James Norman Hall House
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Minute Man National Historical Park Concord, Massachusetts
National Park Service U.S. Department of the Interior Historic Architecture Program Northeast Region BATTLE ROAD STRUCTURE SURVEY PHASE II (Phase I included as Appendix) Minute Man National Historical Park Concord, Massachusetts Historic Architecture Program Olmsted Center for Landscape Preservation October 2005 Minute Man National Historical Park Battle Road Structure Survey Table of Contents Introduction…………………………………………………………………..…………...1 Use Types with Associated Uses for Historic Structures and Associated Landscapes…………………………………………………..………….4 Impact Assessment per Structure and Landscape……………………...…...………...6 Specific Sites: John Nelson House, Barn and Landscape……………………………….……7 Farwell Jones House, James Carty Barn and Landscape…………………...17 McHugh Barn and Landscape…………………………………………………27 Major John Buttrick House and Landscape…………………………...…….32 Noah Brooks Tavern, Rogers Barn and Landscape……………...…………38 Stow- Hardy House, Hovagimian Garage and Landscape…………………46 Joshua Brooks Jr. House and Landscape……………………………………..50 George Hall House and Landscape…………………………………………...54 Gowing- Clarke House and Landscape………………………………………59 Samuel Brooks House and Landscape………………………………………..62 Appendix (Phase I Report)…………………..…………………………………………65 Bibliography……………………………………………………………………………...92 i Introduction Purpose of Project The Minute Man National Historical Park Battle Road Structure Survey project was completed in two phases. Phase I, completed in October 2004, determined an impact assessment for the 14 structures and 10 sites included in the project. -
H. Con. Res. 215
III 103D CONGRESS 2D SESSION H. CON. RES. 215 IN THE SENATE OF THE UNITED STATES JUNE 21 (legislative day, JUNE 7), 1994 Received and referred to the Committee on Foreign Relations CONCURRENT RESOLUTION Honoring James Norman Hall and recognizing his outstand- ing contributions to the United States and the South Pacific. Whereas James Norman Hall, a native son of the State of Iowa born in Colfax in 1887, and a graduate of Grinnell College, was a decorated war hero, noted adventurer, and acclaimed author, who was revered and loved in France and Tahiti, and throughout the South Pacific; Whereas James Norman Hall exhibited an unwavering com- mitment to freedom and democracy by volunteering for military service early in World War I and by fighting alongside British forces in the worst of trench warfare, including the Battle of Loos, where he was one of few survivors; Whereas James Norman Hall continued his fight for liberty by becoming a pilot in the Lafayette Escadrille, an Amer- ican pursuit squadron of the French Air Service, and his courageous and daring feats in air battles earned him France's highest medals, including the Legion 1 2 d'Honneur, Medaille Militaire, and Croix de Guerre with 5 Palms; Whereas James Norman Hall was commissioned as a Captain in the United States Army Air Service when the United States entered World War I, continued his legendary ex- ploits as an ace pilot, acted as wing commander and mentor for then-Lieutenant Eddie Rickenbacker, and was awarded the Distinguished Service Cross Medal, for gal- lantry and bravery -
Mutiny on the Bounty: a Piece of Colonial Historical Fiction Sylvie Largeaud-Ortega University of French Polynesia
4 Nordhoff and Hall’s Mutiny on the Bounty: A Piece of Colonial Historical Fiction Sylvie Largeaud-Ortega University of French Polynesia Introduction Various Bounty narratives emerged as early as 1790. Today, prominent among them are one 20th-century novel and three Hollywood movies. The novel,Mutiny on the Bounty (1932), was written by Charles Nordhoff and James Norman Hall, two American writers who had ‘crossed the beach’1 and settled in Tahiti. Mutiny on the Bounty2 is the first volume of their Bounty Trilogy (1936) – which also includes Men against the Sea (1934), the narrative of Bligh’s open-boat voyage, and Pitcairn’s Island (1934), the tale of the mutineers’ final Pacific settlement. The novel was first serialised in the Saturday Evening Post before going on to sell 25 million copies3 and being translated into 35 languages. It was so successful that it inspired the scripts of three Hollywood hits; Nordhoff and Hall’s Mutiny strongly contributed to substantiating the enduring 1 Greg Dening, ‘Writing, Rewriting the Beach: An Essay’, in Alun Munslow & Robert A Rosenstone (eds), Experiments in Rethinking History, New York & London, Routledge, 2004, p 54. 2 Henceforth referred to in this chapter as Mutiny. 3 The number of copies sold during the Depression suggests something about the appeal of the story. My thanks to Nancy St Clair for allowing me to publish this personal observation. 125 THE BOUNTY FROM THE BEACH myth that Bligh was a tyrant and Christian a romantic soul – a myth that the movies either corroborated (1935), qualified -
