And Darkness-World. an Andean Healing Ritual for Being Struck by Lightning
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Water in Mythology
Water in Mythology Michael Witzel Abstract: Water in its various forms–as salty ocean water, as sweet river water, or as rain–has played a major role in human myths, from the hypothetical, reconstructed stories of our ancestral “African Eve” to those recorded some ½ve thousand years ago by the early civilizations to the myriad myths told by major and smaller religions today. With the advent of agriculture, the importance of access to water was incorporated into the preexisting myths of hunter-gatherers. This is evident in myths of the ancient riverine civilizations of Egypt, Mesopotamia, India, and China, as well as those of desert civilizations of the Pueblo or Arab populations. Our body, like the surface of the earth, is more than 60 percent water. Ancient myths have always rec- ognized the importance of water to our origins and livelihood, frequently claiming that the world began from a watery expanse. Water in its various forms–as salty ocean water, as sweet river water, or as rain–has played a major role in human tales since our earliest myths were re - corded in Egypt and Mesopotamia some ½ve thou- sand years ago. Thus, in this essay we will look to - ward both ancient and recent myths that deal with these forms of water, and we will also consider what influence the ready availability (or not) of water had on the formation of our great and minor early civi- lizations. Many of our oldest collections of myths introduce the world as nothing but a vast salty ocean. The old - MICHAEL WITZEL, a Fellow of the est Indian text, the poetic Ṛgveda (circa 1200 BCE), American Academy since 2003, is asserts: “In the beginning, darkness was hidden by the Wales Professor of Sanskrit at darkness; all this [world] was an unrecognizable Harvard University. -
University of Groningen Greek Religion, Hades, Hera And
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen Greek Religion, Hades, Hera and Scapegoat, and Transmigration Bremmer, J.N. Published in: EPRINTS-BOOK-TITLE IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). Greek Religion, Hades, Hera and Scapegoat, and Transmigration. In EPRINTS- BOOK-TITLE Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 GREEK RELIGION has long been the most important religion for Western European scholars who attempted to gain a better understanding of the phenomenon of religion. Great historians of religion, from Vico and Herder to Friedrich Max Müller, Jane Ellen Harrison and Frazer of The Golden Bough , all steeped themselves in the religious legacy of the Greeks whom they considered superior to all other nations of the past. -
Slavic Pagan World
Slavic Pagan World 1 Slavic Pagan World Compilation by Garry Green Welcome to Slavic Pagan World: Slavic Pagan Beliefs, Gods, Myths, Recipes, Magic, Spells, Divinations, Remedies, Songs. 2 Table of Content Slavic Pagan Beliefs 5 Slavic neighbors. 5 Dualism & The Origins of Slavic Belief 6 The Elements 6 Totems 7 Creation Myths 8 The World Tree. 10 Origin of Witchcraft - a story 11 Slavic pagan calendar and festivals 11 A small dictionary of slavic pagan gods & goddesses 15 Slavic Ritual Recipes 20 An Ancient Slavic Herbal 23 Slavic Magick & Folk Medicine 29 Divinations 34 Remedies 39 Slavic Pagan Holidays 45 Slavic Gods & Goddesses 58 Slavic Pagan Songs 82 Organised pagan cult in Kievan Rus' 89 Introduction 89 Selected deities and concepts in slavic religion 92 Personification and anthropomorphisation 108 "Core" concepts and gods in slavonic cosmology 110 3 Evolution of the eastern slavic beliefs 111 Foreign influence on slavic religion 112 Conclusion 119 Pagan ages in Poland 120 Polish Supernatural Spirits 120 Polish Folk Magic 125 Polish Pagan Pantheon 131 4 Slavic Pagan Beliefs The Slavic peoples are not a "race". Like the Romance and Germanic peoples, they are related by area and culture, not so much by blood. Today there are thirteen different Slavic groups divided into three blocs, Eastern, Southern and Western. These include the Russians, Poles, Czechs, Ukrainians, Byelorussians, Serbians,Croatians, Macedonians, Slovenians, Bulgarians, Kashubians, Albanians and Slovakians. Although the Lithuanians, Estonians and Latvians are of Baltic tribes, we are including some of their customs as they are similar to those of their Slavic neighbors. Slavic Runes were called "Runitsa", "Cherty y Rezy" ("Strokes and Cuts") and later, "Vlesovitsa". -
The Spaciotemporal Patterns of Georgian Winter Solstice Festivals
