The Hammond Organ in the Areas of History, Cultural Location, Improvisational Vocabularies & Performance Paradigms
The Afrological Soul of Jazz Organ Darren Heinrich Darren Heinrich The Afrological Soul of Jazz Organ Sydney Conservatorium of Music, The University of Sydney A Thesis Submitted to Fulfil Requirements for the Degree of Doctorof Philosophy Statement of Originality This is to certify that the content of this thesis is my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. This thesis has not been submitted for any degree or other purposes. Darren Heinrich 2017 i Acknowledgments The production of this research was made possible with the guidance, encouragement and support of many people. My sincere gratitude and appreciation goes out to: My wife, Carmen Yunis. My parents, Peter and Carmel Heinrich. My Supervisors: Dr. Simon Barker & Dr. Kevin Hunt. Jazz Department Faculty at Conservatorium of Music, The University of Sydney: Mr. David Theak, Mr. Craig Scott, Ms. Judy Bailey. Members of my trio: Sam Rollings and Tim Firth. My Research Methods lecturer, Associate Professor Ruth Barcan. Research trip hosts: Andy and Karla Cutting, Ricardo and Janette Miranda, Brandon Christy & Bridget Flanery, Dr. Lonnie Smith, Holly Case. The Interviewees: Joe Bagg, Larry Barris, Peter Bernstein, Wil Blades, Jason Campbell, Mike Clark, Jimmy Cobb, Michael Cuscuna, Ben Dixon, Lou Donaldson, Pete Fallico, Mike Flanigin, Bruce Forman, Ronnie Foster, Caesar Frazier, Chris Foreman, Larry Goldings, Bill Heid, Clifford Johnson, Eric John- son, Ken Karsh, Calvin Keys, Byron Landham, Mike LeDonne, Nate Lucas, Larry McGee, Tony Mona- co, Bobby Pierce, Radam Schwartz, Duck Scott, Dr. Lonnie Smith, Roger Smith, Dave Stryker, Akiko Tsuruga, Don Williams, Frank Wilson, Tyrone Young.
[Show full text]