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Racism As Observed by White Youth? Do White Youth Believe the Term Newfie Is an Ethnic Slur? What Are White Youths’ Views of Canada’S Response to the Syrian Crisis?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Memorial University Research Repository THE MANIFESTATIONS OF PREJUDICE IN EVERYDAY LIFE: AN EXAMINATION OF RACIAL MICROAGGRESSIONS, ETHNOPHAULISMS, AND INTEGRATED THREATS AS OBSERVED BY WHITE POST-SECONDARY YOUTH IN ST. JOHN’S, NEWFOUNDLAND AND LABRADOR JAMES BAKER MCMASTER UNIVERSITY MAY 2017 2015-16 APPLIED RESEARCH FUND The Manifestations of Prejudice in Everyday Life: An Examination of Racial Microaggressions, Ethnophaulisms, and Integrated Threats as Observed by White Post-Secondary Youth in St. John’s, Newfoundland and Labrador James Baker Banting Postdoctoral Fellow McMaster University Acknowledgements I would like to thank the Leslie Harris Centre of Regional Policy and Development, Memorial University, for providing financial support (through its Applied Research Fund) to conduct this research. I would also like to express sincere gratitude to those individuals who chose to participate in the interviews as well as my research assistant, Crystal Cline, who did a fantastic job in providing research support for this project. I also owe a sincere debt of gratitude to Dr. Amanda Bittner, Associate Professor, Department of Political Science, who acted as a the grant holder so that this research could be undertaken. i Executive Summary With the arrival of some 250 Syrian refugees to Newfoundland and Labrador in 2015, there has been much news coverage of the crisis both at the provincial and national level. Unfortunately, over the past few months, reader comments on on-line news stories from local provincial media (e.g., CBC, VOCM, The Telegram) have expressed a very negative and often prejudiced view on whether Newfoundland and Labrador should accept more refugees. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
CFA-Digital-Lyric-Booklet-4-5.Pdf
CAST in alphabetical order Bonnie & others ..........................................PETRINA BROMLEY Oz & others ................................................... GENO CARR Beverley/Annette & others ...................................... JENN COLELLA Claude & others ............................................... JOEL HATCH Bob & others ............................................... RODNEY HICKS Janice & others ........................................ KENDRA KASSEBAUM Kevin T./Garth & others ........................................ CHAD KIMBALL Nick & others ............................................. LEE MacDOUGALL Kevin J./Ali & others ........................................ CAESAR SAMAYOA Hannah & others ................................................. Q. SMITH Beulah & others ......................................... ASTRID VAN WIEREN Diane & others ........................................... SHARON WHEATLEY BAND IAN EISENDRATH: Conductor, Piano, Synthesizer, Accordion and Harmonium ALEC BERLIN: Acoustic and Electric Guitars NATE LUECK: Mandolins, Bouzuki, Guitars ROMANO DI NILLO: Bodhran, Djembe, Cajon, Shakers LARRY LELLI: Drums, Shakers, Djembe, Cajon CARL CARTER: Acoustic and Electric Bass BEN POWER: Flutes, Whistles, Uilleann Pipes CAITLIN WARBELOW: Fiddle DAVID LAI: Music Coordinator CHRIS RANNEY: Associate Conductor ANDREW BARRETT for Lionella Music, LLC: Electronic Music Design RYAN DRISCOLL and ZACH REDLER: Music Preparation BOB HALLETT: Newfoundland Music Consultant MUSICAL NUMBERS 1. WELCOME TO THE ROCK .................................... -
Télécharger Le Livret
OFRA HARNOY CELLIST Ofra Harnoy has established herself as one of the Tilney, Igor Oistrakh, Jesse Cook, Cyprien Katsaris, greatest cellists on the world’s concert stage. She Claudio Scimone, Charles Dutoit, Jeffrey Tait, is one of Canada’s most celebrated personalities Anton Kuerti, and Emmy Verhey. and is a Member of the Order of Canada. By Ofra Harnoy is a gifted interpreter who wins joining the international artists roster of RCA critical raves for her performances all over the Victor Red Seal in 1987, Ms. Harnoy became world. She has toured extensively in Europe, the the fi rst Canadian classical instrumental soloist Far East, Australia, and the Americas and has since Glen Gould to gain an exclusive worldwide performed with many of the top orchestras and contract with a major record label. most noteworthy conductors of our