2/18/2015 23-R-15 a RESOLUTION Memorializing the President of The
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Carl Sandburg Home U.S
National Park Service Carl Sandburg Home U.S. Department of the Interior Carl Sandburg Home National Historic Site Something About Sandburg A National Park Service Curriculum-Based Program for Middle Schools Dear Educator, Thank you for making reservations for the Something About Sandburg middle school program at the Carl Sandburg Home National Historic Site, the first such site to honor an American poet. This 240- acre estate epitomizes the simplicity of life enjoyed by the Sandburgs for 22 years in Flat Rock, North Carolina. Below you will find a list of ways to make your time here as enjoyable as the Sandburg’s: Confirmation: This confirmation must be sent back two weeks prior to the reserved date or the date will be forfeited. Time: Please arrive at least 30 minutes before the first scheduled tour time on your agenda. In order to avoid program delays or cancellations, your group must be at the designated starting point on time. Arrival: Upon arriving at the park there will be a ranger or volunteer to meet your group and escort the group to the amphitheater for an introduction. *ATTENTION: The walk up the hill to the house is 0.3 miles; ascending 100feet of moderately steep terrain. Late Arrival: Arrival at the main parking lot 20 minutes or less before your first scheduled event will result in a forfeiture of that component of the program. Cancellations: If you must cancel your program, please notify the park at (828) 693- 4178 as soon as possible, giving another group the chance to reserve the date. -
Exploring the Complex Political Ideology Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M University RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2006 Major Subject: English RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, William Bedford Clark Committee Members, Clinton J. Machann Marco A. Portales David Vaught Head of Department, Paul A. Parrish August 2006 Major Subject: English iii ABSTRACT Recovering Carl Sandburg: Politics, Prose, and Poetry After 1920. (August 2006) Evert Villarreal, B.A., The University of Texas-Pan American; M.A., The University of Texas-Pan American Chair of Advisory Committee: Dr. William Bedford Clark Chapter I of this study is an attempt to articulate and understand the factors that have contributed to Carl Sandburg’s declining trajectory, which has led to a reputation that has diminished significantly in the twentieth century. I note that from the outset of his long career of publication – running from 1904 to 1963 – Sandburg was a literary outsider despite (and sometimes because of) his great public popularity though he enjoyed a national reputation from the early 1920s onward. Chapter II clarifies how Carl Sandburg, in various ways, was attempting to re- invent or re-construct American literature. -
Chronology of the Department of Photography
f^ The Museum otI nModer n Art May 196k 11 West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart CHRONOLOGY OF THE DEPARTMENT OF PHOTOGRAPHY The Department of Photography was established in lQl+0 to function as a focal center where the esthetic problems of photography can be evaluated, where the artist who has chosen the camera as his medium can find guidance by example and encouragement and where the vast amateur public can study both the classics and the most recent and significant developments of photography. 1929 Wi® Museum of Modern Art founded 1952 Photography first exhibited in MURALS BY AMERICAN PAINTERS AND PHOTOGRAPHERS; mural of George Washington Bridge by Edward Steichen included. Accompany ing catalog edited by Julian Levy. 1953 First photographs acquired for Collection WALKER EVANS: PHOTOGRAPHS OF 19th CENTURY HOUSES - first one-man photogra phy show. 1937 First survey exhibition and catalog PHOTOGRAPHY: I839-I937, by Beaumont NewhalU 1958 WALKER EVANS: AMERICAN PHOTOGRAPHS. Accompanying publication has intro duction by Lincoln Firstein. Photography: A Short Critical History by Beaumont Newhall published (reprint of 1937 publication). Sixty photographs sent to the Musee du Jeu de Paume, Paris, as part of exhibition TE.3E CENTURIES OF AMERICAN ART organized and selected by The Museum of Modern Art. 1939 Museum opens building at 11 West 53rd Street. Section of Art in Our Tims (10th Anniversary Exhibition) is devoted to SEVEN AMERICAN PHOTOGRAPHERS. Photographs included in an exhibition of paintings and drawings of Charles Sheeler and in accompanying catalog. 19^0 Department of Photography is established with David McAlpin, Trustee Chairman, Beaumont Newhall, Curator. -
“THE FAMILY of MAN”: a VISUAL UNIVERSAL DECLARATION of HUMAN RIGHTS Ariella Azoulay