THE SPACIOTEMPORAL PATTERNS OF GEORGIAN WINTER SOLSTICE FESTIVALS Nino Abakelia Abstract: The article focuses on the rituals and ritual symbols of winter sol- stice festivals in Georgia, which are discussed from a spaciotemporal perspec- tive and which, in their turn, are based on cosmological symbolism. The article aims to show how everyday life changes through ritual into a winter mythico- ritual scenario and how the surrounding built environment of a society is being mythologized. How a place of dwelling as a microcosm is opposed to macrocosm; how symbolism conveys further the dialectic of the hierophanies by transform- ing things or humans into something other than what they appear in the profane experience. The article investigates who are the main characters of the ritual performance. For this purpose, the selection of ritual guests and their symbolic meanings in various rituals are discussed. Also, an attempt has been made to explain what they symbolize. While exploring the rituals from the spatiotemporal perspective, it is possi- ble to distinguish between three kinds of ritual guests: (i) the first-foot, who through ritual embodies the transcendental supernatural powers, which are represented by different saints (predominantly by St Basil, in other cases by St George, and others); (ii) Evangelical “shepherds”; and (iii) the spirits of the dead, who are divided into “visible” spirits of the dead, embodied by a group of dis- guised mummers, and invisible ancestral spirits of the family. All these ritual guests were unavoidable visitors at winter solstice festivals and were responsible for ensuring the wellbeing and prosperity of the family. By means of the rituals and ritual guests the society communicated with the outer world and guaranteed welfare for the forthcoming New Year. -
Biblical Mt. Ararat: Two Identifications
68 Armen Petrosyan: Biblical Mt. Ararat: Two Identifications Biblical Mt. Ararat: Two Identifications ARMEN PETROSYAN Institute of Archaeology and Ethnography, Yerevan, Armenia Abstract: The biblical Ararat, mountain of landing of Noah’s Ark has two general identifications in the Armenian Highland: Mountain of Corduena (modern Cudi dağı) and Masis (Ararat, Ağrı dağı), situated respectively in the extreme south-east and extreme north- east of modern Turkey). The ancient sources actualized the first localization. Since the 12th century the second became more and more popular. The paper deals with the myths and legends associated with those mountains and the history of identification of the biblical Ararat. Ararat, the mountain of the landing of Noah’s Ark, has been identified in various locations, but up until now two main candidates persist: the mountain of Corduena and Masis. In the Hebrew Bible (Masoretic text) the mountains are called 'Arārāṭ, in the Greek translation (Septuagint) – Ararat, in Chaldean and Syrian (Peshitta) – Qardū, in Arabic – Qarda, and in Latin – “Mountains of Armenia”. Ararat is believed to be the Greek version of Hebrew 'RRṬ, i.e. Urartu (Piotrovsky 1944: 29; 1969: 13; Inglizian 1947: 5 ff., 63 ff; Musheghyan 2003: 4 ff.: Salvini and Salvini 2003; Marinković 2012). On the other hand, Ararat is almost identical to the Armenian term Ayrarat – the name of the central province of Armenia, with Mt. Masis at its center. However, Urartu and Ayrarat are two different geographical concepts. Ayrarat is the Armenian name of the region, which in Urartian sources is referred to as the land of Etiuni or Etiuhi (in the north of Urartu). -
The Pagan God Dagon
The Pagan God Dagon Preface: The pagan god, Dagon, is mentioned in only three passages in Scripture, and once in the Apocrypha. In all of those places, Dagon is associated with the Philistines and the city of Ashdod, a famous city of the Philistines. However, he appears to have been a universal god for a much wider group of peoples. Harold G. Stigers, who wrote one of the articles on Dagon for ZPEB, tells us that Dagon was a storm god from the upper Euphrates area and that conquerors from Mesopotamia brought Dagon into the Palestine and Syrian areas.1 Topics: Occurrences of Dagon in Scripture The Possible Meanings of Dagon from the Hebrew Canaanite Gods The Cities of Beth-dagon Charts: Vocabulary Chart 1. The proper noun, Dagon, is actually found very little in the Bible. a. When the Philistines had captured Samson (after Delilah had cut his hair), they offered sacrifices to their god Dagon in Judges 16:23. Most chronologies separate this incident from our context of I Sam. 5 by a mere 20 years. b. Dagon, the god of the Philistines, is found, obviously throughout our passage, which is I Sam. 5. It is found 11 times in this chapter. c. Dagon will only be mentioned one more time, and also very near this time period. When the Philistines take the bodies of Saul and his sons, they cut off the head of Saul and attached it to the temple of Dagon. I Chron. 10:10. The Philistines will be soundly defeated by David and we will hear of their god Dagon no more in Scripture. -
