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“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Guide to the Joseph "Wingy" Manone Papers
Guide to the Joseph "Wingy" Manone Papers This finding aid was created by Joyce Marshall on July 06, 2018. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1wc9c © 2018 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Joseph "Wingy" Manone Papers Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note ............................................................................................................................................ 3 Scope and Contents Note ................................................................................................................................ 4 Arrangement .................................................................................................................................................... 4 Administrative Information ............................................................................................................................. 4 Names and Subjects ........................................................................................................................................ 5 Collection Inventory ....................................................................................................................................... -
Red Nichols from Wikipedia, the Free Encyclopedia
Red Nichols From Wikipedia, the free encyclopedia Background information Birth name Ernest Loring "Red" Nichols the hood man Born May 8, 1905 Ogden, Utah, US Died June 28, 1965 (aged 60) The Mint Las Vegas Genres Jazz Occupation(s) Musician, bandleader, composer Instruments Cornet Associated acts California Ramblers, Paul Whiteman Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornettist, composer, and jazz bandleader. Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Leggett describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is rumored to have appeared on over 4,000 recordings during the 1920s alone." Biography Early life and career Nichols was born on May 8, 1905 in Ogden, Utah. His father was a college music professor, and Nichols was a child prodigy, because by twelve he was already playing difficult set pieces for his father's brass band. Young Nichols heard the early recordings of the Original Dixieland Jazz Band, and later those of Bix Beiderbecke, and these had a strong influence on the young cornet player. His style became polished, clean and incisive. In the early 1920s, Nichols moved to the Midwest and joined a band called The Syncopating Seven. When that band broke up he joined the Johnny Johnson Orchestra and went with it to New York City in 1923. New York would remain his base for years thereafter. In New York he met and teamed up with trombonist Miff Mole, and the two of them were inseparable for the next decade. -
Great Escape Vol. 23
THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Issue No 23 March/April 2011. Presented by: www.dixieswing.com What Took "In The Mood" So Long? BY Browser Joe Carlton The song "In The Mood" is the most requested am not familiar with the Hayes band and certainly not song that the Glenn Miller Orchestra plays. It's almost knowingly heard his rendition). always been that way. According to the John Flower Somewhere along this time, Artie Shaw took this book "Moonlight Serenade", Glenn didn't record it until song under his wing but when he played it, it was about July 28, 1939. It certainly was one of his hits that vaulted 8 minutes in length, played slowly and in a ponderous the