“THE FAMILY OF MAN”: A VISUAL UNIVERSAL DECLARATION OF HUMAN RIGHTS Ariella Azoulay “The Family of Man,” the exhibition curated by Edward Steichen in 1955, was a landmark event in the history of photography and human rights.1 It was visited by mil- lions of spectators around the world and was an object of critique — of which Roland Barthes was the lead- ing voice — that has become paradigmatic in the fields of visual culture and critical theory.2 A contemporary revi- sion of “The Family of Man” should start with question- ing Barthes’s precise and compelling observations and his role as a viewer. He dismissed the photographic material and what he claimed to be mainly invisible ideas — astonishingly so, considering that the hidden ideology he ascribed to the exhibition was similar to Steichen’s explicit 1 See the exhibition catalog, Edward Steichen, The Family of Man (New York: Museum of Modern Art, 1955). 2 Following a first wave of critique of the exhibition, influenced mainly by Barthes’s 1956 essay “The Great Family of Man,” a second wave of writers began to be interested in the exhibition and its role and modes of reception during the ten years of its world tour. See, for example, Eric J. Sandeen, “The Family of Man 1955–2001,” in “The Family of Man,” 1955–2001: Humanism and Postmodernism; A Reappraisal of the Photo Exhibition by Edward Steichen, eds. Jean Back and Viktoria Schmidt- Linsenhoff (Marburg: Jonas Verlag, 2005); and Blake Stimson, The Pivot of the World: Photography and Its Nation (Cambridge, MA: MIT Press, 2006). -
The Family of Man in the 21St Century Reassessing an Epochal Exhibition
THE FAMILY OF MAN IN THE 21ST CENTURY Reassessing an Epochal Exhibition Liège Clervaux Namur/Bruxelles Trier International Conference THE FAMILY OF MAN 19-20 June 2015 STEICHEN COLLECTIONS Clervaux Castle Clervaux Castle, Clervaux, Luxembourg Luxembourg B.P. 32 L-9701 Clervaux Tel. : + 352 92 96 57 Alfred Eisenstaedt, Time & Life © Getty Images Alfred Eisenstaedt, Time [email protected] Dudelange www.steichencollections.lu Thionville/Metz www.steichencollections.lu THE FAMILY OF MAN Conference Program IN THE 21ST CENTURY FRIDAY 19.06.2015 SATURDAY 20.06.2015 10:00 10:00-10:45 Conference Welcome Kerstin Schmidt (Catholic University Reassessing an Epochal Exhibition of Eichstaett-Ingolstadt, Germany) 10:15-12:00 Places of the Human Condition: Aesthetics and Jean Back, Anke Reitz (CNA, Luxembourg) Philosophy of Place in Steichen’s The Family of Man Guided Tour of the Exhibition The Family of Man With more than ten million viewers across the The conference wants to reassess and discuss 10:45-11:30 globe and more than five million copies of its the exhibition’s appeal and message, launched 12:00-14:00 Lunch Break Eric Sandeen (University of Wyoming, catalogue sold, “The Family of Man” is one of against the backdrop of Cold War threat of Laramie, WY, USA) the most successful, influential, and written atomic annihilation. It also wants to indicate 14:00-14:30 The Family of Man at Home about photography exhibitions of all time. It new ways in which the exhibition, as an artis- Bob Krieps (Director General 11:30-11:45 Short Coffee Break introduced the art of photography to the gen- tic response to a historical moment of crisis, of the Ministry of Culture) Welcoming Remarks eral public, one critic noted, “like no other pho- can remain relevant in the context of 21st-cen- 11:45-12:30 tographic event had ever done.” At the same tury challenges. -
2015-16 Carl Sandburg College
Carl Sandburg College 1 History Carl Sandburg College is named for Pulitzer Prize-winning poet and Lincoln biographer Carl Sandburg, who was born and raised in Galesburg. The son of Swedish immigrant parents, Sandburg was born Jan. 6, 1878, in a small cottage near the rail yards where his father worked. The cottage, on Galesburg's south side, is preserved today as an Illinois historical site. Sandburg published numerous volumes, including Chicago Poems; Cornhuskers; Rootabaga Stories; The People, Yes; Abraham Lincoln: The Prairie Years and The War Years; and Always the Young Strangers. He received two Pulitzer Prizes — in history, for his Abraham Lincoln: The War Years (1939), and in poetry, for his Collected Poems (1951). The central theme throughout Sandburg's works is his belief in the essential goodness and drive of the common man and woman. His writing is full of optimism for the future of the human race. Carl Sandburg and his mentor, Professor Philip Green Wright of Lombard College, also located in Galesburg, envisioned the establishment of "a People's Industrial College, where people of all ages would be taught, in addition to literature, philosophy, sociology, science, music, and art, something about industry and farming, such as agriculture, horticulture, bee culture, cabinet-making, metalworking, pottery, architecture, printing and publishing, and bookbinding." (From Margaret Sandburg's unpublished manuscript Biography of Carl Sandburg.) The two men felt that this "People's College" should be located by a river or on a lake. Though Sandburg died in 1967, the College's ties with its namesake remain strong. In 1979, the late Helga Sandburg, Carl's youngest daughter, was awarded the College's first honorary associate degree. -
