New on Naxos | May 2014
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Vaughan Williams
VAUGHAN WILLIAMS The Lark Ascending Suite of Six Short Pieces The Solent Fantasia Jennifer Pike, Violin Sina Kloke, Piano Chamber Orchestra of New York Salvatore Di Vittorio Ralph Vaughan Williams (1872-1958): The Lark Ascending a flinty, tenebrous theme for the soloist is succeeded by an He rises and begins to round, The Solent · Fantasia for Piano and Orchestra · Suite of Six Short Pieces orchestral statement of a chorale-like melody. The rest of He drops the silver chain of sound, the work offers variants upon these initial ideas, which are Of many links without a break, rigorously developed. Various contrasting sections, In chirrup, whistle, slur and shake. Vaughan Williams’ earliest compositions, which date from The opening phrase of The Solent held a deep significance including a scherzo-like passage, are heralded by rhetorical 1895, when he left the Royal College of Music, to 1908, for the composer, who returned to it several times throughout statements from the soloist before the coda recalls the For singing till his heaven fills, the year he went to Paris to study with Ravel, reveal a his long creative life. Near the start of A Sea Symphony chorale-like theme in a virtuosic manner. ’Tis love of earth that he instils, young creative artist attempting to establish his own (begun in the same year The Solent was written), it appears Vaughan Williams’ mastery of the piano is evident in And ever winging up and up, personal musical language. He withdrew or destroyed imposingly to the line ‘And on its limitless, heaving breast, the this Fantasia and in the concerto he wrote for the Our valley is his golden cup many works from that period, with the notable exception ships’. -
T AMAKI MIURA Associate Manager: A
June 8, 1918 M U S .I CAL AMERICA ' 25 world. It is the control, the manner of singing and ease before the public that also help. When first Cotogni, my teacher, OENNARO CURCI RECALLS THE DISCOVERY OF heard ,Mme. Galli-Curci, he cried, and said, 'This takes me back to my youth; I HIS FAMED SISTER=IN=LA W-OALLI=CURCI am fifty years younger now.' It was be cause he. heard the very embodiment of his teaching-here was the ideal that during his whole career he had been striving to have his pupils reach. Has Determined to Devote "I believe that this simplicity can be First Heard Amelita Galli Sing taught best in the old methods, not by Himself to Teaching Sing in 1909-Her Triumphant the new theories. Nowadays ·our sing ers lose their voices, are capable of no ing- An Ardent Disciple of Audition at the Teatro more singing, when they are still com paratively young. Yet this was not so His Master, Cotogni - Costanzi - Has Himself in the older days of song-and this is Paramount Importance of Sung at Latter Temple of not because the voices are of less worth. It is because there is not sufficient ease Simplicity and Poise Opera with Celebrities and repose; too much tenseness, too much anxiety in the singing. "It is not my desire . to teach pupils who come to me to learn a Romanza or "CRITICISM," says Anatole France, America. We had been in Havana, two, so that they may preen themselves "is the adventure of a soul among Cuba, and were about to return to Italy, before their friends. -
Section 2 Stage Works Operas Ballets Teil 2 Bühnenwerke
SECTION 2 STAGE WORKS OPERAS BALLETS TEIL 2 BÜHNENWERKE BALLETTE 267 268 Bergh d’Albert, Eugen (1864–1932) Amram, David (b. 1930) Mister Wu The Final Ingredient Oper in drei Akten. Text von M. Karlev nach dem gleichnamigen Drama Opera in One Act, adapted from the play by Reginald Rose. Libretto by von Harry M. Vernon und Harald Owen. (Deutsch) Arnold Weinstein. (English) Opera in Three Acts. Text by M. Karlev based on the play of the same 12 Solo Voices—SATB Chorus—2.2.2.2—4.2.3.0—Timp—2Perc—Str / name by Harry M. Vernon and Harald Owen. (German) 57' Voices—3.3(III=Ca).2(II=ClEb).B-cl(Cl).3—4.3.3.1—Timp—Perc— C F Peters Corporation Hp/Cel—Str—Off-stage: 1.0.Ca.0.1—0.0.0.0—Perc(Tamb)—2Gtr—Vc / 150' Twelfth Night Heinrichshofen Opera. Text adapted