Black History Month See Page 7 for Details
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FIRST NATIONS EXPERIENCE See Back Cover
PDF Compressor Pro Q2 3 Program Guide KENW-TV/FM Eastern New Mexico University February 2017 FIRST NATIONS EXPERIENCE See Back Cover 2 PDF Compressor Pro When to watch from A to Z listings for 3-1 are on pages 18 & 19 Channel 3-2 – February 2017 American Woodshop – Saturdays, 6:30 a.m.; Report from Santa Fe – Saturdays, 6:00 p.m. Thursdays, 11:00 a.m. Rick Steves’ Europe – Sundays, 12:00 noon (5th, 19th only); America’s Heartland – Saturdays, 6:30 p.m. Mondays, 10:30 p.m. America’s Test Kitchen – Saturdays, 7:30 a.m.; Mondays, 11:30 a.m. Rough Cut – Saturdays, 7:00 a.m. Antiques Roadshow – Sara’s Weeknight Meals – Mondays, 11:00 a.m. Mondays, 7:00 p.m./8:00 p.m. (20th, 27th only)/11:00 p.m.; Scully/The World Show – Tuesdays, 5:00 p.m. Sundays, 7:00 a.m. Second Opinion – Sundays, 6:30 a.m./6:00 p.m. Are You Being Served? Again – Saturdays, 8:00 p.m. Sewing with Nancy – Saturdays, 5:00 p.m. Ask This Old House – Saturdays, 4:00 p.m. Sit and Be Fit – Monday, Wednesday, Friday, 12:00 noon Austin City Limits – Saturdays, 9:00 p.m./12:00 midnight Song of the Mountains – Thursdays, 8:00 p.m. Barbecue University – Thursdays, 11:30 a.m Sportslook – Thursdays, 9:00 p.m. BBC Newsnight – Fridays, 5:00 p.m. Star Gazers – Wednesdays, 10:57 p.m.; Saturdays, 10:57 a.m./9:57 p.m.; BBC World News – Weekdays, 6:30 a.m./4:30 p.m. -
Jenny Lin, Pianist Website: Facebook
Photo: Liz Linder Jenny Lin, pianist Website: www.jennylin.net Facebook: www.facebook.com/jennylinpiano Soundcloud: https://soundcloud.com/jenny-lin-pianist “Bach’s presence also hovered over the featured artist of the evening, the dynamic pianist Jenny Lin, who played 5 of the 24 Preludes and Fugues by Shostakovich… On this night she was beautifully attentive to the Neo- Classical formalities and elegance of the Shostakovich works…“ The New York Times “…pianist Jenny Lin may have established herself with the most imaginatively conceived program of the year… Anyone lucky enough to have been there … will probably agree that this was a recital that will not easily be forgotten.” The San Francisco Examiner “Pianist Jenny Lin gave a recital…that was as thoughtfully conceived as it was beautifully executed. …deeply felt performances… extraordinarily satisfying evening.” The Washington Post The New Yorker Short Bio Jenny Lin is one of the most respected young pianists today, admired for her adventurous programming and charismatic stage presence. She has been acclaimed for her “remarkable technical command” and “a gift for melodic flow” by The New York Times. The Washington Post praises “Lin’s confident fingers… spectacular technique… “, “…surely one of the most interesting pianists in America right now…” and Gramophone Magazine has hailed her as “an exceptionally sensitive pianist”. Her orchestral engagements have included the American Symphony Orchestra, NDR and SWR German Radio orchestras, and Orchestra Sinfonica Nationale della RAI. Her concerts have taken her to Carnegie Hall, Avery Fisher Hall, Kennedy Center, MoMA, Stanford LIVE, and National Gallery of Art, appearing at Festivals such as Mostly Mozart, BAM’s Next Wave, Spoleto/USA, Kings Place London, Chopin Festival Austria, and Schleswig-Holstein Festival Germany. -
Culty Protest Wage Contracts BOG Passes Eastern's IOTTPEPPERS University