Glenn Miller Orchestra to No. 1 on most people's manner. Not a hit by any standard. When Artie walked charts. But, this song had been around for quite a while off the bandstand during one of the times he was miffed in one form or another. with the music scene, Glenn Miller was able to employ Previously, Glenn had had an orchestra which Artie's brilliant arranger Jerry Gray. It then became broke up after playing its final date on January 2, 1938 in Jerry's task to write a proper arrangement, which he did Bridgeport, Connecticut. Glenn was disappointed but and the rest is history. "In The Mood" was reborn. still was determined to write some new arrangements Whew!! and find the right personnel for his next band. -
Radio Stations Subject to Random EEO Audit, May 2004
Radio Stations Subject to Random EEO Audit, May 2004 Call Sign Service ID # Licensee Community of License KAAA AM 55492 CAMERON BROADCASTING, INC. KINGMAN AZ KAEH FM 3727 MOON BROADCASTING RIVERSIDE, LLC BEAUMONT CA KALC FM 59601 ENTERCOM DENVER LICENSE, LLC DENVER CO KAOI-FM FM 70375 VISIONARY RELATED ENTERTAINMENT L.L.C. WAILUKU HI KARA FM 88177 EDUCATIONAL MEDIA FOUNDATION WILLIAMS CA KASM AM 33464 STARCOM, LLC ALBANY MN KATT-FM FM 8797 CITADEL BROADCASTING COMPANY OKLAHOMA CITY OK KAWC-FM FM 2757 ARIZONA WESTERN COLLEGE YUMA AZ KAYO-FM FM 33622 SOUTH SOUND BROADCASTING, LLC ELMA WA KBAL-FM FM 65315 ROY E. HENDERSON SAN SABA TX KBBZ FM 4581 BEE BROADCASTING, INC. KALISPELL MT KBDS FM 456 RADIO CAMPESINA BAKERSFIELD, INC. TAFT CA KBFI AM 54500 RADIO BONNERS FERRY, INC. BONNERS FERRY ID KBHR FM 51566 PARALLEL BROADCASTING, INC. BIG BEAR CITY CA KBJS FM 18259 EAST TEXAS MEDIA ASSOCIATION, INC. JACKSONVILLE TX KBLP FM 60727 SO. CENTRAL OKLA. B/C & ADVERTISING LINDSAY OK KBNA-FM FM 67066 TICHENOR LICENSE CORPORATION EL PASO TX KBOS-FM FM 9748 CAPSTAR TX LIMITED PARTNERSHIP TULARE CA KBRD AM 26893 SKIP MARROW LACEY WA KBSM FM 28244 IDAHO STATE BOARD OF EDUC. (B.S.U.) MCCALL ID KBUA FM 10097 LBI RADIO LICENSE CORP. SAN FERNANDO CA KBXB FM 16548 W. RUSSELL WITHERS, JR. SIKESTON MO KBZY AM 8608 CAPITAL BROADCASTING, INC. SALEM OR KCBX FM 33705 KCBX, INC. SAN LUIS OBISPO CA KCDY FM 33299 KAMQ, INC. CARLSBAD NM KCGR FM 66971 THORNTON PFLEGER, INC COTTAGE GROVE OR KCII-FM FM 71015 HOME BROADCASTING, INC. -
“In the Mood”--Glenn Miller and His Orchestra (1939) Added to the National Registry: 2004 Essay by Dennis M
“In the Mood”--Glenn Miller and His Orchestra (1939) Added to the National Registry: 2004 Essay by Dennis M. Spragg (guest post)* “The Anthem of the Swing Era” On August 1, 1939, Glenn Miller and his Orchestra recorded the Joe Garland composition “In the Mood” for RCA Bluebird records. It became a top-selling record that would be permanently associated with Miller and which has become the easily recognized “anthem of the swing era.” “In the Mood” appears to have been inspired by several earlier works from which the tune was developed. Once composed, it remained a “work in progress” until recorded by Miller. The first indication of a composition with elements resembling what would become “In the Mood” was “Clarinet Getaway,” recorded by the Jimmy O’Bryant Washboard Wonders in 1925 for Paramount records. It is matrix number P-2148 and was issued as Paramount 12287. It was paired with a tune titled “Back Alley Rub.” The recording was made by a four-piece band with Arkansas native O’Bryant playing clarinet and accompanied by a piano, cornet and washboard player. Following O’Bryant, similar themes were evident in the Wingy Manone recording of “Tar Paper Stomp.” Manone’s recording is considered the genesis of “In the Mood” by most jazz historians. The recording is by Barbeque Joe and his Hot Dogs, the name under which Manone recorded at the time. Manone recorded “Tar Paper Stomp” on August 28, 1930, for the Champion label (which was acquired by Decca in 1935). Reissues credit the record to Wingy Manone and his Orchestra. -
