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Sailor Mars Meet Maroku
sailor mars meet maroku By GIRNESS Submitted: August 11, 2005 Updated: August 11, 2005 sailor mars and maroku meet during a battle then fall in love they start to go futher and futher into their relationship boy will sango be mad when she comes back =:) hope you like it Provided by Fanart Central. http://www.fanart-central.net/stories/user/GIRNESS/18890/sailor-mars-meet-maroku Chapter 1 - sango leaves 2 Chapter 2 - sango leaves 15 1 - sango leaves Fanart Central A.whitelink { COLOR: #0000ff}A.whitelink:hover { BACKGROUND-COLOR: transparent}A.whitelink:visited { COLOR: #0000ff}A.BoxTitleLink { COLOR: #000; TEXT-DECORATION: underline}A.BoxTitleLink:hover { COLOR: #465584; TEXT-DECORATION: underline}A.BoxTitleLink:visited { COLOR: #000; TEXT-DECORATION: underline}A.normal { COLOR: blue}A.normal:hover { BACKGROUND-COLOR: transparent}A.normal:visited { COLOR: #000020}A { COLOR: #0000dd}A:hover { COLOR: #cc0000}A:visited { COLOR: #000020}A.onlineMemberLinkHelper { COLOR: #ff0000}A.onlineMemberLinkHelper:hover { COLOR: #ffaaaa}A.onlineMemberLinkHelper:visited { COLOR: #cc0000}.BoxTitleColor { COLOR: #000000} picture name Description Keywords All Anime/Manga (0)Books (258)Cartoons (428)Comics (555)Fantasy (474)Furries (0)Games (64)Misc (176)Movies (435)Original (0)Paintings (197)Real People (752)Tutorials (0)TV (169) Add Story Title: Description: Keywords: Category: Anime/Manga +.hack // Legend of Twilight's Bracelet +Aura +Balmung +Crossovers +Hotaru +Komiyan III +Mireille +Original .hack Characters +Reina +Reki +Shugo +.hack // Sign +Mimiru -
No. 244 July 08
small screen News Digest of Australian Council on Children and the Media (trading as Young Media Australia) ISSN: 0817-8224 No. 244 July 2008 was in discussions with ISPs to develop a Parents of young children want less Web Filter trial uniform approach to federal policy on the regulation of internet content. He said that media violence with overseas providers helping to regulate The Federal governmant has released the content it was important that the industry Earlier this year, to establish a baseline findings of a web filtering trial conducted in Australia took an active role in govern- for evaluation of its new resource, Choos- in Tasmania by the Australian Communica- ment attempts to implement an election ing fright-free, fight-free viewing, YMA con- tions and Media Authority. Twenty six ISP promise by imposing a filtering regime. ducted a survey of 65 parents with young based filtering products were submitted He pointed out that if the industry did not children, from three early childhood set- for trial, but only six made the final test. cooperate, they would not be in a position tings in metro Adelaide, to determine to complain about the outcomes of govern- their views on media violence. Results were mixed. The report states that ment policy. between 88 per cent and 97 percent of ille- Here is a summary of the findings: gal or inappropriate content was blocked. The full report can be found at http:// However, while all six tested products, www.acma.gov.au/webwr/_assets/main/ • Overall, participants expressed strong which were not named, were able to block lib310554/isp-level_internet_content_filter- agreement that violence in the me- entire networks of non-Web protocol traffic, ing_trial-report.pdf dia has a negative effect on children. -
Looking Back at the Creative Process
IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains. -
Trabajo Fin De Grado
Trabajo Fin de Grado Las series de animación dirigidas a la infancia y las representaciones del sexo y el género. Una aproximación desde el Trabajo Social. The animation shows aimed to the childhood and the sex and gender representations. An approach from Social Work. Autor/es Andrea Cebollada Latorre Director/es Antonio Eito Mateo FACULTAD DE CIENCIAS SOCIALES Y DEL TRABAJO 2017 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Infinitas gracias al incesante apoyo de mi tutor Antonio Eito, mis compañeros del grado y mi familia durante este recorrido. ÍNDICE RESUMEN .......................................................................................................................... 1 1. INTRODUCCIÓN ......................................................................................................... 2 2. OBJETIVOS ................................................................................................................. 4 3. METODOLOGÍA .......................................................................................................... 5 3.1 UNA INVESTIGACIÓN CUALITATIVA DE MATERIALES VISUALES ............................ 5 3.2 TÉCNICAS E INSTRUMENTOS PARA LA OBTENCIÓN DE INFORMACIÓN ................ 6 3.3 TÉCNICAS DE ANÁLISIS DE DATOS .......................................................................... 7 4. DOCUMENTACIÓN BIBLIOGRÁFICA........................................................................... 8 4.1 INTRODUCCIÓN ..................................................................................................... -