Chicago Poems by Carl Sandburg)
CHICAGO POEMS By Carl Sandburg Originally published by Henry Holt and Company, New York This digital reprint published by E S P Electronic Scholarly Publishing http://www.esp.org Electronic Scholarly Publishing Project Series Editor: Robert J. Robbins The Electronic Scholarly Publishing project has received support from the ELSI component of the United States Department of Energy Human Genome Project. ESP also welcomes help from volunteers and collaborators, who recommend works for publication, provide access to original materials, and assist with technical and production work. If you are interested in volunteering, or are otherwise interested in the project, contact the series editor: [email protected]. Bibliographical Note This ESP edition, first electronically published in 2003, is a newly typeset, unabridged version, based on the 1916 edition published by Henry Holt and Company. Production Credits Scanning of originals: ESP staff OCRing of originals: ESP staff Typesetting: ESP staff Proofreading/Copyediting: ESP staff Graphics work: ESP staff Copyfitting/Final production: ESP staff New material in this electronic edition is © 2003, Electronic Scholarly Publishing Project http://www.esp.org This electronic edition is made freely available for educational or scholarly purposes, provided that these copyright notices are included. The document may not be reprinted or redistributed, in any form (printed or electronic), for commercial purposes without written permission from the copyright holders. PREFATORY NOTE Some of these writings were first printed in Poetry: A Magazine of Verse, Chicago. Permission to reprint is by courtesy of that publication. The writer wishes to thank Harriet Monroe and Alice Corbin Henderson, editors of Poetry, and William Marion Reedy, editor of Reedy’s Mirror, St. -
Ch-9-Fog-Poem.Pdf
FOG (POEM) About the Poet Carl August Sandburg was an American poet, writer, and editor. He won three Pulitzer Prizes: two for his poetry and one for writing a wonderful biography of Abraham Lincoln. Carl Sandburg was born on 6 Jan 1878 and died at the age of 89 on 22 July 1967. He was widely regarded as a major figure in contemporary literature. ‘Chicago Poems’, Cornhuskers”Smoke and Steel’ are some of his famous works. Introduction of the lesson- Fog INTRODUCTION This poem the poet, Carl-Sandbargrhas-portrayed-the nature-and-its-silica-working Riccio-poet tells that the fog comes silently and slowly like a ca2It is a fine example of the use of metaphor in the poetry. Plot/ Theme / Central Idea of the Lesson/ Literary Analysis of Fog/ Main Idea Summary in English- Fog DETAILED SUMMARY A poem Tog’ the poet Carl Sandburg has portrayed nature and its silent working. To prove his point the poet gives a comparison of the fog and a cat. The poet says that the fog comes silently and slowly like a cat. When it comes it does not disturb us. It sits silently as a cat does. It goes on falling and looking silently over harbour and city. (Then it moves on all at once with a gust of wind) 1. Fog Comes As a Cat: The poet sees the fog as a cat. It comes on its tiny silent feet as a cat does when it is stalking. Like a cat, it moves in imperceptibly and in complete silence. So, the poem ‘Fog’ becomes an extended metaphor. -
Family of Man Book
k THE MUSEUM OF MODERN ART FOR RELEASE: TUESDAY 11 WEST 53 STREET, NEW YORK 19, N. Y. JUNE 21, 1955 TfLlPHONi: CIRCLI 3-8900 THE FAMILY 0 F MAN deluxe edition, published by Simon and Schuster in collaboration with Maco Maga zine Corporation for the Museum of Modern Art, New York. Boards, boxed, 226 pages, more than 500 photographs from 68 countries, including portfolio of installation pictures of the exhibition "The Family of Man" in the Museum of Modern Art, New York. Prologue by Carl Sandburg, introduction by Edward Steichen. 8 l/2 x 11". $10 paper edition, published by the Maco Maga zine Corporation for the Museum of Modern Art. Stiff paper cover printed in four colors. More than 500 photographs from 68 coun tries. 192 pages. Prologue by Carl Sandburg, introduction by Edward Steichen 8 1/2 x 11". $1 Two editions of The Family of Man based on the widely hailed exhibition created by Edward Steichen for the Museum of Modern Art, New York, will be published on June 21, the opening date of the show's national tour which begins in Minneapolis. A deluxe edition, published by Simon and Schuster in collaboration with the Maco Magazine Corporation for the Museum, contains 226 pages and is bound in boards and boxed. The paper edition, published by the Maco Magazine Corporation for the Museum, sells for $1 and contains 192 pages. Both books include virtually all the photographs in the exhibition, Carl Sandburg's prologue and an introduction by Edward Steichen. The deluxe edition also contains a portfolio of photographs showing the exhibition as it was installed in the Museum and photographic footnotes by Wayne Miller, Steichen's assistant on the show. -