Servants' Passage
SERVANTS’ PASSAGE: Cultural identity in the architecture of service in British and American country houses 1740-1890 2 Volumes Volume 1 of 2 Aimée L Keithan PhD University of York Archaeology March 2020 Abstract Country house domestic service is a ubiquitous phenomenon in eighteenth and nineteenth century Britain and America. Whilst shared architectural and social traditions between the two countries are widely accepted, distinctive cultural identity in servant architecture remains unexplored. This thesis proposes that previously unacknowledged cultural differences between British and American domestic service can be used to rewrite narratives and re-evaluate the significance of servant spaces. It uses the service architecture itself as primary source material, relying on buildings archaeology methodologies to read the physical structures in order to determine phasing. Archival sources are mined for evidence of individuals and household structure, which is then mapped onto the architecture, putting people into their spaces over time. Spatial analysis techniques are employed to reveal a more complex service story, in both British and American houses and within Anglo-American relations. Diverse spatial relationships, building types and circulation channels highlight formerly unrecognised service system variances stemming from unique cultural experiences in areas like race, gender and class. Acknowledging the more nuanced relationship between British and American domestic service restores the cultural identity of country house servants whose lives were not only shaped by, but who themselves helped shape the architecture they inhabited. Additionally, challenging accepted narratives by re-evaluating domestic service stories provides a solid foundation for a more inclusive country house heritage in both nations. This provides new factors on which to value modern use of servant spaces in historic house museums, expanding understanding of their relevance to modern society. -
A Self-Guided Walking Tour of Montrose Park
A SELF-GUIDED WALKING TOUR OF MONTROSE PARK Montrose Park Historic District Association Our mission is to promote, preserve, and beautify the Montrose Park Historic District, maintain its integrity, and enhance the quality of life for all residents. Montrose Park Historic District Association is a non-profit, tax exempt organization under the IRS Code 501(c)(3) MONTROSE PARK HISTORIC DISTRICT ASSOCIATION This walking tour celebrates the rich architectural heritage concentrated in South Orange and particularly in the Montrose Park neighborhood, which has been listed on the National Register of Historic Places since 1997. This tour doesn’t cover every house but highlights some of the more interesting homes in a structured leisurely walk that you can complete in about an hour. MPHDA thanks Janet Foster, a historic preservation consultant, for her assistance in curating the stops on this walk and for the written commentary, both about the houses featured and the development of the area we call Montrose Park. Walking instructions are in RED; Individual house addresses are in bold. BEGIN THE TOUR IN GROVE PARK, NEAR THE INTERSECTION OF GROVE ROAD AND RALSTON AVENUE A LITTLE BACKGROUND ON THE ORIGINS OF MONTROSE PARK In the mid-19th century, the Oranges were both traditional farming communities and emerging “resort” areas. “Mountain Station” was established by the 1840s along the Morris & Essex Railroad to serve the Mountain House, a fashionable hotel and spa located on the hill behind the Mountain Station. It advertised that South Orange and the hill to its west made it the “Switzerland of America”. Clearly, most people visiting had not been to Switzerland, or had even seen the Rockies. -