Egyptian Myth and Legend
EGYPTIAN MYTH AND LEGEND Donald Mackenzie EGYPTIAN MYTH AND LEGEND Table of Contents EGYPTIAN MYTH AND LEGEND................................................................................................................1 Donald Mackenzie...................................................................................................................................1 PREFACE................................................................................................................................................1 INTRODUCTION...................................................................................................................................4 CHAPTER I. Creation Legend of Sun Worshippers............................................................................17 CHAPTER II. The Tragedy of Osiris....................................................................................................23 CHAPTER III. Dawn of Civilization.....................................................................................................30 CHAPTER IV. The Peasant who became King....................................................................................36 CHAPTER V. Racial Myths in Egypt and Europe...............................................................................45 CHAPTER VI. The City of the Elf God................................................................................................50 CHAPTER VII. Death and the Judgment..............................................................................................54 -
University of Groningen Greek Religion, Hades, Hera And
University of Groningen Greek Religion, Hades, Hera and Scapegoat, and Transmigration Bremmer, J.N. Published in: EPRINTS-BOOK-TITLE IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). Greek Religion, Hades, Hera and Scapegoat, and Transmigration. In EPRINTS- BOOK-TITLE Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 24-09-2021 GREEK RELIGION has long been the most important religion for Western European scholars who attempted to gain a better understanding of the phenomenon of religion. Great historians of religion, from Vico and Herder to Friedrich Max Müller, Jane Ellen Harrison and Frazer of The Golden Bough , all steeped themselves in the religious legacy of the Greeks whom they considered superior to all other nations of the past. -
Abhiyoga Jain Gods
A babylonian goddess of the moon A-a mesopotamian sun goddess A’as hittite god of wisdom Aabit egyptian goddess of song Aakuluujjusi inuit creator goddess Aasith egyptian goddess of the hunt Aataentsic iriquois goddess Aatxe basque bull god Ab Kin Xoc mayan god of war Aba Khatun Baikal siberian goddess of the sea Abaangui guarani god Abaasy yakut underworld gods Abandinus romano-celtic god Abarta irish god Abeguwo melansian rain goddess Abellio gallic tree god Abeona roman goddess of passage Abere melanisian goddess of evil Abgal arabian god Abhijit hindu goddess of fortune Abhijnaraja tibetan physician god Abhimukhi buddhist goddess Abhiyoga jain gods Abonba romano-celtic forest goddess Abonsam west african malicious god Abora polynesian supreme god Abowie west african god Abu sumerian vegetation god Abuk dinkan goddess of women and gardens Abundantia roman fertility goddess Anzu mesopotamian god of deep water Ac Yanto mayan god of white men Acacila peruvian weather god Acala buddhist goddess Acan mayan god of wine Acat mayan god of tattoo artists Acaviser etruscan goddess Acca Larentia roman mother goddess Acchupta jain goddess of learning Accasbel irish god of wine Acco greek goddess of evil Achiyalatopa zuni monster god Acolmitztli aztec god of the underworld Acolnahuacatl aztec god of the underworld Adad mesopotamian weather god Adamas gnostic christian creator god Adekagagwaa iroquois god Adeona roman goddess of passage Adhimukticarya buddhist goddess Adhimuktivasita buddhist goddess Adibuddha buddhist god Adidharma buddhist goddess -
Daimones in the Georgian Mythic-Ritual System
