Consultation: Definition of New Music on Radio 1 and Radio 2
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270 Songs, 17.5 Hours, 1.62 GB Page 1 of 8 Name BPM Genre Rating
Page 1 of 8 WCS 270 songs, 17.5 hours, 1.62 GB Name BPM Genre Rating Artist Album Year Freezing 76 Pop Music Mozella Belle Isle (Deluxe… 2010 Thinking Out Loud 79 Pop Ballad Ed Sheeran x 2014 I'm So Miserable 83 Country Billy Ray Cyrus Some Gave All 1992 Too Darn Hot (RAC Mix) 83 R&B Ella Fitzgerald Verve Remixed: T… 2013 Feelin' Love 83 Blues Paula Cole City of Angels OST 1998 I'm Not the Only One 83 Pop Ballad Sam Smith In the Lonely Hou… 2014 Free 84 R&B Haley Reinhart Listen Up! 2012 Stompa 84 Alt Pop Serena Ryder Harmony 2012 Treat You Better 84 Pop Music Shawn Mendes Illuminate 2016 Heartbreak Road 85 Blues Rock Colin James Hearts on Fire 2015 Shape of My Heart 85 Rock Ballad Theory of a Deadman Shape of My Hear… 2017 Gold 86 Pop Music Kiiara low kii savage - EP 2015 I'm the Only One 87 Blues Rock Melissa Etheridge Yes I Am 1993 Rude Boy 87 Pop Music Rihanna Rated R 2009 Then 88 Pop Music Anne-Marie Speak Your Mind 2017 Can't Stay Alone Tonight 88 Pop-Rock Elton John The Diving Board… 2013 Vinyl (Remix) 88 Jazz-Pop Euge Groove feat. x-t.o.p. Sax S Euge Groove 2000 Wake Up Screaming 88 Country Gary Allan Used Heart For Sale 2000 Anything's Possible 88 R&B Jonny Lang Turn Around 2006 Slow Hands 88 Pop Music Niall Horan Slow Hands - Sin… 2017 Touch Of Heaven 88 Pop-Rock Richard Marx Flesh & Bone 1997 Forever Drunk 89 R&B Miss Li Beats & Bruises 2011 Let's Get Back To Bed Boy 89 R&B Sarah Connor Green Eyed Soul 2002 I Can't Stand the Rain 89 Pop-Soul Seal Soul 2008 Happy 90 R&B Ashanti Ashanti 2002 Mood For Luv 90 R&B B.B. -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
The Santa Clara, 2018-01-11
Santa Clara University Scholar Commons The aS nta Clara SCU Publications 1-11-2018 The aS nta Clara, 2018-01-11 Santa Clara University Follow this and additional works at: https://scholarcommons.scu.edu/tsc Part of the Arts and Humanities Commons, Business Commons, Education Commons, Engineering Commons, Law Commons, Life Sciences Commons, Medicine and Health Sciences Commons, Physical Sciences and Mathematics Commons, and the Social and Behavioral Sciences Commons Recommended Citation Santa Clara University, "The aS nta Clara, 2018-01-11" (2018). The Santa Clara. 57. https://scholarcommons.scu.edu/tsc/57 This Book is brought to you for free and open access by the SCU Publications at Scholar Commons. It has been accepted for inclusion in The aS nta Clara by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Thursday, January 11, 2018 WHAT’S INSIDE 5 SCENE 6 OPINION 7 SPORTS Life lessons from Revealing book Q & A with Athena Nguyen infuriates Trump Herb Sendek Malley Center Gets Facelift A Sensitive “Star Wars” The latest installment in the legendary saga proves to be worth the hype Jane Mezzino associate reporter Another “Star Wars” that’s full of explosions, intergalactic flight and alien creatures. But in “The Last Jedi,” we also see the reality of war casualties, poignant revelations about how the past affects us and scenes that beg the question of the nature of good and evil. Drawing in over one billion dollars at the box office, Rian Johnson’s film raked in more than just the title of 2017’s highest grossing film. -
Leaving a Mark on Hip-Hop: a Look Into Music and Creative Expression Jameelee Sparrow Ford Buffalo State College
E.H. Butler Library at Buffalo State College Digital Commons at Buffalo State Creative Studies Graduate Student Master's Projects International Center for Studies in Creativity 5-2009 Leaving a Mark on Hip-Hop: A Look into Music and Creative Expression Jameelee Sparrow Ford Buffalo State College To learn more about the International Center for Studies in Creativity and its educational programs, research, and resources, go to http://creativity.buffalostate.edu/. Recommended Citation Ford, Jameelee Sparrow, "Leaving a Mark on Hip-Hop: A Look into Music and Creative Expression" (2009). Creative Studies Graduate Student Master's Projects. Paper 64. Follow this and additional works at: http://digitalcommons.buffalostate.edu/creativeprojects Part of the Social and Behavioral Sciences Commons Leaving a Mark on Hip-Hop: A Look into Music and Creative Expression by Jameelee Sparrow Ford An Abstract of a Project in