Animation Resume
ANIMATION RESUME ARNE JIN AN WONG [email protected] cel: 415-786-1120 Jin An, aka Arne, aka Arnie Wong, has been animating since he was eighteen. Self-taught in animation, he created a series of animated short films that were released with live- action feature films. He later apprenticed under Disney Veteran Animator and Layout Artist- John Freeman (Lady & The Tramp), Warner Bros. Designer/Animator- Corny Cole (Looney Tunes), & UPA Animator/Duck Soup Director- Duane Crowther (Yellow Submarine/ Blue Meanie). Jin An developed his talent to go on to becoming a Visual Effects director, Producer/Director of TV Commercials, and co-producing the first digital animated feature film in China. 1968-1972 Created his own short films that were featured in film festivals internationally and domestically. First Animated Surf Film 1968 1972-1975 Animation Director for Davidson Films SF. Designed, storyboarded, directed, & animated educational films. 1975 Grafis International Graphic Design Award- Designer of 6 Levi Straus Ads. 1975-1978 Animation Apprenticeships with John Freeman, Corny Cole, & Duane Crowther. Freelance Animator for TV Commercial Production Companies. 1978-1988 Started his own animation production studio -Tigerfly Studios. Produced & Directed over 30 TV commercials. 1980 Emmy Award for Best Animated Short Film “Bean Sprouts”. 1980 Walt Disney Studios- EFX Matte Supervisor on “Tron”. 1981 Golden Harvest Films/Hong Kong- Visual EFX Director on “Mt. Zu”, Kung Fu/Sci-Fi Feature film. 1986 Clio Award- Best Animated TV Commercial “Sunkist Orange”. Director/Producer 1988-2001 Started a new company; Stone Studios Inc., Providing pre-production services on animated TV series for Disney TV, Warner Bros., Paramount, Film Roman, Marvel, Klasky-Csupo, & Saban Entertainment. -
Nick.Co.Uk Launches the Splat
For immediate release NICK.CO.UK LAUNCHES THE SPLAT New online home for Nickelodeon’s 90’s iconic series launches today on www.nick.co.uk/thesplat London, 31st October, 2016 – Nick.co.uk will take fans back to the ‘90s with today’s launch of The Splat. Fans of shows as Kenan & Kel, Ren & Stimpy, and Hey Arnold!, are set for a nostalgic treat as The Splat hosts clips, galleries and quizzes dedicated to the hit Nickelodeon series of the 90’s. Celebrating the characters and shows that define a generation, The Splat website showcases clips from shows including The Angry Beavers, CatDog, Hey Arnold!, Clarissa Explains It All, Kenan & Kel, Ren & Stimpy, Rocko’s Modern Life, Rugrats, The Wild Thornberrys and As Told By Ginger. The Splat experience continues with a Nickelodeon 90’s quiz, testing Nickelodeon fans on their show knowledge, while The Splat blog offers an introduction to the iconic featured series with posts covering the background of shows like Hey Arnold! and Kenan & Kel. The Splat galleries display pictures of popular show characters such as Angelica (Rugrats), Eliza (The Wild Thornberrys), Norbert Foster (The Angry Beavers) and many more. In the coming months more series and features will be added to The Splat including show theme songs, some of which will feature karaoke lyrics for fan singalongs. The launch of The Splat on Nick.co.uk follows the announcement of a new Hey Arnold! TV movie set to air on Nickelodeon in 2017. Clothing featuring iconic Nickelodeon characters and shows are also available to purchase at UK retailers and The Nickelodeon Store. -
Cartoon Shows Brackets.Xlsx
