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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Trade Mark Inter-Partes Decision O/140/07
O-140-07 TRADE MARKS ACT 1994 IN THE MATTER OF TRADE MARK APPLICATION NO. 2359948 IN THE NAME OF FRANKIE GOES TO HOLLYWOOD LTD TO REGISTER THE TRADE MARK FRANKIE GOES TO HOLLYWOOD IN CLASSES 9, 16, 25, AND 41 AND IN THE MATTER OF OPPOSITION THERETO UNDER NO. 93033 IN THE NAME OF PETER GILL, MARK O’TOOLE, PAUL RUTHERFORD AND BRIAN NASH Trade Marks Act 1994 IN THE MATTER OF trade mark application No. 2359948 in the name of Frankie Goes to Hollywood Ltd to register the trade mark Frankie Goes To Hollywood in Classes 9, 16, 25, and 41 And IN THE MATTER OF opposition thereto under no. 93033 in the name of Peter Gill, Mark O’Toole, Paul Rutherford and Brian Nash BACKGROUND 1. On 2 April 2004, Frankie Goes to Hollywood Ltd made an application to register the trade mark FRANKIE GOES TO HOLLYWOOD in Classes 9, 16, 25 and 41 in relation to the following specifications of goods and services: Class 09 Apparatus for recording, transmission or reproduction of sound or images; sound, video and/or data recording and reproducing apparatus; magnetic data carriers; electronically, magnetically or optically recorded data, sound and/or video; electrical and electronic magnetic and/or optical recording apparatus and instruments; recording discs; video tapes; audio tapes; CDs, CD-ROMs; DVDs; computer software; software downloadable from the Internet; digital music; telecommunications apparatus; mouse mats; mobile phone accessories; disc drives; sunglasses; cases for sunglasses; parts and fittings for all the aforesaid goods. Class 16 Paper, cardboard and goods made from these materials; printed matter; printed publications; periodicals; books; magazines; newspapers; newsletters; stationery; coasters; parts and fittings for all the aforesaid goods. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Not in Our Town at Seattle Men's Chorus Encore Arts Seattle
JUNE 2018 SAVE THE 50 YEARS OF BRITISH ROCK JUNE 22 & 23 McCAW HALL ARTISTIC DIRECTOR PAUL CALDWELL ARTISTIC DIRECTOR FEATURING POP SINGER, PERFORMANCE ARTIST & FINALIST FROM “AMERICA’S GOT TALENT” PAUL CALDWELL PRINCE POPPYCOCK OCTOBER 13-21 SAINT MARK’S CATHEDRAL EAP full-page template.indd 1 5/30/18 10:35 AM SOME SAY OCEANS SEPARATE US. WE BELIEVE THEY CONNECT US. At Holland America Line, we believe in the transformative power of travel. We see it every day as our guests sail the world’s seas to more than 425 ports of call. Each journey opens minds and hearts to new places, people and cultures. We come to understand and respect the things that make us different — while celebrating our shared humanity. Where will your next journey take you? CALL YOUR TRAVEL PROFESSIONAL OR 1-877-SAIL HAL, OR VISIT HOLLANDAMERICA.COM Ships’ Registry: The Netherlands FROM THE ARTISTIC DIRECTOR The Beatles started it. Early on, it might try to make our world a softer, gentler have seemed like a fad. But now it’s an era place. in music history, one that hasn’t lagged for Last month, the Seattle Men’s and 50 years. Musicologists even have a name Women’s Choruses finished up the for it: The British Invasion. This weekend, second year of a cutting edge Community the royal beat goes on, with performances Engagement Partnership with by Seattle Men’s Chorus and guest artist, Washington Middle School. Prince Poppycock. Their choral director asked us for musical Of course we all have our favorite song. -
Frankie Goes to Hollywood Liverpool Mp3, Flac, Wma
Frankie Goes To Hollywood Liverpool mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Liverpool Country: US Released: 1998 Style: Synth-pop MP3 version RAR size: 1923 mb FLAC version RAR size: 1347 mb WMA version RAR size: 1811 mb Rating: 4.7 Votes: 502 Other Formats: DTS AA WMA VOX AU APE ADX Tracklist 1 Warriors Of The Wasteland 4:58 2 Rage Hard 5:02 3 Kill The Pain 6:16 4 Maximum Joy 5:32 5 Watching The Wildlife 4:18 6 Lunar Bay 5:42 7 For Heaven's Sake 4:29 8 Is Anybody Out There? 7:25 Companies, etc. Recorded At – Wisseloord Studios Recorded At – Sarm West Studios Recorded At – Ridge Farm Studios Recorded At – Maison Rouge Credits Arranged By [Strings & Brass Arrangements] – Richard Niles Backing Vocals – Betsy Cook Backing Vocals, Other [The Moving] – Paul Rutherford Bass [The Bassing] – Mark O'Toole Design [The Liverpool Look Designed By] – Accident Drums [The Drumming] – Peter Gill Engineer [Assistant] – Heff Moraes Executive-Producer – Trevor Horn Guitar [Additional] – Stephen Lipson Guitar [The Guitaring] – Brian Nash Keyboards [Additional] – Andy Richards, Peter Vitesse*, Stephen Lipson Photography By – Anton Corbijn Producer – Steve Lipson* Technician [Technical Supervisor] – John Gaillard Vocals [The Singing] – Holly Johnson Written-By – Nash*, Johnson*, O'Toole*, Gill* Notes The Liverpool Sound recorded at Wisselood just outside Amsterdam, Sarm West Studio just outside the realms of possibility and at Ridge Farm and Maison Rouge. This compact disc can be listened to in a number of ways. 'Liverpool' is the second Frankie Goes To Hollywood compact disc album: the first was called 'Welcome To The Pleasuredome', which has a double meaning. -
Nasher Says Relax Œ Inside the Band and Beyond The
4ui6k (Read free) Nasher Says Relax – Inside the Band and Beyond the Pleasuredome (English Edition) Online [4ui6k.ebook] Nasher Says Relax – Inside the Band and Beyond the Pleasuredome (English Edition) Pdf Free Par Brian Nash audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook Détails sur le produit Rang parmi les ventes : #608059 dans eBooksPublié le: 2012-10-29Sorti le: 2012-10- 29Format: Ebook Kindle | File size: 66.Mb Par Brian Nash : Nasher Says Relax – Inside the Band and Beyond the Pleasuredome (English Edition) before purchasing it in order to gage whether or not it would be worth my time, and all praised Nasher Says Relax – Inside the Band and Beyond the Pleasuredome (English Edition): Commentaires clientsCommentaires clients les plus utiles0 internautes sur 0 ont trouvé ce commentaire utile. Une bio étonnantePar ErixoffAu départ, j'ai acheté le livre par curiosité et étant fan de Frankie.Mais j'ai ensuite réellement dévoré cette bio, Nasher n'était pas le personnage le plus en avant dans Frankie, plutôt une pièce rapportée même (ayant remplacé cousin Ged au début), et il se révele etre celui le plus les pieds sur terre dans tout ce maelstrom de succès, de déclin, de procès, de relations acromonieuses, etc ...Tour à tour marrant, touchant, attachant ... et édifiant, ca vaut vraiment le détour et donne un nouvel éclairage (de l'intérieur) sur la vie d'un groupe (qui savait jouer !) et de ses membres, et sur l'industrie du disque.Un peu comme le film Ed WOOD de Tim BURTON.Il y est aussi parfois question de football (ca m'interesse moins) ;-)0 internautes sur 0 ont trouvé ce commentaire utile.