Creative Studies Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science May 2009 Buffalo State College State University of New York Department of Creative Studies 1 ABSTRACT OF PROJECT Leaving a Mark on Hip-Hop: A Look into Music and Creative Expression For over twenty years, Hip-Hop music has shaped the faces, feelings and attitudes of the urban community. Hip-Hop music has turned into something more than just a musical genre. It has surpassed what American society thought music could be. Hip-Hop has turned into a trend of fashion, style, communication and a way of shaping today’s younger generation. Today’s youth, have truly taken on a new aspect of creative expression. -
A Madison Wisconsin Story
EAST MEETS WEST IN MADISON: CHINESE SOPRANO POP STAR RUHAN JIA AND NEW YORK BASED ROCK BAND, EDISUN WILL PERFORM TO PROMOTE CROSS-CULTURAL COLLABORATION, MUSICAL ARTISTRY, AND INNOVATIVE TECHNOLOGY. A Madison Wisconsin Story Edisun front man, Ethan Isaac grew up in Madison, attending James Madison Memorial High School. While in high school, his first recording was with Butch Vig (producer of nirvana sonic youth smashing pumpkins, and foo fighters) at the legendary Smart Studios. Playing in various bands on the Madison music scene he often played at the once popular clubs O’caz Corral and Club de Wash. He later moved his band, Wooden, that formed in Madison Wisconsin, to NYC. They were to get involved in a much larger music market, playing clubs like CBGB’s, Irving Plaza, The Continental, and the like. After years of success in the New York music scene, with his band, Wooden, Ethan found himself in the west village, NYC, on September 11th watching the attack on the Trade Towers. Heeding the word to evacuate the NYC area, Ethan managed to escape in his truck, while moving barricades, and maneuvering through chaotic, NYC law enforced streets…. eventually he made his way to the parkway, where he reached his cabin in the Catskills. Moved by the incredible effects, and magnitude of the tragedy, Ethan wrote a song called “Into the Sunlight” which lyrically reflects his experiences on 9/11. This would change his music career dramatically. His story, and song gets national press. And is discovered by the U.S. Armed Forces Entertainment Division (AFE). -
Spotify: Incentivizing Album Creation Through "The Facebook" of Music
Spotify: Incentivizing Album Creation Through “The Facebook” of Music David von Wiegandt Introduction ..................................................................................................... 180 What is Spotify? _________ ........................................................................... 181 The Legal Environment Surrounding Spotify ................................................. 183 Licenses with Record Labels .......................................................................... 185 Licenses with Performing Rights Organizations ............................................ 187 Licenses with Other Music Distributors ......................................................... 188 Spotify and Social Norms ............................................................................... 188 Eliminating Piracy through Spotify ................................................................ 190 Artists Get Paid Very Little through Spotify .................................................. 192 A Solution: Removing the Interactive Distinction in the Statute ................... 194 Conclusion ...................................................................................................... 199 INTRODUCTION Spotify, a Swedish-based music streaming service, hit the U.S. market in July of 2011. 1 It is quickly becoming a leading music service, allowing users to choose from over 15 million songs to listen to any time they wish. 2 Unlike services like Pandora, Spotify is considered an interactive service because it provides -
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs. -
Augsome Karaoke Song List Page 1
AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co. -
Kansas City, Missouri