FAVORITE CHILDREN'S CARTOON SHOWS - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Jonny Quest 79 122 Looney Tunes 1 Jonny Quest 24 79 Looney Tunes 32 Jabberjaw 37 1 Clutch Cargo 32 Jetsons 71 71 Looney Tunes 16 Jetsons 105 King27 Leonardo & his Short Subjects 16 Jetsons 58 4 Heckle & Jeckle 17 Quick Draw McGraw 18 83 Heckle & Jeckle 17 Jetsons 74 89 Looney Tunes 8 Space Ghost 61 44 GI Joe 8 Space Ghost 47 18 Fat Albert 25 Captain Caveman 51 70 Fat Albert 25 Space Ghost 18 18 Rocky & Bullwinkle 9 Great Grape Ape 69 118 Rocky & Bullwinkle 9 Great Grape Ape 29 63 Rocky & Bullwinkle 24 Perils of Penelope Pitstop 43 2 Roger Ramjet 24 Jetsons 37 63Looney Tunes 5 Herculoids 64 36 Tennessee Tuxedo 5 Herculoids 22 56 Alvin & the Chipmunks 28 Help! It's the Hair Bear Bunch! 48 86 Alvin & the Chipmunks 28 Smurfs 50 45 Alvin & the Chipmunks 12 Smurfs 69 25 Battle of the Planets 12 Smurfs 59 27 Speed Racer 21 Huckleberry Hound 53 85 Speed Racer 21 Smurfs 26 12 Alvin & the Chipmunks 4 Wacky Races 55 38 Voltron 4 Josie & the Pussycats 48 34 Inspector Gadget 29 Josie & the Pussycats 61 82 Inspector Gadget 29 Josie & the Pussycats 36 43 Peabody's Improbable History 13 Top Cat 59 77 Peabody's Improbable History 13 Top Cat 31 48 Peabody's Improbable History 20 Auggie Doggie 58 42 Woody Woodpecker 20 Hanna-Barbera Flintstones Looney Tunes Early TV Networks (to mid -
Feature Films and Licensing & Merchandising
Vol.Vol. 33 IssueIssue 88 NovemberNovember 1998 1998 Feature Films and Licensing & Merchandising A Bug’s Life John Lasseter’s Animated Life Iron Giant Innovations The Fox and the Hound Italy’s Lanterna Magica Pro-Social Programming Plus: MIPCOM, Ottawa and Cartoon Forum TABLE OF CONTENTS NOVEMBER 1998 VOL.3 NO.8 Table of Contents November 1998 Vol. 3, No. 8 4 Editor’s Notebook Disney, Disney, Disney... 5 Letters: [email protected] 7 Dig This! Millions of Disney Videos! Feature Films 9 Toon Story: John Lasseter’s Animated Life Just how does one become an animation pioneer? Mike Lyons profiles the man of the hour, John Las- seter, on the eve of Pixar’s Toy Story follow-up, A Bug’s Life. 12 Disney’s The Fox and The Hound:The Coming of the Next Generation Tom Sito discusses the turmoil at Disney Feature Animation around the time The Fox and the Hound was made, marking the transition between the Old Men of the Classic Era and the newcomers of today’s ani- 1998 mation industry. 16 Lanterna Magica:The Story of a Seagull and a Studio Who Learnt To Fly Helming the Italian animation Renaissance, Lanterna Magica and director Enzo D’Alò are putting the fin- ishing touches on their next feature film, Lucky and Zorba. Chiara Magri takes us there. 20 Director and After Effects: Storyboarding Innovations on The Iron Giant Brad Bird, director of Warner Bros. Feature Animation’s The Iron Giant, discusses the latest in storyboard- ing techniques and how he applied them to the film. -
J Dging Panel & Men DAVE CAPLAN, Phd, Judge* Executive Producer
Here’s the Pitch! Judging Panel & Mentors DAVE CAPLAN, PhD, Judge* Executive Producer and co-showrunner on ABC’s The Conners, Caplan has a background in network prime- time television and feature films spanning more than 30 years. Previously he served as writer and Co-Executive Producer on the acclaimed Roseanne revival. Among shows Caplan has written and executive produced are the ‘90s cult hit Dinosaurs, The Drew Carey Show, Anger Management, Parker Lewis Can’t Lose, Rizzoli and Isles and George Lopez, for which he won the coveted Humanitas Prize for the episode “The Kidney Stays in the Picture.” Caplan holds a PhD in Media Psychology and regularly speaks at schools and universities on topics ranging from media and news literacy to audience psychology and narrative persuasion. FELISCHA MARYE, Judge Creator, co-executive producer and showrunner of Bigger, currently in its second season on BET+. The provocative original series follows a group of thirty-something college friends re- calibrating their lives. Previously a writer on Netflix’s critically acclaimed teen drama 13 Reasons Why, Marye transitioned into the entertainment industry after a successful career in public relations and integrated marketing. A former Vice President at Flowers Communications Group in Chicago, she led account teams for blue-chip brands Sears, Kmart, Unilever and Miller Brewing Company; supervised advertising and communications for multicultural markets; and developed radio, TV and print campaigns. She holds an MFA in screenwriting from UCLA. BRIAN A. MILLER, Judge* Executive producer of HBO’s newly announced adult animation comedy Fired on Mars starring Pete Davidson. Former SVP/General Manager of Cartoon Network Studios, Miller has received 39 Emmy® nominations and ten wins. -
T He Was Too Young