from Shakespeare’s play by Joseph Papp. (English) _________________________________________________________ 13 Solo Voices—SATB Chorus—1.1.1.1—2.1.1.0—Timp—2Perc—Str C F Peters Corporation [Vocal Score/Klavierauszug EP 6691] Alberga, Eleanor (b. 1949) _________________________________________________________ Roald Dahl’s Snow White and the Seven Dwarfs Text by Roald Dahl (English) Becker, John (1886–1961) Narrator(s)—2(II=Picc).2.2(II=B-cl).1.Cbsn—4.2.2.B-tbn.1—5Perc— A Marriage with Space (Stagework No. 3) Hp—Pf—Str / 37' A Drama in colour, light and sound for solo and mass dramatisation, Peters Edition/Hinrichsen [Score/Partitur EP 7566] solo and dance group and orchestra. -
View Commencement Program
THOSE WHO EXCEL REACH THE STARS FRIDAY, MAY 10, 2019 THE RIVERSIDE CHURCH MANHATTAN SCHOOL OF MUSIC NINETY-THIRD COMMENCEMENT Processional The audience is requested to rise and remain standing during the processional. ANTHONY DILORENZO “The Golden Palace and the Steamship” from The Toymaker (b. 1967) WILLIAM WALTON Crown Imperial: Coronation March (1902–1983) (arr. J. Kreines) BRIAN BALMAGES Fanfare canzonique (b. 1975) Commencement Brass and Percussion Ensemble Kyle Ritenauer (BM ’11, MM ’15), Conductor Gustavo Leite (MM ’19), trumpet Changhyun Cha (MM ’20), trumpet Caleb Laidlaw (BM ’18, MM ’20), trumpet Sean Alexander (BM ’20), trumpet Imani Duhe (BM ’20), trumpet Matthew Beesmer (BM ’20), trumpet Olivia Pidi (MM ’19), trumpet Benjamin Lieberman (BM ’22), trumpet Kevin Newton (MM ’20), horn Jisun Oh (MM ’19), horn Eli Pandolfi (BM ’20), horn Liana Hoffman (BM ’20), horn Emma Potter (BM ’22), horn Kevin Casey (MM ’20), trombone Kenton Campbell (MM ’20), trombone Julia Dombroski (MM ’20), trombone David Farrell (MM ’20), trombone Morgan Fite (PS ’19), bass trombone Patrick Crider (MM ’19), bass trombone Mark Broschinsky (DMA ’11), euphonium Logan Reid (BM ’20), bass trombone Emerick Falta (BM ’21), tuba Brandon Figueroa (BM ’20), tuba Cooper Martell (BM ’20), percussion Hyunjung Choi (BM ’19), percussion Tae McLoughlin (BM ’20), percussion Hamza Able (BM ’20), percussion Introduction Monica Coen Christensen, Dean of Students Greetings Lorraine Gallard, Chair of the Board of Trustees James Gandre, President Presentation of Commencement Awards Laura Sametz, Member of the Musical Theatre faculty and the Board of Trustees Musical Interlude GEORGE LEWIS Artificial Life 2007 (b. 1952) Paul Mizzi (MM ’19), flute Wickliffe Simmons (MM ’19), cello Edward Forstman (MM ’19), piano Thomas Feng (MM ’19), piano Jon Clancy (MM ’19), percussion Presentation of the President’s Medal for Distinguished Service President Gandre Joyce Griggs, Executive Vice President and Provost John K. -
This Month's Other Highlights
The World’s Leading Classical Music Label APRIL 2021 This Month’s Other Highlights Marin Alsop © Adriane White Nine titles include World Premiere Recordings! All album covers and artwork PDFs are available for download on the Naxos Wiki © 2021 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.NaxosMusicGroup.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | APRIL 2021 8.506038 SRP: USD 38.99 [6 Discs] EUR 38.99 (RoW) Release Date: 7 47313 60383 1 EUR 46.99 (NXD) 09 Apr 2021 GBP 34.99 Marin Alsop Sergey PROKOFIEV (1891–1953) LISTEN Complete Symphonies Click button to listen to an extract from São Paulo Symphony Orchestra Symphony No. 3 in C minor, Op. 44: Marin Alsop III. Allegro agitato – Allegretto Sergey Prokofiev’s seven symphonies are acknowledged as one of the major cycles of the 20th century, and these recordings with Key Features: Marin Alsop and the São Paulo Symphony Orchestra have received • Marin Alsop’s achievements as a conductor have made her an widespread critical acclaim. From the crisp vitality of the youthful inspiring and powerful voice in the international music scene. ‘Classical’ Symphony to the viscerally exciting Third, the Fifth Her recordings for Naxos are too numerous to name, but this Symphony which for Prokofiev represented ‘the grandeur of the acclaimed Prokofiev symphonic cycle joins her acclaimed 8-disc human spirit’, and the deeply moving and heartfelt Sixth Symphony, set of the orchestral music of her mentor Leonard Bernstein this is an unforgettable collection crowned by the bitter-sweet (8.508018). -