Daimones in the Georgian Mythic-Ritual System Nino ABAKELIA Tbilisi Ilia State University Daimones as they are known is a Latinized Ancient Greek term and denotes supernatural beings, spirits. Initially they were perceived as good, evil and neutral beings. The sphere of their activities is mythology (the term used in Malinowski’s sense, i.e. narrative of primordial reality). Traditional mythologies, according to J. Campbell’s definition, serve, normally, four functions from which the first might be described as reconciliation of consciousness with the preconditions of its own existence (i.e. the mystical or metaphysical function); the second formulates and renders an image of the universe, a cosmological image, in which the range of all things should be recognized as parts of a single great holy picture, an icon as it were: the trees, the rocks, the animals, sun, moon and stars, all opening back to mystery, and thus serving as agents of the first function as vehicles and messengers of the teaching (the cosmological function); the third – traditional function is the validating and maintaining some specific social order (the sociological function) authorizing its moral code as a construct beyond criticism or human emendation. And the last fourth function, which lies at the root of all three as their base and final support, is the psychological1. In Georgian tradition (as well as in many other traditions), the universe was perceived as the unity of different spheres, the unity of worlds, which were surrounded by the invisible borders. From the spatial point of view, according to the mythological beliefs (which is reconstructed through the studies of myth, ritual, language and the other levels) the cosmological pattern of the Georgians on the vertical plane are comprised of: (i) the upper, celestial world of supreme deities (at first represented by the Sky God, who in the course of religious development was replaced by the Weather God (whose name as preserved in oral tradition, is Zhini Antari, i.e. -
Greek Popular Religion
GREEK POPULAR RELIGION BY MARTIN P. NILSSON LECTURES ON THE HISTORY OF RELIGIONS SPONSORED BY THE AMERICAN COUNCIL OF LEARNED SOCIETIES 1940 Greek Popular Religion by Martin P. Nilsson. This edition was created and published by Global Grey ©GlobalGrey 2019 globalgreyebooks.com CONTENTS Foreword Acknowledgments The Countryside Rural Customs And Festivals The Religion Of Eleusis The House And The Family The Cities; The Panegyreis Legalism And Superstition; Hell Seers And Oracles Illustrations DEMETER, TRIPTOLEMOS, AND KORE 1 FOREWORD Late in the last century the American committee for Lectures on the History of Religions came into existence. It was established to cooperate with colleges and seminaries over the United States in providing courses of lectures to be delivered at various centers and to publish the lectures. All the lectures, except those of Professor Paul Pelliot on "Religions in Central Asia" in 1923 and those of Professor A. V. Williams Jackson on "The Religion of Persia" in 1907-8, were published as the "American Lectures on the History of Religions." They formed an important series of volumes, the titles of which are: T. W. Rhys Davids, Buddhism (1896) Daniel G. Brinton, Religions of Primitive Peoples (1897) T. K. Cheyne, Jewish Religious Life after the Exile (1898) Karl Budde, Religion of Israel to the Exile (1899) Georg Steindorff, The Religion of the Ancient Egyptians (1905) George W. Knox, The Development of Religion in Japan (1907) Maurice Bloomfield, The Religion of the Veda (1908) Morris Jastrow, Aspects of Religious Belief and Practice in Babylonia and Assyria (1911) J. J. M. de Groot, Religion in China (1912) Franz Cumont, Astrology and Religion among the Greeks and Romans (1912) C. -
Gvedic Indra and His 'All-Dreaded Thunder-Stone'
Vol. 24 Veda -Vidyā July -December 2014 ISSN-2230-8962 gvedic Indra and his ‘all-dreaded thunder-stone’ : A Study in Myth-element and Poetic-symbolism Dr. (Mrs.) Soma Basu apāre kāvyasaṃsāre, kavirekaḥ prajāpatiḥ | yathāsmai rocate viśvaṃ tathā vai parivartate || śṇgārī cetkaviṇ kāvye jātaṃ rasamayam jagat | sa eva vītarāgascennīram sarvameva tat || (Dhvanyāloka) One cannot describe the work of a true poet in nobler or, more sublime language than that is quoted above. In the endless world of poetry the poet is the creator, whatever form he fancies to give, the universe appears to get that; whatever sentiment he pleases to put into the soul of his poem, the whole world gets immersed into it. Through this poetic work the poet draws images or characters dipped in the sentiment of love or pathos or heroism. Poetry is an invariable constituent of Indian aesthetics; it is indeed the highest of all arts. Through art, the varied situations of life come to be depicted in certain forms poetry appeals to the ear and through aesthetic experience arising from listening to or absorbing a fine specimen of poetry within, one can visualize the incomplete picture that the poet draws up in the blissful state of his imagination. Actually the artistic creations are reproduced from a poetic vision. Naturalism is very important in this context. The poet transforms the beauty of a fact extracted from life or nature into an artistic form with the magic touch of his imagination or genius, which, according to the author of Vyaktiviveka, is the third eye of the divine lord Śiva by the grace of whom the poet can perceive the things in its past, present and future state.