Voorhees Man Killed in Parkway Exit Accid by David Learn Drugs Or Alcohol Had Played a Role in the Accident
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Representations: Doing Asian American Rhetoric
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Representations: Doing Asian American Rhetoric LuMing Mao Morris Young Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Mao, LuMing and Young, Morris, "Representations: Doing Asian American Rhetoric" (2008). All USU Press Publications. 164. https://digitalcommons.usu.edu/usupress_pubs/164 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. REPRESENTATIONS REPRESENTATIONS Doing Asian American Rhetoric edited by LUMING MAO AND MORRIS YOUNG UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved Manufactured in the United States of America Cover design by Barbara Yale-Read Cover art, “All American Girl I” by Susan Sponsler. Used by permission. ISBN: 978-0-87421-724-7 (paper) ISBN: 978-0-87421-725-4 (e-book) Library of Congress Cataloging-in-Publication Data Representations : doing Asian American rhetoric / edited by LuMing Mao and Morris Young. p. cm. ISBN 978-0-87421-724-7 (pbk. : alk. paper) -- ISBN 978-0-87421-725-4 (e-book) 1. English language--Rhetoric--Study and teaching--Foreign speakers. 2. Asian Americans--Education--Language arts. 3. Asian Americans--Cultural assimilation. -
Asian Pacific American Activism and the Racialization of Sophistication
ABSTRACT Title of Dissertation: DISSEMBLING DIVERSITIES: ON “MIDDLED” ASIAN PACIFIC AMERICAN ACTIVISM AND THE RACIALIZATION OF SOPHISTICATION Douglas S. Ishii, Doctor of Philosophy, 2014 Directed By: Professor Christina B. Hanhardt Department of American Studies Lesbian, Gay, Bisexual, and Transgender Studies Program Professor Janelle Wong Department of American Studies Asian American Studies Program Dissembling Diversities: On Asian Pacific American Arts Activism and the Racialization of Sophistication interrogates how contemporary Asian Pacific American (APA) arts activism and representation has been shaped by the bureaucratic administration of “diversity” after 9/11/2001. Through close readings of texts, it specifically examines Asian American representation within scripted network television programming, graphic novels and comic strips, and indie rock as iterations of panethnic activism in media advocacy, graphical storytelling, and the independent media arts. It understands these cultural forms and diversity itself through the framework of middlebrow culture, which is constituted of texts disseminated through popular culture that normalize the accumulation of cultural capital – or non-financial embodiments of class status such as education and literacy – as cultural citizenship. Dissembling Diversities makes evident how the elevation of these texts through discourses of “Art” and “diversity” relies on the association of cultural capital with whiteness, particularly through the racial exclusivity of their representations and through -
Vol.149 #07 Oct 02 2009.Pdf
2 OCT. 2-15, 2009 LETTERS/WHAT'S INSIDE PACIFIC ill CmZEN ••••••• * •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• •• ••••••••••••••••• ·. ' . PACIf1~ IICmz~N . ',' ~LETTERS . -.-. : TO THE E'DITOR "; HOWTO REACH US E-mail; Pc@p1;IeifiCCitizen.org .. i; Online: www.pacificcitizen; Words are Powerful Funding for Minidoka Reasons for :;i: ". :,. Needs Support ReSisting , Te!:(80j:l) %6·6157. ....... Finally someone is • .. Fax: (213) 620-1768 ' '. I C(')liHftlt~ • doing something that It seems that monies provided in a • Mail: .250 E. First Street, $ulte301 i Power of Words When I was 11 years old, I ' .. los Angeles, CA 90012 . .. should have been done House Bill (PL 109-441) for the l ... -JAO...-I........ ...... recall the FBI took Mr. Morita, a · ! =-=.t;t: ... _ ... many years ago. I total acquisition of land bordering the STAFF ~ . Japanese schoolteacher, from his Executive Editor '{ .,- ly agree with her Minidoka National Monument, was ...... home and family. The Moritas' : . caroline Y Aoy~j.Stom _. __ .... _ not included in the Senate version. ........... _ movement. It is now home was ransacked and Mr. - ......- ... --....... over 67 years and peo The acquisition of this property Assistant Editor ----.,._ Morita was jailed. This left the Lynda Un . ---..-___IIt..-_ .....- Pacific and its inclusion into the Minidoka .-.. ........, ... .. ple are still using rest of the family members to fend .... Citizen, National Monument is important. Reporter --_.. -_ ... euphemisms perpetrat for themselves. The oldest son, NaleaJ. Ko 01&..................... .... Sept. 4-17 It is important for future genera -------- ed by the U.S. govern who was about 17 or 18 at that tions to appreciate the size of these ment during wwn. -