time. Her Harnoy was born in Israel and immigrated to recording catalogue spans many musical styles Canada at age 6. She studied with William and genres, and she has won many awards and Pleeth, Vladimir Orloff, Mstislav Rostropovich distinctions for her recordings, including fi ve and participated in master classes with Janos JUNO Awards (Canada), the Grand Prix du Disque, Starker, Pierre Fournier, and Jacqueline du Pré. and critics’ choice awards from a number of She has given concerts on fi ve continents and has international magazines. Ofra Harnoy was once played at the request of Prince Charles, President named by Maclean’s (Canada’s national weekly Bill Clinton, three Canadian Prime Ministers, and magazine) as one of the 12 Canadians in all fi elds several times for the Japanese imperial family. -
Great Big Sea, Stockwell Day, and Spoiled Identity Peter Narváez
Document généré le 26 sept. 2021 17:51 Newfoundland Studies Fandom as Magical Practice: Great Big Sea, Stockwell Day, and Spoiled Identity Peter Narváez Volume 22, numéro 1, spring 2007 URI : https://id.erudit.org/iderudit/nflds22_1art14 Aller au sommaire du numéro Éditeur(s) Faculty of Arts, Memorial University ISSN 0823-1737 (imprimé) 1715-1430 (numérique) Découvrir la revue Citer cet article Narváez, P. (2007). Fandom as Magical Practice:: Great Big Sea, Stockwell Day, and Spoiled Identity. Newfoundland Studies, 22(1), 335–344. All rights reserved © Memorial University, 2007 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Fandom as Magical Practice: Great Big Sea, Stockwell Day, and Spoiled Identity PETER NARVÁEZ BEGINNING IN 1977, AND continuing for over two decades, I taught undergraduate and graduate courses in folklore and popular culture that explored small group ex- pressive uses of mass-mediated materials. Of the many paper topics fitting this theme, ethnographies of fandom predominated. Thus I discovered through my stu- dents’ work that several basements in St. John’s housed Star Trek main bridges be- decked with life-size cutouts of Captain Picard and Data, major Star Trek characters; that home shrines and displays lovingly devoted to Elvis were common- place; and that carloads of young Newfoundland women made pilgrimages to the United States to see the Indigo Girls perform live. -
Fandom As Magical Practice: Great Big Sea, Stockwell Day, and Spoiled Identity
Fandom as Magical Practice: Great Big Sea, Stockwell Day, and Spoiled Identity PETER NARVÁEZ BEGINNING IN 1977, AND continuing for over two decades, I taught undergraduate and graduate courses in folklore and popular culture that explored small group ex- pressive uses of mass-mediated materials. Of the many paper topics fitting this theme, ethnographies of fandom predominated. Thus I discovered through my stu- dents’ work that several basements in St. John’s housed Star Trek main bridges be- decked with life-size cutouts of Captain Picard and Data, major Star Trek characters; that home shrines and displays lovingly devoted to Elvis were common- place; and that carloads of young Newfoundland women made pilgrimages to the United States to see the Indigo Girls perform live. In general, the conclusions of my students stressed the positive activities of audiences, not the pathology of fanatics (see Jenson 1992) who Theodor Adorno would have viewed as the dupes of a monolithic popular culture industry (1991). In 1987 several of my graduate stu- dents’ ethnographies of fans were published in a special section on “fandom” in the folklore graduate student journal, Culture & Tradition (Volume 11). These exami- nations highlighted fan creativity, their collection and display of artifacts, and their social networking. Since then, fandom studies have burgeoned. Most notably, folklorist Camille Bacon-Smith’s extensive study, Enterprising Women: Television Fandom and the Creation of Popular Myth (1992), developed a positive view of fandom fur- ther by detailing how groups of women have used the frame of Star Trek to cre- atively communicate with one another about mutual concerns and life values. -