BEDFORDSHIRE ARC' OLOGY VOLUME 24 BEDFORDSHIRE ARCHAEOLOGY Formerly Issued As Bedfordshire Archaeological Journal
%C. _ I 'Ir:L-0 7 411 aa radlialiglat fi f! ii if Pde. ".1 !! U Il h 1 Hfini '? - u -./NRa- 1=1, -CL) BEDFORDSHIRE ARC' OLOGY VOLUME 24 BEDFORDSHIRE ARCHAEOLOGY formerly issued as Bedfordshire Archaeological Journal is published by the BEDFORDSHRE ARCHAEOLOGICAL COUNCIL BEDFORDSHIRE ARCHAEOLOGY volume 24, 2001 Additional copies and previous volumes may be obtained from the Sales Officer, Michael Dawson, Wykes Farm, Aliens Hill, Bozeat, Northamptonshire, NN29 7LW. Regular sub- scribers can receive each new volume as it is published at an advantageous price. Please note that Bedfordshire Archaeology is not published every year; the rate of publication is dependent on the receipt of sufficient suitable contributions and fimding. The Council also publishes an occasional monograph series in conjunction with Bedfordshire County Council. Contributions should be sent to the Editor, Bedfordshire Archaeology, 6 Neale Way, Wootton, Bedfordshire, MK43 9EP (Tel. 01234 297539). Intending contributors are advised to refer to the current volume for guidance on the formatting of articles. Bedfordshire Archaeological Council: Officers 2001 Chairman Ron Fowler Secretary John Bailey Teasurer Peter Wood Editor Stephen Coleman Monograph Editor Michael Dawson Sales Officer Michael Dawson together with representatives from the archaeological societies and museums of the county: Ampthill and District Archaeological and Local History Society Bedford Archaeological and Local History Society Bedford Museum, Bedford Borough Council Bedfordshire, Buckinghamshire and -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
James Norman Hall
James Norman Hall James Norman Hall (* 22. April 1887 in Colfax, Iowa; † 5. Juli 1951 in Vaipoopoo, Tahiti) war ein US-amerikanischer Autor, der vor allem durch seinen Roman Mutiny on the Bounty (Meuterei auf der Bounty) bekannt ist. Leben Hall wurde in Colfax (Iowa) geboren, wo er die örtliche Schule besuchte. Nach Abschluss seiner Studien 1910 am Grinnell College war er zunächst in der Sozialarbeit in Boston (Massachusetts) tätig, gleichzeitig versuchte er sich als Schriftsteller zu etablieren und studierte für das Master's degree an der Harvard University. Im Sommer 1914 war Hall im Vereinigten Königreich in Urlaub, als der Erste Weltkrieg ausbrach. Er gab sich als Kanadier aus, meldete sich freiwillig für die British Army und diente bei den Royal Fusiliers als Maschinengewehrschütze während der Schlacht von Loos. Er wurde entlassen, nachdem seine wahre Nationalität festgestellt wurde, kehrte in die Vereinigten Staaten zurück und schrieb sein erstes Buch, Kitchener's Mob (1916), das von seinen Kriegserfahrungen in der Freiwilligenarmee von Lord Kitchener erzählte. Er kehrte nach Frankreich zurück und trat der Escadrille La Fayette bei, einem französisch-amerikanischen Fliegerkorps, bevor die Vereinigten Staaten offiziell in den Krieg eintraten. Hall wurde mit dem Croix de Guerre mit fünf Palmen und der Médaille Militaire ausgezeichnet. Als die Vereinigten Staaten in den Krieg eintraten, wurde Hall zum Captain im Army Air Service. Dort begegnete er einem anderen amerikanischen Piloten, Charles Nordhoff. Nachdem er abgeschossen wurde, verbrachte Hall die letzten Monate des Konfliktes als ein deutscher Kriegsgefangener. Er wurde in die französische Ehrenlegion aufgenommen und es wurde ihm das amerikanische Distinguished Service Cross verliehen. -
Fine Books in All Fields
Sale 480 Thursday, May 24, 2012 11:00 AM Fine Literature – Fine Books in All Fields Auction Preview Tuesday May 22, 9:00 am to 5:00 pm Wednesday, May 23, 9:00 am to 5:00 pm Thursday, May 24, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
List of House Types
