and the thirty other museums included during the fellowship trips for their willingness to discuss their institutional histories and philanthropic challenges. -
Central Park West
CENTRAL PARK WEST- WEST 73rd - 7 *• t h STREET HISTORIC DISTRICT DESIGNATION REPORT 1977 City of New York Abraham D. Beams, Mayor Landmarks Preservation Commission Beverly Koss Spatt, Chairman Horrls Ketchum, Jr., Vlc©-Chairman Commissioners Margaret Beyer Stephen S. Lash Elisabeth Colt Hawthorne E. Lee George R. Collins Marie V. McGovern William J. Conklin Paul E. Parker, Jr. Barbara lee Dlamonsteln WEST 73*STREET fTMTHlE DAKOTA, iT-WEST TO^T^STREET HISTORIC DISTRICT CENTRAL PAES MANHATTAN DESIGNATED JULY 12, 1977 0E3I0NATC0 tAHOMARR SOUMOARIfS A*£ A* CU«8 UWI Landmarks Preservation Commission July 12, 1977, Number 8 LP-096<» CENTRAL PARK WEST - WEST 73rd - 7*«th STREET HISTORIC DISTRICT BOUNDARIES The property bounded by the western curb line of Central Park West, the northern curb line of West 73rd Street, the eastern curb line of Columbus Avenue and the southern curb line of West 7*»th Street, Manhattan. TESTIMONY AT THE PUBLIC HEARINGS On May 10, 1977, the Landmarks Preservation Commission held a public hearing on this area which is now proposed as an Historic District (Item No. 8). The hearing had been duly advertised In accordance with the provisions of law. Seven persons spoke In favor of the proposed designation. There were no speakers In opposition to designation. -1 HISTORICAL AND ARCHITECTURAL INTRODUCTION The site of the Central Park West - West 73rd-7*»th Street Historic District originally formed part of the farm of Richard Somerlndyck, whose family owned much of the land along the Upper West Side In the late 18th century. Although the farmland had b«en subdivided into lots by 1835, construction did not begin on this block until the l880s, Interest in the Upper West Side as a residential district began to grow In the late 1860s. -
History and Genealogy of Samuel Clark, Sr., and His
ALLEN COUNTY PUBLIC LIBRARY Gc 929.2 833 01733 8671 C556c REYNOLDS HISTORICAL 1151116 GENEALOGY COLLECTION : T H I S T O R T GENEALOGYT OF SAMUEL CLARK, Sr.. AND HIS DESCENDANTS FROM 1636-1891 — 255 YEARS. BY REV. EDGAR W. CLARK, A. M., IP^I^JL, ILL. ' My boast is not, that I deduce mj- birth From loins enthroned, and rulers of the earth; But higher far my proud pretensions rise — The son of parents passed into the skies." — Cowper. ST. LOUIS, MO. NIXO>f-JONES PRINTING CO. July, li59l. COAX OK ARIVLS." Arm's of Clarks, Buckland's Toussaint, County Devon, England. "Arms, Erm., a lion rampant Az., or. chief sa., or leopard's face arg. — between two cross-crosslets or — CREST, a demi lion gu. collard or, on the shoulder an etoille, in the paw a baton sa. — Motto : " VICTOR MORTALIS EST." 1151116 — PREFACE. The author is well aware that this little volume can con- tain but a small part of the very numerous descendants of Samuel Clark. Some of the branches of the family he has not been able to discover and trace, but he trusts the fami- lies given will lead to a further knowledge of those fully as important but not known to him. He hereby solicits anv information and corrections any one may be able to give, and if sufficient to warrant it, he will publish a new edition or an addenda. This has been a gradual gathering of more than twenty years, and a work of love. To confirm and gather the his- torical parts, he has spent some days in the Astor Library, New Yoik City, the Historical Library, Newark, N. -
West 73Rd-74Th Street Historic District