Arbiter, April 22 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 4-22-2002 Arbiter, April 22 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Vol. 15 Issue. 52 First Copy Free Rally protests .violence against women er _ to show solidarity Rodriguez gave. a spe~ch Night' effort is part of an Women's Center Director ___B~Am~ Wegner ater Thursday to :Take Back T e Arbiter "-'" the Nighl'artd-stand united - intemational-senes-of-rak-Melissa Wintrow ..s,~i(L"We ~oa~!J~,,~~!I:_~~-~_.._t~~.a.r<!.~__':~~~a;~:rl~~~";h~;~;;h~--.__~_:~-c~ lies designed to raise want to show people that in protest against violence The rally bega!, at 6 p.~., of ,:"omen on the U.S.- • ',' awareness in communities. the university and the com- Women and men gath- towards women. with a gentle ram to dnve MeXican border. Rallying the supporters, munity are bridging togeth- ered at the BSU arnphithe- The 'Take Back the away the weak of heart. "1 want to make people Brightly colored tents aware of the fact that over , offered some shelter from 200 women have been rnur- I the elements. -
Great Big Sea, Stockwell Day, and Spoiled Identity Peter Narváez
Document generated on 09/24/2021 10:58 p.m. Newfoundland Studies Fandom as Magical Practice: Great Big Sea, Stockwell Day, and Spoiled Identity Peter Narváez Volume 22, Number 1, Spring 2007 URI: https://id.erudit.org/iderudit/nflds22_1art14 See table of contents Publisher(s) Faculty of Arts, Memorial University ISSN 0823-1737 (print) 1715-1430 (digital) Explore this journal Cite this article Narváez, P. (2007). Fandom as Magical Practice:: Great Big Sea, Stockwell Day, and Spoiled Identity. Newfoundland Studies, 22(1), 335–344. All rights reserved © Memorial University, 2007 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Fandom as Magical Practice: Great Big Sea, Stockwell Day, and Spoiled Identity PETER NARVÁEZ BEGINNING IN 1977, AND continuing for over two decades, I taught undergraduate and graduate courses in folklore and popular culture that explored small group ex- pressive uses of mass-mediated materials. Of the many paper topics fitting this theme, ethnographies of fandom predominated. Thus I discovered through my stu- dents’ work that several basements in St. John’s housed Star Trek main bridges be- decked with life-size cutouts of Captain Picard and Data, major Star Trek characters; that home shrines and displays lovingly devoted to Elvis were common- place; and that carloads of young Newfoundland women made pilgrimages to the United States to see the Indigo Girls perform live. -
1 Vernacular Song, Cultural Identity, and Nationalism in Newfoundland
www.ucalgary.ca/hic/ · ISSN 1492-7810 2004 · Vol. 4, No. 1 Vernacular Song, Cultural Identity, and Nationalism in Newfoundland, 1920-1955 E. David Gregory Abstract Although a force in Newfoundland politics and culture, nationalist sentiment was not strong enough in 1948 to prevent confederation with Canada. The absence among many Newfoundlanders of a strong sense of belonging to an independent country was the underlying reason for Smallwood’s referendum victory. Most islanders were descendants of immigrants from either Ireland or the English West Country. Nowadays, they view themselves as Newfoundlanders first and foremost but it took centuries for that common identity to be forged. How can we gauge when that change from old (European) to new (Newfoundland) identity took place in the outport communities? Vernacular song texts provide one valuable source of evidence. Three collections of Newfoundland songs – Gerald Doyle’s The Old Time Songs and Poetry of Newfoundland, Elisabeth Greenleaf’s Ballads and Sea Songs from Newfoundland, and Maud Karpeles’ Folk Songs from Newfoundland – illuminate the degree to which by the late 1920s a Newfoundland song-culture had replaced earlier cultural traditions. These songs suggest that the island was still a cultural mosaic: some outports were completely Irish, others were English, and in a few ethnically-mixed communities, including St. John’s, there was an emergent, home-grown, patriotic song-culture. Cultural nationalism was still a minority tradition in the Newfoundland of 1930. Just as the separatist movement in Québec seems to be waning, the call for an independent Newfoundland appears once more to be finding resonance among sections of the province's population. -
MUSIC AW Orris