Contemporary Hollywood Stardom Edited by Thomas Austin & Martin Barker
Contemporary Hollywood Stardom Edited by Thomas Austin & Martin Barker A member of the Hodder Headline Group LONDON Distributed in the USA by Oxford University Press, Inc., New York Acknowledgements This book derives from the conference 'Film Stars in the '90s', held at the University of Sussex in 2001. Thanks to everybody who helped organise, and who participated in, this event. Apologies to those whose work we were unable to include in diis collection. Thanks also to Charlotte Adcock and Martin Shingler, and to Lesley Riddle. First published in Great Britain in 2003 by Arnold, a member of the Hodder Headline Group, 338 Eustoa Road, London NW1 3BH Distributed in the United States of America by Oxford University Press Inc. 198 Madison Avenue, New York, NY10016 © 2003 Edward Arnold (Publishers) Limited All rights reserved. No part of diis publication may be reproduced or transmitted in any form or by any means, electronically or mechanically, including photocopying, recording or any information storage or retrieval system, widiout either prior permission in writing from the publisher or a licence permitting restricted copying. In die United Kingdom such licences are issued by the Copyright Licensing Agency: 90 Tottenham Court Road, London WIT 4LP. The advice and information in this book are believed to be true and accurate at the date of going to press, but neither die editors nor the publisher can accept any legal responsibility or liability for any errors or omissions. British Library Cataloguing in Publication Data A catalogue record for diis book is available from die British Library Library of Congress Cataloging-in-Publication Data A catalog record for diis book is available from the Library of Congress ISBN 0 340 809361 (hb) ISBN 0 340 80937X (pb) 3456789 10 Typeset in 9.5 on 13pt Baskerville Book by Phoenix Photosetting, Chadiam, Kent Printed and bound in Malta. -
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
Popular Culture in Asian American Comics
POPULAR CULTURE IN ASIAN AMERICAN COMICS CLAIMING AMERICA PANEL BY PANEL: POPULAR CULTURE IN ASIAN AMERICAN COMICS By SHAN MU ZHAO, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements For the Degree Master of Arts McMaster University MASTER OF ARTS (2010) McMaster University (English) Hamilton, Ontario TITLE: Claiming America Panel by Panel: Popular Culture in Asian American Comics AUTHOR: Shan Mu Zhao, B.A. (University of Toronto ) SUPERVISOR: Professor Donald Goellnicht NUMBER OF PAGES: vii, 90 11 ABSTRACT This thesis examines recently published Asian American comics and argues that their engagement with both Asian and American popular culture is a new form of "claiming America." Popular culture is an arena integral to the American national imagination, and hence these comics assert that Asian Americans are consumers of and participants in American popular media, offer criticisms of stereotypes against Asian Americans and suggest alternative representations and representative practices. I argue that "claiming America" must also be inflected globally due to the emphasis on transnationalism in Asian American cultural production, and Asian American comics actively drawing upon Asian popular culture influences and show that Asian popular culture is increasingly circulated in America. Comics are a unique medium with which to claim a space in American popular culture, as Asian American comics creators creatively employ visualization strategies related to race, and take advantage of the hybridity of word and image comics medium to explore Asian American concerns with hybridity. In this process, Asian American comics also engage with the comic as a popular medium and rework conventions particular to American comics to address Asian American concerns. -
Contemporary Hollywood Stardom Edited by Thomas Austin & Martin Barker
Contemporary Hollywood Stardom Edited by Thomas Austin & Martin Barker A member of the Hodder Headline Group LONDON Distributed in the USA by Oxford University Press, Inc., New York Acknowledgements This book derives from the conference 'Film Stars in the '90s', held at the University of Sussex in 2001. Thanks to everybody who helped organise, and who participated in, this event. Apologies to those whose work we were unable to include in diis collection. Thanks also to Charlotte Adcock and Martin Shingler, and to Lesley Riddle. First published in Great Britain in 2003 by Arnold, a member of the Hodder Headline Group, 338 Eustoa Road, London NW1 3BH Distributed in the United States of America by Oxford University Press Inc. 198 Madison Avenue, New York, NY10016 © 2003 Edward Arnold (Publishers) Limited All rights reserved. No part of diis publication may be reproduced or transmitted in any form or by any means, electronically