Trolley— New Orleans Robert Frank Trolley—New Orleans
MoMA One on One series De Chirico The Song of Love Frank Trolley—New Orleans Kahlo Self-Portrait with Cropped Hair Lange Migrant Mother Levitt New York Modersohn-Becker Self-Portrait Oppenheim Object Picasso Girl Before a Mirror Pollock One: Number 31, 1950 Rauschenberg Canyon Ringgold Die Rousseau The Dream Saar Black Girl’s Window Sherman Centerfold (Untitled #96) Taeuber-Arp Head Wyeth Christina’s World Lucy Gallun is Associate Curator in the Robert B. Menschel Department of Photography at The Museum of Modern Art, New York, where she has organized exhibitions including Being: New Photography 2018 and Projects 108: Gauri Gill (2018). She was co-editor of Photography at MoMA (2015–16), a three-volume history of the medium. Robert Frank Trolley— New Orleans Robert Frank Trolley—New Orleans LUCY GALLUN THE MUSEUM OF MODERN ART, NEW YORK Robert Frank (American, born Switzerland. 1924–2019). Trolley—New Orleans. 1955. Gelatin silver print, 9 1/16 × 13 3/8" (23.1 × 34 cm). The Museum of Modern Art, New York. The Fellows of Photography Fund, The Family of Man Fund, and Horace W. Goldsmith Fund through Robert B. Menschel 2 3 Fig. 2. Robert Frank (American, born Switzerland. 1924–2019). Canal Street—New Orleans. 1955. Gelatin silver print, 8 1/4 × 12 5/16" (20.9 × 31.3 cm). The Museum of Modern Art, New York. Gift of Robert and Gayle Greenhill “America is an interesting country, but there is a lot here that I do not like and that I would never accept,” the Swiss-born photographer Robert Frank wrote in a letter to his parents in late 1955. -
Carl Sandburg As a Poet of Chicago and the Middle West
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1932 Carl Sandburg as a Poet of Chicago and the Middle West Howard Robertson Richardson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Richardson, Howard Robertson, "Carl Sandburg as a Poet of Chicago and the Middle West" (1932). Dissertations, Theses, and Masters Projects. Paper 1539624425. https://dx.doi.org/doi:10.21220/s2-18mw-qp50 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. CARL SAHDBtffiG AS A POET OF CHICAGO AND THE MIDDLE TOST <1 ~ ~ '■ by Howard R* Richardson 3 THESIS It shall be my thesis to show that Carl Sandburg* as a poet of Chicago and the middle West*, has made a vivid and picturesque word study of the immigrant* working class of people and of the industrial aspect which is responsible to and for these people* 3 SUBEIITTED IB PARTIAL m L n t U t m T OF THE RRQt&REMEHTS OF THE COLLEGE OF WILLIE AND MART for the degree MASTER OF ARTS 1032 CARL SABDBORO AS A POET OF CHICAGO AHD THE MIDDLE WIST hy Howard R» Richar&acm 5 'TABLE OF CONTENTS Thesis Xat£oduetl0& Pages 6-14 The Middle Meet Pages 38-60 pages 61—65 Bibliography Page 65 Vita Page 66 Pages 67-68 6 INTRODUCTION "The fog comes on little cat feet.#. -
Carl Sandburg
Carl Sandburg Some Elmhurst schools are named after well-known poets and authors including Emerson and Field. However, only one school is named after a poet and author who once lived in Elmhurst, and that is Sandburg Middle School. Carl Sandburg was born January 6, 1878 in Galesburg, Illinois. After a variety of jobs, studies at Lombard College in Galesburg, and service in the 6th Infantry Regiment of Illinois Volunteers during the Spanish- American War, Sandburg moved to the Chicago area and made a name for himself with his first book, Chicago Poems, in 1915. Sandburg started working for the Chicago Daily News circa 1918 reviewing movies, covering labor news, and eventually writing a feature column. Carl Sandburg and his wife, Lilian Steichen Sandburg (also known as Paula), moved to Elmhurst with their three daughters in 1919 and lived at 331 S. York Street (shown in the photo below) until 1928. During his time in Elmhurst Sandburg wrote his first book for children, Rootabaga Stories, based on stories he told his daughters Margaret, Janet and Helga. It was followed by Rootabaga Pigeons in 1923. After publishing a two-volume biography, Abraham Lincoln, the Prairie Years, in 1926, Sandburg compiled a collection of 280 ballads and folksongs from all regions of the United States in the American Songbag in 1927. During his time in Elmhurst, Sandburg wrote several poetry books: Smoke and Steel, Slabs of the Sunburnt West, Selected Poems and Good Morning, America. Sandburg lectured frequently while living in Elmhurst, and he traveled extensively presenting folksong concerts and reciting his poetry and prose.