New on Naxos | May 2014
NEWThe World’s ON Leading ClassicalNAXOS Music Label MAY 2014 This Month’s Other Highlights © 2014 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | MAY 2014 8.572995 Playing Time: 74:26 Eugène YSAŸE (1858–1931) Sonatas for Solo Violin, Op. 27 Tianwa Yang, Violin Eugène Ysaÿe was a towering figure in the history of the violin. He also composed a number of important works, most inspirationally the cycle of Six Sonatas for Solo Violin, which rank among the greatest and most demanding of the twentieth century. Each is dedicated to a fellow violinist and friend [indicated below], whose style of performance and musical preoccupations they reflect. Echoes of Bach are present, as are dance motifs, and virtuoso figuration, reflecting the eminence of the dedicatees. Sales Points • The solo sonatas of Ysaÿe are amongst the most challenging and important of the twentieth-century. They were written by a master violinist, one of the greatest figures of his age. Each is dedicated to a fellow violinist. They have been recorded quite a few times but the market is quite a niche one. Older players such as Shumsky have recorded the set for Nimbus whilst a younger player such as Zimmermann (EMI) has done so too. Graffin on mid-price Helios adds other Ysaÿe violin works, Tai Murray’s Harmonia Mundi set was released in 2012 and is a challenger though at a higher price bracket. Kovakos on BIS remains strongly competitive. Other violinists have picked individual sonatas for general recitals, and they are less of a challenge. -
Black History Month See Page 7 for Details
Black History Month See page 7 for details. Air Check Dear Member, The Guide The Member Magazine for February can often be a gloomy month here in famously wintery Chicago, but luckily WTTW WTTW and WFMT and WFMT always comes to the rescue with a variety of content that is entertaining, inspiring, and Renée Crown Public Media Center 5400 North Saint Louis Avenue educational. We are especially proud to bring you a wide and diverse array of content in observance of Chicago, Illinois 60625 Black History Month, including new profiles of the activist/writer Maya Angelou, congressman and Civil Rights icon John Lewis, and singer Main Switchboard Roberta Flack; a new miniseries from Dr. Henry Louis Gates, Jr. exploring (773) 583-5000 Member and Viewer Services Africa’s Great Civilizations; online, you can watch Race Underground: (773) 509-1111 x 6 American Experience, about the construction of the country’s first subway WFMT Radio Networks system and a related local web story on the forgotten history of Chicago’s (773) 279-2000 cable cars. Much more information is available on page 7. Chicago Production Center (773) 583-5000 On the entertainment front, we give you front row seats for rollicking new music shows on Soundstage; at two gala opening nights at Lyric Websites Opera (Bizet’s Carmen and Tchaikovsky’s Yevgeny Onegin) and live wttw.com wfmt.com broadcasts from our own Levin Performance Studio on WFMT; to a celebration of Mozart at New York’s Lincoln Center; to New York City Ballet President & CEO performances in Paris; to the Library of Congress as Smokey Robinson is Daniel J. -
RESPIGHI: Gli Uccelli • Trittico Botticelliano 0 NAXOS 8.573168 : 5 1
NAXOS NAXOS One of Respighi’s masterpieces, Gli uccelli (The Birds) includes transcriptions of birdsong and music of the seventeenth and eighteenth centuries in writing of evocative, captivating lyricism. Trittico botticelliano, an illustration of three paintings by Botticelli, employs dance rhythms, modal melodies and a variant of the medieval hymn Veni, Veni Emmanuel in deft, often sublime fashion. The Suite in G major, cast for strings and organ in the form of a Concerto grosso, is heard on this première recording in its original edition. RESPIGHI: DDD RESPIGHI: Ottorino 8.573168 RESPIGHI Playing Time (1879-1936) 67:00 1 Serenata, P. 54 (ed. Salvatore Di Vittorio) 4:33 Gli