....,........................... .....,.. &AEU- EVAT L HERMIT 7HRiSH a - 11CC 0 orris AW MUSIC C- aSit IF 1351 No. $3.001(:12a.i8l0Fit3elugsi:tOratTn) on SPOTLIGHT 1998 2, February - 19 No. 66 Volume 2 - RPM - Monday February 2, 1998 DELERIUM Jann Arden to hostfirst rafEo musk alwErds Euphoria (Firefly) Shore'fine ziffid Alien Jann Arden will host the premier Canadian Radio TARA MACLEAN SOUL ATTORNEYS Feelings are running high in the new Music Awards, designed to honour first-time top - Evidence So They Say house the Shoreline and Alien lab, charted Cancon artists in four different radio WENDY LANDS Two key awards will be revealed during the settled in new and larger premises was formats. Angels and Ordinary Men awards ceremony: the Breakthrough Award, kick off the new year. They are now k Sponsored by the Canadian Association of BEST NEW GROUP presented by FACTOR to honour the new artist who Denison Avenue, Unit 18 in Markham, 2Z4 and can be reached by phone at 90 Broadcasters (CAB), the awards ceremony will take BREITS won the most airplay during 1997; and the Chart place March 7 during Canadian Music Week '98, No Regrets Topper Award, presented by SOCAN to the artist, fax 905-477-5587 or e-mail (music, at Toronto's Westin Harbour Castle Hotel. The DRIVING BLIND established or new, who attained the most airplay alien.com). categories and nominees follow. Fly in 1997. As well, Jeff Burns, preside SOUL ATTORNEYS Shoreline and Alien, has shuffled st ROCK So They Say M2tareen Jack leaves Jennifer Temple to the position COUNTRY promotion assistant to Tom Kemp, wh BEST NEW SOLO ARTIST Vancouver's Music West promotion and A&R manager. -
150 Ways Newfoundland & Labrador Makes Canada Rich
features Historical Events & Achievements Cupids was the first year-round set- Ship Harbour, Placentia Bay, provided a tlement in North America and its secret mooring spot where US President success led to the eventual settle- Roosevelt and British Prime Minister ment of Europeans across Canada. Churchill signed the Atlantic Charter on August 14, 1941, a policy that was adopted by WWII Allies and inspired the Dr. J.M. Olds introduced the idea of founding goals of the United Nations. group medical coverage to the conti- nent when he instituted the “blanket contract” to residents of the Terry Fox started his cross- Twillingate area in the 1930s. People Canada Marathon of Hope on paid 44 cents per year for member- April 12, 1980, by dipping his ship in return for free hospital services foot in St. John’s harbour. when needed. The final Canadian leg of Rick Hansen’s Wireless communication worldwide Man in Motion wheelchair across continents began marathon began at Cape Spear in 1986. at Signal Hill, St. John’s, in 1901. Civilian aviation in North America began with the first such airport built The world’s first nonstop transat- in Harbour Grace in 1927. That airstrip lantic flight got liftoff from Lester’s was instrumental in Amelia Earhart’s Field in St. John’s in 1919. record-setting solo flight. The Royal Newfoundland Regiment First evidence of European presence in brought its world-renowned history the New World exists at L’Anse aux of bravery and sacrifice to the Meadows, NL, where Norse Vikings esteem of the Canadian Armed landed around 1,000 AD. -
Striking a New A-Chord
PHOTO BY CHRISTINE ROENSPEISS CHRISTINE BY PHOTO STRIKING A NEW A-CHORD RECOMMENDATIONS FOR THE GROWTH & DEVELOPMENT OF CANADA’S EAST COAST MUSIC INDUSTRY This report was commissioned by the East Coast Music Association (ECMA), Music Canada, and Music Canada Live. The authors of this report would like to thank the many people who generously contributed their time and expertise to this research. Many, if not all, of the interviewees are, or have been, engaged in the music sector in multiple capacities. As a result, this report has been enriched by the depth of their experience and their ability to speak from multiple perspectives. The support of the five Music Industry Associations (MIAs)—Music Newfoundland (MusicNL), Music Prince Edward Island (Music PEI), Music Nova Scotia, the Cape Breton Music Industry Cooperative (CBMIC), and Music New Brunswick (Music NB)—has been instrumental and will be invaluable in ensuring that the recommendations in this report are realized. FOREWARD On behalf of the East Coast Music Association, Music Canada, and Music Canada Live we are pleased to present this study of the Atlantic Canadian music sector to our colleagues in music, government, and business throughout the region. Atlantic Canada is home to an intensely proud and Policy makers at all levels of government, music industry vibrant music community, and the regions share a rich leaders, and community groups will find value in this cultural history. The East Coast continues to produce report as a resource to better understand the strengths, talented artists, musicians, and industry professionals who weaknesses, challenges, and opportunities within the experience a strong sense of comradery, among many East Coast music sector.