Volume LXXX Issue V FocusThe The Berea High School Focus Berea High School 165 East Bagley Rd. Berea, OH 44017 The Focus Staff Staff: Val Arko, Eric Babbits, Kira Byers, Christian Cervantes, Ian Editor In Chief: Walt King Dalton, Mollie Davis, Billy Davis, Nate Grandt, Chris Horner, Callie Adviser: Mrs. Marcia Roach Kho, Gabe Lopez, Wes Meadows, Kylie Mooney, McKenzie Powell, Adviser: Ms. Amy Garritano Caleb Rodgers, Breanna Ryon, Elena Santora, Kayla Scheimer, Chad Squires, Bree Svigelj, Dan White, Jordan Woods, Brian Yusko Cover by Kylie Mooney Dear Focus readers, Free clip art courtesy of: free-ex- We want to hear from you! If you have any comments, suggestions, tras.com, craized.com, office.micro- and/or concerns, please email us at [email protected]. Thank soft.com, and others as noted. you for your support and continued readership! -The Focus Staff Editorial Policy The purpose of the Berea Focus is to protect and promote tion of these refer to the Student Press free speech by creating a forum for student expression Law Center website at www.splc.org. and a positive educational environment for students. Con- Students are able to publish and tent of The Focus reflects only the views of the student staff report any topic within the bounds of and individual students and not school officials. Therefore, protected speech (so long as the re- The Focus will not be reviewed or restrained prior to pub- porters do it in a way that accurately, lication. thoroughly and completely covers the An editorial board made up of students on the staff of story.) The Focus will make all decisions of content for each issue. -
“The Spongebob Squarepants Movie”
“THE SPONGEBOB SQUAREPANTS MOVIE” Production Information Ah, the simple, quiet life of Bikini Bottom, where home is a pineapple and a Krabby Patty is always served hot and fresh just around the corner at the Krusty Krab...... But starting on November 19th, the world is going to see just how wild things can get in the underwater paradise that SpongeBob SquarePants calls home. When he and his dimwitted best friend Patrick set out on an epic quest, SpongeBob finds himself driving a sandwich on a road trip where he’ll discover new worlds, dangerous monsters, and that being a kid isn’t such a bad thing after all. Sporting a fleet of famous voice talent that includes Alec Baldwin as Dennis the hit man, Scarlett Johansson as Mindy the mermaid and Jeffrey Tambor as King Neptune, not to mention a surprise appearance by David Hasselhoff as none other than himself, “The SpongeBob SquarePants Movie” is a cleverly drawn expansion of what has become the most watched kids’ show in television history. Co-written/storyboarded by SpongeBob creator Stephen Hillenburg, and featuring the original voice talent from the beloved series, this full-length animated feature is destined to float into the collective consciousness of moviegoers of all ages. Paramount Pictures presents a Nickelodeon Movies Production in association with United Plankton Pictures, “The SpongeBob SquarePants Movie.” Produced and directed by Stephen Hillenburg, written and storyboarded by Derek Drymon & Tim Hill & Stephen Hillenburg & Kent Osborne & Aaron Springer & Paul Tibbitt, the full-length animated feature is based on a story and the series created by Stephen Hillenburg. -
Egrove July 22, 2010
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 7-22-2010 July 22, 2010 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "July 22, 2010" (2010). Daily Mississippian. 596. https://egrove.olemiss.edu/thedmonline/596 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. 1 T HURSDAY , JULY 22, 2010 | VOL . 98, NO . 70 THE DAILY this week MISSISSIPPIAN UM MUSEUM ABSTRACT WORKS OF T HE STUDENT NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI | SERVING OLE MISS AND OXFORD SINCE 1911 | WWW . THEDMONLINE . COM MARIE HULL AND ANDREW BUCCI Large freshman intake results in A vivid selection of Marie Hull’s limited upperclassmen housing colorful, energetic abstract works on paper and Andrew Bucci’s BY POINESHA BARNES refi ned, calligraphic, and organic The Daily Mississippian compositions in oil and watercolor Some upperclassmen will and Ole Miss’s new addition, comprise an exhibition on loan have to fi nd alternate housing Campus Walk, are practically at from the Mississippi Museum of Art. for the upcoming semester. capacity. Ole Miss has 4,800 new fresh- But housing offi cials say ev- Teacher and Student: Abstract men that are scheduled to live erything will work out. Works of Marie Hull and Andrew on campus for the fall 2010- “There are still a few single Bucci remains on view at the 2011 semester.