Inside This Issue
News DX Serving DXers since 1933 Volume 86, No. 19 ● August 23, 2019 ● (ISSN 0737-1639) Inside this issue . 2 … AM Switch 9 … Musings of the Members 12 … DX Toolbox 5 … Geomagnetic Indices 10 … Domestic DX Digest East 16 … Unreported Station List 6… Domestic DX Digest West 11 … International DX Digest 17 … GYDXA – 1490 kHz From the Board of Directors: Changes to e- years.” For more information e-mail Tim at DXN.com. [email protected] or call 414 813-7373. The National Radio Club e-DXN.com was 2019 IRCA Convention: The 2019 IRCA originally a phpBB bulletin board that over time Convention will be held on September 5, 6, and 7 required more maintenance, moderation and at the Courtyard by Marriott Seattle Southcenter, expense. We determined, and the membership 400 Andover Park West, Tukwila WA 98188. agreed, that the biggest service wanted as DX Registration is free to IRCA members, $25 to News magazine in a timely fashion without the non-members. Phone number(s) for room costs associated with the printed addition. e- reservations are 800-321-2211 or 206-575-2500. DXN.com is now a direct mailer to our You must mention International Radio Club of subscribers. These changes are effective with this America Convention to get this rate. For more issue and all e-DXN.com subscribers will be info: Mike Sanburn: [email protected]. receiving this issue’s pdf via email. Our weekly From the Publisher: Slow summer issue; look AMS and other timely updates will be for a nice big one in mid-September! distributed the same way The National Radio Club has placed all but the Membership Report most current archived DX News files on “My HQ-180AC is in mothballs, I'm thinking www.nationalradioclub.org for both our of remoting a Perseus at a friend's house out in membership and the public to enjoy. -
Time Description
Start Time Description Number-Cut Length User defined 00:00:00 TOP OF HOUR 00:00:00 RUN MACRO-ON AIR 00:00:00-E (:00)LEGAL ID 00:00:00-E (:00)Skeleton Rag 0023415-001 01:23:8 Artist - Hoosier Hot Shots 00:01:24-E (:00)utomne 0085713-001 02:17:0 Artist - Gus Viseur's Music 00:03:41-E (:00)COME TO BABY DO 0115812-001 01:34:7 Artist - KAY KYSER 00:05:16-E (:00)BROKE BUT HAPPY 0079014-001 04:05:9 Artist - LOUIS JORDAN AND HIS TYMPANY FIVE 00:09:22-E (:00)GOOD-BYE ALEXANDER (GOODBYE HONEY BOY) 0129504-001 03:02:0 Artist - WILBUR SWEATMAN'S ORIGINAL JAZZ BAND 00:12:24-E (:00)IN THE HALL OF THE MOUNTAIN KING 0134401-001 01:57:2 Artist - DEAN HUDSON ORCH 00:14:21-E (:00)GREEN ROSE HULA 0140314-001 02:08:8 Artist - GEORGE NA-O-PE w CHORUS 00:16:30-E (:00)LAST NIGHT WAS THE END OF THE WORLD (1913) 0142719-001 02:20:5 Artist - HENRY BURR 00:18:51-E (:00)SEPTEMBER SORROW 0144711-001 03:15:4 Artist - SAUTER-FINNEGAN ORCHESTRA 00:22:06-E (:00)GREEN EYES 0150701-001 02:32:6 Artist - GEORGE LIBERACE 00:24:39-E (:00)AIN'T MISBEHAVIN' 0154256-001 02:39:2 Artist - ART TATUM 00:27:18-E (:00)LIFE IS JUST A BOWL OF CHERRIES 0159002-001 02:21:1 Artist - HI-LO'S 00:29:39-E (:00)PLINK PLANK PLUNK 0047110-001 01:46:9 Artist - THE THREE SUNS 00:31:26-E (:00)A LONELY HEART KNOWS 0051406-001 03:02:9 Artist - Ernest Tubb 00:34:29-E (:00)I WILL FOLLOW HIM (JAPANESE) 0067319-001 02:19:0 Artist - PEGGY MARCH 00:36:48-E (:00)SINGEN SWINGEN 0071916-001 02:07:2 Artist - REX GILDO AND VIVI BACH 00:38:56-E (:00)Love Is The Sweetest Thing 1932 0163702-001 02:45:6 Artist - -