or mechanically, including photocopying, recording or any information storage or retrieval system, widiout either prior permission in writing from the publisher or a licence permitting restricted copying. In die United Kingdom such licences are issued by the Copyright Licensing Agency: 90 Tottenham Court Road, London WIT 4LP. The advice and information in this book are believed to be true and accurate at the date of going to press, but neither die editors nor the publisher can accept any legal responsibility or liability for any errors or omissions. British Library Cataloguing in Publication Data A catalogue record for diis book is available from die British Library Library of Congress Cataloging-in-Publication Data A catalog record for diis book is available from the Library of Congress ISBN 0 340 809361 (hb) ISBN 0 340 80937X (pb) 3456789 10 Typeset in 9.5 on 13pt Baskerville Book by Phoenix Photosetting, Chadiam, Kent Printed and bound in Malta. -
Smce1929pacific CITIZEN APA Groups Honor Norman Mineta
WWW.PACIFICCITIZEN.ORG Pearl-in-One Tadd Fujikawa wins the Golden Scribe Pearl Open a month Iris Yamashita turned her hobby after becoming the of writing into gold with 'Letters youngest player to from Iwo Jima.' make the PGA. ENfEKfAINMENT PAGE 9 SPORTS PAGE 7 An Emotional Honor smce1929PACIFIC CITIZEN APA groups honor Norman Mineta. NATIONAL PAGE 3 The National Publication of the Japanese American Citizens League N.Y. APA Community· Decries News Report of 'Sic~ening Surprise' in Chinese Food Mouse or chicken meat? New York's CW11 into the hospital and con was enraged over the story's depic The APA community says (WPIX-TV) first reported tacted the CW11 News tion of Chinese restaurants and the the CWll's reports are sen on the story, "Sickening where she appeared on-air news piece's use of "fried mice" as a sationalistic. Surprise," Jan. 29 during its to say she would "never eat word play on "white rice." . 10 p.m. news broadcast Chinese food again." This isn't the first time the news By LYNDA LIN with footage of reporter "The news piece was station has gotten in trouble with the Assistant Editor Chris Glorioso confronting conducted from a preju APA community. In November an employee of the New diced, biased and unethical 2001, the CWll accused a Korean It looked like it had little paws and Food King restaurant in standpoint. I see it as an restaurant in Flushing of selling dog, a tail, but the identity of the piece of Canarasie, a neighborhood insult to American justice but the story was later unsubstantiat mystery food found among a New in the Eastern portion of the that says everyone is inno ed. -
The Production of Racialized Masculinities in Contemporary North American Popular Culture Ruthann Lee a Dissertation Submitted T
THE PRODUCTION OF RACIALIZED MASCULINITIES IN CONTEMPORARY NORTH AMERICAN POPULAR CULTURE RUTHANN LEE A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN SOCIOLOGY YORK UNIVERSITY TORONTO, ONTARIO AUGUST 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 OttawaONK1A0N4 Canada Canada Your We Votre r&terence ISBN: 978-0-494-80574-9 Our file Notre rGfe'rence ISBN: 978-0-494-80574-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Fall 2016 2016
THE PREMIER ART CENTER ON THE SOUTH SHORE SUMMERFALL 2016 2016 Register at least 10 days before the class begins! | SSAC Fall 2016 1 781.383.2787 • ssac.org • [email protected] CALENDAR/CONTENTS WEEKLY CLASSES South Shore Art Center enriches the communities south of Boston by engaging artists and by fostering an understanding and appreciation of the visual arts through MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY exhibitions and education. G 327 Painting Alla 375 Altered Books 302 Pastel Atelier 310 Watercolor 300a Basic Drawing N I WELCOME Prima 320 Intro to Oil Paint H723 Paint/Take It 323 Acrylic Painting 350 Ceramic Intro N R 341 Adv. Print O M 117 Fledgling 300b Basic Drawing 362 Collage 124 Autumn Arts N Creations 303 Intro to Pastels 139 Hands in Clay 154 Create w/Clay 150 Art Expressions O 175 Storytelling 128 Time Travelers 140 Multi Cultural 172 Super Animation O N 167 Sewing Intro 106 Creatures R E 174 Portfolio T F 324a&b Contemp Ptg A H702 No Fear Dwg 340 Printmaking 325a&b Figure 352 Potter’s Wheel 354 Clay Techniques 500 Life Drawing 351 Clay Work 390 Intro to Sewing 371 Digital Photo G 374 Int. Digital 365 Mixed Media 301 Figure Drawing N I N Photo E V E SATURDAY 171 Comics CALENDAR Sept 15 MEMBERS PREVIEW NIGHT|Once There Was A House, 6–7:30pm Sept 16–Nov 6 ONCE THERE WAS A HOUSE...ECHOES FROM THE VILLA OF MYSTERIES—LAURIE KAPLOWITZ and KATHA SEIDMAN Opening Reception, 6–8pm Faculty Feature: VIRGINIA HOLLOWAY Oct 12 ICELAND, LAND OF THE MIDNIGHT SUN 7–9pm Oct 19 SSAC ANNUAL MEETING 6:30pm Oct 29 THE DEVIL’S DANCE SSAC Fall Benefit