Eastern Illinois University The Keep September 1991 9-13-1991 Daily Eastern News: September 13, 1991 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1991_sep Recommended Citation Eastern Illinois University, "Daily Eastern News: September 13, 1991" (1991). September. 9. http://thekeep.eiu.edu/den_1991_sep/9 This is brought to you for free and open access by the 1991 at The Keep. It has been accepted for inclusion in September by an authorized administrator of The Keep. For more information, please contact [email protected]. Bard art faculty gather under the Martin Luther King J1: University Union walkway Thursday and listen to speakers before walking i~ a single file line directly through the BOG meeting. culty protest wage contracts BOG passes Eastern's IOTTPEPPERS University. ties in Illinois had been unfairly "(Contract) negotiations have excluded from early retirement f'1scal '93 budget request been slow and very unsatisfying," benefits given to other state lty and staff from Eastern By MIKE CHAMBERS said Jayne Ozier, chief negotiator employees earlier this year. Staff editor '· other four universities rep for the UPI. "We are miffed and are "We went to the (BOG) and said • Board of Gover by the Board of Governors here to show that to the (BOG)." we understand that it's a bad time ... The Board of Governors unani nors takes auditor demonstration Thursday at "The board's most recent con- so what we offered the (BOG) was mously passed a $268 million thly meeting of the BOG to tract proposals can best be to try to solve our problems over a budget request for its five univer· general's report dissatisfaction with their described as an insult," Ozier said. -
Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16
Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 1 of 137 Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 2 of 137 Exhibit A Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 3 of 137 Exhibit A1 Served via Overnight Mail Name Attention Address 1 Address 2 City State Zip Country Aastha Broadcasting Network Limited Attn: Legal Unit213 MezzanineFl Morya LandMark1 Off Link Road, Andheri (West) Mumbai 400053 IN Abs Global LTD Attn: Legal O'Hara House 3 Bermudiana Road Hamilton HM08 BM Abs-Cbn Global Limited Attn: Legal Mother Ignacia Quezon City Manila PH Aditya Jain S/O Sudhir Kumar Jain Attn: Legal 12, Printing Press Area behind Punjab Kesari Wazirpur Delhi 110035 IN AdminNacinl TelecomunicacionUruguay Complejo Torre De Telecomuniciones Guatemala 1075. Nivel 22 HojaDeEntrada 1000007292 5000009660 Montevideo CP 11800 UY Advert Bereau Company Limited Attn: Legal East Legon Ars Obojo Road Asafoatse Accra GH Africa Digital Network Limited c/o Nation Media Group Nation Centre 7th Floor Kimathi St PO Box 28753-00100 Nairobi KE Africa Media Group Limited Attn: Legal Jamhuri/Zaramo Streets Dar Es Salaam TZ Africa Mobile Network Communication Attn: Legal 2 Jide Close, Idimu Council Alimosho Lagos NG Africa Mobile Networks Cameroon Attn: Legal 131Rue1221 Entree Des Hydrocarbures Derriere Star Land Hotel Bonapriso-Douala Douala CM Africa Mobile Networks Cameroon Attn: Legal BP12153 Bonapriso Douala CM Africa Mobile Networks Gb, -
Vaughan Williams
VAUGHAN WILLIAMS The Lark Ascending Suite of Six Short Pieces The Solent Fantasia Jennifer Pike, Violin Sina Kloke, Piano Chamber Orchestra of New York Salvatore Di Vittorio Ralph Vaughan Williams (1872-1958): The Lark Ascending a flinty, tenebrous theme for the soloist is succeeded by an He rises and begins to round, The Solent · Fantasia for Piano and Orchestra · Suite of Six Short Pieces orchestral statement of a chorale-like melody. The rest of He drops the silver chain of sound, the work offers variants upon these initial ideas, which are Of many links without a break, rigorously developed. Various contrasting sections, In chirrup, whistle, slur and shake. Vaughan Williams’ earliest compositions, which date from The opening phrase of The Solent held a deep significance including a scherzo-like passage, are heralded by rhetorical 1895, when he left the Royal College of Music, to 1908, for the composer, who returned to it several times throughout statements from the soloist before the coda recalls the For singing till his