Music Traditional Jazz Educators Network Resources
A Traditional Jazz Style Guide by Dave Robinson Foreword For the past 25 years I have been collecting, performing, arranging, teaching, broadcasting and writing about my first musical love, TRADITIONAL JAZZ (aka dixieland, classic jazz, vintage jazz, New Orleans jazz, etc.). This music is frequently misunderstood, and even knowledgeable fans, collectors and musicians disagree on terminology and stylistic divisions. This document presents my view of the most logical stylistic categories of traditional jazz. It is presented as informed opinion, not dogma, and your commentary is welcome. It is hoped that jazz educators will find this guide useful, and that directors of youth ensembles specializing in traditional jazz will make an effort to instill in their bandmembers an understanding of and proficiency in the full spectrum of "flavors" available to them. Towards a Definition of Traditional Jazz Before dividing this pie into logical pieces, we should describe the pie itself. What is "traditional jazz"? What are the common denominators that define it? In my view, "traditional jazz" in the proper sense of the term is jazz which exhibits all or most of the following characteristics: 1) Wind instruments playing polyphonically 2) Easily discernible chord patterns 3) 2/4 or 4/4 meter 4) Instrumentation approximating the following: "FRONT LINE" (HORNS): 1. Trumpet or cornet 2. Clarinet or soprano sax 3. Trombone 4. Tenor, alto or bary sax (sometimes) --or a subset of these RHYTHM SECTION: 1. Piano 2. Banjo or guitar 3. Tuba, string bass or bass sax 4. Drums or washboard --or a subset of these 5) Pre-bop harmonies and phrasing (the earlier the musical vocabulary employed, the greater the compliance to this part of our definition) The single most distinguishing characteristic of traditional jazz is the first element above--the wind instruments playing polyphonically (a New Orleans tradition). -
IN MEMORIAM Just out of High School
Page Two KISKI MINUTES December 16, 1943 KISKI MINUTES Editor-in-Chief John Holt Record Review Library Club To Associate Editor David Martens Editorial Board Lucien Jones, Chairman Chicago Jazz Classics Continue Plays Thomas Smyth, Secretary During the last few months Moore, Chantler, McGowan, Lodge, McGuire Decca has been reissuing some Continuing the hectic program Business Manager John Thompson albums of old jazz records under of the pre-Thank’sgiving period, Staff Typist Ralph Chilcott the Md Brunswick label. Four of the Literary Club under the fan these platters, released under the atic leadership of Lucien Jones, name of Benny Goodman and His Chairman; Fritz Blatt, secretary; Boys, were made by eight boys and Jerry Holt, treasurer, stumb IN MEMORIAM just out of high school. They les weakly on. The members re were at the time (1928-29) all covering from the effects of the members of Ben Pollack’s great “Bon Ton” episode, have been band. Wingy Manone and Jimmy racking their brains out to con Mac Partland alternated on cor tinue the spasmotic entertainment. net. Glenn Miller tried vainly to The first raido play of the year, play jazz on his slip-horn, but he “Bon Ton”, seems to have been r did a good job of arranging some generally misunderstood, judging 5 .4. of the slow numbers. Benny from the casual comments and Goodman, then only eighteen years queries aroused by this “play”, old, played piano; Dick Morgan, the general effect was one of veil guitar; Harry Goodman, (Benny’s ed secrecy. The combination of brother), bass; Bob Conselman Lucien Jones, the calm vocabulary played drums on most of the rec spitting devil and Fritz Blatt, who ords, but Ray Bauduc, later te through practically the whole lat become the core of Bob Crosby’s ter part of the play was intoxicat “Bob Cats”, played on a few of ed (too many bumpers of Mois them. -