uccelli • Trittico botticelliano Trittico Gli uccelli • botticelliano Trittico Gli uccelli • Trittico botticelliano (Three Botticelli Pictures), P. 151 20:21 2 I. La primavera (Spring): Allegro vivace 6:00 3 II. L’adorazione dei Magi (The Adoration of the Magi): Andante lento 9:22 4 III. La nascita di Venere (The Birth of Venus): Allegro moderato 5:00 Gli uccelli (The Birds), P. 154 20:36 5 I. Preludio: Allegro moderato 3:03 6 II. La colomba (The Dove): Andante espressivo 4:38 7 III. La gallina (The Hen): Allegro vivace 2:58 8 IV. L’usignolo (The Nightingale): Andante mosso 5:32 www.naxos.com ൿ 9 V. Il cucù (The Cuckoo): Allegro 4:24 Made in the USA Booklet Notes in English & Suite in G major for strings and organ, P. 58 (ed. Salvatore Di Vittorio) * 21:30 0 I. Preludio: Moderato 5:25 Ꭿ 2014 Naxos Rights US, Inc. -
ITALIAN, PORTUGUESE, SPANISH and LATIN AMERICAN SYMPHONIES from the 19Th Century to the Present
ITALIAN, PORTUGUESE, SPANISH AND LATIN AMERICAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman FRANCO ALFANO (1876-1960, ITALY) Born in Posillipo, Naples. After studying the piano privately with Alessandro Longo, and harmony and composition with Camillo de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Majella, Naples, he attended the Leipzig Conservatory where he completed his composition studies with Salomon Jadassohn. He worked all over Europe as a touring pianist before returning to Italy where he eventually settled in San Remo. He held several academic positions: first as a teacher of composition and then director at the Liceo Musicale, Bologna, then as director of the Liceo Musicale (later Conservatory) of Turin and professor of operatic studies at the Conservatorio di San Cecilia, Rome. As a composer, he speacialized in opera but also produced ballets, orchestral, chamber, instrumental and vocal works. He is best known for having completed Puccini’s "Turandot." Symphony No. 1 in E major "Classica" (1908-10) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 2) CPO 777080 (2005) Symphony No. 2 in C major (1931-2) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 1) CPO 777080 (2005) ANTONIÓ VICTORINO D'ALMEIDA (b.1940, PORTUGAL) Born in Lisbon.. He was a student of Campos Coelho and graduated from the Superior Piano Course of the National Conservatory of Lisbon. He then studied composition with Karl Schiske at the Vienna Academy of Music. He had a successful international career as a concert pianist and has composed prolifically in various genres including: instrumental piano solos, chamber music, symphonic pieces and choral-symphonic music, songs, opera, cinematic and theater scores. -
2020 Program Book 2007 Conference Program.Qxd 1/6/2020 4:41 PM Page 1
2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 1 AlabamaAlabama MUSICMUSIC EDUCATORSEDUCATORS AssociationAssociation 2020 Professional Development Conference January 16-18, 2020 Renaissance Montgomery Hotel and Convention Center 2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 2 2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 3 Table of Contents President’s Welcome ........................................................................................................................5 Get the Mobile App...........................................................................................................................5 AMEA Governing Board and President’s Cabinet............................................................................6 AMEA Awards...................................................................................................................................7 Lobby Performance Schedule..................................................................................................7 & 33 Posters to be Presented at the HED Research Poster Session ......................................................8 Exhibit Hall Reception ......................................................................................................................8 Featured Speakers and Clinicians ...................................................................................................9 All-State Jazz Band Clinicians........................................................................................................10 -