C E N T R A L P A R K W E S T - W E S T 7 3 r d 7 4 t h S T R E E T H I S T 0 R I C D I S T R I C T D E S I G N A T I 0 N R E P 0 R T 1977 City of New York Abraham D. Beame, Mayor Landmarks Preservation Commission Beverly Moss Spatt, Chairman Morris Ketchum, Jr. , Vice-Chairman Commissioners Margaret Beyer Stephen S, Lash Elisabeth Coit Hawthorne E. Lee George R. Collins Marie V, McGovern Wi 11 iam J. Conk! in Paul E. Parker, Jr. Barbaralee Diamonstein Landmarks Preservation Commission July 12, 1977, Number 8 LP-0964 CENTRAL PARK WEST - WEST 73rd - 74th STREET HISTORIC DISTRICT BOUNDARIES The property bounded by the western curb line of Central Park West, the northern curb line of West 73rd Street, the eastern curb line of Columbus Avenue and the southern curb line of West 74th Street, Manhattan. TESTIMONY AT THE PUBLIC HEARlNGS On May 10, 1977, the Landmarks Preservation Commission held a public hearing on this area which is now proposed as an Historic District (Item No. 8). The hearing had been duly advertised in accordance with the provisions of law. Seven persons spoke in favor of the proposed designation. There were no speakers in opposition to designation. -1- HISTORICAL AND ARCHITECTURAL INTRODUCTION The site of the Central Park West - West 73rd-74th Street Historic District originally formed part of the farm of Richard Somerindyck, whose family owned much of the land along the Upper West Side in the late 18th century. -
No 15 Oct 20
The Oil Can The Award Winning Newsletter of the Cooperstown Rotary Club Vol. 87, No. 15— October 20, 2009 He designed our village library building... Ernest Flagg, architect extraordinary veryone here, Iʹm certain, has walked down Main Street in Cooperstown, and admired the beautiful Village Li‐ brary Building, which also houses the Cooperstown Art E Association and the Village Offices. But have you ever wondered who designed it? Somehow, I never did until very re‐ cently, when I learned that its architect was named Ernest Flagg. What I found surprised me. Ernest Flagg was not just a gifted ar‐ chitect, who designed important American buildings. He was also a social reformer, who helped improve the lives of New York Cityʹs urban poor. He was a city planner, who influenced todayʹs New York City skyline. And he designed what was at the time the tallest building in the world. So what was he doing in a small vil‐ lage in upstate New York? Ernest Flagg was born in Brooklyn in 1857, the son of an Episco‐ pal clergyman who had become an itinerant portrait painter, as well as a speculative land developer. The family was not without its connections. One of Ernestʹs aunts had married Cornelius Van‐ derbilt; his sister Louise married Charles Scribner, the publisher. In 1872, at the age of fifteen, Ernest left school to become an office boy on Wall Street, and two years later ‐‐ with his older brother Jared ‐‐ he opened a small business selling salt codfish at New Yorkʹs Fulton Fish Market. For a time he lived in some of the filthy, ill‐lit, badly ventilated tenements of the Lower West Side. -
Barnard, George Grey
Title: The George Grey Barnard Papers Creator: Barnard, George Grey (1863-1938) Inclusive Dates: 1889-1967 Bulk Dates : 1907-1938 Extent: 16 Boxes, 8 linear feet Collection Number: 28 Processed by : Catherine O’Sullivan Location: Cloisters Library and Archives, Fort Tryon Park, New York, NY Abstract: Material in this collection reflects George Grey Barnard’s career as a sculptor and collector of medieval art. Correspondence, clippings, published articles comprise its bulk. Other material includes photographs, sketches, card files, notebooks, a daily expense log, small clay models, miscellaneous artifacts, postcards, flyers, pamphlets, and business records relating largely to the Cloisters and L’Abbaye collections. A smaller portion of the collection relates to Barnard’s personal life, his estate and his family. Highlights of the collection include letters from Alexander Graham Bell, Theodore Roosevelt, Eleanor Roosevelt, Edsel Ford and John D. Rockefeller, Jr. Languages: English and French. Related Collections: Other significant George Grey Barnard papers are housed at the Philadelphia Museum of Art, the Bellefonte Historical Society in Bellefonte, Pennsylvania, the Pennsylvania State Archives in Harrisburg, and the Kankakee County Historical Society, Illinois. Provenance: Unknown; material in this collection appears to have been amassed and donated over time by a number of sources, namely Barnard’s wife, Edna Monroe Barnard, his son, Monroe Grey Barnard, and various members of the Cloisters staff. 1 Terms of Access and Use: The Barnard Papers is open and available for research according to The Cloisters Library and Archives regulations. Biographical Sketch: George Grey Barnard was born May 24, 1863 in Bellefonte, Pennsylvania to Presbyterian minister Joseph H. -