List of house types This is a list of house types. Houses can be built in a • Assam-type House: a house commonly found in large variety of configurations. A basic division is be- the northeastern states of India.[2] tween free-standing or Single-family houses and various types of attached or multi-user dwellings. Both may vary • Barraca: a traditional style of house originated in greatly in scale and amount of accommodation provided. Valencia, Spain. Is a historical farm house from the Although there appear to be many different types, many 12th century BC to the 19th century AD around said of the variations listed below are purely matters of style city. rather than spatial arrangement or scale. Some of the terms listed are only used in some parts of the English- • Barndominium: a type of house that includes liv- speaking world. ing space attached to either a workshop or a barn, typically for horses, or a large vehicle such as a recreational vehicle or a large recreational boat. 1 Detached single-unit housing • Bay-and-gable: a type of house typically found in the older areas of Toronto. Main article: Single-family detached home • Bungalow: any simple, single-storey house without any basement. • A-frame: so-called because of the appearance of • the structure, namely steep roofline. California Bungalow • Addison house: a type of low-cost house with metal • Cape Cod: a popular design that originated in the floors and cavity walls made of concrete blocks, coastal area of New England, especially in eastern mostly built in the United Kingdom and in Ireland Massachusetts. -
The South Pacific in the Works of Robert Dean Frisbie
UDK 821.111(73).09 Frisbie R. D. THE SOUTH PACIFIC IN THE WORKS OF ROBERT DEAN FRISBIE Natasa Potocnik Abstract Robert Dean Frisbie (1896-1948) was one of the American writers who came to live in the South Pacific and wrote about his life among the natives. He published six books between 1929 and his death in 1948. Frisbie was born in Cleveland, Ohio, on 16 April1896. He attended the Raja Yoga Academy at Point Loma in California. Later he enlisted in the U. S. army and was medically discharged from the army in 1918 with a monthly pension. After his work as a newspaper columnist and reporter for an army newspaper in Texas, and later for the Fresno Morning Republican, he left for Tahiti in 1920. In Tahiti he had ambitious writing plans but after four years of living in Tahiti, he left his plantation and sailed to the Cook Islands. He spent the rest of his life in the Cook Islands and married a local girl Ngatokorua. His new happiness gave him the inspiration to write. 29 sketches appeared in the United States in 1929, collected by The Century Company under the title of The Book of Puka-Puka. His second book My Tahiti, a book of memories, was published in 1937. After the death of Ropati 's beloved wife his goals were to bring up his children. But by this time Frisbie was seriously ill. The family left Puka-Puka and settled down on the uninhabited atoll of Suwarrow. Later on they lived on Rarotonga and Samoa where Frisbie was medically treated. -
Hunsdon Village Centre Contains Many Old Houses, Some Known to Date Back to at Least the 15Th Century. There Are No Known Dwelli
Hunsdon village centre contains many old houses, some known to date back to at least the 15th century. There are no known dwellings dating back before about this time, although a few old hall houses in the area are probably older, and Hunsdon was registered in the Domesday Book (1086). The village centre is dominated by what is today the Village Hall. This had previously been the village school before the more modern one was built further up Widford Road. This building was originally believed to be a house called Harlowes, owned by John Harlowe in the 15th century, which overlooked Harlowes Green, one of the 5 Greens in the Parish, and which is now the Crown public house car park and a small green on which stands the War Memorial. It was certainly being run as a school in 1806, when Mrs Calvert of Hunsdon House was assisting the then schoolmistress.The Calverts were instrumental in enlarging and adding to the building about that time to improve the features of the school.The two adjoining houses were probably built on by the Calverts in about 1817 when major renovation by them was being undertaken to the school building, to make a more attractive centre for the village. To the right of the Village Hall is a 15th century house, called White Horses because of the two carved brackets either side of the front.These were probably added by one of the owners in the early 18th century, however the bay window on the side was added in the 19th century.This 3 storey house, much modified over the centuries, contrasts strangely with the apparently matching two storey but much later 17th century Rose Cottage on the left of the group, previously called Ivy Cottage.