heaven fills, the year he went to Paris to study with Ravel, reveal a his long creative life. Near the start of A Sea Symphony chorale-like theme in a virtuosic manner. ’Tis love of earth that he instils, young creative artist attempting to establish his own (begun in the same year The Solent was written), it appears Vaughan Williams’ mastery of the piano is evident in And ever winging up and up, personal musical language. He withdrew or destroyed imposingly to the line ‘And on its limitless, heaving breast, the this Fantasia and in the concerto he wrote for the Our valley is his golden cup many works from that period, with the notable exception ships’. -
Reason for Removal of Companies from Sample
Schedule D-6 Part 12 Page 1 of 966 Number of Companies Sheet Name Beginning Ending Reason for Removal of Companies from Sample US Screen 2585 2283 Removed all companies incorporated outside of the US Equity Screen 2283 476 Removed all companies with 2007 common equity of less than $100 million, and all companies with missing or negative common equity in Market Screen 476 458 Removed all companies with less than 60 months of market data Dividend Screen 458 298 Removed all companies with no dividend payment in any quarter of any year Trading Screen 298 297 Removed all companies whose 2007 trading volume to shares outstanding percentage was less than 5% Rating Screen 297 238 Removed all companies with non-investment grade rating from S&P, and removed all companies with a Value Line Safety Rank of 4 or 5 Beta Screen 238 91 Removed all companies with Value Line Betas of 1 or more ROE Screen 91 81 Removed those companies whose average 1996-2007 ROE was outside a range of 1 std. deviation from the average Final Set 81 81 DivQtr04-08 data on quarterly dividend payouts MktHistory data on monthly price closes Trading Volume data on 2007 trading volume and shares outstanding S&P Debt Rating data on S&P debt ratings CEQ% data on 2006 and 2007 common equity ratios ROE data on ROE for 1996-2007 ROE Check calculation for ROE Screen Schedule D-6 Part 12 Page 2 of 966 any year 1991 through 2007 Schedule D-6 Part 12 Page 3 of 966 GICS Country of Economic Incorporati Company Name Ticker SymbSector on 1‐800‐FLOWERS.COM FLWS 25 0 3CI COMPLETE COMPLIANCE CORP TCCC 20 0 3D SYSTEMS CORP TDSC 20 0 3M CO MMM 20 0 4KIDS ENTERTAINMENT INC KDE 25 0 800 TRAVEL SYSTEMS INC IFLYQ 25 0 99 CENTS ONLY STORES NDN 25 0 A. -
Verdi) De La Hija Del Bufón
DISCOS por Ingrid Haas Demuro es un Duque que suena joven, con una voz lírica de emisión un poco abierta y con tendencia a cantar todo en forte, reflejando el carácter despreocupado y vivaz del personaje. Canta un buen ‘Questa o quella’ y una muy pícara ‘La donna è mobile’, saliendo bien librado en ‘Parmi veder le lagrime’, aunque sentimos que le falta un poco de sutileza al cantar. Un poco más de elegancia en su canto hubiese dado más matices al Duque, en general, pero especialmente en su segunda aria. En su dueto con Sierra ‘È il sol dell’anima, la vita è amore’, Demuro matiza un poco más para acoplarse con la delicadeza de su Gilda. Sus agudos y sobreagudos son brillantes, un poco abiertos, pero bien timbrados. Incluye la cabaletta ‘Possente amor mi chiama’ que canta con desenfreno, culminándola con un Mi sobreagudo interpolado que se escucha muy débil. La Gilda de Nadine Sierra posee la dulzura y la fuerza que son necesarias para el papel, cantando con preciosa línea de canto sus duetos con Rigoletto y el Duque en el primer acto seguidos de un exquisito ‘Caro nome’. Su voz es puramente lírica y no es la típica voz ligera que se suele asociar con el papel RIGOLETTO (Verdi) de la hija del bufón. Se adentra en el papel desde su entrada en D. Hvorostovsky, N. Sierra, F. Demuro, O.Volkova, A. ‘Figlia!... Mio padre!’ y se acopla muy bien con el Rigoletto de Mastroni; C. Orbelian Hvorostovsky. Su voz se expande y tiene squillo, además de una Kaunas Symphony Orchestra, Men of the Kaunas State musicalidad a flor de piel. -