Provenance Provenance
Provenance 1 Mary Cassatt, American (active in France), 1844 - 1926 Offering the Panal to the Bullfighter , 1873 Oil on canvas 39 5/8 x 33 1/2 in. (100.6 x 85.1 cm) frame: 48 1/8 x 41 3/8 x 2 11/16 in. (122.2 x 105.1 x 6.8 cm) Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA, 1955.1 Provenance: Mr. Engrand, Paris; Mr. Parisot; [Durand-Ruel and Co., New York, May 1947]; [Carroll Carstairs, New York, June 20, 1947]; [M. Knoedler & Co., New York, September 29, 1947]; Robert Sterling Clark, October 2, 1947; Sterling and Francine Clark Art Institute, 1955. 2 Carolus -Duran, French, 1838 - 1917 The Artist's Gardener , 1893 Oil on canvas 32 1/8 x 21 9/16 in. (81.6 x 54.8 cm) frame: 41 7/16 x 31 3/4 x 3 in. (105.3 x 80.6 x 7.6 cm) Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA, 1955.40 Provenance: William Robinson, Esq., Gravetye Manor, East Grinstead, Sussex (1894-d. 1935, his sale, Christie’s, London, 19 July 1935, no. 70, as "Un Terrassier: A gardener employed by the artist," sold to Tooth); [Arthur Tooth, London, from 1935]; Harcourt Johnstone, London (possibly by Dec. 1935-41, sale, Sotheby’s, London, 23 Apr. 1941, as "Un Terrassier," sold to Spiller) (The invoice from Knoedler to Clark states that this painting was exhibited at the Russell-Cotes Art Gallery, Bournemouth, from Dec. 1935 to July 1939. An undated label on the reverse of the frame indicates that the painting was being sent from the Russell-Cotes Art Gallery to Harcourt Johnstone, care of Sotheby’s, presumably in order to be sold, suggesting that Johnstone may have lent it to the Art Gallery for the full period. -
Norwegians in New York, 1825-1925
Ex Safaris SEYMOUR DURST When you leave, please leave this book Because it has been said "Ever'thing comes t' him who waits Except a loaried book." Avery Architectural and Fine Arts Library Gift of Seymour B. Durst Old York Library Digitized by the Internet Archive in 2014 https://archive.org/details/norwegiansinnewyOOrygg NORWEGIANS IN NEW YORK 1825-1925 By A. N. RYGG, LL.D. Commander of the Royal Norwegian Order of St. Olav Former Editor of the Norwegian News PUBLISHED BY THE NORWEGIAN NEWS COMPANY BROOKLYN, N. Y. This boo\ is respectfully dedicated to the people of Norwegian descent with whom I have had the privi- lege and honor to wor\ during many happy years. A. N. RYGG PRINTED IN U.S.A. ARNESEN PRESS, INC., BROOKLYN, N.Y. INTRODUCTION THE Norwegian Community in New York City is now more than a century old, figuring from the time of the arrival of the sloop Restau- rationen, which often and with justification has been called the Norwegian May')'lower. For about 115 years Norwegians have been part and parcel of this community and have made their substantial contributions to the upbuilding of the City and the land. These contributions to what may be called the Making of America have on the part of the Norwegian ele- ment embraced nearly every field of human endeavor, although it is quite natural that in the Port of New York and along the Atlantic seaboard as a whole the heaviest contribution to American life and development has been in shipping in all its various phases. -
The Last Romantic: the Story of More Than a Half
y $6.00 Zhe Cast Komantle The Story of More Than a Half- Century in the World of Art by Martin Birnbaum Introduction by Upton Sinclair "You are the last romantic," said Ameri- can artist Georgia O'Keefe to Martin Birn- baum, and truly he is the most brilliant survivor of a now vanished art world. It was a world in which Lord Duveen shone, and in which great collections of Old Mas- ters and 19th-century Masters were formed. roperty of Now Martin Birnbaum tells the romantic story of his career in New York art gal- in Rebay Foundation leries and of his travels around the world in search of art masterpieces. The book is rich with