Chronological Discography
Chronological Discography arranger g guitar as alto saxophone 0 pipe organ bb brass bass (sousaphone/tuba) p piano bj banjo ss soprano saxophone bs baritone saxophone t trumpet c comet tb trombone cl clarinet ts tenor saxophone d drums v vocals db double bass vib vibraphone dir director vn violin f flute This chronological list contains most known releases on which Danny Barker plays and sings. Titles are given as they appear on the record labels. Where possible, the first issue number is given, but the complexity of subsequent reissues is such that these are not shown. In preparing the list much use has been made of the works cited in the acknowledgment section as well as Stagg and Crump: New Orleans: the Revival (Dublin, 1973). 1931 Ward Pinkett (t, v); Albert Nicholas (cO; Jack Russin (p); Danny ]une9 NewYork Barker(g);Joe Watts (db); Sam Weiss (d) Dave's Harlem Highlights 95337-1 Everything is okey-dokey (WP:v) Bluebird B-6144 Dave Nelson (1, v); Clarence Brereton (t); Melvin Herbert/Harry 95338-1 I'm on a see-saw (WP:v) Bluebird B-6130 Brown (t); Wilbur de Paris (tb); Buster Bailey (cl, as); Glyn Paque (cl, 95339-1 Red sails in the sunset (WP:v) Bluebird B-6131 as); Charles Frazier (ts); Wtryman Caroer (ts, f); Sam Allen (p); 95340-1 Tender is the night (WP:v) Bluebird B-6131 •Danny Barker (bj); Simon Marrero (bb); Gerald Hobson (iii 95341-1 I'mpaintingthetownred 69905-1 Somebody stole my gal Timely Tunes C-1587 (to hide a heart that's blue) Bluebird B-6130 69906-1 Rockin' Chair Timely Tunes C-1576 95342-1 Tap Room Special (Panama) Bluebird B-6193 69907-2 Loveless Love Timely Tunes C-1577 69908-2 St. -
530 CIAO BRAMPTON on ETHNIC AM 530 N43 35 20 W079 52 54 09-Feb
frequency callsign city format identification slogan latitude longitude last change in listing kHz d m s d m s (yy-mmm) 530 CIAO BRAMPTON ON ETHNIC AM 530 N43 35 20 W079 52 54 09-Feb 540 CBKO COAL HARBOUR BC VARIETY CBC RADIO ONE N50 36 4 W127 34 23 09-May 540 CBXQ # UCLUELET BC VARIETY CBC RADIO ONE N48 56 44 W125 33 7 16-Oct 540 CBYW WELLS BC VARIETY CBC RADIO ONE N53 6 25 W121 32 46 09-May 540 CBT GRAND FALLS NL VARIETY CBC RADIO ONE N48 57 3 W055 37 34 00-Jul 540 CBMM # SENNETERRE QC VARIETY CBC RADIO ONE N48 22 42 W077 13 28 18-Feb 540 CBK REGINA SK VARIETY CBC RADIO ONE N51 40 48 W105 26 49 00-Jul 540 WASG DAPHNE AL BLK GSPL/RELIGION N30 44 44 W088 5 40 17-Sep 540 KRXA CARMEL VALLEY CA SPANISH RELIGION EL SEMBRADOR RADIO N36 39 36 W121 32 29 14-Aug 540 KVIP REDDING CA RELIGION SRN VERY INSPIRING N40 37 25 W122 16 49 09-Dec 540 WFLF PINE HILLS FL TALK FOX NEWSRADIO 93.1 N28 22 52 W081 47 31 18-Oct 540 WDAK COLUMBUS GA NEWS/TALK FOX NEWSRADIO 540 N32 25 58 W084 57 2 13-Dec 540 KWMT FORT DODGE IA C&W FOX TRUE COUNTRY N42 29 45 W094 12 27 13-Dec 540 KMLB MONROE LA NEWS/TALK/SPORTS ABC NEWSTALK 105.7&540 N32 32 36 W092 10 45 19-Jan 540 WGOP POCOMOKE CITY MD EZL/OLDIES N38 3 11 W075 34 11 18-Oct 540 WXYG SAUK RAPIDS MN CLASSIC ROCK THE GOAT N45 36 18 W094 8 21 17-May 540 KNMX LAS VEGAS NM SPANISH VARIETY NBC K NEW MEXICO N35 34 25 W105 10 17 13-Nov 540 WBWD ISLIP NY SOUTH ASIAN BOLLY 540 N40 45 4 W073 12 52 18-Dec 540 WRGC SYLVA NC VARIETY NBC THE RIVER N35 23 35 W083 11 38 18-Jun 540 WETC # WENDELL-ZEBULON NC RELIGION EWTN DEVINE MERCY R.