Mesa Arts Center Presents
MESA ARTS CENTER PRESENTS THE GERSHWIN LEGACY EDUCATOR RESOURCE GUIDE Grades 9-12 1 TABLE OF CONTENTS Curriculum Connections ………….………….…………...3 Classroom Activities & Questions ….……..…........4 Vocabulary .………………….…………...….………..…..….5 The Gershwin Brothers..…………..……….…….….…..6 Ellis Island Interactive Experience……….……..…….7 Migration Poetry Activity……………………………..….8-9 Rhapsody in Blue Reflection……………….……..…….10 Contact Info & Other Resources……...…….….....11 THE GERSHWIN LEGACY George Gershwin was the son of Russian Jewish immigrants, an American composer, painter, pia- nist, and jazz innovator. Together with his lyricist brother, Ira, the Gershwin brothers created iconic musical works that are still celebrated today. This Educator Resource Guide invites learners to research Gershwin, walk through Ellis Island, write & analyze poetry, and experience Gershwin’s music. 2 CURRICULUM CONNECTIONS THE GERSHWIN LEGACY Arizona History & Social Sciences State Standards HS.H4.2 — Explain how artistic, philosophical, and scientific ideas have developed and shaped society and institutions. HS.H4.4 — Examine how a diverse society can be a force for unity and/or disunity. HS.G3.1 — Analyze the reciprocal nature of how historical events and the diffusion of ideas, technologies, and cultural practices have influenced migration patterns and the distribution of human population. Arizona Music Theory & Composition State Standards MU.CR.1.MC.HS2a — Describe and demonstrate how sounds and musical ideas can be used to represent sonic events, memories, visual images, concepts, texts, or storylines. MU.CN.11.MC.HS2a — Analyze how context can inform the expressive intent and meaning of a musical composition. MU.CN.11.MC.HS2b — Analyze how music is affected by one’s knowledge outside the arts. Arizona English Language Arts State Standards 9-12.W.5 — Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Reportto the Community
REPORT TO THE COMMUNITY Public Broadcasting for Greater Washington FISCAL YEAR 2020 | JULY 1, 2019 – JUNE 30, 2020 Serving WETA reaches 1.6 million adults per week via local content platforms the Public Dear Friends, Now more than ever, WETA is a vital resource to audiences in Greater THE WETA MISSION in a Time Washington and around the nation. This year, with the onset of the Covid-19 is to produce and hours pandemic, our community and our country were in need. As the flagship 1,200 distribute content of of new national WETA programming public media station in the nation’s capital, WETA embraced its critical role, of Need responding with enormous determination and dynamism. We adapted quickly intellectual integrity to reinvent our work and how we achieve it, overcoming myriad challenges as and cultural merit using we pursued our mission of service. a broad range of media 4 billion minutes The American people deserved and expected information they could rely to reach audiences both of watch time on the PBS NewsHour on. WETA delivered a wealth of meaningful content via multiple media in our community and platforms. Amid the unfolding global crisis and roiling U.S. politics, our YouTube channel nationwide. We leverage acclaimed news and public affairs productions provided trusted reporting and essential context to the public. our collective resources to extend our impact. of weekly at-home learning Despite closures of local schools, children needed to keep learning. WETA 30 hours programs for local students delivered critical educational resources to our community. We significantly We will be true to our expanded our content offerings to provide access to a wide array of at-home values; and we respect learning assets — on air and online — in support of students, educators diversity of views, and families. -