Ottorino Respighi Concerto All’Antica Ancient Airs and Dances Suites Nos
OTTORINO RESPIGHI CONCERTO ALL’ANTICA ANCIENT AIRS AND DANCES SUITES NOS. 1–3 DAVIDE ALOGNA VIOLIN CHAMBER ORCHESTRA OF NEW YORK SALVATORE DI VITTORIO Ottorino RESPIGHI (1879–1936) Ottorino Concerto all’antica • Ancient Airs and Dances, Suites Nos. 1–3 The renowned Italian composer Ottorino Respighi as well as composition with Giuseppe Martucci RESPIGHI (Bologna, 9 July 1879 – Rome, 18 April 1936) is and musicology with Luigi Torchi – a scholar of (1879–1936) perhaps most well known for his Roman Trilogy: Early Music. Following his graduation from the Concerto all’antica, P. 75 (1908) * ......................................................................... 30:13 Fountains of Rome, Pines of Rome and Roman conservatory in 1900, Respighi travelled to Russia 1 I. Allegro ..................................................................................................................................12:47 Festivals. His compositions from the 20th century to become principal violist for the Russian Imperial 2 II. Adagio non troppo ................................................................................................................8:15 signalled the rebirth of Italian symphonic music, and Theatre Orchestra of St Petersburg for its season 3 III. Vivace – Tempo di minuetto – Tempo I ...............................................................................9:11 a restored appreciation of Renaissance and Baroque of Italian opera. During his stay, Respighi studied musical forms. His orchestral works are thus composition for five months with Rimsky-Korsakov. considered the culmination of the Italian symphonic He then returned to Bologna to earn a second Antiche danze ed arie per liuto (‘Ancient Airs and Dances’) repertoire. Of equal importance, Respighi embraced degree in composition. From 1908 to 1909 he spent Suite No. 1, P. 109 (1917) ............................................................................................ 14:46 the continuity of tradition with a love of the ancient some time performing in Germany and also studied 4 I. -
TEMPORADA 2019 • FORA DE SÉRIE 4 MÚSICA, FAUNA E FLORA CONEXÕES Ministério Da Cidadania E PROGRAMA Governo De Minas Gerais Apresentam
TEMPORADA 2019 • FORA DE SÉRIE 4 MÚSICA, FAUNA E FLORA CONEXÕES Ministério da Cidadania e PROGRAMA Governo de Minas Gerais apresentam TAKASHI YOSHIMATSU Trenodia para Toki, op. 12 GIACOMO PUCCINI / Lucas Drew Os Crisântemos OTTORINO RESPIGHI Os Pássaros • Prelúdio • A pomba • A galinha • O rouxinol • O cuco INTERVALO ALAN HOVHANESS E Deus criou as grandes baleias, op. 229, nº 1 FORA DE SÉRIE • MÚSICA, FAUNA E FLORA HEITOR VILLA-LOBOS 25 DE MAIO Floresta do Amazonas (excertos) FABIO MECHETTI, regente ALEXANDRE REZENDE FOTO: FABIO diretor artístico e MECHETTI regente titular Diretor Artístico e Regente Titular da qual hoje é Regente Emérito. Regente Associado de da Orquestra Filarmônica de Minas Mstislav Rostropovich na Orquestra Sinfônica Nacional de Gerais desde sua criação, em 2008, Washington, com ela dirigiu concertos no Kennedy Center Fabio Mechetti posicionou a orquestra e no Capitólio. Da Sinfônica de San Diego, foi Regente CAROS amigos e amigas, mineira no cenário mundial da Residente. Fez sua estreia no Carnegie Hall de Nova York música erudita. Além dos prêmios conduzindo a Sinfônica de Nova Jersey. Continua dirigindo Celebrar a natureza é algo que a em extinção no Japão, celebrar um variado aviário e conquistados, levou a Filarmônica inúmeras orquestras norte-americanas e é convidado Música busca século após século. respirar o aroma pungente de crisântemos na Itália, a quinze capitais brasileiras, a uma frequente dos festivais de verão norte-americanos, entre eles Seja para exaltar fenômenos descobrir o que as baleias têm a nos dizer e o que a turnê pela Argentina e Uruguai e os de Grant Park em Chicago e Chautauqua em Nova York.