Music Therapy: aContinuum of Growth The 65th Anniversary of Music Therapy AMTA’s 2015 Annual Conference November 12–15, 2015 Sheraton Kansas City Hotel at Crown Center Kansas City, Missouri Program sponsored in part by: page 2 Information Subject to Change Happy Birthday, Music Therapy! elp us celebrate the 65th Hanniversary of music therapy and continue to grow its future! At this year’s conference, if you donate $25 or more to the AMTA general fund, you’ll receive a mini-watering can with a seed packet as a special 65 thank you and anniversary gift. Take it home and grow your poppies to celebrate all year. For donations less than $25, you can put your name on a flower, then add it to our growing garden in the AMTA bookstore. If you donate $65 or more, you’ll get a special commemorative desk set as a gift: a pen and letter opener with “65 Years of Music Therapy” imprinted on the side. Visit the AMTA Bookstore in the Exhibit Hall or the Conference Registration Desk to make your donation and get your anniversary gift before supplies run out! Information Subject to Change page 3 Welcome one and all... ...to the 2015 AMTA Conference AMTA President, Amy Furman, MM, MT-BC elcome to Kansas City, where together we celebrate 65 years of music therapy! This is Wan opportunity to reflect on the continuum of growth our profession has experienced over the decades. In addition, wherever you are on your continuum, I hope you will take the chance to visit with and thank those who have been part of your journey. -
(This Is) a Song for the Lonely
#1 - Nelly #1 Crush - Garbage (take Me Home) Country Roads - Toots And The Maytals (this Is) A Song For The Lonely - Cher (without You) What Do I Do With Me - Tanya Tucker 1 2 Step - Ciara Feat Missy Elliott 1 4 - Feist 1 Thing - Amerie 10,000 Nights - Alphabeat 100 Percent Chance Of Rain - Gary Morris 100 Years - Five For Fighting 1000 Miles - Vanessa Carlton 123 - Gloria Estefan 1-2-3-4 Sumpin' New - Coolio 18 & Life - Skid Row 19 And Crazy - Bomshel 19-2000 - Gorillaz 1973 - James Blunt 1973(radio Version) - James Blunt 1979 - Smashing Pumpkins 1982 - Randy Travis 1985 - Bowling For Soup 1999 - Prince 19th Nervous Breakdown - Rolling Stones 2 Become 1 - Spice Girls, The 2 Faced - Louise 2 Hearts - Kylie Minogue 21 Guns - Green Day 21 Questions - 50 Cent 24 Hours F - Next Of Kin 2-4-6-8 Motorway - Tom Robinson Band 25 Miles - Edwin Starr 25 Or 6 To 4 - Chicago 29 Nights - Danni Leigh 3 Am - Matchbox Twenty 33 (Thirty-Three) - Smashing Pumpkins 4 In The Morning - Gwen Stefani 4 Minutes - Madonna And Justin Timberlake 4 P.m. - Sukiyaki 4 Seasons Of Loneliness - Boyz Ii Men 45 - Shinedown 4ever - Veronicas, The 5 6 7 8 - Steps 5 Colours In Her Hair - Mcfly 50 50 - Lemar 500 Miles - Peter Paul And Mary 500 Miles Away From Home - Bobby Bare 5-4-3-2-1 - Manfred Mann 59th Street Bridge Song - Simon And Garfunkel 6 Soulsville U.s.a - Wilson Pickett 7 - Prince And The New Power Generation 7 Days - Craig David 7 Rooms Of Gloom - Four Tops 7 Ways - Abs 74-75 - Connells 800 Pound Jesus - Sawyer Brown 8th World Wonder - Kimberly Locke 9 To 5 - Dolly -
Lou Reed: the Life Pdf, Epub, Ebook
LOU REED: THE LIFE PDF, EPUB, EBOOK Mick Wall | 256 pages | 15 Nov 2015 | Orion Publishing Co | 9781409153047 | English | London, United Kingdom Lou Reed: The Life PDF Book The book ends, as biographies are wont to do, with the death of its subject. Entertainment Weekly. This is far from a rock hagiography. Want to Read Currently Reading Read. There's also a fairly comprehensive discography at the back, though strangely especially since a sizeable part of the book deals with the Velvets records it starts with a compilation. While I was certainly impatient, as per usual with music bios, to be finished with Lou Reed , DeCurtis, an editor and long-time contributor at Rolling Stone , is a more fluent and perceptive critic than many biographers and his observations provided a way in, for me, to some of Reed's more challenging work reading about music is so much more satisfying in the YouTube Age - I used to read about a record and then, sometimes, have to wait months or even years before actually hearing it. Retrieved October 25, He also talks about the gig we both witnessed at the Hammersmith Apollo in 79? Retrieved December 12, It was rediscovered in the s and allowed Reed to drop "Walk on the Wild Side" from his concerts. He credited Schwartz with showing him how "with the simplest language imaginable, and very short, you can accomplish the most astonishing heights. May 16, Lindsay rated it it was amazing Shelves: music. Hardcover , pages. Colossal Books. From Wikipedia, the free encyclopedia. Jazz Latin New Age.