anecdotes from the great art period of 1910-1935; there is a great parade of artists, collectors, and dealers—the most spectacular of the period: Augustus John, the fiery William Rothen- stein, the temperamental Elie Nadelman, Paul Manship, Ricketts, Leon Bakst, col- lectors like Frick, Grenville Lindall Win- throp and the Tafts of Cincinnati, and fabulous characters like Lord Duveen. Muriel Draper, Dr. Barnes, Bernard Ber- enson, Leo Stein, Henry McBride, and the great composers Richard Strauss and Anton Dvorak— Martin Birnbaum knew them all and gives us fascinating glimpses. Among others portrayed are Norman Douglas, whom Birnbaum knew at Capri, Jacovleff, ( Continued on hack flap ) Digitized by the Internet Archive in 2012 with funding from Metropolitan New York Library Council - METRO http://archive.org/details/lastromanOObirn The Last Romantic Books by MARTIN BIRNBAUM Angkor and the Mandarin Road. 1952. Jacovleff and Other Artists. -
Why Robert Gober's Charles Burchfield Show at the Whitney Matters So Much Pg. 12
SEPTEMBER/OCTOBER 2010 www.galleryandstudiomagazine.com VOL. 13 NO. 1 New York GALLERY&STUDIO , 1961–65. Watercolor, gouache, charcoal, and graffito on lightly textured white wove paper , 1961–65. Watercolor, Dandelion Seed Heads and the Moon faced on ¼-inch thick laminated gray cardboard, 56 x 39 5⁄8 in. (142.2 99 cm). Karen and Kevin Kennedy Collection. Why Robert Gober’s Charles Burchfield Show at the Whitney Matters So Much pg. 12 MORE MAX’S KANSAS CITY MADNESS FROM ED MCCORMACK, Pg. 19 VINCENT ARCILESI THE RHYTHM OF COLOR - 42” x 18” “Venus at the Roman Forum” - 09, oil on canvas, 78" x 60" LEE CHABOT Abstract Conception Arcilesi in Rome - SANDY FRAZIER YUTA STREGA October 19–November 7, 2010 Lee Chabot © CORDES YORIO Reception: Tuesday, October 19, 5–8 pm OCTOBER 5 - OCTOBER 26, 2010 Reception: Thursday, October 7, 6 - 8 pm 530 West 25th St., Chelsea, New York Broome Street Gallery 212-226-4151 Fax: 212-966-4380 498 Broome Street, New York, N.Y. 10013 www.Agora-Gallery.com Tuesday - Sunday 11am - 6pm 212 226 6085 [email protected] GALLERY&STUDIO SEPTEMBER/OCTOBER 2010 Photographs by Paintings by Nam Chun Cho Kwija L. Cho October 4 - 29, 2010 Reception: Thursday, October 7, 6 - 8 pm INTERNATIONAL CENTER in New York, Inc. 50 West 23rd Street, 7th Floor, New York, N.Y. 10010 212 255 9555 Gallery Hours Mon. - Thurs. 11am - 8pm • Fri. 11am - 7pm • Sat. 9:30am - 3:30pm Brigitte Reggie Andrea October 19th–30th 2010 Mixed Opening Reception: Thursday October 21, 6–8 pm Media Gallery Hours: Featuring: Tuesday - Saturday 11am–6pm Andrea Shapiro New Century Artists, Inc. -
Catalogue of Paintings
pi lliliiill, COLLEGE OF ARCHITECTURE LIBRARY Cornell University Library N 610.A65 1920 Catalogue of paintings / 3 1924 020 595 173 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924020595173 THE METROPOLITAN MUSEUM OF ART CATALOGUE OF PAINTINGS MCMXX CATALOGUE OF PAINTINGS VIRGIN ENTHRONED WITH SAINTS BY RAPHAEL THE METROPOLITAM MUSEUM OF ART CATALOGUE OF PAINTINGS BY BRYSON BURROUGHS CURATOR , DEPARTMENT OF PAINTINGS FIFTH EDITION NEW YORK M C M X X hr 33^t| FIRST EDITION, COPYRIGHT, FEBRUARY, I9I4 SECOND EDITION, COPYRIGHT, FEBRUARY, I916 THIRD EDITION, COPYRIGHT, JUNE, I917 FOURTH EDITION, COPYRIGHT, MARCH, I919 FIFTH EDITION, COPYRIGHT, JUNE, I92O BY THE METROPOLITAN MUSEUM OF ART PREFACE alphabetical arrangement by the names of artists, or by AN schools where the artists are unknown, is followed in this . book. In the attempt to solve the problem of number- ^ ing a rapidly growing collection of paintings, the experi- ment has been made here of adapting the C. A. Cutter system, long in use in libraries. To use the catalogue it is not necessary to be familiar with the system of numbering, but for those who may be interested an explanation follows. It consists of a combination of letters and numbers, composed of the initial letter of the author's name followed by numbers that represent the succeeding letters of the same, so that additional entries can be inserted without disturbing the sequence of the letters or the numerals.