Broadcasting Dec 17 Reaching Over 117,000 Readers Every Week 60Th Year 1990
Broadcasting Dec 17 Reaching over 117,000 readers every week 60th Year 1990 TELEVISION / 43 RADIO / 53 CABLE / 59 TECHNOLOGY / 73 NBC shuffles six Radio advertising Is Showtime's TOPS Cable's new technology nights; ABC reworks revenue closes in too much of risk opportunity: personal nonprime time duties on $9 million for cable MSO's? communications service Seasons Greetings from Hollywood's Winter Wonderland. A Paramount Communications Co715pany 85266 VM 3NV)IUdS 3AV 3NOOfs ZOS 3 fl V9VZN00 Jl2i V 2i 9 I l At3 S O b 0 16/030 )13A 691360AS02í06SZ66 266 1I9I0-£**M**M**M*M* SORRY "W IN ST, LOUIS ACCESS OUR ; H .. S T we. -i tifv i::.~!' ' - ;V- -u «... P:... O. M ^ 7 .f ' . ' r ú . ¡.' Ly 40. ...=. _ # :..,t.. ist .e ...,1 .., 4. -¡;r a «......... i C 1 n October, "Love Connection" established itself as the new landmark in St. Louis access. And, with re -runs, no less! Finishing #1 with Women 18 to 34 and 18 to 49. In the first week of the October book KMOV placed "Love" re -runs in access as a quick fix for a weak time period. Head -to -head with long - running access winners like "Wheel of Fortune" and "Entertainment Tonight." And, without the benefit of any pre -promotion. But, despite this up -hill battle, at the end of the October book, "Love" ranked #1 in key women demos. Imagine that. "Love Connection's" re -runs beating "Wheel" and "ET's" first -runs. In access! With key demos! Oh! By the way, in case you were wondering, the first -run episodes of "Love" stripped at 10:30PM pulled a 13 rating /31 share, beating "The Tonight Show," "Cheers," "Hard Copy" and "Star Trek: The Next Generation." Twice a day. -
View Commencement Program
THOSE WHO EXCEL REACH THE STARS FRIDAY, MAY 10, 2019 THE RIVERSIDE CHURCH MANHATTAN SCHOOL OF MUSIC NINETY-THIRD COMMENCEMENT Processional The audience is requested to rise and remain standing during the processional. ANTHONY DILORENZO “The Golden Palace and the Steamship” from The Toymaker (b. 1967) WILLIAM WALTON Crown Imperial: Coronation March (1902–1983) (arr. J. Kreines) BRIAN BALMAGES Fanfare canzonique (b. 1975) Commencement Brass and Percussion Ensemble Kyle Ritenauer (BM ’11, MM ’15), Conductor Gustavo Leite (MM ’19), trumpet Changhyun Cha (MM ’20), trumpet Caleb Laidlaw (BM ’18, MM ’20), trumpet Sean Alexander (BM ’20), trumpet Imani Duhe (BM ’20), trumpet Matthew Beesmer (BM ’20), trumpet Olivia Pidi (MM ’19), trumpet Benjamin Lieberman (BM ’22), trumpet Kevin Newton (MM ’20), horn Jisun Oh (MM ’19), horn Eli Pandolfi (BM ’20), horn Liana Hoffman (BM ’20), horn Emma Potter (BM ’22), horn Kevin Casey (MM ’20), trombone Kenton Campbell (MM ’20), trombone Julia Dombroski (MM ’20), trombone David Farrell (MM ’20), trombone Morgan Fite (PS ’19), bass trombone Patrick Crider (MM ’19), bass trombone Mark Broschinsky (DMA ’11), euphonium Logan Reid (BM ’20), bass trombone Emerick Falta (BM ’21), tuba Brandon Figueroa (BM ’20), tuba Cooper Martell (BM ’20), percussion Hyunjung Choi (BM ’19), percussion Tae McLoughlin (BM ’20), percussion Hamza Able (BM ’20), percussion Introduction Monica Coen Christensen, Dean of Students Greetings Lorraine Gallard, Chair of the Board of Trustees James Gandre, President Presentation of Commencement Awards Laura Sametz, Member of the Musical Theatre faculty and the Board of Trustees Musical Interlude GEORGE LEWIS Artificial Life 2007 (b. 1952) Paul Mizzi (MM ’19), flute Wickliffe Simmons (MM ’19), cello Edward Forstman (MM ’19), piano Thomas Feng (MM ’19), piano Jon Clancy (MM ’19), percussion Presentation of the President’s Medal for Distinguished Service President Gandre Joyce Griggs, Executive Vice President and Provost John K.